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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dukes of Montague and Richmond"/1) | (@(roleclean,performerclean) "Dukes of Montague and Richmond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3003 results for: Keyword - Dukes of Montague and Richmond
We found 1328 matches on Performance Comments, 1104 matches on Event Comments, 402 matches on Author, 364 matches on Performance Title, and 0 matches on Roles/Actors.

76
26 October 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: Sir W. Pen, my wife and I to the Theatre, and there saw The Country Captain, the first time it hath been acted this twenty-five years, a play of my Lord Newcastle's, but so silly a play as in all my life I never saw, and the first that ever I was weary of in my life. Herbert (Dramatic Records, p. 118) lists Love's Mistress for this date for Vere St., but the item is out of the normal order of the entries. To move it to 26 Oct. 1662 would place it on a Sunday. The play had been given previously (2 March 1661, 11 March 1661, 25 March 1661) by both the Duke's Company and King's Company. Possibly Herbert entered it on the wrong day. On Herbert's list, following Love's Mistress, are two plays, The Contented Collinell [Brenoralt] and Love at First Sight, each listed without a date. The former, under the title Brenoralt, had been acted at Vere St. on 23 July 1661; the second was soon to be acted there on 29 Nov. 1661

Performances

Mainpiece Title: The Country Captain

77
10 December 1661 @ Theatre in Vere Street

Performances

Mainpiece Title: The Dancing Master

78
11 March 1662 @ Theatre in Vere Street

Event Comment: The King's Company. See Herbert, Dramatic Records, p. 118. See also The Variety, in Bentley, Jacobean and Caroline Stage, III, 149-51; and James Shirley's The Ball; or, French Dancing Master, in Bentley, V, 1079. See also 10 Nov. 1661

Performances

Mainpiece Title: The French Dancing Master

79
28 March 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. The play, licensed on 27 Nov. 1667, was not printed until 1667. There is no certainty that this is the premiere, but it may well have been, as Pepys saw it on 30 March and on 11 April suggested that it had recently had its first showing: [The Duchess of Newcastle] was the other day at her own play, The Humourous Lovers; the most ridiculous thing that ever was wrote, but yet she and her Lord mightily pleased with it; and she, at the end, made her respects to the players from her box, and did give them thanks

Performances

Mainpiece Title: The Humourous Lovers

80
30 March 1667 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: With my wife's knowledge and leave did by coach go see the silly play of my Lady Newcastle's, called The Humourous Lovers; the most silly thing tiat ever come upon a stage. I was sick to see it, but yet would would not but have seen it, that I might the better understand her. Here I spied Knipp and Betty Hall?, of the King's house, and sent Knipp oranges

Performances

Mainpiece Title: The Humourous Lovers

81
14 December 1671 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Evelyn, Diary: Whence to see the Duke of Buckingam's ridiculous farce & Rhapsody called the Recital, bouffoning all Plays yet prophane enough. In a collection of broadsides (Bodleian Wood 417) A Ballad (on Buckingham and his son) has some lines which apparently refer to a performance: @I confess the Dances were very well Writ, @And the Tune and the Time by Haynes as well Hit, @And Littlewood's Motion and Dress had much Wit: @But when his Poet John Bayes did appear, @'Tis known to more than half that were there, @The greatest part was his own Character.

Performances

Mainpiece Title: The Rehearsal

82
April 1689 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. On 23 April 1689 Luttrell purchased a copy of the Prologue. The broadside copy, with Luttrell's date of acquisition, is in the possession of Mr Louis Silver, Wilmette, Illinois, to whose courtesy I am indebted for permission to use this date. When the Prologue, which is reprinted in Wiley, Rare Prologues and Epilogues, pp. 271-72, appeared in The Fourth and Last Volume of the Works of Mr Tho. Brown (1719), the Prologue has the title: Jo. Haines in Penance; Or, his Recantation-Prologue, at his acting of Poet Bays in the Duke of Buckingham's Play call'd The Rehearsal. Spoken in a white Sheet, with a burning Taper in his Hand, upon his Admittance in to the House after his Return from the Church of Rome. In the Preface to his play, The Fatal Mistake (1691-92), Haines stated: In troth I have Acted Mr Bays so often, and so feelingly, that I could not possibly forbear copying after so fair an Original

Performances

Mainpiece Title: The Rehearsal

83
18 January 1709 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

84
18 November 1709 @ Queen's Theatre

Performances

Mainpiece Title: The Rehearsal

85
26 October 1711 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

86
03 February 1718 @ Drury Lane Theatre

Event Comment: Written by the late Duke of Buckingham. With all the Songs, Dances, and other Decorations proper to the Play

Performances

Mainpiece Title: The Rehearsal

Dance: As17180128

87
17 November 1718 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Written by the late Duke of Buckingham. With all the Songs, Dances, and other Decorations proper to the Play

Performances

Mainpiece Title: The Rehearsal

Dance: Shaw, Wade, Topham, Kellom's Scholar, Mrs Santlow, Mrs Bicknell, Mrs Tenoe, Miss Smith

88
27 September 1720 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Dance: Thurmond Jr, Boval, Lally, Mrs Booth, Mrs Bicknell, Mrs Bullock, Miss Tenoe, Miss Smith

89
23 November 1720 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Dance: Weaver, Thurmond Jr, Boval, Lally, Mrs Bullock, Miss Tenoe, Miss Smith, Miss Lindar

90
18 January 1721 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Dance: Denoyer, Mrs Younger

91
15 November 1721 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Dance:

92
15 January 1722 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Escapes of Harlequin

93
28 January 1723 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Dance:

94
18 November 1724 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Song: As17241020

Dance: As17241114

95
29 January 1725 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Song: As17241008

Dance: Miss Robinson, Young Rainton, Topham, Mrs Tenoe

96
25 April 1732 @ Drury Lane Theatre

Event Comment: Benefit Charke and Mrs Charke. Mainpiece: Written by the late Duke of Buckingham. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Dance: SSultana-Miss Robinson; Bartholomew Fair-Tench, Miss Brett

Song: Singing in Italian and English-Montier (being the first Time of his Performance on this Stage).

Instrumental: With a Lapland Entertainment call'd Aesop's Concert of Animals. Violins-Three Cats; Hautboy-Dog; Harp-Monkey; Bassoon-Bear; French Horn-Stag; Singing in Welch-Goat; Music Master-Aesop

97
08 November 1732 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Dance: TTambourine-Miss Robinson; Scots Dance-Haughton, Mrs Walter; Grand Dance of Moors-Essex, Mrs Booth, Lally Jr, Haughton, Lally, Tench, Mrs Walter, Mrs D'Lorme, Miss Williams, Miss Mears

98
15 December 1732 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Country Revels

Afterpiece Title: Harlequin Restor'd

Cast
Role: Scaramouch Man and Woman Actor: Lally Jr, Mrs Delorme
Role: French Man and Woman Actor: Tench, Miss Mears
Role: Pierrot Man and Woman Actor: Cox, Miss Mann.

99
08 January 1736 @ Drury Lane Theatre

Event Comment: By Command of his Royal Highness the Duke and their Highnesses the Princesses [who were present]. Prompter, 13 Jan.: the Rehearsal was perform'd by Command . . . Prince Prettyman's refusing to act. [See also a complaint in Grub St. Journal, 8 Jan., about Mlle Roland's immodest

Performances

Mainpiece Title: The Rehearsal

Dance: ]

100
05 June 1740 @ Covent Garden

Event Comment: Benefit Cibber. At the particular Desire of several Persons of Quality. Mainpiece: Written by George Duke of Buckingham. Afterpiece: With Additions, the Words and Musick by Mr Carey. 6:30 p.m. London Daily Post and General Advertiser, 6 June: Yesterday Morning died Mrs Hallam

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Parting Lovers

Dance: I: Peasants-the French Boy and Girl; II: Comic Ballet-Villeneuve, Miss Oates; III: Swiss Dance-French Boy and Girl; IV: Grecian Sailors-Glover; V: Hippisley's Drunken Man-