SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Doge and Senate of Venice"/1) | (@(roleclean,performerclean) "Doge and Senate of Venice")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 968 matches on Performance Title, 100 matches on Event Comments, 33 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Midas

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Mother Shipton

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Mayor of Garratt

Dance: III: Comic Dance, as17701025

Event Comment: Mainpiece: Not acted these two years. [See 13 April 1771.] Paid Mr Cropley (linnen draper) #14 16s.; Sandys & Co. (colourmen) #50 3s.; Mr Chettel (timbermerchant) #52 4s.; Mr Cole (turner) #46 3s.; Mr Barrow & Co. for Oil, #46 6s. 6d.; Mrs Vaughan (haberdasher) #22 18s.; Mr Callon for men's cloaths #30 (Treasurer's book). Receipts: #217 4s. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: A Peep behind the Curtain

Dance: V: Comic Dance-Daigville, Mas. Holland, Miss Armstrong, his scholars

Performance Comment: Holland, Miss Armstrong, his scholars.
Related Works
Related Work: L'Usurier Gentilehomme Author(s): M.A. Le Grand
Related Work: Agnes de Challiot Author(s): M.A. Le Grand
Related Work: L'Epreuve Réciproque Author(s): M.A. Le Grand

Entertainment: End Dance: , for second time, and by way of Epilogue will deliver The Wishing Cap-King. [See17730323]

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Cobler; or, a Wife of Ten Thousand

Performance Comment: Parts by Bannister, Dibdin, Legg, Kear, Griffiths, Everard, Parsons, Fawcett, Wrighten, Blanchard, Mrs Love, Mrs Wrighten. Snob-Bannister; Nipikin-Dibdin; Froth-Parsons; Grumble-Legg; Jenkins-Fawcett; Muggins-Kear; Contusion-Wrighten; Pest-Griffiths; Exciseman-Blanchard; Hone-Everard; Mrs Nipikin-Mrs Love; Alice-Mrs Wrighten (Edition of 1774 and Genest, V, 444).
Event Comment: Benefit for Brereton. Music of the Afterpiece (entirely new) composed by Dibdin. Mr Brereton-Jaffier, Much Applause. The Quaker is Mr Dibdins Production he has sold it to Mr Brereton. The Music is pretty & Novel it was very badly perform'd--when it is properly Cast & got up with care it will do very well (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording.] [The Reviewer for the Westminster Magazine for May gave a paragraph to Dibdin's afterpiece: "The words will not add to Mr Dibdin's reputation as a writer, nor Will the music increase his fame as a composer, the latter, however, possessed more merit than the former. The Finale was in new stile and pleased. Upon the whole this piece, like the rest of Mr Dibdin's performances, proves that this would-be author, is resolv'd in spite. Of Nature and the Stars, to write."] Receipts: #105 19s. 6d. Charges: #69 18s. Profits to Brereton: #36 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Quaker

Performance Comment: Parts by Bannister, Waldron, Dibdin, Davies, Wrighten, Kear, Fawcett, Legg, Carpenter, Blanchard, Master Blanchard, Mrs Scott, Mrs Love, and a Young Gentlewoman. Steady-Bannister; Lubin(?)-Dibdin; Solomon(?)-Waldron; Easy-Wrighten; Countrymen-Kear, Fawcett, Legg, Carpenter, Blanchard, Master Blanchard; Floretta(?)-Mrs Scott; Cicely-Mrs Love; Gillian-A Young Gentlewoman (Miss Wilde) first appearance on this stage (Genest, V, 452).
Event Comment: Overture and Music for the Prelude composed by Bates. Mr Bensley return'd from Covent Garden Theatre Play'd Pierre as usual was received with Applause (Hopkins Diary). Paid Carpenter's Bill #31 10s.; Two surveyors (by Butler) #5 5s. (Treasurer's Book). [The carpenter's bills averaged #10 per week during the season, or about #380 total. No further mention will be made of this item.] Receipts: #238 17s. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Padlock

Cast
Role: Leander Actor: DuBellamy

Dance: End: The Vintage Festival, as17751026

Event Comment: Rec'd stopages #11 18s. Paid To Mr Garrick, author of the alteration of the Chances and two preludes #171. Receipts: #106 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Jubilee

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Venice Preserv'd

Afterpiece Title: The Elopement

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Comus

Performances

Mainpiece Title: Venice Preserved

Event Comment: [Bingham is identified by MS annotation on Kemble playbill.] Afterpiece [1st time; CO 2, by Miles Peter Andrews, based on Le Bucheron; ou, Les Trois Souhaits, by Jean Francois Guichard. Music by Francois Hippolyte Barthelemon]: With New Scenes, Dresses and Decorations. Books of the Songs, Chorusses, &c. to be had at the Theatre. Public Advertiser, 17 Mar, 1778: This Day is published the Songs in Belphegor (6d.). [Text 1st published in Dublin: For the Booksellers, 1788.] Receipts: #196 0s. 6d. (156.5.0; 38.13.6; 1.2.0)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Belphegor; or, The Wishes

Related Works
Related Work: Belphegor; or, The Wishes Author(s): Miles Peter Andrews

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: True-Blue

Afterpiece Title: Poor Vulcan

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discover'd

Afterpiece Title: Comical Courtship; or, The Battle Royal

Dance: As17780601

Song: As17780529

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Comus

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Midas

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Irish Widow

Dance: End: The Dutch Quaker, as17810312End I afterpiece: The Irish Fair, as17800930

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Choice of Harlequin

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into Boxes. To prevent Confusion Ladies are desired to send their Servants by Half past Four o'clock. Public Advertiser, 10 Dec: Tickets to be had of Mrs Siddons, No. 149 in the Strand. [The most famous "point" in this play was the parting of Belvidera and Jaffier in Act III, and her words, "Remember twelve!" Boaden, Siddons, 1, 354, refers to Mrs Siddons's "querulous melancholy of tone, partaking of doubt, though still hoping for the best," in uttering these words.] Receipts: #335 5s. (157/15/0; 4/0/6; 0/12/6; tickets: 172/17/0) (charge: free). [Thus, officially, the Account-Book, but Mrs Siddons's total profit, from presents and from additional sums being added by her admirers to the usual price of her tickets, was, according to Public Advertiser, 25 Dec, over #800. This figure is almost certainly an accurate reckoning.]

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Bon Ton

Dance: End of mainpiece, as17820917

Event Comment: "The Dress of Belvidera was happily arranged; and the Continuation of the same Dress, without the usual Change in the Fifth Act, is an Alteration for the better. It escapes the well-pointed Reproof of The Critic: 'Enter Tilburina, mad, in white Satin'" {Public Advertiser, 21 Dec.). Receipts: #272 8s. (260/18/0; 11/1/6; 0/8/6)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Irish Widow

Dance: As17821005

Event Comment: By Command of Their Majesties. [Mainpiece in place of Jane Shore, announced on playbill of 8 Jan.] Receipts: #284 12s. 6d. (275/7/0; 9/0/6; 0/5/0)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Apprentice