Event Comment: Benefit Davies, Bookseller (General Advertiser). Tickets to be had of Mr Cummins, Bookseller, under the Royal Exchange; at the Horn Tavern in Fleet St.; at Mr Waller's, Bookseller, over against Fetter Lane End; The Temple Exchange Coffee-House; at Lebeck's Head in the Strand; and at Mr Davies in Old Round Court in the Strand

Event Comment: Tickets deliver'd out by Mr Davis will be taken. [Bransby doubled in Oxford and Tyrrel. The General Advertiser quoted a long Epilogue on the Birthday of his Royal Highness the Duke of Cumberland Written by the Farmer (who had taken over the role of Swift's Drapier) and spoken by Garrick in Dublin. It also quoted the following long puff for Ray's Benefit to come]: Sir, As long acquaintance best entitles us to friendly good natured offices, and as no more proper time can be found to confer them than when the person is in the Decline of life, give me leave to recommend (thro' your means) Mr Ray of Drury Lane Theatre, the oldest actor now belonging to that House, to the Favour of the Town, at his ensuing Benefit next Saturday. A person who once agreeably entertained the Public, should always feel the warmth of their Indulgence, tho' the Infirmities of Old age may have render'd him less pleasing than formerly. This Application is therefore meant to those friends of his, whom Distance of time, and change of Situation may have made it impossible any other way to acquaint them, that The Merchant of Venice is to be acted for his Benefit on Saturday next; therefore 'tis hoped they will be so kind as to send for his Tickets to Mr Hobson, in the Playhouse Passage, or to Mr Ray's lodgings, the second Door in Queen's Court, Great Queen St., Lincoln's Inn Fields, and the Favour will ever be greatly acknowledged by him

Event Comment: A Concert, etc. Benefit a Gentleman under misfortunes, lately arriv'd from the Army in Flanders. 5s., 3s., 2s

Event Comment: Benefit Ray, Gray [Constable] and Dunbar [Boxkeeper. See note 29 April.] I hope my diligence as a Constable, in preserving Ladies from the Insults of the Pickpockets... may entitle me to some small Indulgence at my Benefit. James Gray.--Daily Advertiser

Event Comment: [Full column in Daily Advertiser describing Barry's and Mrs Macklin's acting techniques.] Barry from the Theatre in Dublin, perform'd the part of Othello, at Drury Lane, before a numerous and polite audience; and met with as great Applause as could be express'd.--General Advertiser, 6 Oct. Thomas Gray to Horace Walpole: You have probably been there since I left you, and consequently have seen the Mr Barry you desired some account of; yet as I am not certain of this and should be glad to know whether we agree about him, I will nevertheless tell you what he is, and the impression he made upon me. He is upwards of six feet in height; wdll and prortionably made, treads well and knows what to do with his limbs; in short a noble graceful figure. I can say nothing of his face but that it was all black, with a wide mough and good eyes. His voice is of a clear and pleasing tone, something like Delane's, but not so deep-mouthed, not so like a passing bell. When high strain'd it is apt to crack a little and be hoarse, but in its common pitch, and when it sinks into any softer passion, particularly expressive and touching. In the first scene, especially when he recounts to the Senate the progress of his love and the means he used to win Desdemona, he was quite mistaken, and I took a pique against him; instead of a cool narration he flew into a rant of voice and action, as though he were relating the circumstance of a battle that was fought yesterday. I expected nothing more from him, but was deceiv'd: in the scenes of rage and jealousy he was seldom inferior to Quin in the parts of tenderness and sorrow far above him. These latter seem to be his peculiarly; his action is not very various, but rarely improper, or without dignity, and some of his attitudes are really fine. He is not perfect to be sure, but I think may make a better player than any now on the stage in a little while. However, to see a man in one character, and but once, is not sufficient, so I rather ask your opinion by this, than give you mine.--Horace Walpole's Correspondence with Thomas Gray, II, 6-7

Event Comment: [The first payroll of the season, covering three days of acting, amounted to #69 8s. 6d (30 men--#35 14s.; 24 women--#26 10s; 10 servants' accounts including an unspecified number of dressers and charwomen--#7 4s. 6d.).] Receipts: #42. 18s. 6d.

Event Comment: Mainpiece By Command. Present The Duke, Princess Amelia, and the Princess of Hesse (Account Books, Egerton 2268). Receipts:#188 6s. 2d

Event Comment: Benefit Barry. By Command of their Royal Highnesses the Prince and Princess of Wales. Ladies send servants by three. Tickets at his lodgings in Bow St

Event Comment: By Command of Prince and Princess of Wales. A Free Benefit for Quin. Receipts: #88 13s., plus #136 15s. from tickets. [Garrick had written Quin he was too ill to play in the mainpiece but would act in his farce. Notice of 23 March about Amphitheatre repeated.] Tickets deliver'd out for 9 March will be taken. To prevent mistakes none will be admitted into the Boxes but by tickets deliver'd by Quin, and at the Office in the Box Lobby.--General Advertiser. If any Gentlemen or Ladies shall be displeased with the alteration in the Performance of the Play [i.e., Garrick's absence] the money shall be return'd.--Theatrical Clippings, Folger Library

Event Comment: Written by Shakespear. Play to begin at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage-Door of the Theatre. As the Admittance of Persons behind the Scenes has occasioned a general Complaint on Account of the frequent Interruptions in the Performance, tis hop'd Gentlemen won't be offended, that no Money will be taken there for the future. [This notice appears on succeeding bills for the season and will hence not be repeated. See note on public objection to nonadmittance behind scenes 22 Feb. 1748.] Receipts: #150 (Cross); #I26 12s. (Clay MS). Nichols Literary Anecdotes, II, 319-20: There is one part of theatrical conduct which ought unquestionably to be recorded to Mr Garrick's honour, since the cause of virtue and morality and the formation of public manners are very considerably dependent upon it, and that is the zeal with which he ever aimed to banish from the stage all those plays which carry with them an immoral tendency, and to prune from those which do not absolutely on the whole promote the interests of vice such scenes of licentiousness and libertinism as a redundency of wit and too great liveliness of imagination have induced some of our comic writers to indulge themselves in, and to which the sympathetic disposition of an age of gallantry and intrigue had given a sanction. The purity of the English stage was certainly much more fully establish'd during the administration of this theatrical minister than it had ever been during preceding managements; for, what the publick taste had itself to some measure begun, he, by keeping that taste within its proper channel, and feeding it with a pure and untainted stream, seems to have completed; and to have endeavoured as much as possible to adhere to the promise made in the prologue which was spoken at the first opening of that theatre under his direction, @Bade scenic virtue form the rising age@And truth diffuse her radiance from the stage.

Event Comment: MMrs Cibber Play'd (Cross). The Letter sign'd E. L. written in the Name of several Persons of Distinction, is receiv'd; and the Play of King Lear will be acted there, as soon as Mr Garrick is able to perform so long a Character (note "From the Theatre Royal Drury Lane" inserted in the General Advertiser). Receipts: #160 (Cross); #156 17s. 6d. (Powel)