Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Diary of Isaac Reed"/1) | (@(roleclean,performerclean) "Diary of Isaac Reed")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
2718 results for: Keyword - Diary of Isaac Reed
We found 1378 matches on Event Comments, 1326 matches on Author, 116 matches on Performance Comments, 4 matches on Performance Title, and 1 matches on Roles/Actors.

1751
09 February 1665 @ no theater listed

Event Comment: John Evelyn, writing to Viscount Cornbury this day, protested the frequency of theatrical performances during the Lenten "Indiction" after hearing that there was to be "no Lent indicted this year." He wondered if Fridays and Saturdays could not be spared from the licentiousness of plays. (See Diary and Correspondence, ed. Bray III, 150-52.

Performances

1752
03 April 1665 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: With Creed, my wife, and Mercer to a play at the Duke's, of my Lord Orrery's, called Mustapha, which being not good, made Betterton's part and Ianthe's but ordinary too, so that we were not contented with it at all...All the pleasure of the play was, the King and my Lady Castlemayne wer there; and pretty witty Nell Gwin?, at the King's house, and the younger Rebecca? Marshall sat next us; which pleased me mightily. Downes (p. 26): All the Parts being new Cloath's with new Scenes, Sir William's great Care of having it perfect and exactly perform'd, it produc'd to himself and Company vast Profit

Performances

Mainpiece Title: Mustapha, The Son Of Solyman The Magnificent

1753
06 April 1665 @ Lincoln's Inn Fields

Event Comment: Evelyn, Diary: In the afternoone saw acted Mustapha a Tragedy written by the E. of Orary

Performances

Mainpiece Title: Mustapha

1754
17 April 1665 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This play was apparently not printed. Downes (Roscius Anglicanus, p. 26): Wrote by Mr Holden. Pepys, Diary: Being called by my wife, we all to a play, The Ghosts, at the Duke's house, but a very simple play

Performances

Mainpiece Title: The Ghosts

1755
20 April 1665 @ Whitehall or St. James's

Event Comment: See Boswell, Restoration Court Stage, pp. 22-56. Pepys, Diary: This night I am told the first play is played in White Hall noon-hall, which is now turned to a house of playing. I had a great mind, but could not go to see it

Performances

1756
15 May 1665 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, all alone, and saw Love's Maistresse. Some pretty things and good variety in it, but no or little fancy in it

Performances

Mainpiece Title: Love's Mistress; Or, The Queen's Mask

1757
19 March 1666 @ The (first) Drury Lane Theatre

Event Comment: [Pepys, Diary: After dinner we walked to the King's play-house, all in dirt, they being altering of the stage to make it wider. But God knows when they will begin to act again; but my business here was to see the inside of the stage and all the tiring-rooms and machines; and, indeed, it was a sight worthy seeing. But to see their clothes, and the various sorts, and what a mixture of things there was; here a wooden-leg, there a ruff, here a hobby-horse, there a crown, would make a man split himself to see with laughing; and particularly Lacy's wardrobe, and Shotrell's. But then again, to think how fine they show on the stage by candlelight, and how poor things they are to look now too near hand, is not pleasant at all. The machines are fine, and the paintings very pretty

Performances

1758
22 August 1666 @ Moorfields, London

Event Comment: Pepys, Diary: I with my wife, Knipp, and Mercer, by coach to Moorefields, and there saw Polichinello, which pleases me mightily

Performances

Mainpiece Title: Puppetry

1759
29 August 1666 @ Moorfields, London

Event Comment: Pepys, Diary And so back to Moorfields, and shewed Batelier, with my wife, Polichinello, which I like the more I see it

Performances

Mainpiece Title: Puppetry

1760
01 September 1666 @ Moorfields, London

Event Comment: Pepys, Diary: Sir W. Pen and my wife and Mercer and I to Polichinelly, but were there horribly frighted to see Young Killigrew come in with a great many more young sparks; but we hid ourselves, so as we think they did not see us. By and by they went away, and then we were at rest again; and so, the play being done

Performances

Mainpiece Title: Puppetry

1761
11 October 1666 @ Whitehall or St. James's

Event Comment: Rugge's Diurnal, BM Add. Mss. 10117, folio 179: Acted at Whitehall atcourt a play witt wt'out mony before King and nobility. Pepys, Diary, 15 Oct.: But she [Lady Carteret] cries out of the vices of the Court, and how they are going to set up plays already; and how, the next day after the late great fast, the Duchesse of York did give the King and Queene a play. Nay, she told me that they nave heretofore had plays at court the very nights before the fast for the death of the late King [i.e., on the night preceding 30 Jan.]

Performances

Mainpiece Title: Wit Without Money

1762
25 October 1666 @ no theater listed

Event Comment: Pepys, Diary: [Mrs Knipp] told us they begin at both houses to act on Monday [29] next. But I fear, after all this sorrow, their pains will be but little. Mrs Williams says, the Duke's house will now be much the better of the two, because of their women; which I am glad to hear

Performances

1763
29 October 1666 @ Whitehall or St. James's

Event Comment: The Duke's Company. Pepys, Diary: I away before to White Hall and into the new play-house there, the first time I ever was there, and the first play I have seen since before the great plague. By and by Mr Pierce comes, bringing my wife and his, and Knipp. By and by the King and Queene, Duke and Duchesse, and all the great ladies of the Court; which, indeed, was a fine sight. But the play being Love in a Tub, a silly play, and though done by the Duke's people, yet having neither Betterton nor his wife, and the whole thing done ill, and being ill also, I had no manner of pleasure in the play. Besides, the House, though very fine, yet bad for the voice, for hearing. The sight of the ladies, indeed, was exceeding noble; and above all, my Lady Castlemayne. The play done by ten o'clock. I carried them all home, and then home myself, and well satisfied with the sight, but not the play

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

1764
05 November 1666 @ Whitehall or St. James's

Event Comment: The Duke's Company. Boswell (Restoration Court Stage, p. 282) thinks that this play given on the L. C. lists--see Nicoll, Restoration Drama, p. 346--between 29 Oct. and 6 Nov., may have been acted on this day. See also an order for supplies for the comedians acting at court in Alwin Thaler, Shakespear to Sheridan, p. 290. Pepys, Diary: I to White Hall, where I staid walking up and down till night, and then got almost into the playhouse, having much mind to go and see the play at Court this night; but fearing how I should get nome, because of the bonefires and the lateness of the night to get a coach, I did not stay

Performances

Mainpiece Title: Mustapha

1765
14 November 1666 @ no theater listed

Event Comment: Pepys, Diary: [Mrs Knipp] tells me how Smith, of the Duke's house, hath killed a man upon a quarrel in play; which makes every body sorry, he being a good actor, and, they say, a good man, however this happens. The ladies of the Court do much bemoan him, she says

Performances

1766
20 November 1666 @ no theater listed

Event Comment: Pepys, Diary: To church, it being thanksgiving-day for the cessation of the plague; but, Lord! how the towne do say that it is hastened before the plague is quite over, there dying some people still, but only to get ground for plays to be publickly acted, which the bishops would not suffer till the plague was over; and one would thinke so, by the suddenness of the notice given of the day, which was last Sunday, and the little ceremony

Performances

Mainpiece Title: A Fast Day

1767
29 November 1666 @ no theater listed

Event Comment: Henry Muddiman, 29 Nov. 1666: The Players have upon great proffers of disposing a large share to charitable uses prevailed to have liberty to act at Both Houses, which they begin this day (CSPD, Charles II, clxxcii, 6, in Hotson, Commonwealth and Restoration Stage, p. 250). A manuscript prologue for the opening of the theatre in Bridges Street is in J. Payne Collier's MS Restoration Stage History, Part I, p. 106, in the Houghton Library, Harvard. The Diary of John Milward, Esq., ed. Caroline Robbins (Cambridge, 1938), p. 49: This day at my coming to the House [of Commons] it moved that plays might be tolerated and acted in the common theatres, and whether any members of the House of Commons should be admitted to go to acts of the playhouses, but it was not resolved

Performances

1768
07 December 1666 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where two acts were almost done when I come in; and there I sat with my cloak about my face, and saw the remainder of The Mayd's Tragedy; a good play, and well acted, especially by the younger Marshall, who is become a pretty good actor, and is the first play I have seen in either of the houses since before the great plague, they having acted now about fourteen days publickly. But I was in Mighty pain lest I should be seen by any body to be at a play. Elegy on that Worthy and Famous Actor, Mr Charles Hart, who departed this Life Thursday August the 18th., 1683: @Such Pow'r He had o'r the Spectators gain'd,@As forc'd a Real passion from a Feign'd.@For when they saw Amintor bleed, straight all@The House, for every Drop, a Tear let fall;@And when Arbaces wept by sympathy,@A glowing Tide of Wo gush'd from each Eye.@ [Reprinted in Thorn-Drury, A Little Ark, pp. 47ff; Sprague, Beaumont and Fletcher, p.38.

Performances

Mainpiece Title: The Maid's Tragedy

1769
08 December 1666 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: And myself to the King's playhouse, which troubles me since, and hath cost me a forfeit of 10s., which I have paid, and there did see a good part of The English Monsieur, which is a mighty pretty play, very witty and pleasant. And the women do very well; but, above all, little Nelly, tha I am mightily pleased with the play, and much with the House, more than ever I expected, the women doing better than ever I expected, and very fine women

Performances

Mainpiece Title: The English Monsieur

1770
17 December 1666 @ Whitehall or St. James's

Event Comment: The Duke's Company. This performance is listed in the L. C. records, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. See Pepys, Diary, for Mrs Pepys attendance at an unnamed play in the afternoon

Performances

Mainpiece Title: Macbeth

1771
25 December 1666 @ no theater listed

Event Comment: Pepys, Diary: Then out and walked alone on foot to the Temple, it being a fine frost, thinking to have seen a play all alone; but there, missing of any bills, concluded there was none, and so back home

Performances

1772
26 December 1666 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: After dinner I put the women into a coach, and they to the Duke's house, to a play which was acted, "The [....]." It was indifferently done, but was not pleased with the song, Gosnell not singing, but a new wench, that sings naughtily

Performances

Mainpiece Title: An Unnamed Play

1773
27 December 1666 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: And my wife, and by coach to the King's playhouse, and meeting Creed took him up, and there saw The Scornfull Lady well acted; Doll Common [Mrs Corey] doing Abigail most excellently, and Knipp the widow very well, and will be an excellent actor, I think. In other parts the play not so well done as used to be, by the old actors. Anon to White Hall by coach, thinking to have seen a play there to-night, but found it a mistake, so back again

Performances

Mainpiece Title: The Scornful Lady

1774
28 December 1666 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: To the Duke's house, and there saw Macbeth most excellently acted, and a most excellent play for variety

Performances

Mainpiece Title: Macbeth

1775
28 December 1666 @ Whitehall or St. James's

Event Comment: The Duke's Company. Pepys, Diary: To White Hall, and got my Lord Bellasses to get me into the playhouse; and there, after all staying above an hour for the players, the King and all waiting, which was absurd, saw Henry the Fifth well done by the Duke's people, and in most excellent habits, all new vests, being put on but this night. But I sat so nigh and far off, that I missed most of the words, and sat with a wind coming into my back and neck, which did much trouble me. The play continued till twelve at night. A Prologue for this play is in A Letter from a Gentleman to the Honourable Ed. Howard (London, 1668)

Performances

Mainpiece Title: Henry V