SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Elizabeth Harrison"/1) | (@(roleclean,performerclean) "Elizabeth Harrison")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 519 matches on Author, 359 matches on Performance Comments, 118 matches on Event Comments, 38 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Ackman, Bullbrick, Harrison, Mrs Toogood. No Building on Stage. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Don Quixote

Dance: A Hornpipe-Harrison

Song: II: A Cantata (Composed by Dr Boyce)-Beard; III: A Cantata (Composed by Mr Stanley)-Miss Norris; IV: A Cantata (Compos'd by Arne)-Mattocks

Event Comment: Benefit for Sturt, Bulbrick, Harrison and Rooker. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Lethe

Dance: IV: A Dutch Dance, as17521125; End: A Hornpipe-Harrison

Song: II: A Song-Wilder

Event Comment: Benefit for Harrison, Sturt, Bullbrick, Rooker. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The King and the Miller

Dance: III: The Pierrot's Dance, as17540504; V: A Hornpipe-Harrison

Song: IV: Miss Thomas

Event Comment: Benefit for Ackman, Harrison, and Scrase. Tickets deliver'd by Walker will be taken. No Building on the Stage. [Genest, IV, 519, lists The Mock Doctor for the afterpiece, apparently by mistake.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: Britannia

Dance: A Hornpipe-Harrison

Ballet: TThe Prussian Camp. As17580421 but Blakes_

Event Comment: Tickets deliver'd by Davis, Mrs Heard, Miss Bassan, Stoppelear, Mrs Morris, Mrs Lawr, Widow Warnuck, Rudd, Castephens, Potter, Walters, and Mas. Harrison, also those delivered for The Conscious Lovers will be taken this night

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Syrens

Song: III: (By Particular Desire) The Soldier Tir'd of War's Alarms-Master Harrison

Dance: IV: A Minuet, Allemande-Rudd, Miss Cranfield; End: A Hornpipe-Miss Bassan

Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, where the house extraordinary full; and there was the King and Duke of York to see the new play, Queen Elizabeth's Troubles, and the History of Eighty Eight. I confess I have sucked in so much of the sad story of Queen Elizabeth, for my cradle, that I was ready to weep for her sometimes; but the play is the most ridiculous that sure ever come upon the stage; and, indeed, is merely a shew, only shews the true garbe of the Queen in those days, just as we see Queen Mary and Queen Elizabeth painted; but the play is merely a puppet play, acted by living puppets. Neither the design nor language better; and one stands by and tells us the meaning of things: only I was pleased to see Knipp dance among the milkmaids, and to hear her sing a song to Queen Elizabeth; and too see her come out in her night-gowne with no lockes on, but her bare face and hair only tied up in a knot behind; which is the comeliest dress that ever I saw her in to her advantage

Performances

Mainpiece Title: Queen Elizabeth's Troubles; And The History Of Eighty Eight

Event Comment: Oratorio: Written by Milton. Set to Music by Handel. Among the instrumental performers are Messrs Ashley andSons, Patria, Sarjant, Billington, Mahon, Boyce, Mountain, Howard, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Lyon, &c. Double Drums by J. Ashley. The whole under the direction of Harrison and Ashley. At Play-house Prices. No money to be returned. Places for the Boxes to be had of Brandon at the Theatre. The Doors to be opened at 5:30. To begin precisely at 6:30 [same throughout oratorio season]. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Books of the Performance, with the names of the performers to their respective songs, price 6d., may be had at the Theatre, and to prevent imposition in the streets, the Manager's books are printed with the following words at the bottom of each title-page, "Printed by H. Macleish, Duke's court, Drury-Lane.

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso 0

Performance Comment: Principal Vocal Parts-Harrison, Bartleman, Page, Champness, Mrs Second, Mrs Addison, Mrs Billington; Leader of the Band-G. Ashley; Organ-Knyvett.

Afterpiece Title: L'Alegro ed il Pensieroso 1

Performance Comment: First Grand Concerto-; Hence! loathed melancholy-Harrison; Hence! vain deluding joys-Mrs Billington; Come thou Goddess fair and free-Harrison; Come rather Goddess sage and holy-Mrs Billington; Haste thee nymph-Page, Chorus; Come and trip it as you go-Mrs Addison, Chorus; Come pensive nun, Come but keep thy wonted state-Mrs Billington; Join with thee calm peace-Chorus; Mirth admit me of thy crew-Mrs Second; Sweet bird-Mrs Billington; accompanied on the violin-G. Ashley; Mirth admit me of thy crew [repeated]-Bartleman; Oft on a plat of rising ground-Harrison; Let me wander not unseen-Mrs Billington; And young and old-Chorus.

Afterpiece Title: L'Allegro ed il Pensieroso

Performance Comment: Hence vain deluding joys, But O! sad virgin-Mrs Billington; Populous cities please me then-Bartleman, Chorus; There let Hymen oft appear-Mrs Second; Me when the sun, Hide me from day's garish eye-Mrs Billington; I'll to the well@trod stage anon-Page; And ever against eating cares-Mrs Second; As steals the morn upon the night-Mrs Billington, Harrison; These delights if thou canst give-Page, Chorus.

Afterpiece Title: Grand Miscellaneous Act

Performance Comment: Overture-(Ariadne); Wise men flattering-Mrs Addison (Judas Maccabaeus); Rendi il sereno-Harrison (Sosarmes); Nightingale Chorus-(Solomon); Praise the Lord-Mrs Second; accompanied on the organ-Knyvett (Esther); When storms the proud-Bartleman; O Judah! boast his matchless law-Chorus (Athalia); Let the bright seraphim-Mrs Billington; accompanied on the trumpet-Sarjant; Let their celestial concerts all unite-Chorus (Samson).
Cast
Role: Rendi il sereno Actor: Harrison
Event Comment: Benefit the Author. See also A Letter to Mr John Gay on his Tragedy call'd The Captives (1724), by Elizabeth Harrison, who attended a performance during the initial run

Performances

Mainpiece Title: The Captives

Event Comment: Benefit Miss Harrison. [Prices 4s., 2s. 6d., 1s. 6d., 1s.

Performances

Mainpiece Title: The Stratagem

Performance Comment: As17451113, but Scrub-Morgan; Bonniface-W. Hallam; Foigard-Julian; Cherry-Miss Haughton; Mrs Sullen-Miss Harrison; her third performance on the stage. Epilogue in the character of a Volunteer-Miss Harrison.

Afterpiece Title: The Devil to Pay

Dance: The two Masters Granier, Miss Granier

Event Comment: Among the Instrumental Performers are G. Ashley (leader of the Band), Sperati, Sarjant, Patria, Reinagle, C. Ashley, Boyce, Mahon, Mountain, Holmes, Lyon, Schram, Kaye, the Leanders, &c. Double Drums by J. Ashley. The Organ on Fridays by Knyvett, and on Wednesdays by Greatorex. The whole conducted by Harrison and Ashley. The Band will consist of 150 Performers. Places for the Boxes to be taken of Brandon, at the Stage Door. Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. No Money to be returned. Places may be taken in the Theatrical Orchestra at 5s. each [i.e. at the oratorios the instrumentalists sat on the stage]. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performances, with the names of the performers to their respective songs, to be had at the Theatre. And to prevent imposition in the Streets, the Managers have directed that they should be sold in the Theatre, at 6d. each

Performances

Mainpiece Title: The Messiah, Preceded By god Save The King(coronation Anthems)

Performance Comment: Principal Singers-Harrison, Sale, Griffiths, Champness, Gore, Webb, Reynoldson, Saville, Miss Poole, Miss Mahon, Miss Dall (1st appearance), Miss Cantelo, with the Choristers of His Majesty's Chapel-Royal and Westminster-Abbey.

Music: End II: a concerto on the violin-Mme Gautherot (from Paris)

Event Comment: Among the Instrumental Performers are Messrs Ashley and Sons, Patria, Sarjant, Billington, Mahon, Boyce, Mountain, J. Mahon, the Leanders, Ware, Kaye, Rawlings, Sharp, Lyon, &c. &c. &c. Double Drums by J. Ashley. The Whole under the Direction of Harrison and Ashley. No Money to be returned. Places for the Boxes to be had of Brandon at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performances, with the Names of the Performers to their respective Songs, to be had at the Theatre, Price Six-pence. And to prevent imposition in the Streets, the Manager's Books are printed with the following Words at the bottom of each Title Page: "Printed by H. Macleish, Duke's-Court, Drury-Lane.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of Handel

Performance Comment: Principal Vocal Performers-Harrison, Incledon, Griffith, Sale, Miss Poole, Mrs Piele, Mrs Billington; Leader of the Band-G. Ashley; The Organ-Knyvett.

Afterpiece Title: Grand Selection 1

Performance Comment: Part I Coronation Anthem,God save the King-; Overture-(Esther); Shall I in Mamre's fertile Plain-Sale; For all these Mercies-Chorus (Joshua); Rise Jephtha, Happy Iphis-Miss Poole; When his loud voice-Chorus (Jephtha); Total Eclipse-Harrison; O first created Beam-Chorus (Samson); Holy holy Lord-Mrs Billington (Redemption); He gave them Hailstones-Double Chorus (Israel in Egypt).
Cast
Role: Total Eclipse Actor: Harrison

Afterpiece Title: Grand Selection 2

Performance Comment: Part II Fifth Grand Concerto-; Honour and Arms-Griffith; Ye Men of Gaza-Miss Poole; Hear Jacob's God-Chorus; Justly these evils, Why does the God of Israel sleep?-Incledon; Then round about the starry Throne-Chorus (Samson); O come let us worship-Harrison (Coronation Anthems); The Mighty Power-Chorus (Athalia); O worse than Death and Angels ever bright-Mrs Billington (Theodora); Gird on thy Sword-Chorus (Saul).

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Ye Sons of Israel-Chorus (Joshua); Rendi il sereno al Ciglio-Harrison (Sosarme); O Lord in thee have I trusted-Incledon, Chorus (Te Deum); O had I Jubal's Lyre-Miss Poole (Joshua); From the censer-Chorus (Solomon); Ye sacred Priests, Farewell ye limpid springs-Mrs Billington (Jephtha); The Lord shall reign-Chorus; For the Horse of Pharaoh-Harris; The Horse and his Rider-Mrs Billington, Double Chorus (Israel in Egypt).
Event Comment: [In Afterpiece Elizabeth was originally called Miss Doiley.] Receipts: #238 (191.7.0; 44.18.0; 1.7.6; tickets not come in: 0.7.6)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: Who's the Dupe

Performance Comment: Doiley-Parsons; Sandford-R. Palmer; Granger-Barrymore; Gradus-Bannister Jun.; Elizabeth-Miss Collins; Charlotte-Mrs Williames.
Cast
Role: Elizabeth Actor: Miss Collins
Event Comment: [Mrs Siddons's 1st appearance as Queen Elizabeth was at Liverpool, 10 Sept. 1777.] Receipts: #317 9s. 6d. (334.2.6; 36.2.0; 1.2.0; ticket not come in: 0.3.0)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: As17911114, but Palmer's name listed in playbill as Richmond; Queen Elizabeth-Mrs Siddons (1st appearance in that character [in London]); Lady Anne-Miss Collins; Duchess of York-Mrs Ward.
Cast
Role: Queen Elizabeth Actor: Mrs Siddons
Role: Elizabeth Actor: Mrs Ward

Afterpiece Title: The Waterman

Event Comment: "...Richard III, which I saw performed at Drury-lane theatre at the beginning of the present season...The dresses of the characters which here make their appearance are in the usual half-and-half mode, made up from portraits of Charles I's reign, and from unrestrained fancy. Richard's habit, indeed, shews a faint hint, at the costume of his day; but how modernized! A fancy cap and feather,with a milliner's white-ribband rose, sewed thereon. A deep ruff, of that make not known until the reign of James I From the neck depends a ribband With the George: this decoration never seen in paintings till about the fashions of the abovementioned monarch's court. On his legs and feet, white silk stockings, white shoes, and red roses. These latter ornaments unknown before Elizabeth or James I's modes of dress prevailed; at any rate, they should have been white ones to have accorded with the party-badge in his cap." Writer signing himself "An Artist and an Antiquary" in Gentleman's Magazine, Apr. 1800, p. 319. Receipts: #225 16s. 6d. (178.3.6; 47.12.0; 0.1.0)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Aickin; Prince of Wales-Miss Wentworth; Duke of York-Master Chatterley; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-C. Kemble; Duke of Norfolk-Holland; Sir Richard Ratcliff-Maddocks; Sir William Catesby-Caulfield; Tressel-Surmont; Earl of Oxford-Sparks; Sir Robert Brackenbury-Trueman; Lord Stanley-Packer; Sir James Blount-Wentworth; Sir James Tyrrel-Webb; Lord Mayor-Hollingsworth; Queen Elizabeth-Mrs Powell; Lady Anne-Miss Biggs; Dutchess of York-Miss Tidswell.
Cast
Role: Queen Elizabeth Actor: Mrs Powell

Afterpiece Title: The Embarkation

Performances

Mainpiece Title: The Nobleman; Or, Family Quarrel

Related Works
Related Work: The Nobleman; or, Family Quarrel Author(s): Elizabeth Cooper

Performances

Mainpiece Title: The Platonic Wife

Related Works
Related Work: The Platonic Wife Author(s): Elizabeth Griffith

Performances

Mainpiece Title: The Platonic Wife

Related Works
Related Work: The Platonic Wife Author(s): Elizabeth Griffith

Performances

Mainpiece Title: The Platonic Wife

Related Works
Related Work: The Platonic Wife Author(s): Elizabeth Griffith

Afterpiece Title: The Fairy Tale

Dance: III: The Millers, as17650118; End: New Tambourine, as17640929

Performances

Mainpiece Title: The Platonic Wife

Related Works
Related Work: The Platonic Wife Author(s): Elizabeth Griffith

Afterpiece Title: The Fairy Tale

Dance: II: A Comic Dance, as17641213; IV: New Tambourine, as17640929

Performances

Mainpiece Title: The Platonic Wife

Related Works
Related Work: The Platonic Wife Author(s): Elizabeth Griffith

Afterpiece Title: The Lying Valet

Dance: II: A Comic Dance, as17641213; IV: The Medley, as17641120

Performances

Mainpiece Title: The Platonic Wife

Related Works
Related Work: The Platonic Wife Author(s): Elizabeth Griffith

Afterpiece Title: The Fairy Tale

Dance: II: A Comic Dance, as17641213; IV: New Tambourine, as17640929

Performances

Mainpiece Title: The Double Mistake

Related Works
Related Work: The Double Mistake Author(s): Elizabeth Griffith

Dance: III: The Village Romps, as17651019

Performances

Mainpiece Title: The Double Mistake

Related Works
Related Work: The Double Mistake Author(s): Elizabeth Griffith

Performances

Mainpiece Title: The Double Mistake

Related Works
Related Work: The Double Mistake Author(s): Elizabeth Griffith

Performances

Mainpiece Title: The Double Mistake

Related Works
Related Work: The Double Mistake Author(s): Elizabeth Griffith