SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Du Bellamy"/1) | (@(roleclean,performerclean) "Du Bellamy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 598 matches on Performance Comments, 232 matches on Roles/Actors, 176 matches on Performance Title, 86 matches on Event Comments, and 4 matches on Author.
Event Comment: MMr Mossop did Bajazet -Oh (Cross). [Inspector No 211, in Daily Advertiser and Literary Gazette commented on the magnificent performance of Garrick and Miss Bellamy in King Lear the preceding Saturday.] Receipts: #120 (Cross)

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Sowdon; Bajazet-Mossop (for the first time); Axalla-Lee; Selima-Miss Bellamy; Arpasia-Mrs Pritchard; Moneses-Havard; Hal-Simson; Dervisse-Winstone; Stratocles-Mozeen; Omar-Burton; Prince of Tanais-Blakes; With the Usual Prologue-.

Afterpiece Title: The Lottery

Song: IV: O Gentle Sleep-Beard

Event Comment: Went off well--Dexter Hip :--Mossop-Ths ; Pritchard Phaedra ; Bellamy Ismena (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: Phaedra And Hippolitus

Performance Comment: Theseus-Mossop; Hippolitus-Dexter; Lycon-Lee; Phaedra-Mrs Pritchard; Ismena-Miss Bellamy; Cratander-Burton; Attendant-Miss Minors.

Ballet: SSavoyard Travellers. As17511105

Event Comment: MMiss Bellamy spoke Orig. Epilogue for ye 1st time (Cross). Receipts: #140 (Cross)

Performances

Mainpiece Title: Phaedra And Hippolitus

Performance Comment: As17511128, but Original Epilogue (by Desire)-Miss Bellamy.

Afterpiece Title: The Shepherd's Lottery

Event Comment: MMiss Bellamy play'd Athenais. Sad House (Cross)

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Performance Comment: Theodosius-Smith; Athanais-Miss Bellamy, 1st appearance there in 4 years; Marcian-Sparks; Leontine-Ridout; Lucius-Anderson; Varanes-Barry; Aranthes-Usher; Pulcheria-Mrs Vincent.

Afterpiece Title: The Contrivances

Dance: The Italian Peasants-Granier, 1st performance there in Five years, Mlle Camargo

Event Comment: Benefit for Miss Bellamy. Afterpiece: A farce in two acts never acted there, and being the last time of performing it this season. [N.B. Its run this season had been at Drury Lane, and both Foote and Costollo were with the Drury Lane company this season.

Performances

Mainpiece Title: Jane Shore

Performance Comment: As17540323 but Jane-Miss Bellamy.

Afterpiece Title: The Knights

Dance: LLes Taileurs, as17531210; Les Charboniers, as17540307

Event Comment: Benefit for Mrs Bellamy. Tragedy reviv'd and never acted there before. Afterpiece: Written by Foote

Performances

Mainpiece Title: Alzira

Performance Comment: Zamor-Murphy; Alvarez-Sparks; Carlos-Dyer; Ezmont-Ridout; Alzira-Mrs Bellamy.

Afterpiece Title: Taste

Dance: Comic Entertainment-Poitier, Mlle Capdeville

Event Comment: Benefit for Mrs Bellamy

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-Barry(, first time); King-Sparks; Gonzales-Ridout; Zara-Mrs Woffington; Garcia-Dyer; Selim-White; Alonzo-Anderson; Heli-Cushing; Perez-R. Smith; Leonora-Mrs Barrington; Almeria-Mrs Bellamy.

Afterpiece Title: Taste

Dance: FFingalian Dance-Miss Hilliard; Les Statues Animees-Guerin, Mlle Capdeville

Event Comment: [For Cross' comment, see dl.] Receipts: #203 8s. 6d. Paid Barry one third of the surplus of this night's receipt over and above #80 allow'd for the charges:-#41 2s. 10s. Paid Lambert (Scene Painter) 3 month's salary to 16 Nov. last:-#25 (Account Book). [Lee, who seems to have entered earlier on a percentage-of-Box-Receipts: basis for his salary, received only one-third of receipts above a house charge of #100.] The Tragedy of King Lear was presented on this stage; King Lear by Mr Barry, and Cordelia by Mrs Bellamy; The latter was received with universal satisfaction; but on the former's appearance, after a thundering Peal of Applause, a few misguided persons made it necessary for Mr Barry to inform the audience that it ever had been his study to contribute his utmost to the entertainment of the town, and that all reports of his having been exorbitant in his demands were injurious and totally groundless. Upon this he was desired with one general acclamation to proceed in the play. The disturbers of the public were ordered to be silent or to be turned out of the house; and this great actor proved, by the improvement he has made in this character, that excellent as he is, he is still capable of reaching new strokes of perfection; and in the conclusion of the play the applause he met with was the tribute of hearts gratefully agitated through the whole performance with a variety of passions thrown into a ferment by powers most wonderfully suited to tenderness and compassion (London Chronicle, 3-6 Dec.)

Performances

Mainpiece Title: King Lear And His Three Daughters

Performance Comment: Lear-Barry; Edgar-Ryan; Gloster-Ridout; Kent-Sparks; Bastard-Smith; Cornwall-Anderson; Albany-White; Burgundy-Bennet; Gentleman Usher-Shuter; Goneril-Mrs Stephens; Regan-Mrs Elmy; Cordelia-Mrs Bellamy.

Afterpiece Title: The Virgin Unmask'd

Dance: JJovial Coopers, as17571107

Event Comment: Benefit for Sparks. Receipts: #83 2s. 6d. plus Tickets #184 12s. (boxes 335; pit 551; gallery 182). Advanced Mrs Bellamy on her salary #105. Two new Renters came in at 1 share each: Sir Thomas Robinson and Robert Hassell (Account Book). Mr Smith takes this earliest opportunity to return thanks the Ladies and Gentlemen who honoured him with their presence at his Benefit on Tuesday Night, and is very sorry for any interruption that might happen in the performance. The indulgence of his friends that night far exceeded his most sanguine exceptations; otherwise he should have provided proper accomodations for them on the stage (Public Advertiser). [See Theatrical Review, 1757 and Beginning of 1758, for contemporary comment on mainpiece: "It is not paying it a very great, much less an underserved compliment to give it the preference over all the dramatic pieces that have been presented at either house these six or seven years...Tears were the first praises I gave it...no play except Lear ever make such a strong constant impression on my feelings."

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Barry; Randolph-Ridout; Glenalvon-Smith; Norval-Sparks; Officer-Bennet; Anna-Mrs Vincent; Lady Randolph-Mrs Bellamy, 1st time.

Afterpiece Title: Lethe

Dance: SSicilian Peasants, as17571217

Event Comment: Benefit for Mrs Bellamy. Mainpiece: By Desire, and not acted these 4 years. [See 17 Jan. 1755.] Tickets deliver'd out for the 19th, and 22d for Douglas will be taken. Tickets sold at the Door will not be taken

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Sir Charles-Ross; Foppingoton-Smith, both for 1st time; Morelove-Ridout; Lady Easy-Mrs Elmy; Edging-Miss Nossiter, 1st time; Lady Graveairs-Mrs Hamilton; Lady Betty-Mrs Bellamy, 1st time.

Afterpiece Title: Florizel and Perdita

Performance Comment: Florizel-Smith; Autolicus (with songs)-Shuter; King-Ridout; Shepherd-Sparks; Clown-Costollo; Shepherdesses-Mrs Abegg, Miss Young; Perdita-Mrs Bellamy.

Dance: PPastoral Dance incident to the Farce-Delaistre

Event Comment: Benefit for Mrs Bellamy. None admitted behind Scenes

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Miss in Her Teens

Performance Comment: As17641012, but Tag-Gentlewoman , 1st appearance; Biddy-Mrs Bellamy , this night only.

Dance: End: Rural Love, as17641212

Event Comment: Benefit for Mrs Bellamy. Mainpiece: Reviv'd Tragedy [John Banks]

Performances

Mainpiece Title: Virtue Betrayed; Or, Anna Bullen

Performance Comment: Henry VIII-Clarke; Piercy-Smith; Wolsey-Gibson; Rochford-Dyer; Northumberland-Walker; Lady Diana Talbot-Miss Macklin; Lady Elizabeth Blunt-Mrs Vincent; Princess Elizabeth-Miss Besford; Anna Bullen-Mrs Bellamy.

Afterpiece Title: The Old Maid

Dance: IV: Rural Love, as17651115; End: The Venetian Gardeners, as17650925

Event Comment: Benefit for Legg, Mrs Lampe, Mrs Jones. Afterpiece: For the last time this season. Tickets deliver'd for Hamlet will be taken. The Dragon of Wantly cannot be perform'd on account of indisposition of Mrs Pinto. Charges #67 9s. 6d. [Profit to each beneficiary #2 19s. 6d. plus income from tickets: Legg #84 2s. (Box 129; Pit 251; Gallery 142); Mrs Lampe and Mrs Jones combined #74 15s. (Box 102; Pit 219; Gallery 164).] Paid Bryan a bill for writing parts #1 1s. 6d. Paid Cooper (printer) #27 2s. Paid Condell for Coach hire, the last command by order of Mr Beard 2s. (Account Book). Before 5 went to ye Play...It was played tolerably well; Cleopatra very well by Mrs Bellamy, Octavia (for ye 1st time) by Mrs Mattocks, Antony by Smith, Vent. by Gibson not badly. We had ye Dances, Rural Love and ye Wapping Landlady (Neville MS Diary). Receipts: #76 8s. (Account Book)

Performances

Mainpiece Title: All For Love

Performance Comment: Antony-Smith; Ventidius-Gibson; Dolabella-Clarke; Alexas-Dyer; Serapion-Gardner; Charmion-Mrs Stephens; Iras-Mrs Godwin; Cleopatra-Mrs Bellamy; Octavia-Mrs Mattocks (1st time).

Afterpiece Title: Midas

Dance: III: Rural Love, as17661120; End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Event Comment: The Characters in the Mainpiece New Dress'd. Neville MS Diary: At 6, went into the Pit...House not very full. King John was performed with new Dresses and Decorations. Powell and Smith are good in York and the Bastard, and Mrs Bellamy in Constance....The entertainment was the procession of the Coronation, with the ceremony of the Champion. Every truly free soul, on seeing a representation of such extravagant pageantry, must abhor that form of Government, of the superfluous trappings of which it is but a small specimen. Receipts: #91s. (Account Book)

Performances

Mainpiece Title: King John

Performance Comment: King John-Powell; Pembroke-Davis; Prince Henry-Lewes; Essex-Gardner; Salisbury-Perry; Bastard-Smith; Faulconbridge-Weller; Austria-Morris; Hubert-Bensley, 1st time; King of France-Clarke; Dauphin-Dyer; Chatillon-Hull; Governor of Angiers-Wignell; Pandulph-Gibson; Queen Elinor-Mrs Vincent; Prince Arthur-Miss Ford; Lady Blanch-Mrs DuBellamy; Lady Faulconbridge-Mrs Ferguson; Constance-Mrs Bellamy.

Afterpiece Title: The Coronation

Event Comment: At 5 went into the Pit to see Mrs Yates' first appearance on that stage....Hastings for the first time by Powell, but I like Barry better in that character....Mrs Bellamy always excelled in the character of Alicia. Jane Shore by Mrs Yates who far surpasses Mrs Dancer in that character...Woodward is the best Fine Gentleman [in the farce] I ever saw. Drunken man very well by Dunstall (Neville MS Diary). Receipts: #189 12s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Powell,1st time; Shore-Bensley,1st time; Catesby-Perry; Ratcliffe-Davis; Gloster-Clarke; Belmour-Gibson; Derby-R. Smith; Alicia-Mrs Bellamy; Jane Shore-Mrs Yates, 1st time on that stage.

Afterpiece Title: Lethe

Performance Comment: Fine Gentleman-Woodward; Old Man, Lord Chalkstone-Shuter; Aesop-Wignel; Mercury-DuBellamy; Charon-Bates; Frenchman-A Gentleman; Drunken Man-Dunstall; Bowman-Davis; Fine Lady-Mrs Green.

Dance: IV: The Merry Sailors, as17671009; End: A New Pantomime Dance-Fishar, Sga Manesiere

Event Comment: Benefit for Miss Morris. The Continuance of Miss Morris's illness rendering it impossible for her to appear at present on the Stage, she takes this Opportunity of returning her most grateful Thanks to those Ladies and Gentlemen who have honoured her with Commands at her Benefit, for which Mrs Bellamy has kindly undertaken to perform the part of Juliet. Charges #69 19s. Balance to Miss Morris #56 19s. 6d. plus #94 15s. from tickets (Box 379). Received from Mrs Vincent her deficiency the 13th inst.--#4 2s. 6d. Receipts: #126 18s. 6d. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17690106, but Juliet-Mrs Bellamy; Escalus-Morris (playbill); Gardner (Public Advertiser); Dancing-to act I; Solemn Dirge-Mrs _Baker, _Mattocks.

Afterpiece Title: The Upholsterer

Performance Comment: As17690306 but Harriet-Mrs DuBellamy.

Dance: End: The Merry Sailors, as17680920

Event Comment: [Extra night] Benefit for Mrs Bellamy. [This was Mrs Bellamy's last appearance on the stage. And see dl, 24 May 1785.] Receipts: none listed

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Lewis; Ratcliff-Robson; Gloster-Clarke; Catesby-L'Estrange; Belmour-Hull; Derby-Smith; Dumont-Wroughton; Jane Shore-Mrs Yates; Alicia-Mrs Bellamy.

Afterpiece Title: Comus

Music: End IV: concerto on the violin-Fisher

Performances

Mainpiece Title: Bury Fair

Performance Comment: Bellamy-Husband; Wildish-Mills; Trim-Cibber; Sir Humphrey-Bullock; Oldwit-Johnson; La Roch-Bowen; Valet-Norris; Lady Fantast-Mrs Powell; Mrs Fantast-Mrs Moore; Gertrude-Mrs Bradshaw; Philadelphia-Mrs Porter; Lucy-Mrs Saunders.
Cast
Role: Bellamy Actor: Husband

Performances

Mainpiece Title: Bury Fair

Performance Comment: Bellamy-Husband; Wildish-Mills; Oldwit-Johnson; Noddy-Bullock; Trim-Cibber; La Roch-Bowen; Valet-Norris; Gertrude-Mrs Bradshaw; Philadelphia-Mrs Porter; Lady Fantast-Mrs Powell; Miss Fantast-Mrs Moor.
Cast
Role: Bellamy Actor: Husband

Performances

Mainpiece Title: Macbeth

Music: Vocal and Instrumental, incident to the Play. The Vocal Parts by Leveridge, Laguerre, Salway, Mrs Wright, Mrs Saunderson, Mrs Cantrel, Miss Norsa

Dance: Proper to the Play by Poitier, Du Pre, Pelling, Newhouse, Le Sac, De la Garde, Du Pre Jr

Performances

Mainpiece Title: La Vera Costanza

Dance: End I: Le Devin du Village, as17771104; End II: Divertisement, as17780207; End Opera: a new Grand Ballet Espagnol, La Serenade Interrompuee-Mlle Baccelli, Sg and Sga Zuchelli, Vallouy@le@cadet; in which a Pas de Deux du Masque-Simonet, Mlle Baccelli; accompanied on the Guitarre-Noferi

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera an entirely new ballet in the Rural Stile, composed by D'Auberval, founded on the much admired Burletta of the celebrated Favart, Le Coca du Pillage; ou, La Lotterie Ingenieuse, in which a Pastoral Minuet, never exhibited but at the Opera in Paris, by Vestris fJun.J and Mme Theodore, the other parts by Blake, Slingsby, Mme Rossi, Miss De Camp, Mme Simonet. The Music selected from Sacchini, Piccinni, and other eminent Performers

Performances

Mainpiece Title: Demofoonte

Dance: End of Act II Le Riveil du Bonheur, as17840203; End of Opera he Cocq du Village, as17840302athi

Performances

Mainpiece Title: The Relapse; Or, Virtue In Danger

Dance: LLes Boufons du Cour, as17421120; Grand Ballet, as17421108; Les Jardiniers Suedois, as17421120

Performances

Mainpiece Title: Othello

Dance: LLes Boufons du Cour, as17421120; Characters of Dancing, as17421025; Les Jardiniers Suedois, as17421120, but Villeneuve, Mrs Delagarde are listed as supporting dancers