SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "English French Dutch and Italian Manner"/1) | (@(roleclean,performerclean) "English French Dutch and Italian Manner")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1969 matches on Performance Title, 1168 matches on Event Comments, 768 matches on Performance Comments, 7 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Benefit Glover. With Two new Italian Songs composed by the Author and sung by Rochetti. Receipts: money #23 1s.; tickets #76 4s. Probable attendance: boxes, 28 by money and 187 by tickets; stage, 7 by money; pit, 45 by money and 155 by tickets; slips, 4 by money; first gallery, 37 by money and 62 by tickets; second gallery, 47 by money

Performances

Mainpiece Title: Camilla

Dance: new Ball Dance-Glover, Mlle Salle; Pastoral-Glover, Newhouse, Dupre, Mrs Bullock, Mrs Ogden; Pierot Dance-Nivelon, Poitier; Moors-Glover, Poitier, Pelling, Newhouse, Mrs Bullock, Mrs Ogden, Miss Latour

Event Comment: DDaily Journal, 28 Nov.: We hear a Subscription has been compleated among the Nobility, in order to defray the Expence of a Concert twice a Week, to entertain the Ladies this Winter, the Italian Singers having refus'd to come over

Performances

Event Comment: Benefit an Italian Lady. Tickets a half guinea. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Performances

Mainpiece Title: Concert

Music: I: Overture out of Ptolomy-; Songs: Dico su questa sponda-; Svenalo traditor-; Sonata by Corelli-; Songs: Ombre piante-; Sgombra dall' Anima-; Solo for German Flute-L. Granom; II: Concerto-Castrucci; Songs: Non lo diro col Labro-; La mia speranza-; Trumpet Piece-Granom; Songs: No no my Heart , from an Italian Song out of Ptolomy-; Si Caro Si-; Concerto for Trumpets-J. Granom, L. Granom

Performance Comment: Granom; II: Concerto-Castrucci; Songs: Non lo diro col Labro-; La mia speranza-; Trumpet Piece-Granom; Songs: No no my Heart , from an Italian Song out of Ptolomy-; Si Caro Si-; Concerto for Trumpets-J. Granom, L. Granom.
Event Comment: Benefit Mrs Barbier. This is the last Benefit Mrs Barbier will have in England. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #53 9s. 6d.; tickets #74 17s. 6d

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Venus and Adonis (last Interlude)

Performance Comment: Venus-Mrs Barbier; with several of the best Italian Songs; Adonis-Mrs Seedo; Mars-Leveridge; with a Comic Ballad Scene-Mrs Cantrel, Salway.

Song: Mrs Wright, Mrs Chambers

Event Comment: Benefit Pasquale, the famous Italian Violoncello. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Music: Consisting ofSeveral Pieces [of [Pasquale's] own Making, and the other Masters-the Best Hands

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Intriguing Chambermaid

Music: A new Comic Medley Overture composed by Charke

Dance: III: By Nivelon and Miss Mann. End of Afterpiece: English Maggot by S. Lally and Mrs Walter

Performance Comment: End of Afterpiece: English Maggot by S. Lally and Mrs Walter .

Song: I: A Teneri Affeti by Mrs Cibber and Mrs Barbier. II: Was ever Nymph like Rosamond by Mrs Barbier. IV: Amelia wishes when she dies by Mrs Cibber. V: A new Favourite Italian Song by Mrs Barbier

Performance Comment: II: Was ever Nymph like Rosamond by Mrs Barbier. IV: Amelia wishes when she dies by Mrs Cibber. V: A new Favourite Italian Song by Mrs Barbier .

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Lover's Opera

Dance: I: Pierrots by Vallois and Delagarde. II: Scotch Dance by Mrs Bullock. IV: La Follette c'est Ravize by Tench and Mrs Woodward

Performance Comment: II: Scotch Dance by Mrs Bullock. IV: La Follette c'est Ravize by Tench and Mrs Woodward .

Song: III: Was ever Nymph like Rosamond by Miss Jones. V: In Italian by Mrs Chambers

Performance Comment: V: In Italian by Mrs Chambers .
Event Comment: Benefit Mrs Hamilton, and the Little Chimney-Sweepers, her Sons. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Devil to Pay

Dance: III: Pierrots by Vallois and Delagarde. V: Scotch Dance, as17350329

Song: II: Watermen's Song in Britannia by the two Masters Hamilton. IV: In Italian by Mrs Chambers

Performance Comment: IV: In Italian by Mrs Chambers .

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Standard Actor: Delane

Afterpiece Title: The Contrivances

Dance: II: La Follette c'est Ravize by Tench and Mrs Woodward. V: A new Dance by Delagarde and Mrs Bullock

Performance Comment: V: A new Dance by Delagarde and Mrs Bullock .

Song: III: A Song, called Goodman's Fields Theatre, addressed to the City, sung by Excell. IV: In Italian by Miss Jones

Performance Comment: IV: In Italian by Miss Jones .

Performances

Mainpiece Title: Henry Iv, Part I

Cast
Role: Westmoreland Actor: Moore

Afterpiece Title: The Devil to Pay

Music: IV: Solo on the Violin by Eversman

Dance: I: Scotch Dance by Mrs Woodward

Song: III: Song by Mrs Chambers. V: In Italian by Mrs Chambers

Performance Comment: V: In Italian by Mrs Chambers .

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Damon and Phillida

Song: I: A Song by Kelly. II: In Italian by Young Mr Cutting

Performance Comment: II: In Italian by Young Mr Cutting .

Performances

Mainpiece Title: Woman Is A Riddle

Cast
Role: Miranda Actor: Mrs Giffard

Afterpiece Title: The Honest Yorkshireman

Dance: V: Passacaille by Mrs Bullock

Song: II: Rise, Glory by Miss Jones. IV: In Italian by Mrs Chambers

Performance Comment: IV: In Italian by Mrs Chambers .
Event Comment: Benefit the Widow and Child of Mr Hulett

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: Essex-Giffard; Burleigh-W. Giffard; Southampton-Rosco; Raleigh-Bardin; Queen Elizabeth-Mrs Roberts; Rutland-Mrs Giffard; Nottingham-Mrs Haughton. With a New Prologue, on the Occasion, spoke by Johnson .
Cast
Role: Rutland Actor: Mrs Giffard

Afterpiece Title: The Honest Yorkshireman

Dance: I: Richmond Maggot by Le Sac and Mrs Woodward. III: A new dance by Haughton and Mrs Bullock. V: A new French Peasant by Vallois and Mrs Woodward

Performance Comment: III: A new dance by Haughton and Mrs Bullock. V: A new French Peasant by Vallois and Mrs Woodward .

Song: II: Rosy Morning by Miss Jones. IV: In Italian by Mrs Chambers

Performance Comment: IV: In Italian by Mrs Chambers .

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: Damon and Phillida

Dance: II: Scot's Dance by Mrs Bullock. IV: Richmond Maggot by Le Sac and Mrs Woodward

Performance Comment: IV: Richmond Maggot by Le Sac and Mrs Woodward .

Song: III: Song by Miss Jones. V: An Italian Song by Mrs Chambers

Performance Comment: V: An Italian Song by Mrs Chambers .
Event Comment: Benefit Aston and a Gentleman under Misfortune. Afterpiece: A new Pastoral. Written by Mr Aston

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Cleora; or, The Amorous Old Shepherdess

Dance: Hornpipe by Ferguson. Tambourine by Miss Rogers

Song: Cuckoo Solo by Master Oates. Mock Italian Song by E. Roberts

Performance Comment: Mock Italian Song by E. Roberts .
Event Comment: Benefit Neale and Vaughan. Receipts: money #8 13s.; tickets #120 10s. London Daily Post and General Advertiser, 25 May: Yesterday Mr Smith [of CG], being disorder'd in his Senses, threw himself out of his Lodging Window up two pair of Stairs near Gray's Inn . . . and ... his Life is despaired of

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Cheats of Scapin

Dance: II: Comic Ballet, as17360417 In: Tambourine by Miss Rogers. V: Glover's Sailors Dance

Song: I: By Leveridge. IV: Mock Italian Song by E. Roberts

Performance Comment: IV: Mock Italian Song by E. Roberts .
Event Comment: MMrs Pendarves, 27 Nov.: They [The king's] have Farinelli, Merighi, with no sound in her voice, but thundering action-a beauty with no other merit; and one Chimenti, a tolerable good woman with a pretty voice, and Montagnana, who roars as usual! With this band of singers, and dull Italian operas, such as you almost fall asleep at, they presume to rival Handel-who has Strada, that sings better than ever she did; Gizziello, who is much improved since last year; and Annabali, who has the best part of Senesino's voice and Caristini's, with a prodigious fine taste and good action! We have had Alcina, and Atalanta, which is acted tonight for the last night with the fireworks....Mrs Porter acts three times a week; I have made a party to go next week; she is the only support of the stage, the house is crammed whenever she acts.-Delany, Autobiography, I, 5578-79

Performances

Mainpiece Title: Atalanta

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17360826, but Sir John-Berry; Mrs Sealand-Mrs Marshall.
Cast
Role: Mrs Sealand Actor: Mrs Marshall.
Role: Sealand Actor: Milward

Afterpiece Title: The Fall of Phaeton

Cast
Role: Ballet Actor: Denoyer, Mlle Roland.

Song: the first time of her performance on that theatre, viz.the first time of her performance on that theatre, viz. In III: An Italian Song beinging Di Lor Mio-Miss Cecilia Young; III: Torna mi Vegbeggiar-Miss Cecelia Young both from the Opera of Alcina

Performance Comment: the first time of her performance on that theatre, viz. In III: An Italian Song beinging Di Lor Mio-Miss Cecilia Young; III: Torna mi Vegbeggiar-Miss Cecelia Young both from the Opera of Alcina.
Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini
Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales [who were present]. Mainpiece: Written by Beaumont and Fletcher. Afterpiece: Written by the Author of the Toy Shop. [For a letter on the disputes between the footmen and the gentlemen, see Grub St. Journal, 17 March.] [There is in the Bennett Collection, I, 93, in the Birmingham Library, an exceptionally curious advance notice for a performance to be given at Drury Lane soon after Easter of The Conscious Lovers and The Devil to Pay, with no cast for either play in the bill. The announcement appears to refer to the spring of 1737 and presumably appeared around the middle of March. It is intended for the benefit of a Widow under Misfortunes and the bill bears the heading: Gift and Pleasure. According to the announcement, the widow has been left Italian pictures, antiqees, jewels, and precious stones; and she intends, for the encouragement of her benefactors, to make a gift of all the objects, which will be placed in three hundred parcels. Tickets for the performance are advertised at five shillings, and no one is to be admitted without a ticket. The pit and boxes are to be put together at two tickets for each person, and the first and second galleries are placed together at one ticket for each spectator. The tickets are not to be left with the door-keepers as usual, but only shewn and kept. On the day following the benefit a raffle will be held, by Mr Foubert's Patent Mathematical Machine, at Hickford's Great Room in Brewers Street, Golden Square, and only holders of tickets will be admitted to the raffle, After this entry was set, an advertisement was found in the Daily Advertiser, 18 April 1738, announcing this performance for 13 May 1738. The Daily Advertiser on 5 May 1738, however, announced that the proposed performance had been cancelled.

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: Mainpiece: a new Farce of Two Acts. [Author not known. Apparently not printed.]Afterpiece: (by a Company of Singers just imported) A new Musical Burlesque of two Acts, in a Grand Oratorio. [By Henry Carey.] The Musical Connoisseurs are desir'd do take Notice, that the Company keeps up strictly to the Italian Taste, the Notes being full of Grandeur and Harmony, and the Words full of low Nonsense; and as a further Indication of his Attachment, it is so contriv'd, that two powerful Parties are already form'd to support the two beautiful Rivals, Mauxalinda and Margeria; but which of them will carry their Point, Time alone must determine. It will be deem'd a lasting Obligation to any Chronologer, in what University soever presiding, if he will communicate the precise Century Moore of Moore-Hall liv'd in, so that the Hero may be dress'd in Character; but if the Recherche should prove too laborious, it is resolv'd he shall come as near the Figure of the Divine Farinello as possible. N.B. The Dragon was intended to have charm'd the City at Stationer's Hall; but from a Punctilio very common to Singers, he insisted on exerting his Musical Faculty at the Hay-Market. Admission: 5s., 3s., 2s. 7 p.m

Performances

Mainpiece Title: The Lordly Husband

Afterpiece Title: The Dragon of Wantley

Event Comment: LLondon Daily Post and General Advertiser, 24 May: May 23, 1738. All Persons that have subscrib'd or are willing to subscribe twenty Guineas for Italian Opera to be perform'd next Season at the King's Theatre...under my Direction, are desired to send ten Guineas to Mr Drummond the Banker....and Whereas I declared I would undertake the Operas provided I can agree with the Performers, and that 200 Subscriptions are procured, and as the greatest Part ob the Subscribers have already paid the 10 Guineas; it is desired that the remaining Subscribers will be pleased to send the Money to Mr Drummond, on or before the 5th of June next....J. J. Heidegger

Performances

Mainpiece Title: La Conquista Del Vello D'oro

Event Comment: DDaily Advertiser, 26 Dec.: The New Theatre in the Hay-Market is enlarging, in order to perform Italian Opera there

Performances

Event Comment: By Desire. Mainpiece: Written by Shakespear. Receipts: #105 1s. (Account Book); #100 (Rylands MS.). [Mrs Porter received #20 for acting this night.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Royal Chace

Performance Comment: As17410219, but Dances-Desnoyer, Signora Barberini (Italian Peasants).

Music: For Macbeth, As17400926, but Vocal Parts-_Stoppelaer

Dance: For Macbeth, Dancing, as17400926, but Desse; +Tyrolean Dance-Haughton, Signora Barberini; The Swiss-Mechell, Mlle Mechell

Event Comment: Masque: By Particular Desire. The Gentlemen's Magazine for Jan. 1742 (p. 28) in an article On Two Italian Dancers comments rather fully on the Fausans' performance in Le Boufon; or the Idiot: My expectation was rais'd to the height but at their entrance on the stage, they alarm'd me by the inexpressive Agility and descriptive Action, Look and Motion, which were all performed With such mimic Variety, that I defy the most severe Cynic to say that they wou'd not at least raise in him an agreeable surprise, to see all the attitudes, Oddities and mock Gesticulations of the two Idiots, who may be suppos'd to be in Love with one another. It is not any distortion of Body or unnatural transposition of the limbs which they exhibit to the view, but the extravagant Idiotry which the passions of Love, Disdain, Joy, Resentment, would on a real occasion actuate on the personages they represent: Nor do they so manage their Dance that it is ungraceful: they take opportunities to show by actions and movements, that in their comic Humour they have an elegancy. This performance therefore, on Reflection, appear'd to me, instead of an unnatural extravaganza to be founded on the nicest Observations of Human Nature, and prove Signor and Signora to be persons of good judgment, as well as agility. Receipts: #80

Performances

Mainpiece Title: Comus

Dance: LLe Boufon-the Fausans; Le Genereux Corsaire, as17411021