SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "E L"/1) | (@(roleclean,performerclean) "E L")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 509 matches on Event Comments, 313 matches on Performance Comments, 234 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The School Boy

Song: As17431029

Dance: V: As17431013

Performances

Mainpiece Title: The Wonder Or A Woman Keeps A Secret

Afterpiece Title: The Virgin Unmasked

Song: II: Song-Morland

Event Comment: CCross: (Pam: publish'd). Play dislik'd. Hiss'd much. [The pamphlet referred to was "Mr Garrick's Conduct as Manager of TRDL considered in a Letter Addressed to him," by E. F. 18 Oct.: As a manager, Sir, it is your business not only to prepare the Evening's Entertainment, but to prepare it in the best manner you are able; and the manager who does otherwise uses his customers ill." The burden of the author's complaints was: (1) the theatre has been operating for a month yet Garrick has appeared in only one character; (2) that he should buy himself off with speaking a prologue only, then sell that to the public at 6d. shows vanity, avarice, and lack of managerial responsibility; (3) that plays such as Albumazar (simple and poorly cast) and Scornful Lady, (with irreligious and atheistical parts) should not have been passed off on the public, whose expectations were raised high at the thought of Garrick's management. Macklin even had to apologize to the audience as he played the part of Sir Roger in the latter play. E. F. closed by urging: "Get up the best of our English Tragedies and Comedies; encourage the rising Wits and be under no apprehesion of the want of success." If you use common sense in casting your actors, as your former managers did (with all their other faults) in casting you, you will not yourself have to play every night. Above all remember your responsibility to the public.] Receipts: #100 (Cross); #127 4s. 6d. (Powel)

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The Double Disappointment

Dance: II: Dance-Cooke

Event Comment: Three Brothers of ye Delavals play'd ye Eldest Othello, ye next Iago, ye next Cassio--+Brabantio & Lodovico Mr Pine Roderigo-Cap. Stevens and Wife Emelia $Mrs Quan did Desdemona, the performance was very decent & met with great applause the Audience from ye Boxes to the upper Gallery were fill'd with people of ye first rank & make a most brilliant appearance. & ye greatest Crowd at ye Doors I ever saw. their Agreement for ye House was a receipt of one of the Alfred Houses upon an Averidge. they had all new cloaths, & very nicely ornamented with Diamonds (Cross). [See eulogy and criticism in some detail concerning the acting, by John Hill, Inspector No 3.] All Gentlemen and Ladies who intend going in coaches this evening to Drury Lane Theatre, are desired to order their coachmen to drive thro' Covent Garden, and stop at Bridges St. Door, and as soon as they have set down the company to drive off directly towards the Strand.--Those who go in chairs, are requested to order the men to the New Door in Russel St., and to prevent the avenues being stopt up no person will be admitted to either passage without first showing their tickets at the outward door (General Advertiser). Tickets Lost. If any person has found three tickets (numbers forgot) for the private play this night at Drury Lane, and will be so kind as to bring them to the Bar of the Rainbow Coffee House, Ironmonger Lane, shall receive 15s. for the whole, or in proportion for one or two of them (General Advertiser). Tomorrow Morning at 8 o'clock will be published' (price 6d.) by Thomas Carnan, at Mr Newberry's, at the Bible and Sun in St Paul's Churchyard; An Occasional Prologue and Epilogue to Othello, as it will this night be acted at the theatre-Royal in Drury Lane, by Persons of distinction, for their diversion. Written by Christopher Smart, A.M., Fellow of Pembroke Hall in the University of Cambridge. To be had at the place above mentioned, and at the pamphlet shops at the Royal Exchange and Charing Cross. This Prologue and Epilogue will be entered in the Hall Book of the Company of Stationers, and whoever presumes to pyrate them, or any part of them, will be persecuted as the Law directs (General Advertiser). [Both pieces by Christopher Smart, according to the Daily Advertiser. See two exceedingly favorable critical comments and one derogatory reprinted in the Gentleman's Magazine, March 1751 (pp. 119-22): "The greatest part of the play was much better performed than it ever was on any stage before. In the whole, there was a face of nature that no theatrical piece, acted by common players ever came up to." Macklin was Delaval's dramatic coach, according to one of these articles.

Performances

Mainpiece Title: Othello By Gentlemen

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Event Comment: Benefit for increasing the Fund for Support of Decay'd Musicians, or their Families. Pit and Boxes to be put together at Half a Guinea each. Gallery 5s. Doors open at Five. Gallery at Four, to begin at Half an Hour after Six. None to be admitted without tickets. Tickets delivered to Subscribers to this Charity will admit one person into any part of the House. Subscribers tickets may be had of Richard Dawson at his house near Henry the VII's Chapel, Westminster, who is empower'd by the Society to deliver them, and to receive the subscriptions. The Governors beg leave to inform the Nobility and Gentry to whom this Charity is so much oblig'd, that from June 1756 to June 1757 they have necessarily laid out for decay'd musicians and their families, widows of decay'd musicians, and in maintaining and educating orphans who are left in distress, and in putting them Apprentice, and for Physic, Burials, and other incidental charges #532 13s. 7d. The Books are open and may be inspected by subscribers the first Sunday in every month at a meeting of the Governors, at the Turk's Head in Greek Street, Soho. All expenses attending the meetings of the Governors, Court of Affidavits Committee for managing of this Concert, are defrayed by themselves

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Oracle

Dance: II: The Prussian Sailors, as17580601 End Opera: The Faggot Binders, as17580601

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Ambitious Step Mother

Afterpiece Title: The Virgin Unmaskd

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Crononhotonthologos

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: The Male Coquette

Dance: IV: Shepherd's Holiday-Giorgi, Miss Baker

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequins Invasion

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Chaplet

Dance: End I: The Fingalian Dance, as17610416 II: The Venetian Gondolier-Sg Tioli, Miss Baker; III: A Comic Dance, as17610307 End: by Desire a Minuet-Leviez, a Young Lady, his Scholar

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Citizen

Dance: As17610727 Hornpipe-Miss Scott

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Wonder A Woman Keeps A Secret

Afterpiece Title: The Chaplet

Dance: I: New Dutch Comic Dance, as17610925

Event Comment: Benefit for Palmer. No Building on the Stage. Mrs Palmer? did not act (Winston MS 9). Mainpiece: Advertised as for the last time this season. Tickets deliver'd for Romeo and Juliet will be taken

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Reprisal or The Tars of Old England

Song: I: Hearts of Oak-. [See17620209]

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Englishman in Paris

Dance: I: The Cow Keepers, as17611215

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

Performance Comment: Atto I. Overture del Ag. Bach-; Song Furia di donna irata-Sga Cremonina (Piccini); Concerto Bassoon-Miller; Song Vedi Amor nel mio Sembiante-Ciardini (Ciampi); Song Quando Saprai chi Sono-Sga De Amicis (Trajetta); Atto II. Concerto violincello-; Song Saro qual e il torrente-Quilici (Galuppi); Song Destrier che al arme uiate-Giustinelli (Piccini); Concerto Hautboy-Simpson; Song Misero Pergoletto-Sga Cremonina (Piccini); Song State Lungi Sol per poco-Ciardini (Galuppi); Atto III. Song Fieri tormenti-Quilici (Jomelli); Song Di quanto Cor le pene-Giustinelli (Trajetta); Concerto violin-; Song Madre non mi conosci-Sga De Amicis (Zingoni); God Save the King-.

Performances

Mainpiece Title: La Contadina In Corte

Afterpiece Title: Il Soldano Generoso

Performance Comment: Principal Characters-Pacchierotti, Manzoletto, Sga Pozzi, Mme LeBrun. [Larpent MS 502 lists the parts: Osmano, Ferdinando, Omar, Isabella, Fatima.]Larpent MS 502 lists the parts: Osmano, Ferdinando, Omar, Isabella, Fatima.]

Dance: End I: new Pantomime Dance (composed by Zuchelli) Il Desertore-Sg and Sga Zuchelli, Henry, young Miss Andreas, Miss Simonet; End II: a grand Masquerade Dance-the other partsSg and Sga Zuchelli, Sga Tantini, Henry, Slingsby; in which a Chaconne(in character by the various Masks)-; and which will open with a Minuet-Favre Guiardele, Mme Simonet (1st appearance this season); End afterpiece: new Grand Balletconnected with the Opera-Favre Guiardele, Mme Simonet, Sga Tantini, Slingsby

Event Comment: Opera [1st time; Past 3, author unknown]. The music [to Part I] composed by Giovanni Battista? Bianchi, [to Part II by] Rauzzini, [to Part III by] Giordani. With Grand Chorusses. With new Decorations devised and painted by Novosielski, and new Dresses. The Side-boards, with a cold Collation and all sorts of Wines, at 12 o'clock. The Performance under the direction of Vestris Sen., and to conclude with a Ball. Tickets, at 2 Guineas each, are ready to be delivered at the Office in Union-court, where Boxes may be taken. No Masks will be admitted. The Doors will be opened at 9:00, and the Performance to begin at 10:00. Books of the Performance will be given out (gratis) at the Theatre. Morning Herald, 7 June: The Omaggio, or homage paid by the vassals and tenants to their Lord, is naturally calculated to give free scope to lively, and sentimental music. In the former stile Bianchi and Giardini [sic] were equally succesful; and in the latter Rauzzini was surprisingly great, both as composer and performer...Slingsby would, in our opinion, have come out with as great a share of applause as the best of them, having to go through an English dance in his own stile, but by some unaccountable accident...the music-band stopped short when he was in the very climax of his exertions. The scenes are in the rural stile, with the addition of natural trees, flowering shrubs, &c., set in the neatest order...The company did not begin to move till about four, and by five the rooms were cleared. Public Advertiser, 7 June: The Vestris' gave incontrovertible proof of the variety of their powers...They did more, they shewed what this country had never seen-the possibility of presenting to the eye a large and extensive stage filled with dancers all in motion at the same time

Performances

Mainpiece Title: Lomaggio

Dance: Incident to the piece: Ballets by Vestris Sen.-Vestris Sen., Vestris Jun., Simonet, Slingsby, Traffieri, Zuchelli, Henry, Mme Simonet, Mlle Baccelli, Sga Crespi, Sga Zuchelli, Miss Stageldoir, Miss Armstrong

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Triumph of Mirth

Dance: End of Act III of mainpiece, as17820917; End of Act IV, as17821005

Performances

Mainpiece Title: As You Like It

Afterpiece Title: High Life below Stairs

Dance: As17830918

Song: In Act v of mainpiece a song by Miss Field