SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Doge and Senate of Venice"/1) | (@(roleclean,performerclean) "Doge and Senate of Venice")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 968 matches on Performance Title, 100 matches on Event Comments, 33 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Ross. By Particular desire. Tickets for Venice Preserv'd will be taken. Ladies send servants by 3 o'clock. Afterpiece: Never acted before. Tickets sold at the Door will not be admitted

Performances

Mainpiece Title: The Beggars Opera

Cast
Role: Player Actor: Anderson

Afterpiece Title: The She Gallant or Recruits for the King of Prussia

Performance Comment: Parts-Dunstall, Anderson, Costollo, Davis, Wignel, Redman, Mrs Baker, Mrs Green, Miss White.

Dance: The usual Country Dance, as17581009; Hornpipe, as17581009

Ballet: TThe Feast of Bacchus. As17581116

Event Comment: TThe Merchant of Venice, with Love-a-la-Mode, advertis'd to be perform'd this night is deferr'd till further notice, on account of the Indisposition of Macklin and Miss Macklin. Boxes #21 12s. (Account Book). Receipts: #114 4s. 6d. (Account Book)

Performances

Mainpiece Title: Othello

Cast
Role: Lodovico Actor: Anderson

Afterpiece Title: Thomasand Sally

Event Comment: Benefit for Collins and Younger, prompter. Mainpiece: By Particular Desire. Tickets deliver'd for Venice Preserv'd will be taken. No Building on Stage

Performances

Mainpiece Title: The Rival Queens

Performance Comment: As17620413 but Lysimachus-Smith; Cassander-Clarke; Clytus-Younger, first Appearance this stage.
Cast
Role: Cassander Actor: Clarke
Role: Alexander Actor: Ross
Role: Thessalus Actor: Anderson
Role: Aristander Actor: Perry

Afterpiece Title: Damon and Phillida

Performance Comment: Damon-Mattocks; Corydon-Bennet; Mopsus-Dunstall; Cymon-Collins; Arcas-Anderson; Phillida-Miss Miller, first time.
Cast
Role: Arcas Actor: Anderson

Dance: After Epilogue: Les Sabotiers, as17620419

Event Comment: Characters in Mainpiece Dress'd in the Habits of the Times. Venice Preserv'd is oblig'd to be deferr'd. Receipts: #138 1s. 6d. (MacMillan)

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Richard Actor: Holland

Afterpiece Title: The Deuce Is in Him

Event Comment: Full Prices. Afterpiece: A Pantomimic dance by Love (Biographia Dramatica). Much followed and brought several crowded houses, and the success chiefly owing to the reports our newspapers were, at that time, daily filled with, of the French wild Beast that was devouring (and yet pursued by) children. This wild beast was happily introduced in this pantomime, pursued by boys led on by a Frenchman. At last the Beast made his Re-entry, and ran across the stage with the poor Frenchman in his mouth, to the great joy of the Pit, Box and Galleries (Victor, History of Theatres, III, 72). Dorilas for the first time by Mr Cautherly--very decent, but wanted spirit. This pantomime is fathered by Mr Lowe [?]--went off with applause, --Mr Garrick made most of the Business to it, which is very good (Hopkins Diary). [Letter from C. V. Theatricus on ladies' removing their hats in the theatre. A Gentleman had requested it and a debate ensued in the Public Advertiser, as to whether he wished to see the play better or to gaze more audaciously on many pretty faces. Long letter also from G. F. Theatricus to the Public Advertiser, commenting on the excellence of Powell, Mrs Yates, Holland, the Palmers, Cautherly and Bensley for their performance in Venice Preserved, Romeo and Juliet, and Mahomet respectively.

Performances

Mainpiece Title: Merope

Afterpiece Title: The Hermit or Harlequin at Rhodes

Event Comment: Read the two last acts of the Merchant of Venice, which I had not time to read last night (Neville MS Diary). Receipts: #108 4s. 6d. (Account Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Benefit for Perry and Gardner. Tickets deliver'd for Venice Preserv'd for this night will be taken. Mainpiece: By Particular Desire. Charges #64 5s. Deficit to Perry and Gardner #7 10s. 6d. apiece, covered by income from tickets: Perry #58 1s. (Box 21; Pit 184; Gallery 252); Gardner #58 14s. (Box 102; Pit 130; Gallery 137) (Account Book). Receipts: #49 4s

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Miss in Her Teens

Entertainment: End: Hippisley's Drunken Man with additions and Alterations-Shuter

Dance: TThe Tambourine, as17700501

Event Comment: hay Benefit for Fleetwood. Tickets for Venice Preserved will be taken

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: hay The Vintner Trickd

Dance: hay End of Play: The Cowkeeper, as17700521

Event Comment: A solo on the Violincello as 11 March; and Cirri's New Concerto on the Violin as 20 March. Charges: #35 (Account Book)

Performances

Mainpiece Title: Concerto Spirituale

Performance Comment: Part I. An Overture-Sg. Piccini; Milton's Morning Hymn-; The Music selected from the works of the following eminent composers, viz. Piccini, Jomelli, Pergolesi, Carrissime. This Hymn was set many years since by Galliard. Part II. Consisted of Miserere mei Die by Venice. This is the Miserere so particularly mentioned by $Dr Burney">Galuppi-; This celebrated composition is performed in the Holy Week, in the Hospital of Incurables in Venice. This is the Miserere so particularly mentioned by $Dr Burney, in his Account of the Present State of Music in France and Italy lately publish'd. The Melodies of the airs are pleasing, the chorusses Grand, and the composer has shown great taste and invention in the conduct of the whole. Part III. Dixit Dominus. The Music-Sg Pergolesi...a solemn and Grand Performance (Theatrical Review, p. 222).
Event Comment: Benefit for Aickin. Mainpiece: By Desire. Tickets for Venice Preserved will be taken. Paid Mr Byfield (organ builder) #23; Printer's Bill #8 12s.; Rec'd Mr Heath's rent, 1 year to Xmas last #10 (Treasurer's Book). Receipts: #165 2s. Charges: #65 2s. Profits to Aickin: #100 (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Cast
Role: Orlando Actor: Brereton

Afterpiece Title: The Author

Dance: I: The Amusements of Strasburgh, as17711118

Event Comment: Benefit for Mrs Bulkley. Mainpiece: Not acted these 5 years. [See 19 April 1769.] Afterpiece: A Farce Never acted there [Wm Whitehead]. Tomorrow (for the only Time this Season) The Merchant of Venice with Love-a-la-Mode. Shylock and Sir Archy by Mr Macklin being the only time of his performing this season. For the Benefit of Miss Macklin (playbill). Charges #66. Profit to Mrs Bulkley #43 6s. 6d. plus #103 16s. from tickets (Box 194; Pit 298; Gallery 106). Paid one half year's paving &c. for the Theatre due Lady Day #26 5s. (Account Book). Receipts: #109 6s. 6d

Performances

Mainpiece Title: The Albion Queens Or The Death Of Mary Queen Of Scots

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Shuter; Sotherton-Owenson; Jemmy Twinkle-Lewes; Chamberlain-Thompson; Cupid-Miss Brown; Landlady-Mrs Pitt; Miss Flack-Mrs Willems; Filagree-Mrs Green; Mrs Griskin-Mrs Bulkley; With Dances incident to the piece-.
Cast
Role: Landlady Actor: Mrs Pitt

Entertainment: Epilogue End: (By Particular Desire) New Occasional Epilogue-Mrs Bulkley

Dance: Minuet-Aldridge, Mrs Bulkley (playbill) Fisher, Mrs Bulkley (Public Advertiser)

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Event Comment: The composition of the drama with the characters of the King, Prince of Wales, Hotspur, and Falstaff will be particularly illustrated. [This is Kenrick's School of Shakespeare; repeated 9, 16, 20 (Falstaff's Wedding and Merchant of Venice), 29 (Cozeners and Falstaff's Wedding).

Performances

Mainpiece Title: Lecture On King Henry Iv Part I

Song: To keep my gentle Jessy-DuBellamy; Where the Bee sucks-Miss Wewitzer

Event Comment: A new Comic Opera. The Music by Traetta. [This was 1st performed at Venice, 1766, as Le Serve Rivali. And see 19 Dec. 1780.

Performances

Mainpiece Title: I Capricci Del Sesso

Dance: End I: Comic Ballet, as17770204; End II: Serious Ballet, as17770225; End Opera: a new Ballet Demi-caractere, La Paysane Distraite-Vallouy, Mme Simonet, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet, Mlle DeCamp

Event Comment: Benefit for Reinhold. Morning Post, 6 Apr.: Tickets to be had of Reinhold, No. 90, Charlotte-street, Rathbone-Place. Tickets delivered for The Merchant of Venice will be taken. Receipts: #184 18s. (85.16; tickets: 99.2) (charge #69 15s. 6d.)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: True Blue

Afterpiece Title: Poor Vulcan

Dance: End II: The Poney Races-Dagueville, Sga Tinte

Event Comment: Benefit for the New General Lying-in-Hospital, in Store-street, Tottenham-Court-Road. Tickets delivered for Venice Preserv'd will be taken. Receipts: #149 1s. 6d. (66.4.6; tickets: 82.17.0) (charge: #115)

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Cast
Role: Alexander Actor: Wroughton
Role: Cassander Actor: Fearon

Afterpiece Title: True Blue

Afterpiece Title: Comus

Event Comment: Macklin being taken ill, The Merchant of Venice and Love a-la-Mode [both announced on playbill of 23 Feb.] are obliged to be postponed

Performances

Mainpiece Title: The Duenna

Cast
Role: Ferdinand Actor: Robson.

Afterpiece Title: The Liverpool Prize

Cast
Role: Monsieur Coromandel Actor: Wewitzer

Dance: End: The Humours of Leixlip-Aldridge, Master Jackson, Miss Besford

Event Comment: The Merchant Of Venice and Love a-la-Mode [both announced on playbill of 26 Nov.] are obliged to be deferred on account of Macklin's Indisposition. Receipts: #57 8s. (55.7; 2.1)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: William And Nanny

Dance: As17791123

Event Comment: On playbill of 15 Mar.: On Saturday Evening next will be presented Othello, Moor of Venice

Performances

Mainpiece Title: Othello

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Performance Comment: [Given in a regular Representation of several of his most favourite and capital Scenes. With Dresses and Scenery suited to the Characters and their Situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify, in the strongest Colours of our immortal Bard, Vanity, Parental Tenderness, Cruelty, Filial Piety, and Ambition. ACT I. Vanity, in the First Part of Henry IV parts of II. i and iv]. Sir John Falstaff-Digges; Francis-Edwin; Poins-R. Palmer; Peto-Painter; Bardolph-Massey; Gadshill-Ledger [Public Advertiser: Kenny]; Carriers-Stevens, Barrett; Prince of Wales-Palmer; Hostess-Mrs Love; [ACT II. Parental Tenderness, in the Second Part of Henry IV [parts of IV. iv and v, and parts of v. ii]. King Henry-Bensley; Clarence-Miss Wood; Prince John-Miss Francis; Gloster-Miss Painter; Chief Justice-Gardner; Westmoreland-Davis; Attendant-Painter; Prince of Wales-Palmer; [ACT III. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Digges; Antonio-Gardner; Bassanio-Staunton; Duke-Usher; Gratiano-Lamash; Salanio-Davis; Nerissa-Mrs Wilson; Portia-Mrs Massey; [ACT IV. Filial Piety, in the Closet Scene in Hamlet [III. iii and iv]. Hamlet-Bannister Jun.; King-Gardner; Polonius-Wilson; Ghost-Staunton; Queen-Miss Sherry; [ACT V. Ambition, in Henry VIII [III. ii]. Cardinal Wolsey-Digges; Surry-Aickin; Suffolk-Lamash; Lord Chamberlain-Egan; Norfolk-Davis; Cromwell-R. Palmer; King Henry-Usher.
Cast
Role: Westmoreland Actor: Davis

Afterpiece Title: The Waterman or The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Event Comment: The Carnival of Venice [announced on playbill of 31 Dec] is obliged to be deferred on account of the Indisposition of Dodd. Receipts: #104 3s. 6d. (70/5/0; 33/6/0; 0/12/6)

Performances

Mainpiece Title: King Arthur

Cast
Role: and specifies Honour Actor: Vernon

Afterpiece Title: The Critic

Song: As17811022

Event Comment: The Carnival of Venice [announced on playbill of 1 Apr.] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #103 10s. (81/7; 21/18; 0/5)

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: The Divorce

Dance: As17820318athi

Event Comment: An entirely new Comic Opera in 2 Acts [1st performed at Venice, 1776; and see 1 Feb. 1794]. The Music by Sarti; under the direction of Rauzzini. With new Scenes and Decorations, designed and painted by Novosielski

Performances

Mainpiece Title: Le Gelosie Villane

Performance Comment: Principal Parts by Franchi, Schinotti, Tasca; Sga Schinotti, Sga Rosina Dorta, Sga Rachele Dorta. [Cast from libretto (H. Reynell, 1784): Marchese Roberto-Franchi; Tognino-Schinotti; Cecchino-Tasca; Narduccdo-Uttini [see17840504]; Olivetta-Sga Schinotti; Sandrina-Sga Rosina Dorta; Giannina-Sga Rachele Dorta.] hathi. hathi.
Cast
Role: Sandrina Actor: Sga Rosina Dorta
Related Works
Related Work: Le Gelosie Villane Author(s): Tommaso Grandi

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera Divertissement, in which a Pas de Deux, as17831216, and to conclude with the favourite Caledonian Pas de Trois, as17831129

Event Comment: By Command of Their Majesties. [Mainpiece in place of The Merchant of Venice; afterpiece of Love a-la-Mode, both announced on playbill of 2 Nov. In afterpiece the playbill assigns Young Wilding to Bonnor, but on the Kemble playbill a MS annotation substitutes Palmer.]

Performances

Mainpiece Title: The Duenna

Cast
Role: Ferdinand Actor: Cubitt

Afterpiece Title: The Lyar

Dance: As17841022

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1780]); the Music by Anfossi

Performances

Mainpiece Title: Nitteti

Related Works
Related Work: Nitteti Author(s): Antonio Andrei

Dance: End of Act I Le Jugement de Paris, as17850212, but omitted: Mme Rossi; End of Opera The Deserter, as17850111, but omitted: Nivelon, Mlle Dorival