SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dukes of York and Gloucester"/1) | (@(roleclean,performerclean) "Dukes of York and Gloucester")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1318 matches on Performance Comments, 1199 matches on Event Comments, 402 matches on Author, 349 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Tragedy of Tamerlane intended for this day and Saturday cannot be acted, on account of the Indisposition of a principal performer. Receipts: #157 12s. 6d. (Account Book)

Performances

Mainpiece Title: King Henry V

Performance Comment: King Henry-Smith; Canterbury-Gardner; Exeter-Hull; Gower-DuBellamy; MacMorris-Barrington; Bardolph-Morgan; Boy-Miss Valois; French Soldier-Holtom; Westmorland-Lewis; Gloucester-Lewes; Bedford-R. Smith; Fluellin-Shuter; Pistol-Hamilton[, 1st appearance that stage]; Williams-Morris; Jamy-Dunstall; King of France-Gibson; Dauphin-Davis; Constable-Clarke; Burgundy-Perry; Isabel-Mrs Vincent [Mrs Stephens, Public Advertiser]; Hostess-Mrs Pitt; Catherine-Mrs Mattocks.
Cast
Role: Westmorland Actor: Lewis
Role: Gloucester Actor: Lewes

Afterpiece Title: The Coronation

Event Comment: By Permission. And at a particular Request to Mrs Burton...Early in the Spring will be published her Comedy of Fashion Display'd

Performances

Mainpiece Title: Jane Shore

Performance Comment: Lord Hastings-Young Gentleman (first appearance on any Stage); Gloucester-Lloyd; Dumont-a Gentleman; Bellmour-Friendly; Catesby-Ackman; Ratcliffe-Edwards; Alicia-a Lady; Jane Shore-Mrs Burton.
Cast
Role: Gloucester Actor: Lloyd

Afterpiece Title: The Citizen

Performances

Mainpiece Title: King Lear

Performance Comment: Lear-Barry; Edgar-Reddish; Gloucester-J. Aickin; Kent-Bransby; Bastard-Palmer; Gentleman Usher-Dodd; Burgundy-Yates; Albany-Packer; Cornwall-Hurst; Capt. of Guards-Ackman; Curan-Fawcett; Regan-Mrs Egerton; Cordelia-Mrs Barry; Goneril-Miss Sherry.
Cast
Role: Gloucester Actor: J. Aickin

Afterpiece Title: The Wedding Ring

Cast
Role: Pandolfo Actor: Bannister
Event Comment: [Litchfield, who is identified in European Magazine, Jan. 1794, p. 50, had made his 1st appearance on the stage at Richmond, 7 Sept. 1793, billed as "A Young Gentleman" (Charles Mathews, Memoirs, 1838-39, I, 70, and Thespian Magazine, Supp. 1793, p. 401). Not. Dram. states that "A person under the name of Litchfield but as I am informed in reality a Mr Holland Nephew to Mr Holland formerly of Drury Lane appeared 1st time at the HM in Richard III." But Holland was at this time acting at Bath, and did not appear in London until 31 Oct. 1796, at Drury Lane.]

Performances

Mainpiece Title: The Life And Death Of King Richard The Iiid

Performance Comment: As17930930, but Richard-A Gentleman (1st appearance [Litchfield]); Duke of Norfolk-Dignum; Sir R. Ratcliff-Maddocks; Sir R. Brackenbury-Cooke//Elizabeth-Mrs Powell; Duchess of York-Mrs Hopkins .
Cast
Role: Duchess of York Actor: Mrs Hopkins
Role: Duke of York Actor: Miss Menage
Role: Tressel Actor: Bland

Afterpiece Title: MY GRANDMOTHER

Cast
Role: Tom Actor: Bland
Role: Servant Actor: Lyons Charlotte-Mrs Bland
Role: Lyons Charlotte Actor: Mrs Bland

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth; With The Humours Of Sir John Falstaff, Justice Shallow, Ancient Pistol

Performance Comment: Falstaff-Berry; King-Delane; Justice Shallow-Cibber Sen.; Prince of Wales-Mills; Duke of Lancaster-Havard; Bishop of York-Turbutt; Canterbury-Woodburn; Chief@Justice-Bridges; Hastings-Blakes; Gower-Usher; Silence-Neale; Pistol-Yates; Poins-W. Giffard; Bardolph-Ray; Scroop-Arthur; Westmorland-Winstone; Cambridge-Taswell; Gray-Dunstall; Hostess-Mrs Cross; Doll Tearsheet-Mrs Bennet.
Cast
Role: Bishop of York Actor: Turbutt
Role: Westmorland Actor: Winstone

Afterpiece Title: Columbine Courtezan

Event Comment: The Duke's Company. See Duffett's burlesque, above. The Diary of Robert Hooke, 6 Dec. 1673: Saw Empress of Morocco at Duke's Theatre. 1s. 6d. Dutchess of York? there

Performances

Mainpiece Title: The Empress Of Morocco

Performances

Mainpiece Title: The Goldsmiths Jubilee; Or, London's Triumph

Performance Comment: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Performed Octob. 29, 1674 for the Entertainment of the Right Honourable and truly Noble Pattern of prudence and Loyalty, Sir Robert Vyner, Kt & Bart, Lord Mayor of the City of London: At the proper Costs and Charges of the Worshipful Company of Goldsmiths. The King's Most Sacred Majesty and his Royal Consort, their Royal Highnesses the Duke and Dutchess of York, Prince Rupert, The Duke of Monmouth, several Foreign Embassadors, Chief Nobility, and Secretaries of State, honouring the City with their Presence.
Event Comment: Benefit Desnoyer. Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales. Tickets deliver'd for the Careless Husband, will be taken. Servants allow'd to keep Places on the stage, which will be form'd into an amphitheatre. Tickets to be had at M Desnoyer's House in Gloucester Court, St. James's St.; and of Page at the stage door

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Dance: I: New Scots Dance-Desnoyer, Sga Barbarina; II: Tambourine-Desnoyer, Sga Barbarina; V: A Ball Dance call'd the Britannia, Louvre-; concluding with: a Minuet-Desnoyer, Sga Barbarina, By Command

Ballet: IV: Rural Assembly. See17420121, but only Chasseur-Desnoyer; Nymph-Sga Barbarina

Event Comment: Benefit Beckham, the Prompter. Tickets at Beckham's Toy Shop, in Cornhill; George's Coffeehouse, Temple Bar, Tom's Coffeehouse, Russel St., Covent Garden; Dodsley's Bookseller, at Tulley's Head; and at Gloucester Tavern, Pall Mall. Tickets deliver'd out by Mrs Steel, Mrs E. Hippisley, the two Masters Granier, and Mr Ravenscroft, will be taken...Servants will be allow'd to keep Places upon the Stage, which (for the better Accommodation of the Ladies) will be enclos'd, and form'd into an Amphitheatre

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The School Boy

Song: Concert Air from Alexander's Feast: War he sung is Toil and Trouble-Mrs Bishop; III: Can Love be controul'd by Advice-Miss Medina

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band

Performance Comment: Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band.

Dance: I: David apShenkin; II: Welsh Buffoon, as17420406 IV: Two Millers and Courtezan, as17420315 End I Afterpiece: New Scots Dance-Master and Miss Granier

Event Comment: Benefit for Mr and Mrs Daniel who live at No 17, Stewarts Rents, bottom of Great Wild St.

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Performance Comment: Pierre-Gentleman who played Gloucester in Jane Shore; Belvidera-Mrs Daniel.

Afterpiece Title: The Lying Valet

Event Comment: Benefit for Suett and Wright. Morning Herald, 3 May: Tickets to be had of Suett at his house, No. 20, Gloucester-street, Queen's-square, Bloomsbury; of Wright at his house, No. 21, Bennett-street, Westminster. [Afterpiece: Prologue by David Garrick.] Receipts: #232 10s. (67/13/0; 30/16/6; 0/12/6; tickets: 133/8/0) (charge: #115 10s.)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Harlequin's Invasion

Dance: As17820318athi

Event Comment: By Authority of the Lord Chamberlain. At the request of several of the Scotch Nobility. Benefit for Raeburn. Mainpiece: In its original state, as it was written by Allan Ramsay in 1724 [recte 1725]. The Characters to be entirely new dressed. The Doors to be opened at 5:00. To begin at 6:00. No persons to be admitted behind the scenes, nor any money returned after the curtain is drawn up. Ladies are requested to send their servants by Five to keep places. Tickets to be had of Raeburn, No. 4, Gloucester-court, St. James's; of Walker, the Globe, Pall-mall; of Mackintosh, the George, East Harding-street, Shoe-lane; of Watson, the Fleece, Little Windmill-street (being the original Scotch house); of Mrs Shaw, the St. Andrew, near the Armitage-bridge, Wapping

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Related Works
Related Work: The Gentle Shepherd Author(s): Cornelius Vandertop

Afterpiece Title: Wit's Last Stake

Performance Comment: Linger-Ryder; Savell [Saville]-Bland; Cavet [Caveat]-Aberdein; Itam [Item]-Brown; Boy-Middleton; Martin Sly-Smith; Mrs Watch [Mrs Watchly]-Mrs Reid; Mira [Myra]-Miss Bouton; Lucata [Lucetta]-Mrs Lefevre .
Cast
Role: Saville] Actor: Bland

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

Event Comment: The Duke's Company. The date of the first production is uncertain. The fact that the Epilogue suggests that it followed Settle's The Female Prelate is not a factor in the dating, as the Newdigate newsletters--see Wilson, Theatre Notes from the Newdigate Newsletters, p. 80--show that Settle's play was first acted on 31 May 1680, whereas Caesar Borgia was entered in the Term Catalogues, November 1679. Although the reference in the Epilogue to burning the Pope's Effigies" has been argued as referring to the Pope-burning procession of 17 Nov. 1679, the references in the Epilogue to Father Lewis, who was tried and convicted at York, 28 March 1679, suggest that it was written before his execution, 27 Aug. 1679. Hence the play may have been acted first some time in the late spring or the summer. A song, Blush not redder than the Morning, with music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681

Performances

Mainpiece Title: Caesar Borgia, Son Of Pope Alexander The Sixth

Event Comment: Apparently The Man of Mode had an amateur revival in Brussels in the autumn, possibly before the Duke and Duchess of York, when they were away from London. Princess Anne to Frances Apsley, 3 Oct. 1679: The play is practisde to night Miss Watts is to be Lady townly which part I beleeve wont much become her. [See Benjamin Bathurst, Letters of Two Queens (London, 1924), pp. 111-12]

Performances

Event Comment: Receipts: #100 (Cross). The Upholsterer is deferr'd till Wednesday Next. The theatre commonly call'd the Duke of York's Theatre in York Buildings is now taken down, and dwelling houses going to be built. The beautiful ceiling was painted by Verrio, but could not be remov'd

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Queen Mab

Event Comment: Benefit for the Colleges of Philadelphia and New York. Mainpiece a Sacred Ode written by Dr Brown set to select Airs, Duets and Choruses from Mr Handel, and other Eminent Composers, with the addition of several new songs. Pit and Boxes to be put together. No Persons to be admitted without tickets, which will be deliver'd at the Office of the theatre at 1!2 a Guinea each; and also at the following Coffee House, viz: the Smyrna, Pall Mall; the Mount, Grosvenor St; George's, Temple Bar; the Rainbow, Cornhill, the New York, Sweetings's Alley; and the Pennsylvania, Birchin Lane. First Gallery 5s. Second Gallerp 3s. 6d. Galleries to be opened at half past Four, Pit and Boxes at Five. To begin at 1!2 after Six (playbill). This philanthropic enterprise, of which the theatrical benefit was but a part, seems not to have born much fruit for the respective Colleges. See Letter to the Governors of the Colleges of New York, respecting the Collection that was made in the Kingdom in 1762 and 1763, for the Colleges of Philadelphia and New York, to which are added Explanatory notes and appendix. By Sir James Jay, M. D. (London, 1771). The funds collected seem largely to have been used up in a law suit. The Governor of the College of New York, Rev. Dr Johnson, asked Jay to collect funds, which he did. Alderman Trecothick wrote Dr Johnson that the funds were not safe in Jay's hands. The Governors insulted Jay, and when they found they were wrong refused to apologize. They entered a bill against him in Chancery to gain the funds. It dragged out for four years. When the power of Attorney had been given to Trecothick, he claimed that a sum of #1437 15s. 6d. was unaccounted for by Jay, and was supposed to be in Jay's hands. Jay explained the Governors had not reckoned on reimbursement for his time and expenses for two years.

Performances

Mainpiece Title: The Cure Of Saul

Music: The Orchestra to be led by-Sg Giardini; Between acts: a Concerto on the Violin, Concerto on the violincello by Cervetto-Sg Giardini

Event Comment: On this date, L. C. 5@16, p. 101 (Nicoll, Restoration Drama, p. 10n) Nathaniel Lee's The Duke of Guise was banned. John Drummond to Marquis and Duke of Queensberry, 16 July 1682: Ther is a play hear to be acted that maks a great business, for the Duke of Munmuth has complained of it, and they say that notwithstanding it is to be acted sometime nixt weik. They call it the Duke of Guise, but in the play the true story is cheinged to the plott time hear (HMC, Buccleuch-Queensberry MSS., 1903, II 108). Newsletter, 29 July 1682: A play by Mr Dryden, termed the Duke of Guise, wherein the Duke of Monmouth was vilified and great interest being make for the acting thereof, but coming to His Majesty's knowledge is forbid, for though His Majesty be displeased with the Duke yet he will not suffer others to abuse him (HMC, 15th Report, Part VII, 1898, p. 108). Newdigate newsletters, 29 July 1682: A play having been made [by] Mr Dryden termed ye Duke of Guise supposed to Levell att the villifying the Duke of Monmouth & many other protestants & great Interest made for the Acting thereof but bringing to the knowledge of his Matie the same was forbidd for though his Maties pleasure is to be dissatisfyed and angry with the Duke of Monmouth, yet hee is not willing that others should abuse him out of a naturall affection for him (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81)

Performances

Performances

Mainpiece Title: King Richard The Second

Performance Comment: King-Delane; York-Stephens; Gaunt-Johnson; Bolingbroke-Ryan; Norfolk-Walker; Carlisle-Chapman; Aumerle-Hallam; Salisbury-Lyon; Scroop-Aston; Bushy-Rosco; Bagot-Salway; Green-Arthur; Northumberland-Bridgwater; Piercy-Hale; Ross-Ridout; Willoughby-A. Ryan; Surry-Houghton; Fitzwalter-Stevens; Earl Marshal-Mullart; Queen-Mrs Horton; Dutchess of York-Mrs Hallam; Dutchess of Gloster-Mrs James; but see also Hogan, p. 377. A New Prologue addressed to the Ladies-.
Cast
Role: York Actor: Stephens
Role: Northumberland Actor: Bridgwater
Role: Dutchess of York Actor: Mrs Hallam

Afterpiece Title: The Dragon of Wantley

Dance: BBallet, as17380204

Performances

Mainpiece Title: The Life And Death Of King Richard Iii

Performance Comment: By particular Desire. Richard-Cibber; Henry VI-Giffard; Richmond-W. Giffard; Queen Elizabeth-Mrs Butler; Edward V-Miss Cibber; York-Miss Naylor; Buckingham-Peterson; Stanley-Mozeen; Catesby-Dighton; Ratcliff-Naylor; Norfolk-Freeman; Oxford-Pattendon; Mayor-Dunstall; Blunt-Clough; Tyrrel-Dove; Forrest-Julian; Duchess of York-Mrs Bambridge; Lady Anne-Mrs Giffard.
Cast
Role: York Actor: Miss Naylor
Role: Duchess of York Actor: Mrs Bambridge

Afterpiece Title: Imprisonment of Harlequin

Performance Comment: Harlequin-Rosoman; Father-Julian; Beau-Peterson; Colombine-Mrs Dunstall; Shepherds, Peasants-Carney, Mlle Roland, Lapierre, Pelling, Granier, Miss Story, the Misses Scotts; Dwarf spirits-two Masters Granier, Miss Naylor; Clown-Dove; Concluding with a Representation of three Automations-; Being three mechanical Figures invented by the ingenious and celebrated Mr Vaucanson. Being three mechanical Figures invented by the ingenious and celebrated Mr Vaucanson.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Goodfellow; Henry IV-Paget; Edward V-Mrs Cushing; York-Master Morgan; Buckingham-Wignell; Stanley-L. Hallam; Lieutenant-Boyce; Catesby-Shuter; Mayor-Dove; Tyrrel-Hallam Sen; Blunt-Baker; Richmond-Cushing; Tressel-Furnival; Lady Ann-Mrs Hallam; Dutchess of York-Mrs Beckham; Queen Elizabeth-Mrs Bambridge.
Cast
Role: York Actor: Master Morgan
Role: Dutchess of York Actor: Mrs Beckham

Dance: As17461124

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Henderson; King Henry-Clarke; Richmond-Wroughton; Buckingham-Hull; Stanley-Fearon; Tressel-Whitfield; Pr. Edward-Miss Langrish; D. of York-Master Langrish; Norfolk-Booth; Lieutenant-L'Estrange; Catesby-Robson; Ratcliffe-Thompson; Lord Mayor-Webb; Oxford-J. Bates; Lady Ann-Miss Ambrose; Duchess of York-Miss Platt; Queen-Mrs Inchbald .
Cast
Role: of York Actor: Master Langrish
Role: Duchess of York Actor: Miss Platt

Afterpiece Title: The Choice of Harlequin

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Harley (from the Theatre Royal, Norwich; 1st appearance on this stage); King Henry-Aickin; Buckingham-Farren; Stanley-Powel; Tressel-Egan; Pr. Edw.-Mrs Byrne; D. of York-Master Simmons; Norfolk-Macready; Lieut.-Cubitt; Catesby-Davies; Ratcliffe-Thompson; Lord Mayor-Gardner; Oxford-Evatt; Richmond-Holman; Lady Anne-Miss Brunton; Duchess of York-Mrs Platt; Queen-Mrs Pope. [Playbill of 23 Sept.: Holman's, Miss Brunton's, Mrs Pope's 1st appearance in those characters.]Playbill of 23 Sept.: Holman's, Miss Brunton's, Mrs Pope's 1st appearance in those characters.]
Cast
Role: of York Actor: Master Simmons
Role: Duchess of York Actor: Mrs Platt

Afterpiece Title: The Poor Soldier

Event Comment: On this day a quarrel occurred at lif between Henry Killigrew and George Villiers, Duke of Buckingham, but the play is not named in the various accounts of the affair. For details, see HMC, 12th Report, Part VII, p. 51; and Carl Niemeyer, "Henry Killigrew and the Duke of Buckingham", Review of English Studies, XII (1936), 326-28. Pepys, Diary: 22 July: Creed tells me of the fray between the Duke of Buckingham at the Duke's playhouse the last Saturday (and it is the first day I have heard that they have acted at either the King's or Duke's house this month or six weeks) and Henry Killigrew, whom the Duke of Buckingham did soundly beat and take away his sword, and make a fool of, till the fellow prayed him to spare his life; and I am glad of it; for it seems in this business the Duke of Buckingham did carry nimself very innocently and well

Performances

Event Comment: See 27 Feb. 1668@9. Pepys, Diary: I did meet Sir Jeremy Smith, who did tell me that Sir W. Coventry was just now sent to the Tower, about the business of his challenging the Duke of Buckingham, and so was also Harry Saville to the Gate-house....So, meeting with my Lord Bellassis, he told me the particulars of this matter; that it arises about a quarrel which Sir W. Coventry had with the Duke of Buckingham about a design between the Duke and Sir Robert Howard, to bring him into a play [The Rehearsal] at the King's house, which W. Coventry not enduring, did H. Saville send a letter to the Duke of Buckingham, that he had a desire to speak with him. Upon which, the Duke of Buckingham did bid Holmes, his champion ever since my Lord Shrewsbury's business, go to him to know the business; but H. Saville would not tell it to any but himself, and therefore did go presently to the Duke of Buckingham, and told him that his uncle Coventry was a person of honour, and was sensible of his Grace's liberty taken of abusing him, and that he had a desire of satisfaction, and would fight with him. But that here they were interrupted by my Lord Chamberlain's coming in, who was commanded to go to bid the Duke of Buckingham to come to the King, Holmes having discovered it

Performances

Event Comment: "The performance of last night boasted some additional impression, by the fine imagination of [Kemble's] starting at the trumpet from the prayer of penitence, and springing up the Hero and the King...[In Act V] the scene with Katharine was as sportive and as easy as possible...Comus followed, vice the Critic, obliged to be postponed from [the] indisposition of Parsons (MS annotation on Kemble playbill)]. Some disapprobation attended the drawing up the curtain. Palmer explained, and then, without 'wiping his lips since he spoke last' began "The Star that bids the Shepherd fold" (Oracle, 1 Nov.). Receipts: #223 5s. 6d. (180.8.6; 41.3.0; 1.14.0)

Performances

Mainpiece Title: King Henry The Fifth

Performance Comment: King Henry-Kemble; Duke of Gloster-Benson; Duke of Bedford-Dignum; Duke of Exeter-Aickin; Earl of Westmoreland-Sedgwick; Archb. of Cant.-Maddocks; Bishop of Ely-Jones; Cambridge-Webb; Scroop-Chapman; Grey-Bland; Erpingham-Waldron; Gower-R. Palmer; Nym-Burton; Bardolph-Alfred; Fluellen-Baddeley; Pistol-Suett; Boy-Master Gregson; Williams-Whitfield; Bates-Banks; King of France-Packer; Dauphin-Barrymore; Duke of Burgundy-Phillimore; Constable-Fawcett; Governor-Hollingsworth; Montjoy-Caulfield; Queen of France-Mrs Ward; Princess Katharine-Miss Collins; Hostess-Mrs Booth.
Cast
Role: Earl of Westmoreland Actor: Sedgwick
Role: Grey Actor: Bland

Afterpiece Title: Comus