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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Earl of Egmont"/1) | (@(roleclean,performerclean) "Earl of Egmont")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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544 results for: Keyword - Earl of Egmont
We found 240 matches on Performance Title, 143 matches on Performance Comments, 143 matches on Event Comments, 48 matches on Author, and 0 matches on Roles/Actors.

301
01 January 1746 @ Covent Garden

Performances

Mainpiece Title: Henry V

Related Works
Related Work: Henry V Author(s): Roger Boyle, Earl of Orrery

Afterpiece Title: The Royal Chace

302
06 March 1746 @ Covent Garden

Performances

Mainpiece Title: Henry V

Related Works
Related Work: Henry V Author(s): Roger Boyle, Earl of Orrery

Afterpiece Title: Phebe

Dance: DDrunken Tyrolese-Sodi; New Comic Ballet (never performed) call'd The Italian Peasants-Cooke, Sga Campioni, Sodi

303
21 February 1795 @ Covent Garden

Performances

Mainpiece Title: England Preserv'd

Performance Comment: Principal Characters by Holman, Pope, Farren, Harley, Middleton, Davies, Macready, Hull, Haymes, Richardson, Powel, Claremont, Thompson, Williamson, Miss Wallis. [Cast from text (T. N. Longman, 1795), and European Magazine, Mar. 1795, p. 197: Earl of Surrey-Holman; Earl of Pembroke-Pope; Earl of Chester-Farren; French Prince-Harley; Earl William Mareschal-Middleton; Earl of Lincoln-Davies; English Knight-Macready; Bishop of Winchester-Hull; Comte de Nevers-Haymes; Lord Robert Fitzwalter-Richardson; French Guard-Powel; Viscomte de Beaumont-Claremont; Heralds-Thompson, Williamson; John Plantaganet-Miss Standen; Lady Surrey-Miss Wallis; Prologue-Middleton; Address (instead of Epilogue)-Pope. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Earl of Surrey Actor: Holman
Role: Earl of Pembroke Actor: Pope
Role: Earl of Chester Actor: Farren
Role: Earl William Mareschal Actor: Middleton
Role: Earl of Lincoln Actor: Davies

Afterpiece Title: Crotchet Lodge

Ballet: Dermot and Kathlane. As17950219

304
24 January 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Battle Of Hastings

Performance Comment: Principal Characters by Henderson, Palmer, Brereton, Aickin, Farren, Hurst, Chambers, Norris, Chaplin, Philimore, Bensley, Miss Younge, Mrs Colles, Mrs Yates. [Cast from text (Edward and Charles Dilly, 1778): Edgar Atheling-Henderson; Earl Edwin-Palmer; Earl Waltheof-Brereton; Earl of Northumberland-Aickin; Siffric-Farren; Raymond-Hurst; Duncan-Chambers; Earl of Mercia-Norris; Reginald-Chaplin; Harold-Bensley; Matilda-Miss Younge; Sabina-Mrs Colles; Edwina-Mrs Yates; Philimore; Prologue-Henderson; Epilogue-Miss Younge. [These were spoken, as here assigned, at the 1st 10 performances only (see17780212).]These were spoken, as here assigned, at the 1st 10 performances only (see17780212).]
Cast
Role: Earl Edwin Actor: Palmer
Role: Earl Waltheof Actor: Brereton
Role: Earl of Northumberland Actor: Aickin
Role: Earl of Mercia Actor: Norris

Afterpiece Title: Daphne and Amintor

305
01 October 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: The Battle Of Hastings

Performance Comment: Edgar Atheling-Henderson; Earl Edwin-Palmer; Earl Waltheof-Brereton; Earl of Northumberland-Aickin; Earl of Mercia-Norris; Siffric-R. Palmer; Raymond-Wrighten; Reginald-Chaplin; Duncan-Chambers; Harold-Bensley; Matilda-Miss Younge; Sabina-Mrs Colles; Edwina-Mrs Yates.
Cast
Role: Earl Edwin Actor: Palmer
Role: Earl Waltheof Actor: Brereton
Role: Earl of Northumberland Actor: Aickin
Role: Earl of Mercia Actor: Norris

Afterpiece Title: Harlequin's Invasion

306
07 November 1791 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: King Henry-Bensley; Prince of Wales-Wroughton; Duke of Lancester-Bland; Earl of Worcester-Aickin; Earl of Northumberland-Packer; Hotspur-Kemble; Earl Douglas-Caulfield; Sir Richard Vernon-assigned to Barrymore, but see below; Earl of Westmoreland-Fawcett; Sir Walter Blunt-Whitfield; Sir John Falstaff-Palmer; Poins-R. Palmer; Gadshill-Cooke; Peto-Benson; Bardolph-Alfred; Francis-Bannister Jun.; Carriers-Moody, Burton; Sheriff-Maddocks; Traveller-Lyons; Messenger-Banks; Lady Percy-Mrs Powell; Mrs Quickly-Mrs Hopkins.
Cast
Role: Earl of Worcester Actor: Aickin
Role: Earl of Northumberland Actor: Packer
Role: Earl Douglas Actor: Caulfield
Role: Earl of Westmoreland Actor: Fawcett

Afterpiece Title: The Devil to Pay

307
25 November 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: King Henry-Wroughton; Prince of Wales-C. Kemble; Duke of Lancaster-Gregson; Earl of Worcester-Aickin; Earl of Northumberland-Packer; Hotspur-Kemble; Earl of Douglas-Caulfield; Sir R. Vernon-Barrymore; Earl of Westmoreland-Trueman; Sir Wal. Blunt-Holland; Sir John Falstaff-A Gentleman (1st appearance on the stage [Longley]); Poins-Russell; Gadshill-Gibbon; Peto-Simpson; Bardolph-Webb; Francis-Suett; Carriers-Dowton, Hollingsworth; Sheriff-Maddocks; Traveller-Fisher; Messenger-Evans; Lady Percy-Mrs Powell; Mrs Quickly-Mrs Walcot.
Cast
Role: Earl of Worcester Actor: Aickin
Role: Earl of Northumberland Actor: Packer
Role: Earl of Douglas Actor: Caulfield
Role: Earl of Westmoreland Actor: Trueman

Afterpiece Title: Richard Coeur de Lion

308
01 February 1707 @ Drury Lane Theatre

Event Comment: Philip Perceval to Sir John Perceval, 1 Feb.: The opera of Camilla has been one of the chief diversions of the town this long time, and business is forgot. Next week we expect a new one, and soon after another. One goes by Mr Addison's name; I think they call it Fair Rosamond, the other is Mr Clayton's undertaking. Great things are expected of them both. (Egmont MS, II, 215.

Performances

Mainpiece Title: Camilla

309
19 January 1709 @ Queen's Theatre

Event Comment: Benefit Cavaliero Nicolini Grimaldi. And (at the Desire of several Persons of Quality) the Boxes are to be open'd to the Pit, and none to be admitted but by printed Tickets, which are deliver'd by him. [Ch. Dering, writing to John Percival, stated that Nicolini got 800 guineas.-Egmont MS, p. 246.

Performances

Mainpiece Title: Pyrrhus And Demetrius

310
17 March 1709 @ Queen's Theatre

Event Comment: At the Desire of several Persons of Quality. Admission as 5 Jan., but no benches railed into boxes. [According to Ch. Dering, it was "acted expressly for Lord Marlborough." See Egmont MS, p. 246.

Performances

Mainpiece Title: Camilla

311
15 September 1709 @ Queen's Theatre

Event Comment: Sir John Perceval to Elizabeth Stockwell, 20 Sept.: We should have languished for want of diversion but for Othello, which drew all the stragglers in town together, and our number was greater than I imagined....Meanwhile I declare that they who cannot be moved at Othello's story so artfully worked up by Shakespeare, and justly played by Betterton, are capable of marrying again before their husbands are cold, of trampling on a lover when dying at their feet, and are fit converse with tigers only (Egmont MS, II, 240)

Performances

Mainpiece Title: Othello, Moor Of Venice

312
08 January 1729 @ Drury Lane Theatre

Event Comment: UUniversal Spectator, 11 Jan.: Last Wednesday his Highness the Prince went to...Drury-Lane, to see Mr Cibber's new Pastoral....The Actors were for a while prevented from performing, by the great Disturbance some of the Audience made. But on a Speech from Mr Cibber, with a Promise it should not be acted again, the Catcalls, &c. ceased, and they were suffered to go on and end the same. See also Applebee's, 11 Jan.; Egmont, Diary, III, 325; Whincop, p. 198

Performances

Mainpiece Title: Love In A Riddle

313
24 April 1730 @ Haymarket Theatre

Event Comment: Afterpiece: [By Henry Fielding.] For a comment on the performance, see Egmont, Diary, I, 97

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: Tom Thumb

314
13 October 1730 @ no theater listed

Event Comment: For details, see Egmont, Diary, I, 107-8. Place of performance not known

Performances

Mainpiece Title: Concert

315
13 January 1732 @ Drury Lane Theatre

Event Comment: DDaily Journal, 14 Jan.: We hear...that...The Modish Couple, which met with great Opposition the two first Nights, but was acted the third with Success, before one of the finest Assemblies of Persons of Quality that has been seen, was last Night again so interrupted, that the Players could not perform but were forced to dismiss the Audience.' The violent Treatment which this Piece has met with, is supposedles those People who made it their Business to raise Disturbances at every new Performance that comes on the Stage. [For another account, see Egmont, Diary, I, 216.

Performances

Mainpiece Title: The Modish Couple

316
14 February 1732 @ King's Theatre

Event Comment: See Egmont, Diary, I, 222

Performances

Mainpiece Title: Sosarmes

317
22 February 1732 @ King's Theatre

Event Comment: [T$Their Majesties, Prince, and Princesses present. See Egmont, Diary, I, 224.

Performances

Mainpiece Title: Sosarmes

318
23 February 1732 @ Crown and Anchor Tavern

Event Comment: A private performance. For details, see Deutsch, Handel, pp. 285-86, Dean, Handel's Dramatic Oratorios, pp. 203-204, and Egmont, Diary, I, 225

Performances

Mainpiece Title: Esther

319
17 April 1732 @ King's Theatre

Event Comment: See Egmont, Diary, I, 257. Daily Advertiser, 18 April: Last Night there was a Rehearsal of...Flavius...at which were present a great Number of the Nobility

Performances

Mainpiece Title: Flavius

320
02 May 1732 @ King's Theatre

Event Comment: An Oratorio in English. Formerly Compos'd by Mr Handel, and now revised by him, with several Additions, and to be performed by a great Number of the best Voices and Instruments. N.B. There will be no Action on the Stage. but the House will be fitted up in a decent Manner for the Audience. The Musick to be disposed after the maner of the Coronation Service. [Their Majesties, Prince, Princess Royal and Amelia present. See also Egmont, Diary, I, 266, and Dean, Handel's Dramatic Oratorios, pp. 205-97.

Performances

Mainpiece Title: Esther

321
20 June 1732 @ King's Theatre

Event Comment: [Q$Queen, Prince and three eldest Princesses present. See also Egmont, Diary, I, 281.

Performances

Mainpiece Title: Acis And Galatea

322
20 November 1732 @ Crown Tavern

Event Comment: See Egmont, Diary, I, 296

Performances

Mainpiece Title: Concert

323
22 November 1732 @ King's Theatre

Event Comment: See Egmont, Diary, I, 297

Performances

Mainpiece Title: Alexander

324
20 February 1733 @ Drury Lane Theatre

Event Comment: Benefit the Author. Egmont, Diary, I, 333: to the new play called The Miser, which is well translated from Moliere by Mr Fielding, and well acted

Performances

Mainpiece Title: The Miser

325
27 March 1733 @ King's Theatre

Event Comment: DDaily Advertiser, 28 March: Their Majesties, together with his Royal Highness the Prince of Wales, and the Princesses were again...to see Deborah...at which was likewise present one of the most numerous Audiences of Nobility and Persons of Distinction that has been ever seen in any Theatre. Egmont, Diary, I, 345: It was very magnificent, near a hundred performers, among whom about twenty-five singers. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah