SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Earl and Countess of Albemarle"/1) | (@(roleclean,performerclean) "Earl and Countess of Albemarle")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 291 matches on Performance Title, 259 matches on Performance Comments, 153 matches on Event Comments, 48 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. The date of the premiere is not known, but the date of licensing, 4 May 1676, suggests a production not later than March or April 1676. The Dedication indicates that the play was also acted privately at the residence of the Duchess of Albemarle, New-Hall

Performances

Mainpiece Title: Ibrahim The Illustrious Bassa

Event Comment: The Memoirs of Sir John Reresby (p.181): The Duke of Albemarle carryed me this afternoon to the play, which I had not leisure to take the diversion of for some time

Performances

Event Comment: Benefit for Mrs Bach (Widow of the late [J. C] Bach). Tickets, half a guinea each, to be had of Mrs Bach, at Zoffany's, Albemarle-street, near Piccadilly

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act I Le Triompbe de l'Amour Conjugal, as17820312End of Act II Rinaldo and Armida, as17820223

Event Comment: Afterpiece [1st time; BALL. P 2]: Composed by Charles? Farley; Founded chiefly on a principal Episode ["The History of Don Raymond," Vol. I, chaps. III, IV] in the Romance of The Monk [by Matthew Gregory Lewis]. With entire new Music, Scenes, Dresses, and Decorations. The Music by Reeve. The Scenery designed by Phillips, and executed by him, the assistance of Hollogan, Blackmore, Thorne, Byrn, &c. The Machinery by Cresswell and Sloper. The Dresses and Decorations by Dick, Goostree and Mrs Egan. Books of the Songs and Chorusses [T. N. Longman, 1797] to be had at the Theatre. Receipts: #377 17s. (364.3.6; 13.13.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Performance Comment: Principal Characters-Lewis, Quick, Holman, Munden, Simmons, Waddy, Thompson, Hawtin, Mrs Mattocks, Miss Chapman, Miss Wallis. [And see17970304 .And see17970304 .

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 24-26 June 1697, suggests that it was probably first acted not later than May 1697, and there is no specific indication of a premiere earlier than May. In Songs Compleat, 1719, the music for one song is attributed to Croft

Performances

Mainpiece Title: The Intrigues At Versailles; Or, A Jilt In All Humours

Performance Comment: Edition of 1697: Prologue-; Duke de Sanserre-Betterton; Guillamour-Verbruggen; Count de Brissac-Boen [Bowen]; Count de Fiesque-Hudson; Count de Tonnere-Bowman; Sir Plunder Bosies-Underhill; Countess de Sanserre-Mrs Bracegirdle; Countess de Brissac-Mrs Bowman; Madam de Vandosme-Mrs Barry; Daubroy-Mrs Willis; La Busque-Mrs Lawson; Grossiere-Mrs Leigh; Epilogue-Mrs Barry (as in a fret).

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: Queen Elizabeth-Mrs Horton; Essex-Marshall; Southampton-Hewitt; Burleigh-Cory; Raleigh-Richardson; Countess of Rutland-Miss Hollyday; Countess of Nottingham-Mrs Mullart .

Afterpiece Title: Cephalus and Procris; With Harlequin Grand Volgi

Performance Comment: Cephalus-Stopelaer; Procris-Mrs Clive; Aurora-Mrs Mullart; Neptune-Turbutt; Sea Gods-Lally Sr, Lally Jr; Tritons-Boval, Davenport, Olbeldiston, Topham; Syrens-Mrs Walter, Mrs Davenport, Mrs Delorme, Miss Mears; Delia-Miss Palms; Noble Venetian-Hewson; Italian Bravo-Mullart; Colombine-Mrs Walter; Miller-Boval; Harlequin Grand Volgi-Le Brun; Pierot-Davenport; Mandarin Gormogons-Lally Sr, Topham, Boval, Lally Jr; Chinese Guards-Jones, Burnet, Warwell, Bethun; Gardeners-Lally Jr, Topham; Gardeners' Wives-Mrs Davenport, Mrs Delorme .

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: Essex-Walker; Southampton-Hale; Burleigh-Paget; Sir Walter-Ridout; Countess of Nottingham-Mrs Buchanan; Queen Elizabeth-Mrs Hallam; Countess of Rutland-a Gentlewoman, but see17341009 .

Afterpiece Title: The School Boy

Music: Handel's Water Musick, with Preamble on Kettle Drums by Benj. Baker

Dance: Flanderkins by Duke and Mrs Ogden. Richmond Maggot by Le Sac and Miss Rogers. Tambourine by Glover and Miss Rogers

Performance Comment: Richmond Maggot by Le Sac and Miss Rogers. Tambourine by Glover and Miss Rogers .
Event Comment: Mainpiece [1st time; HIST. D 5, by George Watson. Prologue and Address by the author (European Magazine, Apr. 1795, pp. 267, 268)]: With new Dresses and Decorations. Morning Chronicle, 11 May 1795: This Day is published England Preserved (2s.). Receipts: #209 0s. 6d. (199.13.0; 9.7.6)

Performances

Mainpiece Title: England Preserv'd

Performance Comment: Principal Characters by Holman, Pope, Farren, Harley, Middleton, Davies, Macready, Hull, Haymes, Richardson, Powel, Claremont, Thompson, Williamson, Miss Wallis. [Cast from text (T. N. Longman, 1795), and European Magazine, Mar. 1795, p. 197: Earl of Surrey-Holman; Earl of Pembroke-Pope; Earl of Chester-Farren; French Prince-Harley; Earl William Mareschal-Middleton; Earl of Lincoln-Davies; English Knight-Macready; Bishop of Winchester-Hull; Comte de Nevers-Haymes; Lord Robert Fitzwalter-Richardson; French Guard-Powel; Viscomte de Beaumont-Claremont; Heralds-Thompson, Williamson; John Plantaganet-Miss Standen; Lady Surrey-Miss Wallis; Prologue-Middleton; Address (instead of Epilogue)-Pope. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Crotchet Lodge

Cast
Role: Landlady Actor: Mrs Henley

Ballet: Dermot and Kathlane. As17950219

Cast
Role: Patrick Actor: Holland
Role: Norah Actor: Mlle St.Amand
Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (Collection...of English Prologues and Epilogues, II, 214; IV, 195)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 7 Feb. 1778: This Day is published The Battle of Hastings (1s. 6d.). "This piece was received with uncommon applause...[Palmer's] heroic exclamation-'all private feuds should cease when England's glory is at stake'-was so sensibly felt by the audience that a repetition was called for, but judiciously refused, as out of character in a tragedy" (London Magazine, Jan. 1778, p.37). Receipts: #243 15s. 6d. (235.0.0; 8.13.0; 0.2.6)

Performances

Mainpiece Title: The Battle Of Hastings

Performance Comment: Principal Characters by Henderson, Palmer, Brereton, Aickin, Farren, Hurst, Chambers, Norris, Chaplin, Philimore, Bensley, Miss Younge, Mrs Colles, Mrs Yates. [Cast from text (Edward and Charles Dilly, 1778): Edgar Atheling-Henderson; Earl Edwin-Palmer; Earl Waltheof-Brereton; Earl of Northumberland-Aickin; Siffric-Farren; Raymond-Hurst; Duncan-Chambers; Earl of Mercia-Norris; Reginald-Chaplin; Harold-Bensley; Matilda-Miss Younge; Sabina-Mrs Colles; Edwina-Mrs Yates; Philimore; Prologue-Henderson; Epilogue-Miss Younge. [These were spoken, as here assigned, at the 1st 10 performances only (see17780212).]These were spoken, as here assigned, at the 1st 10 performances only (see17780212).]
Cast
Role: Earl Edwin Actor: Palmer
Role: Earl Waltheof Actor: Brereton
Role: Earl of Northumberland Actor: Aickin
Role: Earl of Mercia Actor: Norris
Related Works
Related Work: The Battle of Hastings Author(s): Richard Cumberland

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: The Battle Of Hastings

Performance Comment: Edgar Atheling-Henderson; Earl Edwin-Palmer; Earl Waltheof-Brereton; Earl of Northumberland-Aickin; Earl of Mercia-Norris; Siffric-R. Palmer; Raymond-Wrighten; Reginald-Chaplin; Duncan-Chambers; Harold-Bensley; Matilda-Miss Younge; Sabina-Mrs Colles; Edwina-Mrs Yates.
Cast
Role: Earl Edwin Actor: Palmer
Role: Earl Waltheof Actor: Brereton
Role: Earl of Northumberland Actor: Aickin
Role: Earl of Mercia Actor: Norris
Related Works
Related Work: The Battle of Hastings Author(s): Richard Cumberland

Afterpiece Title: Harlequin's Invasion

Event Comment: Mainpiece: Not acted these 10 years [not acted since 2 Oct. 1780]. [As afterpiece the playbill announces The Sultan, but "On Account of the Sudden Indisposition of Barrymore [it] was put off and the Devil to Pay substituted in its stead" (MS annotation on Kemble playbill) "The Sultan was changed to The Devil to Pay, and as Jordan remained, the matter was rather mended" (Oracle, 8 Nov.).] Receipts: #195 14s. (168.1; 26.3; 1.10)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: King Henry-Bensley; Prince of Wales-Wroughton; Duke of Lancester-Bland; Earl of Worcester-Aickin; Earl of Northumberland-Packer; Hotspur-Kemble; Earl Douglas-Caulfield; Sir Richard Vernon-assigned to Barrymore, but see below; Earl of Westmoreland-Fawcett; Sir Walter Blunt-Whitfield; Sir John Falstaff-Palmer; Poins-R. Palmer; Gadshill-Cooke; Peto-Benson; Bardolph-Alfred; Francis-Bannister Jun.; Carriers-Moody, Burton; Sheriff-Maddocks; Traveller-Lyons; Messenger-Banks; Lady Percy-Mrs Powell; Mrs Quickly-Mrs Hopkins.

Afterpiece Title: The Devil to Pay

Event Comment: [Longley is identified in European Magazine, Dec. 1797, p. 410, but Monthly Visitor, Jan. 1798, p. 64, says that he was Clarke, "from the Shakesperian Theatre at Tottenham Court Road." Afterpiece in place of The Shipwreck, advertised on playbill of 24 Nov.] "[Longley] is not inferior to some Falstaffs we have seen upon the London stage, and he possesses all the traditionary shrugs, winks and bye-play usual in the representation of the part" (True Briton, 27 Nov.). Receipts: #140 18s. (101.15; 38.3; 1.0)

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: King Henry-Wroughton; Prince of Wales-C. Kemble; Duke of Lancaster-Gregson; Earl of Worcester-Aickin; Earl of Northumberland-Packer; Hotspur-Kemble; Earl of Douglas-Caulfield; Sir R. Vernon-Barrymore; Earl of Westmoreland-Trueman; Sir Wal. Blunt-Holland; Sir John Falstaff-A Gentleman (1st appearance on the stage [Longley]); Poins-Russell; Gadshill-Gibbon; Peto-Simpson; Bardolph-Webb; Francis-Suett; Carriers-Dowton, Hollingsworth; Sheriff-Maddocks; Traveller-Fisher; Messenger-Evans; Lady Percy-Mrs Powell; Mrs Quickly-Mrs Walcot.

Afterpiece Title: Richard Coeur de Lion

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125. See also Nicoll, Restoration Drama, p. 350. Peregrine Bertie to the Countess of Rutland, 31 Dec. 1685: Yesterday was acted The Committee. The King and Queen were there and all the whole Court went to see it, but coming a little after it was begun [I] could not get any roome (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 100). Bridget Noel to the Countess of Rutland, ca. 6 Jan. 1685@6: [Last Wednesday] my Lady Exeter engaged us to goe to a play with her...which was a Commity. The King and Queen was at it, and the house as full as ever I saw it (ibid.)

Performances

Mainpiece Title: The Committee

Event Comment: Peregrine Bertie to the Countess of Rutland, 31 Dec. 1685: Last night was a masque at Mr Oldfield's in Soho Square, there was a great deale of very good company (ibid.). [Bridget Noel, writing to the Countess of Rutland, ca. 6 Jan. 1685@5, refers to a musicale, but her letter leaves unclear whether she refers to the same one Peregrine Bertie discusses (ibid.).

Performances

Mainpiece Title: Concert

Event Comment: Mainpiece: Not Acted these Sixteen Years. Written by the late Dr Procope. Calculated for the Meridian of London. [Princesses Mary and Louisa present.]

Performances

Mainpiece Title: Arlequin Balourd; Or, Harlequin Blunderer

Performance Comment: Harlequin-Francisque; Leandre-Le Sage Sr; Doctor-Dessessars; Geronte-Verneuil; Pierot-Malter; Scaramouch-Cochoy; News Cryer-Dubuisson; Rare-Show Man-De Lisle; Marinette or Countess Leonora-Mrs Malter; Isabella-Mrs Mimie; Colombine-Mrs Francisque .

Afterpiece Title: Le Portrait

Dance: A new Chacone in several Characters: Harlequin Man-Cochoy Jr; Harlequin Woman-Miss Chateauneuf; Pierot Man-Roland; Pieraite-Mrs Mimie; Punch-Villeneuve; Dame Jigogne-Malter; Scaramouch Man-De Lisle; Scaramouch Woman-Mrs Le Sage Jr. The Frolick, as17341226 (latter in Daily Advertiser only)

Performances

Mainpiece Title: King Henry The Sixth, Part I

Performance Comment: Talbot-Delane; Gloucester-Ryan; York-Stephens; Dauphin-Hallam; Anjou-Bridgwater; King Henry-A. Ryan; Bedford-Johnson; Winchester-Chapman; Suffolk-Walker; Exeter-Aston; Somerset-Hale; Warwick-Rosco; Salisbury-Lyon; Young Talbot-Stevens; Vernon-Bencraft; Basset-Anderson; Sir William-Arthur; Burgundy-Ridout; Alanzon-Salway; Margaret-Mrs Ware; Countess of Auvergne-Mrs James; Joan, la Pucelle-Mrs Hallam.
Cast
Role: Basset Actor: Anderson
Role: Countess of Auvergne Actor: Mrs James

Afterpiece Title: Flora

Dance: TTwo Pierrots-Nivelon, Lalauze; Scots Dance-Glover, Mlle Roland, Tench, Desse, Mrs Moreau, Miss Cantrel

Event Comment: Benefit Mrs Giffard. Mainpiece: Written by Shakespear, And never performed since his Time

Performances

Mainpiece Title: All's Well That Ends Well

Performance Comment: King of France-Crispe; Duke of Florence-Nelson; Bertram-Giffard; Lafeu-Paget; Parolles-Peterson; Clown-Yates; Lord Dumain-Blakes; Steward-Dunstall; Countess-Mrs Steel; Widow-Mrs Yates; Diana-Miss Hippisley; Mariana-Mrs Dunstall; Hellena-Mrs Giffard; with an Epilogue-adapted to that Character.
Cast
Role: Countess Actor: Mrs Steel

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: All's Well That Ends Well

Performance Comment: King-Marshall; Florence-Pattenden; Bertram-Giffard; Lafeu-Paget; Parolles-Peterson; Clown-Yates; Lord Dumain-Blakes; Steward-Dunstall; Countess-Mrs Steel; Widow-Mrs Yates; Diana-Miss Hippisley; Mariana-Mrs Dunstall; Helena-Mrs Giffard.
Cast
Role: Countess Actor: Mrs Steel

Afterpiece Title: The Honest Yorkshireman

Song: s 25 Sept., but Gentleman-_%

Dance: As17410918; with Les Bergiers-Froment, Mme Duvall, first time on this stage

Performances

Mainpiece Title: All's Well That Ends Well

Performance Comment: King-Milward; Bertram-Mills; LaFeu-Berry; Clown-Macklin; Duke of Florence-Woodburn; Dumain Sen.-Havard; Dumain Jun.-Ridout; Interpreter-Winstone; Rynaldo-Turbutt; Diana-Mrs Ridout; Widow-Mrs Cross; Mariana-Mrs Marshall; Countess of Rousillon-Mrs Butler; Helena-Mrs Woffington; Parolles-Cibber.

Song: I: See from the Silent Groves-Beard; III: A Duet-Beard, Lowe

Dance: II: A Concerto, as17420105; IV: The Italian Peasants, as17411205

Performances

Mainpiece Title: All's Well That Ends Well

Performance Comment: Parolles-Cibber; King-W. Giffard; Bertran-Giffard; La Feu-Peterson; Clown-Dunstall; Florence-Blakey; Dumain Sr-Mozeen; Dumain Jr-Freeman; Steward-Julian; Widow-Mrs Bambridge; Mariana-Mrs Dunstall; Countess-Mrs Butler; Diana-Mrs Chetwood; Helena-Mrs Giffard.
Cast
Role: Countess Actor: Mrs Butler

Afterpiece Title: Bickerstaff's Unburied Dead

Performances

Mainpiece Title: All's Well That Ends Well

Performance Comment: King of France-Cashell; Bertram-Hale; Lafeu-Bridgwater; Parolles-Woodward; Clown-Chapman; Countess of Roussilon-Mrs Horton; Diana-Miss Hippisley; Duke of Florence-Bencraft; Steward-Marten; Dumain Sen-Ridout; Dumain Jun-Gibson; Interpreter-Arthur; Page-Miss Morrison; 1st Gentleman-Anderson; 2nd Gentleman-Hayman; Widow-Mrs James; Mariana-Mrs Bland; Helena-Mrs Pritchard.
Cast
Role: Countess of Roussilon Actor: Mrs Horton
Role: 1st Gentleman Actor: Anderson
Role: Mariana Actor: Mrs Bland

Afterpiece Title: The Rape of Proserpine

Dance: DDrunken Tyrolese-Sodi

Performances

Mainpiece Title: Susanna, An Oratorio

Performance Comment: Parts were: Chelsias (Susana's father); Joacim (Her Husband); Daniel; 1st Elder; 2nd Elder; Judge-; [ Susannah; Attendant (Larpent MS). But Susanna-Signora Frasi; Attendant-Signora Sibilla; Daniel-the Boy; Joacim-Signora Galli; First Elder-Lowe; Second Elder-Rheinhold; Chelsias-Reinhold (Deutsch, Handel, p. 656).*c1749 2 10 cg [For Prices and times see Advertisement 2 Feb.] I think I never saw a fuller house. Rich told me that he believed he would receive near #400.--Deutsch, Handel, p. 657: Letter frmm Countess of Shaftesbury to James Harris, dated 11 Feb. 1749.For Prices and times see Advertisement 2 Feb.] I think I never saw a fuller house. Rich told me that he believed he would receive near #400.--Deutsch, Handel, p. 657: Letter frmm Countess of Shaftesbury to James Harris, dated 11 Feb. 1749.

Performances

Mainpiece Title: All's Well That Ends Well

Performance Comment: Bertram-Palmer; LaFeu-Berry; King of France-Davies; Clown-Yates; Duke of Florence-Burton; Parolles-Woodward; Steward-Simson; Lords-Bransby, Walker; Interpreter-Blakes; Countess of Rousillon-Mrs Pritchard; Diana-Mrs Davies; Widow of Florence-Mrs Cross; Helena-Miss Macklin.

Afterpiece Title: The Genii

Dance: II: A Comic Dance-

Performances

Mainpiece Title: All's Well That Ends Well

Performance Comment: Parolles-Woodward; Bertram-Palmer; Clown-Yates; Helena-Miss Macklin; Countess-Mrs Pritchard; Steward-Burton; Widow of Florence-Mrs Cross; LaFeu-Berry; King of France-Davies; Lords-Bransby, Walker; Interpreter-Blakes; Diana-Mrs Davies.
Cast
Role: Countess Actor: Mrs Pritchard

Afterpiece Title: Harlequin Ranger