SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Dryden Lee"/1) | (@(roleclean,performerclean) "Dryden Lee")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1706 matches on Author, 902 matches on Performance Comments, 534 matches on Event Comments, 74 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Blue Beard

Dance: As17920111

Song: Vocal Parts, as17911010, but Gray, _Williamson, +Rowson, _Lee

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Blue Beard or The Flight of Harlequin

Dance: In afterpiece: Dancing-Byrn, Platt, Ratchford

Song: End IV: Juliet's Funeral Procession-; with the Solemn Dirge Vocal Parts-Johnstone, Incledon, Darley, Gray, Rock, Lee, Letteney, Mrs Blanchard, Mrs Harlowe, Miss Stuart, Miss Barnett, Mrs Arnold, Mrs Cross, Miss Leserve, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Francis, Mrs Masters, Miss Broadhurst

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Oscar and Malvina

Song: Vocal Parts-Johnstone, Incledon, Marshall, Rock, Gray, Blurton, Lee, Letteney, Rowson, Mrs Blanchard, Miss Broadhurst, Mrs Harlowe, Mrs Davis, Miss Stuart, Mrs Watts, Miss Francis, Mrs Davenett, Mrs Rock, Mrs Cross, Mrs Powell, Mrs Gray, Mrs Masters, Mrs Ratchford, Miss Watson, Mrs Bayzand, Miss Leserve, Mrs Martyr

Music: As17921025

Performances

Mainpiece Title: Macbeth

Afterpiece Title: A Divertisement

Dance: As17931123

Song: Johnstone, Incledon, Marshall, Rock, Blurton, Letteney, Lee, Mrs Mountain, Mrs Warrell, Miss Stuart, Mrs Watts, Mrs Byrne, Mrs Davenett, Mrs Powell, Miss Francis, Miss Lefevre, Mrs Cross, Mrs Gray, Mrs Masters, Mrs Martyr

Event Comment: No Money to be returned. Places for the Boxes to be had of Brandon (only) at the office in Hart-street. Boxes 6s. 2nd price 3s. Pit 3s. 6d. 2nd price 2s. Gallery 2s. 2nd price 1s. Upper Gallery 1s. The Doors to be opened at 5:30.To begin at 6:30 [see 2 Nov.]. Many complaints having been made respecting the taking and securing Places in the Boxes, the following Regulations it is humbly presumed will effectually prevent all such Misconduct in future. Servants admitted to keep Places as usual, and Ladies and Gentleeen are requested to order them to attend at the Theatre not later than Five o'Clock. For such Places as are ordered to be kept by the Place-Keepers of the Theatre, One Shilling is to be paid at the Time of taking them, and no Place-Keeper or Box-Keeper is to demand, or to receive any further Gratuity on any pretence whatever. Every Place-Keeper to wear a Number. It is respectfully desired that Information may be given to Brandon, at the Box-office, of any Irregularity or Imposition, which will be immediately redressed. Receipts: #267 3s. (261.7; 5.16)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Farmer

Song: Mainpiece: Vocal Parts-Johnstone, Incledon, Bowden, Haymes, Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Mrs Mountain, Mrs Davenport, Miss Stuart, Mrs Lloyd, Mrs Follett, Mrs Castelle, Miss Kirton, Mrs Masters, Miss Ives, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Martyr

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Cymon

Dance: In I: a Grand Masquerade-; the Minuet de la Cour and Allemande-Byrn, Mlle St.Amand; afterpiece to conclude with: Dance-

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, in which a favorite Elegy-; (composed by Dr Arne) Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Haymes, Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Miss Stuart, Mrs Lloyd, Mrs Follett, Mrs Castelle, Miss Kirton, Mrs Masters, Miss Ives, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Martyr

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Highland Reel

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, in which a favorite-; Elegy- (composed by the late Dr Arne); a Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Haymes, Linton, Blurton, Street, Abbot, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Mrs Lloyd, Mrs Follett, Mrs Castelle, Mrs Masters, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Henley, Miss Burnett, Miss Logan, Mrs Martyr

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Holman; Macduff-Pope; Duncan-Hull; Malcolm-Middleton; Banquo-Macready; Donalbaine-Simmons; Doctor-Powel; Seward-Davenport; Seyton-Thompson; Fleance-Curties; Macbeth's Servant-Ledger; Officer-Farley; Murderers-Claremont, Abbot, J. Lee; Witches-Munden, Townsend, Lee; Hecate-Bowden; Waiting@Gentlewoman-Mrs Platt; Lady Macbeth-Mrs Pope.

Afterpiece Title: Barataria or Sancho Turnd Governor

Song: Mainpiece: Vocal Parts-Johnstone, Incledon, Haymes, Linton, Blurton, Street, Abbot, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Mrs Lloyd, Mrs Follett, Mrs Castelle, Mrs Masters, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Henley, Miss Owen, Miss Logan, Mrs Martyr

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Afterpiece Title: The Village Fete

Afterpiece Title: Peeping Tom

Song: 2nd piece: Chorusses-Blurton, Abbot, Simmons, Hawtin, Curties, Lee, Little, Sawyer, Tett, J. Linton, Wilde, Thomas, Oddwell, Cranfield, Mrs Castelle, Mrs Masters, Mrs Watts, Miss Leserve, Mrs Norton, Mrs Lloyd, Mrs Follett, Miss Walcup, Mrs Henley, Miss Owen, Miss Gray

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin and Oberon

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, and a Solemn Dirge-; Vocal Parts-Johnston, Incledon, Townsend, Linton, Blurton, Gray, Street, Abbot, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Miss Wheatley, Miss Sims, Mrs Henley, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Performances

Mainpiece Title: England Preservd

Afterpiece Title: The Poor Sailor or Little Bob and Little Ben

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Robin Hood

Song: End IV: The Funeral Procession of Juliet and a Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Townsend, Linton, Blurton, Street, Gray, Lee, Little, Sawyer, Tett, Dyke, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Albert and Adelaide

Dance: As17981211

Song: Mainpiece: Vocal Parts-Incledon, Johnstone, Townsend, Hill, Linton, Blurton, Street, Gray, Little, Lee, Sawyer, Tett, Dyke, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Poor Soldier

Song: Mainpiece: Vocal Parts-Incledon, Johnstone, Hill, Linton, Gardner, Denman, Blurton, King, Street, Lee, Little, Thomas, Sawyer, Tett, Dyke, Ms Waters, Ms Davenport, Ms Chapman, Ms Atkins, Ms Wheatley, Ms Iliff, Ms Sims, Ms Whitmore, Ms Follett, Ms Watts, Ms Castelle, Ms Norton, Ms Gilbert, Ms Leserve, Ms Lloyd, Ms Masters, Ms Blurton, Ms Sydney, Ms Burnett, Ms Martyr

Performances

Mainpiece Title: Joanna

Afterpiece Title: The Intriguing Chambermaid

Song: Mainpiece: Chorusses-Denman, Lee, Thomas, Lewiss, Little, Potts, Everett, Oddwell, J. Linton, Tett, Smith, Kenrick, Silvester, Jones, Fairclough, Baron, Master Goodwin, Master Slape, Master Bernard, Master Standen, Master Little, Master Speare, Master Sawyer, Master Linton, Ms Trevor, Ms Gilbert, Ms Norton, Ms Watts, Ms Follett, Ms Castelle, Ms Sydney, Ms Burnett, Ms Masters, Ms Lloyd, Ms Blurton, Ms Cox

Performances

Mainpiece Title: The Miser

Afterpiece Title: Paul and Virginia

Afterpiece Title: Raymond and Agnes

Dance: In 2nd piece: Dances-Blurton, Wilde, Platt, Lewiss, Klanert, L. Bologna, J. Whitmore, Mrs Watts, Mrs Follett, Mrs Bologna, Mrs Norton, Miss Bologna, Miss Dibdin, Miss Burnett

Song: In 2nd piece: Chorusses-Linton, Street, Denman, Oddwell, Thomas, Little, Curties, Lee, Ms Trevor, Ms Leserve, Ms Castelle, Ms Norton, Ms Masters, Ms Iliff, Ms Lloyd

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

Performance Comment: Edition of 1676: Prologue [by Sir Car Scroope Baronet-; Epilogue [by Mr Dryden-; [Downes (Roscius Anglicanus, p. 36): Dorimant-Betterton; Medly-Harris; Sir Fopling-Smith; Old Bellair-Leigh; Young Bellair-Jevon; Mrs Loveit-Mrs Barry [possibly she did not play this role at the premiere but succeeded another actress, such as Mrs Mary Lee]; Bellinda-Mrs Betterton; Lady Woodvill-Mrs Leigh; Emilia-Mrs Twiford.
Cast
Role: Mr Dryden Actor:

Performances

Mainpiece Title: The Loyal General

Performance Comment: Edition of 1680: Prologue by Mr Dryden-; King-Harris; Theocrin-Betterton; Theron-Norris; Diphilus-Gillo; Escalus-Jevan; Pisander-Bowman; Abardanes-Jo. Williams; Sossacles-David? Williams; Queen-Mrs Currer; Arviola-Mrs Lee; Edraste-Mrs Price.
Cast
Role: Prologue by Mr Dryden Actor:
Event Comment: On this date, L. C. 5@16, p. 101 (Nicoll, Restoration Drama, p. 10n) Nathaniel Lee's The Duke of Guise was banned. John Drummond to Marquis and Duke of Queensberry, 16 July 1682: Ther is a play hear to be acted that maks a great business, for the Duke of Munmuth has complained of it, and they say that notwithstanding it is to be acted sometime nixt weik. They call it the Duke of Guise, but in the play the true story is cheinged to the plott time hear (HMC, Buccleuch-Queensberry MSS., 1903, II 108). Newsletter, 29 July 1682: A play by Mr Dryden, termed the Duke of Guise, wherein the Duke of Monmouth was vilified and great interest being make for the acting thereof, but coming to His Majesty's knowledge is forbid, for though His Majesty be displeased with the Duke yet he will not suffer others to abuse him (HMC, 15th Report, Part VII, 1898, p. 108). Newdigate newsletters, 29 July 1682: A play having been made [by] Mr Dryden termed ye Duke of Guise supposed to Levell att the villifying the Duke of Monmouth & many other protestants & great Interest made for the Acting thereof but bringing to the knowledge of his Matie the same was forbidd for though his Maties pleasure is to be dissatisfyed and angry with the Duke of Monmouth, yet hee is not willing that others should abuse him out of a naturall affection for him (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81)

Performances

Performances

Mainpiece Title: Henry The Second King Of England With The Death Of Rosamond

Performance Comment: Edition of 1693: Prologue-; Epilogue by Mr Dryden-Mrs Bracegirdle; King Henry the Second-Betterton; Prince Henry-Mich. Lee; Sir Tho. Vaughan-Ant. Leigh; Abbot-Sandford; Verulam-Kynaston; Sussex-Hodgson; Aumerle-Bridges; Bertrard-Dogget; Queen Eleanor-Mrs Barry; Rosamond-Mrs Bracegirdle; Rosamond's Woman-Mrs Kent.
Cast
Role: Mr Dryden Actor: Mrs Bracegirdle
Event Comment: The United Company. The date of the first performance is not known. The January issue of the Gentleman's Journal, wnich did not appear until some time in February, stated: Mr Congreve...hath written a Comedy, which will be acted in a little time, and is to be call'd, The Old Batchelor (p. 28). The Gentleman's Journal, February 1692@3 (issued in March 1693): The success of Mr Congreve's Old Batchelor has been so extraordinary, that I can tell you nothing new of that Comedy; you have doubtless read it before this, since it has been already printed thrice. And indeed the Wit which is diffus'd through it, makes it lose but few of those Charms in the Perusal, which yield such pleasure in the Representation. Mr Congreve will in some time give us another play; you may judge by this how acceptable it will be (p. 61). In addition, a reference in the Epilogue indicates that it was produced during Lent, ano since the third edition was advertized in the London Gazette, No. 2856, 23-27 March 1693, early March seems the most likely date for the premiere. According to The Female Wits (ca. 1696), The Old Batchelor was acted fourteen days successively. John Barnard of Yale University states that Narcissus Luttrell's copy of The Old Batchelor in the Newberry Library bears the notation: "10d Mar. 16 1692@3." BM Add. Mss. 4221 (341) Memoirs Relating to Mr Congreve Written by Mr Thomas Southern (in Macdonald, Bibliography of Dryden, p. 54n): When he began his Play the Old Batchelor haveing little Acquaintance with the traders in that way, his Cozens recommended him to a friend of theirs, who was very usefull to him in the whole course of his play, he engag'd Mr Dryden in its favour, who upon reading it sayd he never saw such a first play in his life, but the Author not being acquainted with the stage or the town, it woud be pity to have it miscarry for want of a little Assistance: the stuff was rich indeed, it wanted only the fashionable cutt of the town. To help that Mr Dryden, Mr Arthur Manwayring, and Mr Southern red it with great care, and Mr Dryden putt it in the order it was playd, Mr Southerne obtained of Mr Thos. Davenant who then governd the Playhouse, that Mr Congreve should have the privilege of the Playhouse half a year before his play was playd, wh. I never knew allowd any one before. The music for the play was composed by Henry Purcell. See Purcell's Works, Purcell Society, XXI (1917), iii-v

Performances

Mainpiece Title: The Old Batchelor

Performances

Mainpiece Title: Philaster

Performance Comment: Philaster-a young Gentleman, first appearance on any stage; others-Bransby, Lee, Burton, Ackman, Baddeley, Castle, Parsons, Fox, Marr, Watkins, Strange, Miss Bride, Mrs Lee, Mrs Hippisley, Miss Mills, Mrs Yates; Prologue-. Philaster-Powell, first appearance on any stage; Pharamond-Lee; King-Bransby; Dion-Burton; Old Captain-Baddeley; Countryman-Parsons; Euphrasia-Mrs Yates; Arethusa-Miss Bride; Megra-Mrs Lee; Thrasaline-Ackman; Claremont-Castle; Galatea-Miss Mills; Messengers-Fox, Marr; Woodmen-Watkins, Strange; Lady-Mrs Hippisley; Prologue- (Genest, V, 36; MacMillan). MacMillan).

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Baddeley; the Citizen-King; Jasper-Burton; Wilding-Lee; Dapper-Parsons; Beaufort-Packer; Quildrive-Castle; Corinna-Mrs Hippisley; Maria-Miss Pope.

Performances

Mainpiece Title: The Beggars Bush

Performance Comment: Prologue at the Opening of the New House by John Dryden-Mohun; Epilogue at the Opening of the New House by John Dryden-.
Cast
Role: John Dryden Actor: Mohun
Event Comment: Gentleman's Journal, February 1691@2 (licensed 12 Feb. 1691@2): Mr Dryden has compleated a new Tragedy, intended shortly for the Stage, wherein he hath done a great unfortunate Spartan no less justice than Roman Anthony met with in his All for Love. You who give Plutarch a daily reading, can never forget with what magninimity (under all his tedious misfortunes) Cleomenes behaved himself, in the Aegyptian Court. This Hero, and the last Scene of his Life, has our best Tragic Poet chose for his fruitful Subject....Mr Dryden makes his Spartans, in this, speak as manly heroic Lacedaemonians, those more than Romans ought to speak, and since I am certain of your assent, at least, to my faith, I shall be bold to add, That tho I cannot but grant that Cleomenes alone could be author of his own glorious performances, yet I am most confident that their intire lustre will be fully maintained by Dryden's lively description, and Mr Betterton's natural imitation

Performances