SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Durancy and Wife"/1) | (@(roleclean,performerclean) "Durancy and Wife")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2291 matches on Performance Title, 401 matches on Performance Comments, 395 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The London Hermit

Afterpiece Title: Obi

Performance Comment: As18000718 but Sam's Wife-Mrs Castelle; Chorus of Negro Men-_Linton.
Cast
Role: Sam's Wife Actor: Mrs Castelle
Role: Quashee's Wife Actor: Mrs Mountain

Performances

Mainpiece Title: The Agreeable Surprise

Afterpiece Title: Fortune's Frolick

Cast
Role: Quashee's Wife Actor: Mrs Mountain
Role: Sam's Wife Actor: Miss Gaudry

Afterpiece Title: Obi

Performance Comment: As18000728 but Rosa-Mrs Mountain; Quashee's Wife-Miss Gaudry.
Cast
Role: Quashee's Wife Actor: Miss Gaudry.
Role: Sam's Wife Actor: Mrs Castelle
Event Comment: In Herbert, Dramatic Records, p. 82, is a list of the plays acted by the Red Bull actors: The Humorous Lieutenant. Beggars Bushe. Tamer Tamed. The Traytor. Loves Cruelty. Wit without Money. Maydes Tragedy. Philaster. Rollo Duke of Normandy. Claricilla. Elder Brother. The Silent Woman. The Weddinge. Henry the Fourthe. Merry Wives of Windsor. Kinge and no Kinge. Othello. Damboys [Bussy D'Ambois]. The Unfortunate Lovers. The Widow. This list (see Hotson, Commonwealth and Restoration Stage, p. 203) apparently concerns plays revived by this company, some before 10 Sept. 1660, some afterward. (See also the list of plays at the opening of the season and also 6 and 23 June 1660.

Performances

Event Comment: Pepys, Diary: Mr Moore coming to me, my wife staid at home, and he and I went out together...and so home with him to the cockpit, where, understanding that "Wit without money" was acted, I would not stay

Performances

Mainpiece Title: Wit Without Money

Event Comment: The King's Company. Pepys, Diary: Tom and I and my wife to the Theatre, and there saw The Silent Woman. The first time that ever I did see it, and it is an excellent play. Among other things here, Kinaston, the boy, had the good turn to appear in three shapes: first, as a poor woman in ordinary clothes, to please Morose; then in fine clothes, as a gallant, and in them was clearly the prettiest woman in the whole house, and lastly, as a man; and then likewise did appear the handsomest man in the house

Performances

Mainpiece Title: The Silent Woman

Event Comment: See Herbert (Dramatic Records, p. 117) for The Mayd in the Mill acted in May and A Wife for a Monthe and The Bondman acted by the King's Company at an unspecified time following May

Performances

Event Comment: At Oxford in the morning A Mad World My Masters was played; in the afternoon, The Merry Milkmaids of Islington. According to Richard Walden (Io Ruminans, 1662) Anne Gibbs played Harebrain's Wife in the former, A Lady in the latter

Performances

Mainpiece Title: The Siege Of Rhodes, Part I

Event Comment: Pepys, Diary: Then my wife and I to Drury Lane to the French comedy, which was so ill done, and the scenes and company and everything else so nasty and out of order and poor, that I was sick all the while in my mind to be there. See also Boswell (Restoration Court Stage, p. 280). W. J. Lawrence (Early French Players in England, The Elizabethan Playhouse and Other Studies (1912), pp. 139-40) argues that the play was Chapoton's Le Mariage d'Orphee et d'Eurydice. See also The Description of the Great Machines of the Descent of Orpheus into Hell. Presented by the French Comedians at the cockpit in Drury Lane. The Argument Taken out of the Tenth and Eleventh Books of Ovid's Metamorphosis (1661). Rugg's Diurnal the French players (BM Add. Mss. 10116, f243v)

Performances

Mainpiece Title: A French Comedy

Event Comment: Pepys, Diary: My wife and I to the fair, and I showed her the Italians dancing the ropes, and the women that do strange tumbling tricks

Performances

Mainpiece Title: Entertainments

Event Comment: The King's Company. Pepys, Diary: My wife and I...to the Theatre, where we seated ourselves close by the King, and Duke of York, and Madame Palmer, which was great content; and, indeed, I can never enough admire her beauty. And here was Bartholomew Fayre, with the puppet-show, acted to-day, which had not been these forty years (it being so satyricall against Puritanism, they durst not till now, which is strange they should already dare to do it, and the King to countenance it), but I do never a whit like it the better for the puppets, but rather the worse

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: The Duke's Company. Pepys, Diary: Walking through Lincoln's Inn Fields observed at the Opera a new play, Twelfth Night, was acted there, and the King there; so I, against my own mind and resolution, could not forbear to go in, which did make the play seem a burthen to me, and I took no pleasure at all in it; and so after it was done went home with my mind troubled for my going thither, after my swearing to my wife that I would never go to a play without her

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Downes (Roscius Anglicanus, p. 23) gives a cast which may represent one at this time: Sir Toby Belch-Betterton?; Sir Andrew Aguecheek-Harris?; Fool-Underhill?; Malvolio-Lovel?; Olivia-Mrs Ann Gibbs?.
Cast
Role: Sir Andrew Aguecheek Actor: Harris?
Event Comment: The King's Company. Pepys, Diary: Abroad with my wife by coach to the Theatre to shew her King and no King, it being very well done

Performances

Mainpiece Title: King And No King

Event Comment: The King's Company. An edition, undated but possibly issued about this time, refers to its being acted at Vere Street. The edition has no cast, no prologue, no epilouge. Pepys, Diary: Sir W. Pen and his daughter and I and my wife to the Theatre, and there saw Father's own Son, a very good play, and the first time I ever saw it

Performances

Mainpiece Title: Father's Own Son

Event Comment: The King's Company. Pepys, Diary: My wife and I to the Theatre...where the King came to-day, and there was The Traytor most admirably acted; and a most excellent play it is

Performances

Mainpiece Title: The Traytor

Event Comment: Pepys, Diary: My wife and I to the Opera, and there saw again Love and Honour, a play so good that it has been acted but three times and I have seen them all, and all in this week; which is too much, and more than I will do again a good while

Performances

Mainpiece Title: Love And Honour

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen, my wife and I to the Theatre, and there saw The Country Captain, the first time it hath been acted this twenty-five years, a play of my Lord Newcastle's, but so silly a play as in all my life I never saw, and the first that ever I was weary of in my life. Herbert (Dramatic Records, p. 118) lists Love's Mistress for this date for Vere St., but the item is out of the normal order of the entries. To move it to 26 Oct. 1662 would place it on a Sunday. The play had been given previously (2 March 1661, 11 March 1661, 25 March 1661) by both the Duke's Company and King's Company. Possibly Herbert entered it on the wrong day. On Herbert's list, following Love's Mistress, are two plays, The Contented Collinell [Brenoralt] and Love at First Sight, each listed without a date. The former, under the title Brenoralt, had been acted at Vere St. on 23 July 1661; the second was soon to be acted there on 29 Nov. 1661

Performances

Mainpiece Title: The Country Captain

Event Comment: The Duke's Company. Pepys, Diary: I...called my wife at my brother's where I left her, and to the Opera, where we saw The Bondman, which of old we both did so doat on, and do still; though to both our thinking not so well acted here (having too great expectations), as formerly at Salisbury-court. But for Betterton he is called by us both the best actor in the world

Performances

Mainpiece Title: The Bondman

Event Comment: The King's Company. Pepys, Diary: My wife and I to Bartholomew Fayre, with puppets which I had seen once before, and the play without puppets often, but though I love the play as much as ever I did, yet I do not like the puppets at all, but think it to be a lessening to it

Performances

Mainpiece Title: Bartholomew Fair

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where I met my wife and Captain Ferrers and Madamoiselle LeBlanc, and there did see the second part of The Siege of Rhodes very well done

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

Event Comment: The Duke's Company. Pepys, Diary: My wife and I to the Opera, and saw Hamlett well performed

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performance Comment: Downes (Roscius Anglicanus, p. 25): Colonel Jolly-Betterton; Old Trueman-Lovel; Young Trueman-Harris; Cutter-Underhill; Captain Worme-Sandford; Parson Soaker-Dacres; Puny-Nokes; Will-Price; Aurelia-Mrs Betterton [Mrs Saunderson]; Lucia-Mrs Anne Gibbs; Laughing Jane-Mrs Long; [The edition of 1663 has a Prologue-; an Epilogue-[, but no actors' names., but no actors' names.
Cast
Role: Captain Worme Actor: Sandford
Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. Pepys, Diary: And so home to Sir W. Pen, who with his children and my wife has been at a play to-day and saw D'Ambois, which I never saw

Performances

Mainpiece Title: Bussy D'ambois

Event Comment: The King's Company. Pepys, Diary: Seeing that the Spanish Curate was acted to-day, I...home again and sent to young Mr Pen and his sister to go anon with my wife and I to the Theatre...we went by coach to the play, and there saw it well acted, and a good play it is, only Diego the Sexton did overdo his part too much. [Sir Edward Browne seems to connect this play with the Duke's Company. See Introdutcion to 1661-1662.

Performances

Mainpiece Title: The Spanish Curate

Event Comment: Although Pepys attended this performance, he did not name the theatre. As this play was acted at Vere St. on 15 March 1661@2 and there also on 19 May 1662, it has been assigned to that playhouse. Pepys, Diary: Thence to the play, where coming late, and meeting with Sir W. Pen, who had got room for my wife and his daughter in the pit, he and I into one of the boxes, and there we sat and heard The Little Thiefe, a pretty play and well done

Performances

Mainpiece Title: The Little Thief

Event Comment: The Duke's Company. Pepys, Diary: [Mr Herbert] and I and the two young ladies and my wife to the playhouse, the Opera, and saw The Mayde in the Mill, a pretty good play

Performances

Mainpiece Title: The Maid In The Mill