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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Duke of Richmond"/1) | (@(roleclean,performerclean) "Duke of Richmond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2926 results for: Keyword - Duke of Richmond
We found 1254 matches on Performance Comments, 1100 matches on Event Comments, 402 matches on Author, 364 matches on Performance Title, and 4 matches on Roles/Actors.

201
03 October 1760 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal Author(s): George Villiers, Duke of Buckingham

Afterpiece Title: Duke and no Duke

202
12 October 1770 @ Covent Garden

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: Duke and no Duke

Dance: End of Play: The Lamplighter, as17701009

203
06 December 1770 @ Covent Garden

Performances

Mainpiece Title: Cyrus

Afterpiece Title: True Blue

Afterpiece Title: Duke and no Duke

204
08 January 1776 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Duke and no Duke

Dance: End of Opera: Mirth and Jollity, as17760102

205
13 November 1776 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Duke and no Duke

Dance: As17761109

206
27 November 1776 @ Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Duke and no Duke

Dance: As17761123

207
10 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: A Medley

Related Works
Related Work: The Triumphant Widow; or, The Medley of Humours Author(s): William Cavendish, Duke of Newcastle

Afterpiece Title: Duke and No Duke

Dance: End of Act I of mainpiece, as17840311athi

208
14 May 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Duke and No Duke

Dance: End of mainpiece The Minuet de la Cour by the Miss Stageldoirs

Song: Between the Acts of mainpiece Gramacbree Molly, as17840503

209
18 April 1786 @ Covent Garden

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: Duke and No Duke

Song: End of Act II of mainpiece Hogarth's March to Finchley; In Act I of afterpiece Four-and-Twenty Fidlers all on a Row, both by Edwin

Monologue: 1786 04 18 End of mainpiece Peeping Tom of Coventry's Peep into London by Edwin

210
26 April 1786 @ Covent Garden

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Duke and No Duke

Dance: End of mainpiece The Wapping Landlady, as17851102, but omitted: Rayner

211
31 May 1786 @ Covent Garden

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: Duke and No Duke

Dance: As17851019

212
06 February 1787 @ Covent Garden

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: Duke and No Duke

Dance: As17870131

213
14 May 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Stone Eater

Afterpiece Title: Duke and No Duke

214
22 May 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Stone Eater

Afterpiece Title: Duke and No Duke

215
03 June 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Duke and No Duke

Dance: End: The Irish Fair-Hamoir, Miss J. Stageldoir

Song: End IV: Ma chere Amie-Dignum

216
01 December 1788 @ Covent Garden

Performances

Mainpiece Title: The Highland Reel

Afterpiece Title: Duke and No Duke

Dance: As17881107

217
13 December 1788 @ Covent Garden

Performances

Mainpiece Title: The Prophet

Afterpiece Title: Duke and No Duke

Dance: End: a New Dance, as17881107, but Mrs _Ratchford

218
13 June 1789 @ Drury Lane Theatre

Event Comment: [Extra night] Benefit for Palmer. The Proprietors having liberally granted to Palmer (for One Night) the Use of the Theatre, and his Brethren having kindly consented to perform for him, the Public is most respectfully informed that this Evening will be presented...[as above]. Receipts: #131 11s. 6d. (104.15.0; 25.16.0; 1.0.6; tickets: none listed) (charge: #45 15s. 2d. [Account-Book: House charge given him]). Account-Book, July-Sept.: Paid Renters #20 14s. apiece; 5 Sept.: Paid Duke of Bedford One Yrs. Rent #343 5s. 1d

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-Palmer; Orlando-Whitfield; Amiens (with songs)-Johnstone (of cg); Duke Senior-Aickin; Adam-Moody; Oliver-Benson; Duke Frederick-Chaplin; William-Burton; Le Beu-R. Palmer; Jaques de Bois-Lyons; Charles-Alfred; Jaques-Wroughton; Caelia-Miss Collins; Audrey-Mrs Love; Phoebe-Miss Barnes; Rosalind-Mrs Jordan; the Cuckoo Song-Mrs Jordan.
Cast
Role: Duke Senior Actor: Aickin
Role: Duke Frederick Actor: Chaplin

Afterpiece Title: The Devil to Pay

Dance: End I: The Russian Minuet, as17890519

Song: V: song-Miss Barnes

Entertainment: Monologue. End: A Picture of a Play@house or Bucks have at ye all-Palmer

219
27 August 1789 @ Haymarket Theatre

Performances

Mainpiece Title: A Wife Well Managed

Afterpiece Title: The Young Quaker

Afterpiece Title: Duke and No Duke; or, Trappolin's Vagaries

Song: End 2nd piece: Four@and@twenty Perriwigs all on a Row-; In 3rd piece: Quoz-Edwin

220
18 August 1660 @ The Cockpit in Drury Lane

Event Comment: Pepys, Diary: Captain Fererrs, my Lord's Cornet, comes to us, who after dinner took me and Creed to the Cockpitt play, the first that I have had time to see since my coming from sea, The Loyall Subject, where one Kinaston, a boy, acted the Duke's sister but made the loveliest lady that ever I saw in my life, only her voice not very good

Performances

Mainpiece Title: The Loyal Subject

Performance Comment: Pepys: Duke's Sister-Kynaston; Downes, Roscius Anglicanus, pp. 17-19: Loyal Subject-ThomasBetterton; Theodore-Sheppy.
Cast
Role: Duke's Sister Actor: Kynaston

221
09 May 1667 @ Whitehall or St. James's

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125: The Schoole of Complements at Court. See also Nicoll, Restoration Drama, p. 346. The edition of 1667 was licensed 24 May 1667. Gildon, Life of Betterton (1710), states that Betterton had a role in it

Performances

Mainpiece Title: The Schoole Of Complements

Performance Comment: [Love Tricks, by James Shirley.] Edition of 1667: The Prologue-; [No actors' names. Epilogue-. [As it is now Acted by His Royal Highnesse the Duke of York's Servants at the Theatre in Little Lincolns Inn Fields.As it is now Acted by His Royal Highnesse the Duke of York's Servants at the Theatre in Little Lincolns Inn Fields.

222
February 1680 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first production is not known, but the fact that Narcissus Luttrell purchased a copy on 22 March 1679@80 suggests that the premiere occurred not later than February. A copy, with Luttrell's date of purchase, is in the Ohio State University Library. (I am indebted to Professor J. H. Wilson for this information.

Performances

Mainpiece Title: The Misery Of Civil-war

Performance Comment: Edition of 1680: Prologue-; King Henry the Sixth-Joseph Williams; Richard Plantagenet-David Williams; Edward-Smith; George, Duke of Clarence-Bowman; Richard-Gillow; Earl of Warwick-Batterton; Old Lord Clifford-Percival; Young Clifford-Wiltshire; Queen Margaret-Mrs Leigh [Mrs Mary Lee]; Lady Grey-Mrs Batterton; Lady Eleanor Butler-Mrs Currer; Epilogue-.
Cast
Role: Duke of Clarence Actor: Bowman

223
September 1680 @ Dorset Garden Theatre

Event Comment: The Duke's Company. As the play was not printed until 1689, the date of composition is uncertain. In Act I, however, a reference to the death of the Earl of Rochester (26 July 1680) suggests that the play probably followed that even rather closely. On the other hand, the latest likely date for the first production seems set at late 1682 by the fact that Thomas Farmer's music for the play in BM Add. Mss. 19183-19185 is dated December 1682. The play has been placed in September 1680 as the earliest likely date (the presence of an experienced cast makes somewhat unlikely a production in mid-summer 1680). A song, All other blessings are but toys, with music by Thomas Farmer, is in Choice Ayres and Songs, The Fourth Book, 1683. A song, Lovely Selina, innocent and free, with music by John Blow, is in the same collection; and another, Weep all ye nymphs, with music by John Blow, is in The Theater of Music, The First Book, 1685

Performances

Mainpiece Title: The Princess Of Cleve

Performance Comment: Edition of 1689: The Prologue-; Prince of Cleve-Williams; Duke Nemours-Betterton; St. Andre-Lee; Vidam of Chartres-Gillo; Poltrot-Nokes; Princess of Cleve-Mrs Barry; Tournon-Mrs Lee [Elinor Leigh]; Marguerite-Lady Slingsby; Elianor-Mrs Betterton; The Epilogue-.
Cast
Role: Duke Nemours Actor: Betterton

224
08 December 1680 @ Dorset Garden Theatre

Event Comment: The Duke's Company. That this date is the premiere is conjectured from the order, dated 11 Dec. 1680, forbidding further acting of this play. See L. C. 5@144, p. 28, in Nicoll, Restoration Drama, p.1 on: Whereas I am informed that there is Acted by you a Play called Lucius Junius Brutus..wherein are very Scandalous Expressions & Reflections upon ye Government these are to require you Not to Act ye said Play again. In the Preface to Charles Gildon's The Patriot (1703) it is stated that Lee's play was banned after the third day's Acting, by the Lord Chamberlain Arlington as an anti-monarchical play." As the order is dated 11 Dec. 1680, the drama was probably presented on 8, 9, and 10 Dec. 1680.

Performances

Mainpiece Title: Lucius Junius Brutus, Father Of His Country

Performance Comment: . Edition of 1681: Prologue by Mr Duke-; Lucius Junius Brutus-Betterton; Titus-Smith; Tiberius-Williams; Collatinus-Wiltshire; Valerius-Gillow; Horatius-Norris; Fecilian Priests-Percival, Freeman; Vindicius-Nokes; Fabritius-Jevon; Sempronia-Lady Slingsby; Lucretia-Mrs Betterton; Teraminta-Mrs Barry; Epilogue-Mrs Barrey.
Cast
Role: Mr Duke Actor:

225
27 September 1709 @ Queen's Theatre

Event Comment: As it was alter'd by the late Duke of Buckingham

Performances

Mainpiece Title: The Chances

Performance Comment: Antonio-Pinkethman; Duke-Thurmond; Don John-Wilks; Don Frederick-Mills; Petruchio-Bowman; Anthony-Bowen; Peter-Cross; 1st Constantia-Mrs Porter; 2d Constantia-Mrs Oldfield; Mother-Mrs Powell; Landlady-Mrs Willis.
Cast
Role: Duke Actor: Thurmond
Related Works
Related Work: The Chances Author(s): George Villiers, Duke of Buckingham