SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Edward and Charles Dilly"/1) | (@(roleclean,performerclean) "Edward and Charles Dilly")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4266 matches on Author, 1745 matches on Performance Comments, 505 matches on Event Comments, 163 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Charles II entered London on this day, an event which occasioned several works of a quasi-dramatic nature. One was The Famous Tragedie of the Life and Death of Mrs Rump...As it was presented on a burning Stage at Westminster the 29th of May, 1660. It has a Prologue and Epilogue; the author is not known. A second is An Ode Upon the Happy Return of King Charles II to his Languishing Nations, May 29. 1660. This work, by James Shirley, with music by Dr Coleman, was printed in 1660, and reprinted in A Little Ark, ed. G. Thorn-Drury (1921), pp. 21-23. A third is A True Relation of the Reception of his Majestie and Conducting him through the City of London...on Tuesday the 29 of this instant May, being the Day of his Majesties Birth

Performances

Event Comment: Charles II to Madame, 10 Dec. 1663: I am just now going to see a new play (C. H. Hartmann, Charles II and Madame[1934], p. 89). The Duke's Company. W. J. Lawrence, in a review of Boswell, The Restoration Court Stage, in Modern Language Review, XXVIII (1933), 103, suggests that it was The Step-Mother which was given on this occasion. The edition of 1664 lists: The Prologue to the King at the Cockpit at White-Hall. The Epilogue to the King

Performances

Mainpiece Title: The Step Mother

Performance Comment: . Sylvanus-Sandford?; Filamor-Bettertun?; Adolph-Young?; Tetrick-Underhill?; Fromund-Price?; Crispus-Smith?; Capito-Metborn?; Gracchus-Lovell?; Sergius-Rob. Noke?; Pontia-Mrs Williams?; Caesarina-Mrs Bettertun?; Violinda-Mrs Davies?; Brianella-Mrs Long?; The Prologue to the King-; The Prologue to the Stage-; The Epilogue to the House-the Step-Mother?; The Epilogue to the King-; Instrumental Vocal Recitative Musick by Mr Lock-.
Cast
Role: Sylvanus Actor: Sandford?

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Performance Comment: Charles-Walker; Antonio-Bullock Sr; Charino-Hall; Clodio-Egleton; Manuel-Boheme; Duart-Ryan; Louisa-Mrs Bullock; Angelina-Mrs Purden; Cholerick-Spiller.
Cast
Role: Charles Actor: Walker

Dance: Lally, Pelling, Newhouse, Mrs Rogier, Mrs Bullock

Performances

Mainpiece Title: The Busie Body

Performance Comment: Charles-Mills; Sir George-Wilks Jr; Marplot-Miller; Sir Francis Francis-Norris; Sir Jealous-Shepard; Miranda-Mrs Booth; Isabinda-Mrs Younger; A new Epilogue-Miss Lindar.
Cast
Role: Charles Actor: Mills
Role: Miranda Actor: Mrs Booth

Song: Singing in Italian-Miss Lindar

Dance:

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Charles-Giffard; Cholerick-Morgan; Dismallo-Bullock; Antonio-Norris; Charino-Collett; Governor-W. Giffard; Duart-Smith; Manuel-Havard; Sancho-Rosco; Monsieur-Bardin; Angelina-Mrs Purden; Louisa-Mrs Roberts; Elvira-Mrs Hamilton.
Cast
Role: Charles Actor: Giffard

Dance: FFrench Peasant-D'Valois, Mlle D'Valois; Scot's Dance-Mrs Bullock; Sailor's Dance-Jones

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Charles-Giffard; Cholerick-Penkethman, from cg; Dismallo-Bullock; Antonio-Norris; Charino-Collet; Governor-Winstone; Duart-Bardin; Manuel-Havard; Sancho-Rosco; Monsieur-James; Angelina-Mrs Purden; Louisa-Mrs Roberts; Elvira-Mrs Hamilton.
Cast
Role: Charles Actor: Giffard

Dance: CChacone-Mrs Bullock; Sailor's Dance-Jones; Pierot and Pierate-de Vallois and Madam de Vallois; Harlequin by Master LeSac, the first time of his appearing on this stage

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Charles-Mrs Charke; Clodio-Bardin; Charino-Jones; Antonio-Dove; Duart-Lacy; Governor-Houghton; Manuel-Walker; Jacques-Whittaker; Lawyer-Machen; Sancho-Lowder; Monsieur-Simpson; Page-Master Littleton; Louisa-Mrs Mullart; Angelina-Mrs Bennet; Elvira-Mrs Morgan; Honoria-Mrs Brett; Lewis-Morgan .
Cast
Role: Charles Actor: Mrs Charke

Afterpiece Title: The Stage Mutineers

Related Works
Related Work: The Stage-Mutineers; or, A Playhouse to be Lett Author(s): Edward Phillips

Dance: Tambourine by Miss Rogers

Song: Roast Beef Song by Mullart

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Performance Comment: Charles-Hale; Clodie-Chapman; Lewis-Hippisley; Duart-Ryan; Elvira-Mrs Stevens; Antonio-Mullart; Charino-James; Manuel-Gibson; Governor-Rosco; Sancho-Woodward; Monsieur-Salway; Jaques-Stevens; Angelina-Mrs Bellamy; Honoria-Miss Burgess; Louisa-Mrs Horton.
Cast
Role: Charles Actor: Hale

Afterpiece Title: The Necromancer

Cast
Role: Shade of Leander Actor: Salway

Performances

Mainpiece Title: The Massacre Of Paris

Performance Comment: Charles IX-Hale; Duke of Guise-Ryan; Queen Mother-Mrs James; Marguerite-Mrs Hale; Admiral of France-Cashell; Antramont-Mrs Pritchard; Cardinal of Lorraine-Gibson; Duke of Anjou-Anderson; Alberto Gondi-Carr; Ligneroles-Paddick; Cavagues-Ridout; Langorain-Arthur; Queen of Navarre-Mrs Havard; Prince of Navarre-Miss Ferguson; With the Original Prologue-.
Cast
Role: Charles IX Actor: Hale
Role: Duke of Anjou Actor: Anderson

Afterpiece Title: Pyramus and Thisbe

Event Comment: At Cross and Bridges' Booth, opposite the Hospital Gate. A new Dramatick Droll...being founded on a Story in Real Life, as related in the Memoirs of the celebrated Mrs Constantia Phillips. In which will be introduc'd a New Scene of Bedlam...Interspers'd witn a Merry Interlude call'd The Jovial Tars...with the Comical Humours of Nurse Prate and Will Bowling the Jovial Tar; as also of Jack Hanspite, Nick Hatchway, and Simon Bucket, Sailors; with Mary the Chambermaid, Susan of the Dairy, Kate of the Kitchen, and Nan the Spinster. To begin each day at noon. An extraordinary band of music is provided. Prices: 1s. 6d., 1s., 6d

Performances

Mainpiece Title: The Fair Lunatick Or The Generous Sailor

Performance Comment: Charles-Holtham; Constant-Bridges; Mrs Constant-Mrs Greenwood; Peggy (the Fair Lunatick)-Miss Davies.
Cast
Role: Charles Actor: Holtham

Afterpiece Title: Modern Madness or A Touch of the Times

Afterpiece Title: The Jubilee Ball a Grand Scene

Monologue: 1749 8 24 bf I+Interlude The Jovial Jack Tars, or All Well Match'd. Nurse Prate-Mrs Cross; Mary-Mrs Daniel; Jack Bridle-Cross; Will Bowling-Clough

Dance: TThe Medley of Jokes-; the French Peasants-Master Matthews, Mrs Annesley

Event Comment: The pant: was hiss'd & Dull (Cross). Afterpiece: with new Scenes and Decorations, not acted these 4 years [see 15 Oct. 1753]. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Busy Body

Performance Comment: Charles-Havard; Sir Jealous-Berry; Busy Body-Woodward; Miranda-Miss Macklin; Sir George-Palmer; Sir Francis-Yates; Isabinda-Mrs Davies; Patch-Mrs Cross.
Cast
Role: Charles Actor: Havard
Role: Miranda Actor: Miss Macklin

Afterpiece Title: Harlequin Ranger

Event Comment: Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight the King, Queen, Princess, &c. supped at the Duke of Albemarle's, where they had the Silent Woman acted in the cockpit (HMC, 5th Report, 1876, p. 200). The King's Company. Pepys, Diary, 20 Nov. 1660: This morning I found my Lord in bed late, he having been with the King, Queen, and Princess, at the cockpit all night, where General Monk treated them; and after supper a play, where the King did put a great affront upon John? Singleton's musique, he bidding them stop and bade the French musique play, which, my Lord says, do much outdo all ours. The prologue was printed in 1660: The Prologue to His Majesty at the first Play presented at the cock-pit in Whitehall, Being part of that Noble Entertainment which Their Majesties received Novemb. 19. from his Grace the Duke of Albemarle. [The Prologue has been reprinted by Wiley, Rare Prologues and Epilogues, pp. 11-12. Bodleian Wood 398 has a MS note: By Sir Jo. Denham.

Performances

Mainpiece Title: The Silent Woman

Event Comment: Edward Gower to Sir R. Leveson, 26 Feb. 1660@1: No more plays at court after this night, and but three days this week at the playhouse (HMC, 5th Report, 1876, p. 202). Boswell (Restoration Court Stage, p. 279) accepts this as evidence that a play was acted at Court on this night. As this was Shrove Tuesday, Gower's statement may well reflect the restrictions upon plays during Lent

Performances

Event Comment: Edward Bedingfield to the Countess of Rutland, 1 Jan. 1684@5: Wee are in expectation of an opera composed by Mr Dryden, and set by Grabuche [Grabut], and so well performed at the repetition that has been made before his Majesty at the Duchess of Portsmouth's pleaseth mightily, but the rates proposed will not take soe well, for they have set the boxes at a guyny a place, and the Pitt at halfe. They advance 4,000 l. on the opera, and therefore must tax high to reimburse themselves (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 85)

Performances

Event Comment: Edward the Black Prince [announced on playbill of 20 Mar.] is obliged to be deferred on Account of the Indisposition of a principal Performer. Receipts: #139 13s. (138/3; 0/10; tickets not come in: 1/0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Harlequin Junior

Dance: End of Act III of mainpiece, as17840320End of Act IV, as17840311athi

Event Comment: Charles II had rope-dancers perform in the Hall at Whitehall. (See Boswell, Restoration Court Stage, p. 25.

Performances

Event Comment: Charles II had begun negotiations for bringing Italian players to England again. See the correspondence in HMC, 7th Report, Appendix, pp. 285, 286, 331; and L. C. 5@144, p. 407, in Boswell, Restoration Court Stage, p. 61. See also HMC, 7th Report, p. 288 (1 May 168O) and Boswell, Restoration Court Stage, p. 125

Performances

Event Comment: The King's Company. This play may also have been given on Tuesday 19 May. Pepys, Diary: To the King's playhouse, and saw The Mulberry-Garden again, and cannot be reconciled to it, but only to find here and there an independent sentence of wit, and that is all

Performances

Mainpiece Title: The Mulberry Garden

Related Works
Related Work: The Mulberry Garden Author(s): Sir Charles Sedley

Performances

Mainpiece Title: The Mulberry Garden

Related Works
Related Work: The Mulberry Garden Author(s): Sir Charles Sedley

Performances

Mainpiece Title: Antony And Cleopatra

Performance Comment: Edition of 1677: Prologue-; Caesar-Smith; Agrippa-Jevon; Mecaenas-Harris; Lucilius-Norris; Thyreus-Crosby; Antony-Betterton; Canidius-Medburn; Photinus-Sandford; Memnon-Percivall; Chilaz-Gillow; Cleopatra-Mrs Mary Lee; Octavia-Mrs Betterton; Iras-Mrs Gibbs; Charmion-Mrs Hughes; Epilogue-.
Cast
Role: Photinus Actor: Sandford
Related Works
Related Work: Antony and Cleopatra Author(s): Sir Charles Sedley

Performances

Mainpiece Title: Antony And Cleopatra

Related Works
Related Work: Antony and Cleopatra Author(s): Sir Charles Sedley
Event Comment: The Duke's Company. The Diary of Robert Hooke: Grace and Tom at Play Antony and Cleopatra

Performances

Mainpiece Title: Antony And Cleopatra

Related Works
Related Work: Antony and Cleopatra Author(s): Sir Charles Sedley
Event Comment: This Play tho' all new dress'd and had Fine Scenes did not seem to give ye audience any great plasure, or draw any applause (Cross). Written by Shakespear. Never Acted there. New Habits, Scenes, and Decorations. Nothing under Full Prices will be taken during the Performance. No Gentleman can possibly be admitted behind the Scenes, or into the Orchestra on account of the Music, Decorations, and number of Performers which are necessary to the Representation (playbill). [See "Garrick's Presentation of Antony and Cleopatra," RES, Jan. 1937. The following characters appear in Capel's acting text, 23 Oct. 1958, Maecenas-Atkins; Proculeius-$Austin; Soothsayer-$Burton; Mardian-$Perry; Seleucas-$Burton.] Receipts: #200 ($Cross); #193 14s. (Winston MS 8)

Performances

Mainpiece Title: Antony And Cleopatra

Performance Comment: Antony-Garrick; Enobarbus-Berry; Pompey-Havard; Eros-Davies; Diomede-Bransby; Agrippa-Packer; Canidius-Austin; Alexas-Ackman; Menas-Burton; Dercetas-Reinhold; Officer-Scrase; Octavius Caesar-Fleetwood; Lepidus-Blakes; Thyreus-Holland; Dolabella-Mozeen; Octavia-Mrs Glen; Charmion-Mrs Hippisley; Iras-Miss Mills; Cleopatra-Mrs Yates; The Bacchanalian Song-Beard, Champnes.
Cast
Role: Thyreus Actor: Holland
Related Works
Related Work: Antony and Cleopatra Author(s): Sir Charles Sedley

Performances

Mainpiece Title: Antony And Cleopatra

Cast
Role: Thyreus Actor: Holland
Related Works
Related Work: Antony and Cleopatra Author(s): Sir Charles Sedley

Performances

Mainpiece Title: Antony And Cleopatra

Cast
Role: Thyreus Actor: Holland
Related Works
Related Work: Antony and Cleopatra Author(s): Sir Charles Sedley