SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Daniel Purcel"/1) | (@(roleclean,performerclean) "Daniel Purcel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 366 matches on Performance Comments, 87 matches on Author, 54 matches on Event Comments, 21 matches on Performance Title, and 1 matches on Roles/Actors.

Performances

Mainpiece Title: The Island Princess

Music: Frost Music out of King Arthur by the late Mr Henry Purcel-Leveridge, Pack, Cook, Jones, Reading, Mrs Cross, Mrs Cook

Dance: Dancing-Dupree, delaGarde, Moreau, Bovill, Sandham, Miss Russel, Miss Schoolding

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; several Songs-by the late famous Mr Henry Purcel; rest by Dr Croft; which whole Performance lasted above an Hour and half; the Vocal Performers-Mr Hughes, Mr Laye, Mr Rowe, Mr Gates, Mr Weely, Mr Church, Mr King, three Boys; they were accompany'd by a proper Number of the best Instrumental Performers

Performances

Mainpiece Title: The Orphan

Song: Singing in Italian and English-Mrs Fitzgerald

Music: The Original Trumpet Song of Sound Fame-by Mr Henry Purcel Mr Armstrong

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Lovers Opera

Dance: II: Pierrots-Vallois, Delagarde

Song: I: Dialogue composed by Henry Purcel-the Masters Hamilton; III: Miss Jones; IV: Singing in Italian-Mrs Chambers

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: Harlequin Shipwrecked

Song: I: A New Ballad-Beard; III: Noontide Air-Lowe; IV: Mad Tom by Henry Purcel-Beard in character

Dance: II: A Dutch Dance, as17411114; V: The Italian Peasants, as17411207

Performances

Mainpiece Title: The Wonder; Or, A Woman Keeps A Secret

Afterpiece Title: Venus and Adonis

Song: II: The Smiling Hour by Handel-Mrs Storer; III: From Rosie Bowers by Henry Purcel-Mrs Storer

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Catherine and Petruchio

Dance: II: a Dance of Spirits-Miss Stageldoir; III: a Dance of Fantastic Spirits-; IV: Dance-Hamoir, Miss Stageldoir

Song: The Music by Purcel and Dr Arne-; with the additional Airs and Chorusses by the late Linley Jun-; Vocal Parts-Williames, Danby, Fawcett, Alfred, Newbold, Mrs Love, Mrs Booth, Miss Barnes, Miss Cranford, Miss J. Stageldoir

Performances

Mainpiece Title: The Sea Voyage

Music: Vocal and instrumental Music by Henry Purcell, Daniel Purcell, Jeremy Clark, others-

Related Works
Related Work: Alexander the Great Author(s): Daniel Purcell

Dance: Variety of Dances, several New-

Entertainment: Imitate the Horn, Huntsman, Pack of Hounds, all perform'd by his natural Voice-Layfield (after the manner of the famous Mr Clinch of Barnet)

Performances

Mainpiece Title: Concert

Performance Comment: Hymn to the Sun-. Set by Dr Purcel, and Sung before their Majesties on New-Years-Day, 1694.

Performances

Mainpiece Title: King Arthur; Or, Merlin The British Enchanter

Performance Comment: King Arthur-Marshall; Oswald-Giffard; Merlin-Paget; Osmond-Crisp; Grimbald-Yates; Conon-Blakes; Aurelius-Crofts; Albanact-Dunstall; Guillamar-Naylor; Philidel-Mrs Dunstall; Emmeline-Mrs Giffard; Matilda-Miss Hippisley; In which will be performed the Original Musick by the late ingenious Mr Henry Purcel-Paget, Touchbury, Hemings, Hemskirk, Mrs Jones, Miss Medina; Venus-Mrs Dunstall; Cupid-Master Nanfan; with the dances-Shawford, Olbediston, Vaughan, Marr, Mrs Bullock, Mrs Yates, Mrs Vallois, Miss Hippisley.
Related Works
Related Work: Arthur and Emmeline Author(s): Henry Purcell
Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 28-30 April 1698, suggests a first performance in late March. The Songs, published separately, include: Come all ye shepherds, set by Daniel Purcell and sung by Freeman. Let every shepherd bring his lass, set by Daniel Purcell and sung by Magnus. Life is but a little span, set by Daniel Purcell and sung by Young Bowin and Mrs Campion. Fond shepherd, set by Daniel Purcell and sung by Pate. To pensive years resign your pining, set by Daniel Purcell and sung by Young Bowen. Look down, set by Daniel Purcell and sung by Pate. Dedication, edition of 1698: I have no Reason to complain of the Success it had on the Stage. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: Phaeton; Or, The Fatal Divorce

Performances

Mainpiece Title: The Tempest

Performance Comment: Prospero-Furnival; Ferdinand-Goodfellow; Alonzo-Freeman; Antonio-Tucker; Gonzalez-York; Hippolito-Mrs Hallam; Stephano-Kennedy; Mustacho-Maxfield; Trincalo-L. Hallam; Ventoso-Cushing; Ariel-Mrs Kennedy with the songs proper to the character; Miranda-Mrs Daniel; Dorinda-Mrs Cushing; Caliban-Paget; Sycorax-Dove; with all the Dances-proper to the Play; Time-Granier; Death-Chettle; Mephistopheles-Tucker; Charon-Daniel; Old Dame Stetebos-Granier; Pluto-Brett; Demons-Chettle, Daniel, Tucker, Toole, Fullwell, Jackson; Concluding with Grand Masque of Neptune and Amphytrite-; Neptune-Brett; Amphytrite-Miss Lincoln.
Cast
Role: Miranda Actor: Mrs Daniel
Role: Charon Actor: Daniel
Role: Demons Actor: Chettle, Daniel, Tucker, Toole, Fullwell, Jackson
Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369. See also Nicoll, Restoration Drama, p. 352. This appears to be a substitution for a previously scheduled performance of Amphitryon (Nicoll, p. 352). In L. C. 5@150, p. 74 (Nicoll, p. 357) is an order for a large looking glass to be provided for Sir Courtly Nice at this performance. In addition, there appears to have been a concert in honor of the Queen's birthday. See D'Urfey, Wit and Mirth, I, 62-64: An Ode on the Anniversary of the Queens-Birth. Set to Musick by Mr Henry Purcel, April 30th, 1690

Performances

Mainpiece Title: Sir Courtly Nice

Event Comment: The United Company. The date of the first performance is not known, but Luttrell's copy (Huntington Library) of the play bears the date of acquisition 3 June [1690, apparently], and the play was advertised in the London Gazette, No 2566, 12-16 June 1690. See Fredson Bowers, A Bibliographical History of the Fletcher-Betterton Play, The Prophetess, 1690, The Library, 5th Series, XVI (1961), 169-75. It seems likely that the opera was first given early in June 1690. An edition of The Vocal and Instrumental Musick of The Prophetess appeared in 1691. See Works of Henry Purcell, Purcell Society, IX. Downes (Roscius Anglicanus, p. 42): The Prophetess, or Dioclesian an Opera, Wrote by Mr Betterton; being set out with Coastly Scenes, Machines and Cloaths: The Vocal and Instrumental Musick, done by Mr Purcel; and Dances by Mr Priest; it gratify'd the Expectation of Court and City; and got the Author great Reputation. [See also R. E. Moore, Henry Purcell and the Restoration Theater (Cambridge, Mass., 1961), Chapter V; and E. W. White, Early Theatrical Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44.] The Muses' Mercury (January 1707, pp. 4-5): This prologue was forbidden to be spoken the second Night of the Representation of the Prophetess. Mrs Shadwell was the occasion of its being taken notice of by the Ministry in the last Reign: He happen'd to be at the House on the first Night, and taking the beginning of the Prologue to have a double meaning, and that Meaning to reflect on the Revolution, he told a Gentleman, He would immediately Put a stop to it. When that Gentleman ask'd, Why he wou'd do the Author such a Disservice? He said, Because while Mr Dryden was Poet Laureat, he wou'd never let any Play of his be Acted. Mr Shadwell informed the Secretary of State of it, and representing it in its worst Colours, the Prologue was never Spoken afterwards, and is not printed in Mr Dryden's Works, or his Miscellanies. Cibber, Apology (ed. Lowe, II, 13-14): A Prologue (by Dryden) to the Prophetess was forbid by the Lord Dorset after the first War in Ireland. It must be confess'd that this Prologue had some familiar, metaphorical Sneers at the Revolution itself; and as the Poetry of it was good, the Offence of it was less pardonable

Performances

Mainpiece Title: The Prophetess; Or, The History Of Dioclesian

Event Comment: The United Company. The date of the first performance is not known, but it very probably occurred not later than May 1691, as the play was advertised in the London Gazette, 4-8 June 1691. For discussions of it, see E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44-45, and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter III. Downes, Roscius Anglicanus, p. 42: King Arthur an Opera, wrote by Mr Dryden: it was Excellently Adorn'd with Scenes and Machines: The Musical Part set by Famous Mr Henry Purcel; and Dances made by Mr Jo. Priest: The Play and Musick pleas'd the Court and City, and being well perform'd, twas very Gainful to the Company. Roger North: I remember in Purcell's excellent opera of King Arthur, when Mrs Butler, in the person of Cupid, was to call up Genius, she had the liberty to turne her face to the scean, and ner back to the theater. She was in no concerne for her face, but sang a recitativo of calling towards the place where Genius was to rise, and performed it admirably, even beyond any thing I ever heard upon the English stage....And I could ascribe it to nothing so much as the liberty she had of concealing her face, which she could not endure should be so contorted as is necessary to sound well, before her gallants, or at least her envious sex. There was so much of admirable musick in that opera, that it's no wonder it's lost; for the English have no care of what's good, and therefore deserve it not (Roger North on Music, ed. John Wilson [London, 1959], p. 217-18)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Related Works
Related Work: Arthur and Emmeline Author(s): Henry Purcell
Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Performances

Mainpiece Title: The Marriage-hater Matched

Event Comment: The United Company. The date of the first performance is stated in Luttrell, A Brief Relation, II, 435, 28 April 1692: On Monday will be acted a new opera, call the Fairy Queen: exceeds former playes: the clothes, scenes, and musick cost 3000#. [According to Some Select Songs As they are Sung in the Fairy Queen (1692) tne singers were Mrs Ayliff, Mrs Dyer, Freeman, Mrs Butler, and Pate. See Purcell's Works, Purcell Society, XII (1903), ii; E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59 ), 45; and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter IV.] Downes, Roscius Anglicanus, pp. 42-43: The Fairy Queen, made into an Opera, from a Comedy of Mr Shakespeare s: This in Ornaments was Superior to the other Two [King Arthur and The Prophetess]; especially in Cloaths, for all the Singers and Dancers, Scenes, Machines and Decorations, all most profusely set off; and excellently perform'd, chiedly the Instrumental and Vocal part Compos'd by the said Mr Purcel, and Dances by Mr Priest. The Court and Town were wonderfully satisfy'd with it; but the Expences in setting it out being so great, the Company got very little by it. Gentleman's Journal, May 1692: The Opera of which I have spoke to you in my former hath at last appear'd, and continues to be represented daily: it is call'd, The Fairy Queen. The Drama is originally Shakespears, the Music and Decorations are extraordinary. I have heard the Dances commended, and without doubt the whole is very entertaining. [As the May issue of the Gentleman's Journal was licensed on 14 May, the statement that The Fairy Queen continued to be acted daily may indicate consecutive performances from 2 May to at le ast 14 May 1692.

Performances

Mainpiece Title: The Fairy Queen

Related Works
Related Work: The Fairy Queen Author(s): Henry Purcell
Event Comment: Mr Purcel's Farewel, set by Mr Finger, with other variety of Musick (Post Boy, 9 Jan. 1695@6)

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performance Comment: Of about thirty Instruments and Voices-; [with] a Verse with Flutes-; [set by Mr Henry Purcel, in a Song for the Birthday of the late Queen Mary- (Post Boy, 17 Aug. 1697).
Event Comment: Mainp1ece; With the Original Musick. Afterpiece: A masque by Henry Purcel

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Cupid and Bacchus

Dance: As17061227

Event Comment: Benefit Pack. At the particular Desire of several Ladies of Quality. Afterpiece: A Masque of Musick, compos'd by the late Mr Hen. Purcel. Receipts: #158 11s. 6d

Performances

Mainpiece Title: Timon Of Athens; Or, The Man-hater

Afterpiece Title: Bacchus and Cupid

Song: Dialogues-Leveridge, Cook, Pack

Dance: As17150305

Performances

Mainpiece Title: Concert

Music: Consisting of several full Pieces of Vocal and Instrumental Musick by antient and modern Authors, viz. Edwardo Lupi, Paulo Pretti, Wm. Bird, Collonna, Stephani, Corelli, Purcel, Dr Pepusch-

Performance Comment: Edwardo Lupi, Paulo Pretti, Wm. Bird, Collonna, Stephani, Corelli, Purcel, Dr Pepusch-.

Performances

Mainpiece Title: The Royal Convert

Performance Comment: Hengist-Smith; Aribert-Ross; Offa-Clarke; Seofrid-Sparks ; Oswald-White; Rodogune-Mrs Ward; Ethelinda-Miss Macklin; In which will be introduc'd a Solemn Hymn set by Purcel, -Beard, Mattocks, Miss Poitier, Miss Miller, Baker, Legg, Ryley, Dibdin, Mrs Lampe, Mrs Jones.

Afterpiece Title: The Citizen

Dance: TThe Sicilian Peasants-Man- Sga Manesiere, +Woman- Miss Wilford

Performances

Mainpiece Title: The Royal Convert

Performance Comment: Hengist-Smith; Aribert-Ross; Offa-Clarke; Seofrid-Walker; Oswald-Gardner; Rodogune-Mrs Ward; Ethelinda-Miss Macklin; In Which will Be Introduced a Solemn Hymn, set by Purcel, -Mattocks, DuBellamy, Squibb, Miss Poitier, Mrs Halford, Mrs Baker, Baker, Legg, Dibdin, Ryley, Mrs Lampe, Mrs Jones.

Afterpiece Title: Harlequin Dr Faustus

Event Comment: 2nd piece: By the late Henry Purcel

Performances

Mainpiece Title: Acis And Galatea; Alexander's Feast

Afterpiece Title: The Music from Bonduca; Dryden's Ode for St

Music: As17810307