SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Edward Griffin"/1) | (@(roleclean,performerclean) "Edward Griffin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1127 matches on Performance Comments, 965 matches on Author, 254 matches on Event Comments, 78 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: According to Sir Edward Smith's bill--see Hotson, Commonwealth and Restoration Stage, p. 308--Rich's Company acted 161 days from 6 Oct. 1697 to 19 May 1698, 41 days from that date to 10 July 1698, and the young actors played 24 days from 10 July 1698 to 10 Oct. 1698

Performances

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's Company acted 209 times from 9 Oct. 1698 to 9 July 1699, after which the young actors performed 27 times from 9 July 1699 to 10 Oct. 1699

Performances

Event Comment: Post Boy, 11 May 1699: A Consort of New Vocal and Instrumental Musick, for the Benefit of Mr Edward Keene, who was the first Promoter of the Musical Entertainments in Sommerset House Garden

Performances

Mainpiece Title: Concert

Event Comment: According to Sir Edward Smith's bill (see Hotson, Commonwealth and Restoration Stage, p. 308) Rich's company acted 218 times between 6 Oct. 1699 and 26 July 1700, and the young actors played 15 times from 26 July 1700 to 12 Oct. 1700

Performances

Event Comment: Post Boy, 16-19 March 1700: In York Buildings, this present Tuesday, being the 19th of this Instant March, will be perform'd a Consort of Vocal and Instrumental Musick, for the Benefit of Mr Edward Keene, beginning at the usual hour. Prices 2s. 6d. Those Persons that have already any of his Tickets dated the 20th are desired to take Notice that the Performance will be this day, and not as the Tickets are dated

Performances

Mainpiece Title: Concert

Event Comment: Not Acted these Three Years. At the Desire of several Ladies of Quality. Containing the Distresses and Deathv of King Henry the Sixth; the Murther of Young King Edward the Fifth, and his Brother, in the Tower; with the Landingv of the Earl of Richmond, and the Memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster

Performances

Mainpiece Title: The Tragical History Of King Richard The Third

Event Comment: Containing the Distresses and Death of King Henry the Sixth; the Murther of Young King Edward the Fifth, and his Brother, in the Tower; with the Landing of the Earl of Richmond, and the Memorable Battle of Bosworth Fieldv, being the last that was fought between the Houses of York and Lancaster

Performances

Mainpiece Title: The Tragical History Of King Richard The Third

Event Comment: By His Royal Highness's Command. According to the Original Weekly Journal 26 April the Prince was present, but Edward Harley Jr writing to Abigail Harley on 6 May stated: The P..., not long ago, bespoke at the Old Playhouse, a play called the Indian Emperor. The K...hearing of it, sent to the players to tell them that if the P...came, and they acted that play, he would turn them out of his service, which message they sent to the P..., who had the good sense not to come, so the Indian Emperor was acted.-Portland MS, V, 560

Performances

Mainpiece Title: The Indian Emperour

Dance: Serious and Comic Dancing-

Event Comment: At Mr Penkethman's and Mr Miller's Booth, at the Horns-Inn at Pye Corner, entering into Smithfield. A Celebrated Droll, Shewing the Pomp and Grandeur she lived in King Edward the IVth's Time, and the Misery she fell into upon Richard Duke of Gloucester's being made Protector. How she was oblig'd to do Penance in a white Sheet, carrying a lighted Torch bare Foot thro' the City, and then turn'd out to Starve; as also how she wandering met with her Husband, and the Tragick End of them Both. With the comical and diverting Humours of Sir Anthony Noodle, a foolish Courtier, and his Man Weezel

Performances

Mainpiece Title: Jane Shore

Song:

Dance:

Event Comment: Benefit Edward Lally. At the Desire of several Ladies of Qulity. Pit and Boxes together at 5s. Gallery Box 3s. Gallery 2s. Receipts: money #14 15s.; tickets #140 19s

Performances

Mainpiece Title: The Island Princess

Dance:

Event Comment: Benefit Edward Lally. Receipts: money #29 18s. 6d.; tickets #137 13s

Performances

Mainpiece Title: King Henry The Ivth, Part I

Song: Leveridge, Mrs Chambers

Dance: DuPre, Lally, Pelling, Mrs Laguerre, Mrs Wall, Mrs Ogden; particularly a new Polonese-Lally, Mrs Wall; Myrtillo-

Event Comment: Receipts: #170 9s. 6d. Probable attendance: boxes, 236 paid; stage, 44 paid; balcony, 2 paid; Pit, 290 Paid and 3 orders; slips, 47 paid and 1 order; first gallery, 419 paid and 1 order; second gallery, 189 paid. For a comment on the play by Thomas Edwards, see V. M. Gilbert, Unrecorded Comments on John Gay, Henry Travers, and Others, Notes and Queries, August 1953, pp. 337-38

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: [By Ebenezer Forrest.] By Command of His Royal Highness. After the Manner of the Beggar's Opera. All the Habits and Scenes entirely New. Receipts: #161 18s. 6d. [For a comment on this performance, see Thomas Edwards to John Clerke, "Unrecorded Comments on John Gay, Henry Travers, and Others", N & Q (August 1953), p. 338.

Performances

Mainpiece Title: Momus Turn'd Fabulist; Or, Vulcan's Wedding

Event Comment: Benefit Edward Giles. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Devil to Pay

Event Comment: Benefit Roberts and Jones. Afterpiece: A New Ballad Opera of one Act [by Edward Phillips]. [For a puff of the afterpiece, see Daily Advertiser, 25 April, and Daily Post, 2 May.

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Afterpiece Title: The Livery Rake; or, The Intriguing Servants

Dance: I: Drunken Peasant-LeBrun; II: Saraband, Minuet-Lally Jr, Miss Mears; IV: English Maggot-Haughton, Mrs Walter; V: The Watteau-Miss Robinson; End of Afterpiece: Bartholomew Fair-F. Tench, Mrs Delorme

Event Comment: Benefit Dove, Morris, World, Edward Giffard. Tickets for The Provoked Husband taken. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Mock Doctor

Dance: SScot's Dance-Mrs Bullock; Pierrot and Pierraite-deVallois, J. Delagarde; Friendly Lasses-Miss Wherrit, Miss Sandham; Masquerade Dance-

Song: Excell

Event Comment: Benefit Nicholls, Ayres, and Edward Giffard, Numberer

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Flora

Dance: IV: Pastoral by Mrs Bullock. V: La Follette c'est Ravizee by Tench and Mrs Woodward

Song: II: old Anacreon (composed by Leveridge) sung by Nicholls in the Character of an Old Man. III: Waterman's Song, as17350502

Event Comment: Mainpiece: Written by the late Mr Dryden. [Tickets given out by Topham, Ravenscroft, and Edward Giffard taken.]

Performances

Mainpiece Title: King Arthur

Afterpiece Title: The Honest Yorkshireman

Event Comment: LLondon Daily Post and General Advertiser, 16 Sept.: To be Sold. The Lease (having upwards of 50 Years to come) of the late Theatre in Goodman's-Fields. Enquire of Mr Edward Shepherd, at his House in Audley-street, Grosvenor-Square

Performances

Event Comment: Benefit Chapman [who states that he is in danger of losing vision in one eye. Tickets at Chapman's House, the Corner of Bow Street cg.] London Daily Post and General Advertiser, 27 March: Last Week died, after a most tedious and expensive Illness, at Chelsea, Mrs Laguerre, formerly a celebrated Dancer on the Stage. Daily Post, 29 March: During the Rehearsal [on 27 March], of a new Tragedy, written by Mr Thompson, call'd Edward and Eleonora, (which was to have been acted on this Day) he receiv'd, to his great Surprise, a Message from the Lord Chamberlain, absolutely forbidding the acting of the said Play. No Objection having been made to the Whole or any Part of it, we must conclude it was consider'd as immoral or seditious

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Manor

Afterpiece Title: Damon and Phillida

Dance: GGrand Ballet-Glover, Mlle Roland; Two Pierots-Lalauze, Desse; Comic Dance-Villeneuve, Miss Oates

Event Comment: Benefit Leviez, Edwards, Beckham

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequin Shipwreck'd

Dance: I: Miller's Dance-Master Ferg, Miss Morrison; II: Drunken Peasant-Master Ferg; III: French Peasants-Leviez, Mrs Walter; IV: Tambourine-Mlle Chateauneuf

Event Comment: As 10 Dec. 1740. [For a discussion of recent Shakespearean performances, see Thomas Edwards to Richard Owen Cambridge, 31 January 1740@41 in Bodleian MS. 1009, pp. 140-41.

Performances

Mainpiece Title: Comus

Dance: LLes Masons & Les Sabotiers-Fausan, Signora Fausan; Les Matelotes-Fausan, Signora Fausan

Event Comment: Benefit Edwards, Fenn, Fulwood, Fuller

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Mock Doctor

Song: I: Blow Blow-Lowe; IV: The Noon@Tide Air-Lowe; V: Revenge Timotheus Cries (a favourite song in Alexander's Feast)-Savage

Dance: II: Minuet-Liviez, Miss Story; III: Le Matelote Tambourine-Maltere, Mlle Maltere

Music: IV: The March in Zara-; end Afterpiece: Preamble on Kettle Drum-Jo. Woodbridge

Event Comment: Benefit Miss Hippisley. Tickets to be had at the Fleece Tavern; and at Edward Giffard's, Box-keeper, at the Stage Door of the Theatre, Stage form'd into Amphitheatre, etc

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Afterpiece Title: The Lying Valet

Dance: TThe Leek, as17420224

Event Comment: Benefit Page. 2s. 6d., 1s. 6d., 1s. Tickets at Mr Edward Pinchbeck's@Toyshop in Fleet Street. Places for the Boxes to be taken at the Lancashire Witch opposite the Theatre

Performances

Mainpiece Title: As You Like It