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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duke of Westminster"/1) | (@(roleclean,performerclean) "Duke of Westminster")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2987 results for: Keyword - Duke of Westminster
We found 1214 matches on Event Comments, 1207 matches on Performance Comments, 402 matches on Author, 357 matches on Performance Title, and 0 matches on Roles/Actors.

1126
06 July 1780 @ Haymarket Theatre

Event Comment: Mainpiece: Never acted here. [Staunton, who was from the Crow Street Theatre, Dublin, is identified in Westminster Magazine, July 1780, p. 397.

Performances

Mainpiece Title: Percy

Afterpiece Title: Comus

1127
14 January 1782 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville and Williams. Mainpiece: Not acted these 5 years. Tickets delivered for the 17th of December will be admitted. Tickets and places to be had of Williams at Mr Spoke's, Tottenham Court; Mr White, Auctioneer, Queen street, Westminster; Messrs Ellis and Scott, Old Bond-street; Mr Hewitt, New Bond-street; Mr Cowcieroy, Great Russell-street, Bloomsbury; and at the Excise Office Coffee-House, Old Bond-street

Performances

Mainpiece Title: The Constant Couple; Or, A Trip To The Jubilee

Afterpiece Title: The Irish Widow

Song: End of Act I of afterpiece Horn sweet are the Woodlands by Forrest and Groves. imitations. End of mainpiece, Vocal and Rhetorical, by the Gentleman who performs Beau Clincher

1128
03 May 1782 @ Drury Lane Theatre

Event Comment: Benefit for Suett and Wright. Morning Herald, 3 May: Tickets to be had of Suett at his house, No. 20, Gloucester-street, Queen's-square, Bloomsbury; of Wright at his house, No. 21, Bennett-street, Westminster. [Afterpiece: Prologue by David Garrick.] Receipts: #232 10s. (67/13/0; 30/16/6; 0/12/6; tickets: 133/8/0) (charge: #115 10s.)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Harlequin's Invasion

Dance: As17820318athi

1129
03 May 1782 @ Covent Garden

Event Comment: Benefit for Mrs Barnes. Morning Herald, 15 Apr.: Tickets to be had of Mrs Barnes, No. 21, Crown-street, Westminster. Receipts: #134 11s. 6d. (69/3/6; tickets: 65/8/0) (charge: #105)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Barnaby Brittle

Dance: End of mainpiece The Gala, as17820409, but omitted: Harris

1130
27 April 1784 @ Covent Garden

Event Comment: Benefit for Mrs Kennedy. Public Advertiser, 26 Apr.: Tickets to be had of Mrs Kennedy at her house in Great Queen-street. [The Jubilee anticipated the official Handel Commemoration held at Westminster Abbey on 26 May.] Receipts: #320 9s. 6d. (213/4/6; tickets: 107/5/0) (charge: #105)

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Afterpiece Title: The Duenna

Afterpiece Title: Rose and Colin

Dance: 1st piece to conclude with a Grand Ballet by Harris, Byrn, Miss Besford, Mrs Goodwin, &c

1131
24 July 1784 @ Haymarket Theatre

Event Comment: Benefit for Miss Woollery. Public Advertiser, 23 July: Tickets to be had of Miss Woollery, No. 5, Delahay-street, near Great George-street, Westminster

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Midas

1132
24 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Miss Woollery. [Author and speaker of Prologue unknown.] The characters to be new dressed, in the habits of the times. Tickets to be had of Miss Woollery, No. 5, Delahay-street, Westminster. The Doors be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Apprentice

1133
05 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Chapman and Wright. Public Advertiser, 2 May: Tickets to be had of Chapman, No. 47, Carey-street, Lincoln's-inn-fields; of Wright, No. 21, Berner-street, Westminster. Receipts: #224 18s. 6d. (33/19/0; 10/11/0; 0/8/6; tickets: 180/0/0) (charge: #113 9s.)

Performances

Mainpiece Title: The Convivial Coterie [i

Afterpiece Title: Rule a Wife and Have a Wife

Afterpiece Title: The Caldron

Dance: End of Act II of 2nd piece The Slave in Chains by Hamoir

1134
10 May 1786 @ Drury Lane Theatre

Event Comment: Benefit for Staunton and Wright. Morning Chronicle, 3 May: Tickets to be had of Staunton, No. 54, Drury-Lane; or Wright, Bennet-street, Westminster. Receipts: #227 (49/3; 25/8; 0/0; tickets: 152/9) (charge: #105 15s. 2d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Virgin Unmask d

Song: End of Act IV of mainpiece Collin cur'd of roving by Miss George; End of mainpiece Bucks of the Field by Dignum

1135
22 May 1786 @ Covent Garden

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: An Harmonic Jubilee

Performance Comment: SCENE I. A Landscape. Tantivy the welkin resounds (composed by Hook) by Mrs Martyr. SCENE II. A View of Gibraltar. The trumpet's hoarse clang (the words by Johnstone; the music by Reeve) by Darley. SCENE III. A Forest. How sweet o'er the woodlands by Johnstone and Davies. SCENE IV. A Camp. Say, bonny lass, will you carry a wallet? by Mrs Kennedy and Mrs Martyr. SCENE V. A Landscape. We three archers be by Brett, Darley, Davies. scene VI. A Cathedral. A Description of the Tombs in Westminster Abbey by Edwin .

Afterpiece Title: The Deserter

1136
24 July 1786 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: The Padlock

Afterpiece Title: Harlequin's Gambols

Song: End of 1st Monologue A Tax on Old Maids, as sung by Mrs Kennedy at Vauxhall, by Mrs Benson. monologues. End of mainpiece Peeping Tom of Coventry's Peep into Hammersmith; End of 3rd piece A Description of the Tombs in Westminster Abbey, both by Benson

Performance Comment: monologues. End of mainpiece Peeping Tom of Coventry's Peep into Hammersmith; End of 3rd piece A Description of the Tombs in Westminster Abbey, both by Benson .

1137
25 July 1787 @ Haymarket Theatre

Event Comment: Benefit for Miss Woollery. Mainpiece: Never acted here. [In mainpiece the playbill assigns Clifford to Browne, but he "declined playing the pathetic part of Clifford, although the bills contained his name: Williamson therefore supplied his place" (unidentified clipping in Enthoven Collection).] Public Advertiser, 19 July: Tickets to be had of Miss Woollery, No. 5, Delahay-street, Westminster

Performances

Mainpiece Title: Henry The Second; Or, The Fall Of Rosamond

Afterpiece Title: The Dead Alive

1138
30 September 1788 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. 3rd piece: Written by A. Murphy, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at the Shakespeare, Covent-garden; the Chapter Coffee-house, Paternoster-row; the Horn Tavern, Doctors Commons; the Theatre, where Places for the Boxes may be taken; and at Abbott's Academy, Bridges-street, Westminster

Performances

Mainpiece Title: Miss In Her Teens

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Afterpiece Title: The Citizen

Entertainment: Monologue. End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett

1139
27 February 1789 @ Drury Lane Theatre

Event Comment: The Band, both Focal and instrumental, are considerably augmented, with the addition of the Boys from his Majesty's@Chapels@Royal, The Choirs of St. Paul's and Westminster Abbey. Tickets to be had, and places for the Boxes to be taken, of Fosbrook, at the stage-door of the Theatre. Boxes 10s. 6d. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: A Prelude, On The Happy Recovery Of His Majesty

Afterpiece Title: The Triumph of Truth 0

1140
11 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: A Prelude

Afterpiece Title: Redemption 0; Triumph of Truth 0

Performance Comment: Selected from the Great and Favourite Works of Handel that were performed at his Commemoration in Westminster Abbey and at the Pantheon on 26 and 27 May 1784. For a detailed account of what was sung, see17890318 Principal Vocal Parts and Violin As17890227.

Music: End I oratorio: serenata solo on harp, as17890306End II: a new Grand Concerto on the harp-Mme Krumpholtz; Conclude: God save Great George our King-

1141
31 July 1789 @ Haymarket Theatre

Event Comment: Benefit for Mr and Mrs Iliff. Afterpiece: Not acted these 10 years [not acted since 30 July 1778]. Diary, 28 July: Tickets to be had of Iliff, No. 20, Charles-street, Westminster

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Portrait

Entertainment: Imitations End: Theatrical Imitations Serious, Comic, Vocal, and Rhetorical,-Rees; Duologue End afterpiece: Hobby@Horses Describing the Statesman's Hobby, the Ladies' Hobby, the Lawyer's Hobby, the Physician's Hobby, the Manager's Hobby, and R. Palmer's own Hobby,-R. Palmer, Iliff

1142
19 February 1790 @ Covent Garden

Performances

Mainpiece Title: The Messiah, Preceded By god Save The King(coronation Anthems)

Performance Comment: Principal Singers-Harrison, Sale, Griffiths, Champness, Gore, Webb, Reynoldson, Saville, Miss Poole, Miss Mahon, Miss Dall (1st appearance), Miss Cantelo, with the Choristers of His Majesty's Chapel-Royal and Westminster-Abbey.
Cast
Role: 's Chapel Actor: Royal and Westminster-Abbey.
Role: Royal and Westminster Actor: Abbey.

Music: End II: a concerto on the violin-Mme Gautherot (from Paris)

1143
24 February 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection 0[from The Works Of handel; Messiah

Performance Comment: [That were Performed at the Pantheon and Westminster-Abbey [on 26 and 27 May 1784. As17900219, but Principal Vocal Parts-_Kelly, Cizo (1st appearance), Miss _Hagley, Miss +Romanzini (1st time [in the oratorios]).in the oratorios]).

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

1144
24 February 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection [of Sacred Music 0; Messiah

Performance Comment: [From the Performances in Westminster Abbey [on 26 May 1784.] As17900219, but Principal Singers-_Griffiths, _Champness, _Gore, _Webb, _Reynoldson, _Choristers.
Cast
Role: 's Chapel Actor: Royal and Westminster-Abbey.
Role: Royal and Westminster Actor: Abbey.

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the Piano Forte-Clementi

1145
22 February 1793 @ King's Theatre

Performances

Mainpiece Title: Redemption; Grand Selection 0

Performance Comment: Selected from the Great and Favourite Works of Handel, that were performed at his Commemoration in Westminster Abbey and at the Pantheon (on 26 and 27 May 1784). As17930220.

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Song: As17930220

Music: End Part II: concerto on the Piano Forte-Dussek

1146
01 June 1793 @ Drury Lane Theatre

Event Comment: Benefit for Caulfield, Miss DeCamp, Miss Tidswell & Miss Heard. [In mainpiece the playbill assigns Mr Worthy to Benson but "an apology was made for the absence of Benson...His part of Worthy was read by Whitfield" (Thespian Magazine, July 1793, p. 50).] Tickets delivered for the 8th of June will be admitted. Morning Herald, 24 May: Tickets to be had of Caulfield, No. 8, Dartmouth-street, Westminster; of Miss DeCamp, No. 70, Tottenham-Court-Road; of Miss Tidswell, No. 3, Little Charles-street, St. James's-square; of Miss Heard, No. 13, Panton-street, Hay-market. Receipts: #182 3s. (28.17; 3.5; tickets: 150.1) (charge: #86 8s.)

Performances

Mainpiece Title: At Hay The Recruiting Officer

Afterpiece Title: The Mariners

1147
01 May 1795 @ Drury Lane Theatre

Event Comment: Benefit for Master Welsh. Afterpiece [1st time; MF 2, by Samuel Birch]: The Music principally new, composed by Attwood, with a few selections from Mozart. Books of the Songs to be had hn the Theatre. Morning Chronicle, 21 May 1795: This Day is published The Adopted Child (1s.). Ibid., 21 Apr.: Tickets to be had of Master Welsh, No. 9, Margaret-street, Westminster. Receipts: #226 10s. (87.13.6; 43.3.6; 17.7.0; tickets: 78.6.0) (charge: free)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Adopted Child

Song: End IV: a favourite song (unaccompanied)-Master Welsh

1148
12 February 1796 @ Covent Garden

Event Comment: Ode: Written in Honour of St. Cecilia, by Dryden, and set to Music by Handel. Among the Instrumental Performers are G. Ashley, leader of the band, Mara, Sarjant, C. Ashley, Boyce, Bridgetower, Harvey, Parkinson, Taylor, Nix, two Flacks, Dresler, Gwilliam, Shutze, Price, I. Sharp, W. Sharp, M. Sharp, J. Sharp, Archer, Cobham, two Munros, Wood, Cornish, Purney, Leffler, Woodham, Cantelo, Skillern, Franki, Simpson, Jenkinson, &c. Organ-J. Ashley. Double Drums (used at Westminster Abbey)-R. Ashley. The Chorusses will be numerous and complete. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Brandon at the Office in Hart-street. The Doors to be opened at 6:00. To begin at 7:00 [same throughout oratorio season]. Books of the Performance (with the Imprimatur of H. Macleish) to be had at the Theatre

Performances

Mainpiece Title: Alexander's Feast Or, the Power Of Music; Grand Selection 0

Afterpiece Title: Alexander's Feast 3

Music: End Part I: concerto on the harp-Mme Delaval; Beginning Part II: concerto for two violins and violoncello obligato-, as originally composed for this Ode, by Handel and performed in the year 1736; End Part II: concerto on the Grand Piano Forte-Dussek

1149
27 February 1796 @ Drury Lane Theatre

Event Comment: Mainpiece: With Alterations [by John Philip Kemble]. The Scenery and Dresses are entirely new. The Scenes designed and executed by Marinari and Capon. [Oracle, 29 Feb.: Capon painted three scenes of Westminster Hall.] An accurate Edition of The Plain Dealer to be had in the Theatre. Receipts: #324 14s. 6d. (322.6.6; 2.8.0)

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: Harlequin Captive

1150
11 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Master Welsh. [2nd piece in place of The Sultan, advertised on playbill of 10 May. Medley is identified in MS list in Kemble playbills of new performers for this season.] "A riot took place this evening, occasioned by the performance of Skirmish by a new actor. This person, wanting every quality requisite for the stage, performed so very much to the dissatisfaction of the audience, that the piece was mutilated in such a manner that for some time it was insisted on that the whole should be repeated more perfectly and by another actor. This being impossible, some mischief was threatened, but after a short time the disturbance ceased" (European Magazine, June 1796, p. 396). Morning Herald, 30 Apr.: Tickets to be had of Master Welsh, No. 9, St. Margaret-street, Westminster. Receipts: #292 4s. (84.11.6; 47.15.6; 12.14.0; tickets: 146.19.6; odd money: 0.3.6). (charge: free)

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: The Virgin Unmask'd

Afterpiece Title: The Deserter

Song: End: the favourite duett from Sampson, My Faith and Truth-Miss Leak, Master Welsh; End 2nd piece: Listen to the Voice of Love (composed by Hook)-Master Welsh