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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "E R Page"/1) | (@(roleclean,performerclean) "E R Page")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2738 results for: Keyword - E. R. Page

We found 2320 matches on Performance Comments, 436 matches on Event Comments, 231 matches on Performance Title, 5 matches on Author, and 0 matches on Roles/Actors.

76
19 March 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Harlequin Captive

Song: As17960312

77
11 June 1796 @ Haymarket Theatre

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: The Liar

Afterpiece Title: Bannian Day

78
13 June 1796 @ Haymarket Theatre

Performances

Mainpiece Title: The Dead Alive

Afterpiece Title: The Battle of Hexham; or, Days of Old

Afterpiece Title: Bannian Day

79
23 March 1723 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: Jupiter and Europa; or, The Intrigues of Harlequin

80
19 October 1723 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Jupiter and Europa; or, The Intrigues of Harlequin

81
25 September 1724 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Jupiter and Europa; or, The Intrigues of Harlequin

82
21 October 1725 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Jupiter and Europa; or, The Intrigues of Harlequin

83
27 October 1727 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Jupiter and Europa; or, The Intrigues of Harlequin

84
20 May 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Court of Apollo [i

Afterpiece Title: Comus

85
19 April 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Festive Board [i

Afterpiece Title: Richard Coeur de Lion

86
18 March 1710 @ Queen's Theatre

Performances

Mainpiece Title: The Scornful Lady

Music: ["Select Scenes of Musick" between the Acts by Nicolini, Valentini, and Signora Margaretta had been announced, but in BM 1879 c 3 a notice by Nicolini states that that "sort of Performance" is contrary to his agreement with Swiney and that he intends to observe strictly the "Tenor and Meaning" of the agreement, i.e., to sing during the winter only in "formal OPERAS."]

87
28 February 1771 @ King's Theatre

Performances

Mainpiece Title: La Passione

Music: End Said Part [i.e., La Passione]: A Concerto on Violin-Sga Sirmen; in which will be performed a Stabat Mater (composed by Pergolesi)-Sga Sirmen; End I: Concerto on Bassoon-Baumgarten; End II: Solo on Violin-Sga Sirmen; [to finish with a Grand Chorus [by Guglielmi-

88
07 October 1776 @ China Hall, Lower Road, Rotherhithe

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Marriage a la Mode [i

Song: II: the grand chorus, See the conquering Hero comes-; Between Acts: Singing, as17760925

Entertainment: Monologue.The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell

89
25 April 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin's Invasion

Dance: Dance of Spirits, as17770414; IV: +Grand Dance i.e. The Chaconne, as17770405

90
27 March 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: The Coronation Anthems

Song: Between acts oratorio: Verdi Rale [i.e. Prati] (a favourite song of Handel's)-Mrs Farrell

Music: As17780306

91
06 April 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Comus

Dance: III: Hornpipe, as17790129

Song: Sweet Echo-Mrs Kennedy, Leoni [i.e. formerly Mrs Farrell]

92
14 May 1781 @ Covent Garden

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Phusimimesis

Afterpiece Title: Harlequin Skeleton [i

93
21 May 1781 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Skeleton [i

94
29 November 1782 @ Covent Garden

Performances

Mainpiece Title: The Discovery

Afterpiece Title: St

Dance: End of mainpiece a new Dance, Diversion a-la-Mode, by Harris, Burn [i.e. Byrne], Miss Matthews, in which The Devonshire Minuet by Harris and Miss Matthews

95
24 May 1783 @ Covent Garden

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Golden Pippin

Dance: End of Act III of mainpiece Diversion a-la-Mode, as17821211, in which The Devonshire Minuet, as17821129, and variety of new Quadrilles, composed by Harris; End of Act iv, as17820925; End of mainpiece new Dance, composed by Harris, The Rival Nymphs, by Byrne, Ratchford, Harris, Mrs Ratchford, Miss Byrne, Miss Matthews

Song: As17821227, but Mrs Bannister [i.e. formerly Miss Harper (see17830129)]; omitted: Bannister

96
11 March 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Reparation

Afterpiece Title: The Double Disguise

Dance: End of mainpiece The Sportsmen's Return, as17840308i.e. this was originally entitled The Return of the Hunters]

97
18 March 1784 @ Covent Garden

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Rosin a

Dance: End of Act III of mainpiece, as17830917; End of Act IV The Rival Symphs, as17831119, but Mrs Goodwin [i.e. formerly Miss Byrn]

98
11 March 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Samson

Music: End of Part I concerto on the Piano Forte ["the sixth concerto of Schroeter's last set [i.e. Op. V]" (London Magazine, Mar. 1785, p. 217)] by Miss Parke

99
02 March 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Virgin Unmask'd

Song: As17851001, but Mrs Forster [i.e. formerly Miss Field]

100
30 April 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: Taste; or, Lady Pentweazel sitting for her Picture

Afterpiece Title: The Musical Lady

Song: End III: Bow wow wow (from Patrick in Prussia [i.e. Love in a Camp])-the Gentleman who plays Maw-Worm; In 3rd piece: a duet, The Hermit[, taken from part of Goldsmith's Hermit,-the Young Lady, the Gentleman who performs Maw-Worm