SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duke of Westminster"/1) | (@(roleclean,performerclean) "Duke of Westminster")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1214 matches on Event Comments, 1207 matches on Performance Comments, 402 matches on Author, 357 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Hull. World, 17 Apr.: Tickets to be had of Hull, Duke's Court, near Dean's Yard, Westminster. Receipts: #209 11s. (124.11; 3.8; tickets: 81.12)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Poor Soldier

Dance: As17870217

Event Comment: [Extra night] Benefit for the Fund, established for the Relief of those Performers who, through Infirmity, shall be obliged to retire from the Stage. The Theatrical Fund was established in 1765, under the auspices of the late Mr Beard and Mrs Rich; and received the sanction of Parliament in 1776. There are now, and have been for more than 20 years, several Annuitants supported by it, chiefly families and widows. Yet notwithstanding it has been so long set on foot, the interest arising from the Funded Capital has never been equal to defraying one half of the annual disbursements. The deficiencies have been continually supplied by progressive weekly contributions from the performers. When this is considered, it is respectfully presumed the generosity of a British Public will be exerted this night in favour of so liberal and beneficial an institution. Thomas Hull, Treasurer. Tickets to be had of Hull, Treasurer to the Institution, No. 7, Duke's-Court, near Dean's Yard, Westminster. Receipts: none listed

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Harlequin's Treasure 0

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

Entertainment: MonologueEnd: The Barber's Petition, as17960506; with Wigs, as17960506

Event Comment: Benefit for Hull and Macready. 1st piece: In Act IV a Martial Procession with the Body of Marcus. 2nd piece [1st time: M. INT 1, author unknown. Larpent MS 1173; not published]: With appropriate Scenery and Dresses. The Music selected from Boyce, Purcell, Reeve and Shield. Morning Herald, 31 May: Tickets to be had of Hull, No. 7, Duke's-court, near Dean's-yard, Westminster; of Macready, No. 22, Charles-street, Tottenham-court-road. Receipts: #314 3s. (112.9.0; 4.14.6; tickets: 196.19.6, of which Hull sold 70.12.6, and Macready 126.7.0)

Performances

Mainpiece Title: Cato

Afterpiece Title: Cambro' Britons; or, Fishguard in an Uproar

Afterpiece Title: Animal Magnetism

Song: In 2nd piece: Together let us range the fields-Incledon, Mrs Mountain; Gallant Soldiers born to Arms, Old England will be England still-Incledon; To arms! Britons strike Home!-Incledon, Bowden

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Choral Fund, instituted for the Relief of their decayed Members, Widows and Orphans, under the Patronage of his Royal Highness the Duke of Clarence. The Band and Chorus will be select, and the Young Gentlemen of the Westminster Choir will assist. A New Organ, built by Lincoln, will be opened on this occasion. Boxes #S. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets and Places for the Boxes to be had of Rice, at the Theatre

Performances

Mainpiece Title: The Messiah

Music: Previous to The Messiah: An Ode, written by W. T. Fitzgerald, Esq., the Music entirely new by Dr Arnold-; Concerto on the violin-Barthelemon

Performances

Mainpiece Title: Cleomenes

Performance Comment: By the Students of the Westminster School; Prologue Written by Matthew Prior-Lord Bathurst at Westminster School, At a Representation of Mr Dryden's Cleomenes, the Spartan Hero, at Christmas, 1695.
Event Comment: At the particular Desire of several Persons of Quality. To which will be added the Coronation Scene of Anna Bullen , and the Ceremony of the Champion in Westminster Hallv; with several additional Decorations. Daily Post, 27 Nov.: The Coronation of Anna Bullenv having met with such extraordinary Success...the Players have been encouraged to give the Town and additional and different View of that Solemnity, by shewing the whole Magnificence at one, with the Ceremony of the Champion in Westminster Hall, &c. And we hear that several Persons of Quality being unwilling to lose their usual Variety of Plays, have desired the Comedians to add the Coronation, &c. as a separate Entertainment, to any other Play the Town may be inclin'd to see

Performances

Mainpiece Title: Jane Shore

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Henry-Quin; Wolsey-Ryan; Buckingham-Delane; Norfolk-Sparkes; Cromwell-Ridout; Suffolk-Arthur; Surrey-Gibson; Abergavenny-Oates; Guilford-Cushing; Lord Chancellor-Marten; Campeius-Dunstall; Lord Sands-Collins; Sir T. Lovell-Holtham; Lord Chamberlain-Anderson; Dr Butts-Stoppelaer; Patience-Miss Allen; Archbp. Cranmer-Bridgwater; Gardiner-Cibber; Anne Bullen-Miss Bellamy; Queen Katherine-Mrs Woffington 1st time; With the repersentation of the Coronation of Anne Bulldn. Vocal parts-Leveridge, Lowe, Courtney, Roberts, Mrs Dunstall, Miss Young, Miss Falkner, Miss Norris. Also the Military Ceremony of the Champion in Westminster Hallv. And all other Decorations proper to the play.
Event Comment: [The French Company advertised that it would not perform this day in honor of the birth of the Princesse de Galles, but would present on 24 Nov. Moliere's Tartuffe and Arlequin Nulla. The General Advertiser also carried the following long note from Lord Trentham on the following day]: To the worthy inhabitants of the City and Liberty of Westminster, Gentlemen: His Majesty having been graciously pleased to appoint me one of the Commissioners for executing the Office Lord High Admiral, by which my seat in Parliament is vacated; and the shortness of time not permitting me to apply personally to you, I take this method of entreating your votes and interest to be re-elected your representative in Parliament, which will ever be acknowledged by Gentlemen, your oblig'd and humble servant, Trentham. N.B. the Election comes on Tomorrow the 24th instant at Covent Garden at nine o'clock in the Morning. N.B.B. Whereas it has been maliciously reported, in order to impose on the worthy inhabitants of the City and Liberty of Westminster, and to prejudice me in their opinion at this time, that I was active in the disturbance at the French Playhouse last Tuesday night; I do declare upon my honour, that I was neither in the Pit nor Gallery where the Disturbance happened during the time of the performance, nor drew my sword, nor made use of any weapon, either to strike or terrify any of the spectators; nor was I even present at the first and chief disturbance at that playhouse; nor have I been at any Representation at that playhouse since the first Night of the Performance, as has been falsely suggested. Trentham" In a few days will be publish'd A Particular Account of the Disturbance in the Haymarket Theatre, on Tuesday and Wednesday the 14th and 15th Instant; in which the behaviour of a noble Lord will be fully vindicated. By one of the French Comedians

Performances

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King Henry-Quin; Wolsey-Ryan; Buckingham-Lacey; Norfolk-Sparks; Cromwell-Ridout; Suffolk-Usher; Capucious-Bransby; Abergavenny-Elrington; Guildford-Cushing; Lord Chancellor-Marten; Campeius-Dunstall; Sands-Collins; Lovell-Holtham; Lord Chamberlain-Anderson; Butts-Redman; Old Lady-Mrs Bambridge; Patience-Miss Allen; Cranmer-Bridgwater; Gardiner-Arthur; Anne Bullen-Mrs Vincent; Queen Katherina-Mrs Woffington; With the Representation of the Coronation of Anne Bullen-; The Vocal Parts in the Procession-Leveridge, Lowe, Courtney, Roberts, Dunstall, Miss Young, Miss Falkner, Miss Davis. Also the Military Ceremony of the Champion in Westminster Hallv and other Decorations proper to the play.

Afterpiece Title: The Devil to Pay

Dance: As17500926

Performances

Mainpiece Title: King Henry Viii

Performance Comment: King Henry-Berry; Wolsey-Mossop; Buckingham-Ross; Norfolk-Palmer; Surrey-Davies; Lord Chamberlain-Bransby; Suffolk-Blakes; Sands-Phillips; Cromwell-Mozeen; Surveyor-Simon; Lovel-Ackman; Guilford-Marr; Brandon-Wilder; Capuchius-Scrase; Dr Butts-Vaughan; Denny-Vernon; Old Lady-Mrs James; Cranmer-Havard; Gardiner-Taswell; Anne Bullen-Mrs Jefferson; Queen-Mrs Pritchard; With the representation of the Coronation-; Ceremony in Westminster Hall-.

Song: II: The School of Anacreon-Beard

Performances

Mainpiece Title: King Henry V; With Conquest Of The French At Agincourt

Afterpiece Title: The Coronation

Performance Comment: The Procession from the Abbey at the Coronation-; with the Representation of Westminster Hall-; [and the Ceremony of the Champion- [but no list of characters].but no list of characters].

Performances

Mainpiece Title: King Henry Iv, Part Ii; With Humours Of Sir John Falstaff

Afterpiece Title: theCtheCoronation

Performance Comment: The Procession from the Abbey at the Coronation-; with a representation of Westminster Hall-; and the Ceremony of the Champion-.

Performances

Mainpiece Title: King Henry V

Afterpiece Title: Coronation

Performance Comment: The Procession from the Abbey-at the Coronation; with representation of Westminster Hall-; the Ceremony of the Champion-.
Event Comment: Benefit for Westminster Lying In Hospital, near Westminster Bridge. Charges #85 5s. Balance due to the Hospital #12 5s. 6d. The Hospital also receiv'd income from delivery of tickets, #102 3s. Box 203, Pit 228, Gallery 172 (Account Book)

Performances

Mainpiece Title: The Wonder; Or, A Woman Keeps A Secret

Afterpiece Title: The Citizen

Dance: III: The Village Romps, as17661008; End: Rural Love, as17661120

Event Comment: Benefit for Westminster New Lying in Hospital, near Westminster Bridge. N.B. Those Ladies and Gentlemen who have taken tickets, are desired to secure places immediately, of Mr Johnston at the Stage Door. [The Theatrical Monitor, No IX, asked this day for a public declaration of receipts and salary expenditures for the 1766-67 season from Garrick and Lacy. Not receiving it the war breaking out in January came to absorb his interest, and the estimate never appeared.] Receipts: #261 4s. 6d. (Winston MS 10)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Deuce Is in Him

Dance: End: Hearts of Oak, as17671022

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Smith; King Henry-Gibson; Catesby-Davis; Ratcliffe-Lewes; Stanley-Gardner; Norfolk-Perry; Richmond-Clarke; Buckingham-Hull; Prince Edward-Mas. Harris; Duke of York-Miss Besford; Tressel-Dyer; Lord Mayor-Wignel; Lieut. of Tower-R. Smith; Lady Ann-Mrs Lessingham; Duchess of York-Mrs Vincent; Queen-Mrs Ward.
Cast
Role: Duke of York Actor: Miss Besford

Afterpiece Title: Coronation

Performance Comment: Procession from the Abbey-at the Coronation with the Representation of Westminster Hall; the Ceremony of the Champion-.
Event Comment: Benefit for the Westminster New Lying@In Hospital near Westminster Bridge. Charges #85 15s. Balance due to Hospital #21 7s. plus #140 9s. income from 332 Box 273 Pit and 165 Gallery tickets (Account Book). Total House value #247 11s. Receipts: #107 2s. (Account Book)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Thomasand Sally

Dance: III: The Provenzales, as17681123; IV: The Reel, as17681212

Performances

Mainpiece Title: King Henry V

Afterpiece Title: The Coronation

Performance Comment: The Procession from the Abbey at the Coronation-; With the Representation of Westminster Hall-; the Ceremony of the Champion-.
Event Comment: Music of Afterpiece entirely new Composed by Dibdin. [An adaptation of Goldoni's Il Filosofo di Campagna.] Book of Songs to be had at Theatre (playbill). The Wedg R. a Comic Opera of Two Acts wrote & composed by Mr Dibdin. The Music very pretty--as the Author was kept a Secret The Town fancy'd that is one of Mr Bickerstaff & call'd out to know who was the Author. Mr Garrick inform'd them that he had no power to declare who the Author was but he could assure them that it was not Mr Bickerstaffs this did not Satisfy them at last Mr Dibdin went on & declard himself to be the Author & made an Affidavit of it & then the Farce went on with Applause (Hopkins Diary). [Account of The Wedding Ring in Westminster Magazine for Feb. 1773.] Paid #4 4s. for licensing The Wedding Ring and Alonzo (Treasurer's Book). [Maria Macklin, in a MS letter to her father, 3 Feb. 1773, commented fully on this night's performance: "Written as it was suppos'd by Bickerstaffe. The music by Dibdin. I went with a party into the Gallery to see the event as there was a great riot expected, & indeed never did I see an audience more inflamed. They would not suffer them to begin the piece. At last Mr King came on with a written paper in his hand, which he said he was desir'd to read in the name of the managers. After a great noise they let him read it. He said just before the play began the managers had receiv'd a letter from Mr Dibdin in which he declared that Bickerstaff was not the author of that piece, that he had made oath of it, and was ready to do the same again, but that for very particular reasons the author could not be given up. Then they stopp'd him & roar'd out that the author should be given up then. He continued as loud as he possibly could, reading on that 'but that if Mr Dibdin did not very soon given up the author he never should be suffered to appear again on that stage or any other.' Very luckily that turn'd them as I believe the House would have come down. The piece then began. Before the end of the first act one of Bannister's songs were encor'd. The other party were against it and would not let it go on. They all stood up and insisted that the author should be known then. After some time the house being nothing but confusion, Dibdin was push'd upon the stage ready to drop with fright, and declared that he was the author himself. Then they were as noisy the other way. Made them finish the piece, but how you may guess in a storm. It is like the Padlock, but the songs not so good." (Brander Matthews, Actors and Actresses, extra illustrated, Vol. I. Harvard Theatre Collection.). Westminster Magazine this month included in parallel columns flattering "Characters of Mr Garrick and Mr Colman," the Rival managers. The article especially praised Garrick's acting.] Receipts: #252 3s. 6d

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Wedding Ring

Event Comment: Benefit for the Westminster New Lying In Hospital, near Westminster Bridge

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Cross Purposes

Song: I: The Favourite Song of Guardian Angels (for this Night only)-Miss Catley; II: The Favourite Duet of Ellen Aroon-Miss Catley, Miss Brown

Dance: End Comedy: The Reel, as17741028

Performances

Mainpiece Title: The Feast Of Thalia; Or, A Dramatic Olio

Performance Comment: Bill of Fare, in which every Dish belonging to the Drama, Tragedy excepted, will be served up: Prelude, Comedy, Opera, Interlude and Burlesque. By way of a Relish: Westminster-Hall in an Uproar. Lord Chief Justice-Wilson; Serjeant Gloss-Bannister Jun.; Counsellor Stutter-Burton; Counsellor Bantam-Barrett; Counsellor Puzzle-Booth; Moses Lyons-Wewitzer; Bellamy's Maid-Miss Brangin .

Afterpiece Title: First Course, an Operatic Dish: The Dead Alive

Afterpiece Title: Second Course, a Comic Dish: More Frighten'd than Hurt

Afterpiece Title: a Desert: The Honest Yorkshireman

Monologue: 1785 08 16 End of Second Course, by way of Entremet, Joe Haynes's Epilogue, riding on an Ass, by Wilson

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Minor

Dance: End II: Negro Dance-

Song: End: some of the most favourite Catches and Glees-Bannister, Incledon, Blanchard, Davies, Williamson, Johnstone [for specific songs probably sung, see17910517]

Entertainment: Monologue. After singing: A Description of the Tombs in Westminster Abbey (after the manner of the late Mr Edwin)-the Young Gentleman who performs Trudge

Performance Comment: After singing: A Description of the Tombs in Westminster Abbey (after the manner of the late Mr Edwin)-the Young Gentleman who performs Trudge.

Performances

Mainpiece Title: British Fortitude And Hibernian Friendship; Or, An Escape From France

Afterpiece Title: THE LONDON HERMIT; or, Rambles in Dorsetshire

Afterpiece Title: THE SON-IN-LAW

Performance Comment: Signor Arionelli-Incledon; Bowkitt-Fawcett (Their 1st appearance in those characters); Bouquett-Davies; Vinegar-Cubitt; Cranky-Powel; Idle-Farley// Cecilia-Mrs Clendining. VAUDEVILLE. End of 2nd piece An Irishman's Tour through London; or, Tully's Vocal and Rhetorical Description of Westminster Abbey, St. James's, St. Paul's, The Tower, A Quarrel, A Masquerade, &c., by Johnstone . or, Tully's Vocal and Rhetorical Description of Westminster Abbey, St. James's, St. Paul's, The Tower, A Quarrel, A Masquerade, &c., by Johnstone .
Event Comment: By Permission of the Lord Chamberlain. Benefit for an Infant Orphan Family. Tickets to be had at No. 17, Tufton-street, Westminster; of Appleby, Hosier, Parliament-street; Mrs Cleaver, Cannon-row, Parliament-street; Newcomb, Confectioner, Bridge-street, Westminster; Taylor, Linen-draper, Whitehall; Thomas, Butcher, Charing-cross; Medhurst, Pastry Cook, Russel-court, Drury-lane; Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Irishman in London

Entertainment: End: Her much admired Imitations-Mrs Sumbel

Event Comment: On this date, L. C. 5@16, p. 101 (Nicoll, Restoration Drama, p. 10n) Nathaniel Lee's The Duke of Guise was banned. John Drummond to Marquis and Duke of Queensberry, 16 July 1682: Ther is a play hear to be acted that maks a great business, for the Duke of Munmuth has complained of it, and they say that notwithstanding it is to be acted sometime nixt weik. They call it the Duke of Guise, but in the play the true story is cheinged to the plott time hear (HMC, Buccleuch-Queensberry MSS., 1903, II 108). Newsletter, 29 July 1682: A play by Mr Dryden, termed the Duke of Guise, wherein the Duke of Monmouth was vilified and great interest being make for the acting thereof, but coming to His Majesty's knowledge is forbid, for though His Majesty be displeased with the Duke yet he will not suffer others to abuse him (HMC, 15th Report, Part VII, 1898, p. 108). Newdigate newsletters, 29 July 1682: A play having been made [by] Mr Dryden termed ye Duke of Guise supposed to Levell att the villifying the Duke of Monmouth & many other protestants & great Interest made for the Acting thereof but bringing to the knowledge of his Matie the same was forbidd for though his Maties pleasure is to be dissatisfyed and angry with the Duke of Monmouth, yet hee is not willing that others should abuse him out of a naturall affection for him (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81)

Performances