SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dan French"/1) | (@(roleclean,performerclean) "Dan French")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 576 matches on Performance Title, 452 matches on Event Comments, 331 matches on Performance Comments, 5 matches on Roles/Actors, and 0 matches on Author.

Performances

Mainpiece Title: Le Nozze Di Dorina

Afterpiece Title: Semiramide (Act II only)

Dance: End 1st piece: L'Amant Retrouve, as17950124; End 2nd piece: L'Odio vinto dall' Eroismo, as17950613

Music: End I 2nd piece: Preserving the favourite trio-; and with an additional new song here for the occasion by Bianchi-Mme Banti; accompanied by the English horn-Ferlendis; violoncello-Lindley; French Horns-the Leanders; bassoon obligato-Holmes

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Forecastle Fun

Afterpiece Title: The Honest Thieves

Song: In I 1st piece: Duet, as17980418; In course Evening: Black Ey'd Susan, Admiral Benbow, Old Towler-Incledon; Four and Twenty Fidlers-Munden; a new Song, Yard Arm & Yard Arm (Being a description of the memorable Engagement between the French Ship L'Hercule and the British Ship the Mars [off the Bec du Raz, 21 Apr. 1798] commanded by the late gallant Captain Alexander Hood)-Townsend; In 2nd piece: With a Jolly full Bottle-; Favorite Comic Irish Song-Johnstone; The New Mariners, as17980508; Young William-Incledon; Hearts of Oak, Rule Britannia-Incledon, Chorus

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Englishman in Paris

Performance Comment: As17631222, but Sir John Buck-Walker; Dan-Wignel; Minuel-Duquesney, Miss Macklin. [All characters listed as17631110 except Roger.]All characters listed as17631110 except Roger.]

Dance: TThe Calabrian Peasants, as17631222

Event Comment: Benefit Dan Williams. At Mr Reason's Musick Room in York Buildings. At 8 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-. Compos'd by Dr John Blow, for the late Anniversary Feast of St Cecilia

Event Comment: Benefit for Blakes. Tickets and places of Blakes at his house in Cranbourne Alley, Leicester Fields, and of Hobson at the stage door. Les Messieurs & Dames peuvent laisser Diner leurs Domestiques car a quatre Heur sera assez a bonne heur de les Envoyer pour Gardez les places dans les loges. M. Fanfaron (General Advertiser). [The General Advertiser this day also included the first announcement of Mrs Macklin's benefit to be held on 22 April, at which would be perform'd the Lover's Melancholy, "Not acted these Hundred years," together with a new farce (never acted) called The Club of Fortune Hunters. The notice ran again several times, followed by the letters to the author of the General Advertiser noted on 19 and 23 April.] Receipts: #111 (Cross); house charges, #63 (Powel); cash, #58 6s.; tickets, #52 15s. (Clay MS)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Double Disappointment

Dance: II: Dutch Dance, as17471128; IV: Savoyards, as17471215; V: Pastoral Dance, as17480326 Sailor's Rendezvous, as17471117

Song: SSailor's Rendezvous, as17471117

Event Comment: Le Public est averti que les Comediens Francois donnerent relache au Theatre Jusque ce que l'Election du Membre du Parliament pour Westminster sont finie; leur principal etant entierment occupe et interesse dans cette affaire (General Advertiser)

Performances

Mainpiece Title: None

Event Comment: Paid Dan Malthus, Esq, 1 year's Rent to Xmas last, Land Tax #3 5s. to Mich last deducted #29 15s.; Mr Thomson (Smith &c.) #1 1s. 8d. sewer tax; #36 1s. 6d. (Treasurer's Book). Receipts: #189 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Devil to Pay

Dance: V: The Sailors Revels, as17711008

Event Comment: Mainpiece: Not acted these 4 years. [In mainpiece the playbill does not list the Child; for the assignment see Morning Post, 10 Oct., and edition of 1787 (Rachael Randall).] "[Mrs Siddons's] merit in the character was infinite, and the applause she received unbounded. In various of her scenes the plaudits were repeated . . . During the fourth and fifth acts there was almost an incessant clapping, and when Isabella expired her death was rendered glorious by the theatre's resounding with thundering applause for more than a minute" (Morning Chronicle, 11 Oct.). "L'actrice la plus noble dans ses manieres, madame Siddons, ne perd rien de sa dignite quand elle se prosterne contre terre . . . Enfin, il arriva ce moment terrible ou Isabelle, s'etant echappee des mains des femmes qui veulent l'empechcr de se tuer, rit, en se donnant un coup de poignard, de l'inutilite de leurs efforts. Ce rire du desespoir est l'effet le plus difficile et le plus remarquable que le jeu dramatique puisse produire; il emeut bien plus que les larmes: cette amere ironie du malheur est son expression la plus dechirante. Qu'elle est terrible la souffrance du coeur, quand elle inspire une si barbare joie, quand elle donne, a l'aspect de son propre sang, le contentement feroce d'un sauvage ennemi qui se serait venge!" (Mme de Stael: Corinne, livre XVII, chapitre iv). Receipts: #181 11s. (147/0; 34/6; 0/5)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: A Trip to Scotland

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Performance Comment: [This was danced in all subsequent performances.] hathi.

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]

Event Comment: 2nd ballet: 1st time; composed by Barre; the Music by Bossi. "Mme Hilligsberg, who possesses the first rank among the dancers of London, is a woman of distinguished merit: she succeeds with peculiar happiness in sportive and jocose expressions, and she is bewitchingly graceful as a Welch or Scotch country girl. Her figure is very handsome; but her arms are somewhat long and thin. The third dancer is Mme Laborie; she possesses an agreeable figure, much animation and native gracefulness. She might become a first-rate dancer [if] she did not trust too much to her natural talents, and bestowed more attention on the art" (Goede, 265). "Les Deux Jumelles, ou la Meprise, pouvoient tres bien faire le sujet d'unjoli divertissement; mais pour un grand ballet, il a fallu y appeller le secours des dieux, & faire descendre ce que nous appelons une gloire de nuages qui se developpent assez mal: c'est la faute du machiniste ou du charpentier. D'ailleurs, cette gloire ne sert a rien, puisque l'Amour vient dans un assez mauvais cabriolet, pousse par des hommes qu'on voit un peu trop distinctement, & s'en retourne de meme a reculons. Nous avons vu souvent le char de l'Amour aller en avant; mais il est rare qu'on le voie reculer, & cette meme gloire eprouve autant de difficulte pour remonter qu'elle en avout eue pour descendre, laissant le spectateur tres convaincu de son inutilite" (Anthony LeTexier, L'Ami des Meres, 1799, I, 192-93). The subscribers are most respectfully intreated to be careful to whom they give their Tickets, as many improper persons have lately presented themselves for admission into the Theatre with those Tickets; and the subscribers are requested to observe that, in future, persons of this description will be conducted directly to the identical Boxes to which such Tickets belong, instead of being admitted into any other part of the Theatre. And the public are intreated to understand that neither Ladies in Undress Hats or Bonnets, nor Gentlemen in Boots will be admitted into the Pit of the Opera

Performances

Mainpiece Title: Ines De Castro

Dance: End I: Peggy's Love, as17981211; End Opera: Les Deux Jumelles; ou, La Meprise-["The pas de deux of Didelot and Rose was particulary admired, and Madames Laborie and Hilligsberg, who appeared as the Twin Sisters, were most happily successful" (Morning Chronicle, 30 Jan.)]

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .
Event Comment: The King's Company. This performance (entitled The French Opera) is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The edition of 1674 (appearing in both an English and a French version) states: An Opera, or, a Vocal Representation. First Compos'd by Monsieur P. P. Now put into Musick by Monsieur Grabut, Master of His Majesties Musick. And Acted by the Royall Academy of Musick, At the Theatre-Royal in Covent-Garden. The names of the singers for this production are not known, but it is possible that some of the French singers who appeared in Calisto in the following season, 1674-75, were in London for this production. See Boswell, Restoration Court Stage, pp. 201, 222, and W. J. Lawrence, Early French Players in England, The Elizabethan Playhouse and Other Studies, p. 145. French dancers in the opera were Pecurr [Preux], LeTemps, Shenan, D'muraile. See L. C. 5@140, p. 472, in Nicoll, Restoration Drama, p. 355

Performances

Mainpiece Title: Ariadne; Or, The Marriage Of Bacchus

Performances

Mainpiece Title: The Cheats Of Scapin

Afterpiece Title: The Comical Rivals; or, The School Boy

Music: As17030423

Dance: The Devonshire Girl, being now upon her Return to the City of Exeter, will perform three several Dances, particularly her last New Entry in Imitation of Mademoiselle Subligni, Whip of Dunboyn by Mr Claxton, her Master-The Devonshire Girl; ...And at the desire of several Persons of Quality (hearing that Mr Pinkeman hath hired the two famous French Girls lately arriv'd from the Emperor's Court), They will perform several Dances on the Rope upon the Stage, being improv'd to that Degree, far exceeding all others in that Art.-two famous French Girls; Newest Humours of Harlequin , as perform'd by him before the Grand Signior at Constantinople-father of two famous French Girls; Also the Famous Mr Evans, lately arriv'd from Vienna, will shew you Wonders of another kind, Vaulting on the Manag'd Horse, being the greatest Master of that kind in the World-Mr Evans

Performance Comment: ..And at the desire of several Persons of Quality (hearing that Mr Pinkeman hath hired the two famous French Girls lately arriv'd from the Emperor's Court), They will perform several Dances on the Rope upon the Stage, being improv'd to that Degree, far exceeding all others in that Art.-two famous French Girls; Newest Humours of Harlequin , as perform'd by him before the Grand Signior at Constantinople-father of two famous French Girls; Also the Famous Mr Evans, lately arriv'd from Vienna, will shew you Wonders of another kind, Vaulting on the Manag'd Horse, being the greatest Master of that kind in the World-Mr Evans.

Performances

Mainpiece Title: Concert

Music: I: Overture of Ptolomy by Mr Handel-; Songs. No oh Dio-Signora Cuzzoni in Calphurnia; Lusinghe piu Care-Signora Faustina in Alexander; Eighth Concerto of Corelli-Castrucci, others; French Horn Song in Griselda-; II: Concerto Grosso by Pepusch-; with solo parts for the Harpsicord-Mr Bach; Songs: Fonti Amiche-Signora Cuzzoni in Ptolomy; accompanied by Flutes-; Chio mai vi polla-Signora Faustina in Siroe; Solo for Hautboy-Kytch; Concerto for French Horns by Nicholini-; III: Concerto for Hautboy by Alberti-; Songs: Ombra cara-Senesino in Radamistus; L'Empiorigor-Signora Cuzzoni in Rodelinda; Concerto for Little Flute by Babel-; First Part of Water Musick with French Horns by Handel-; All Vocal Parts-; Hautboy-Kytch; Little Flute, Bassoon-

Performance Comment: No oh Dio-Signora Cuzzoni in Calphurnia; Lusinghe piu Care-Signora Faustina in Alexander; Eighth Concerto of Corelli-Castrucci, others; French Horn Song in Griselda-; II: Concerto Grosso by Pepusch-; with solo parts for the Harpsicord-Mr Bach; Songs: Fonti Amiche-Signora Cuzzoni in Ptolomy; accompanied by Flutes-; Chio mai vi polla-Signora Faustina in Siroe; Solo for Hautboy-Kytch; Concerto for French Horns by Nicholini-; III: Concerto for Hautboy by Alberti-; Songs: Ombra cara-Senesino in Radamistus; L'Empiorigor-Signora Cuzzoni in Rodelinda; Concerto for Little Flute by Babel-; First Part of Water Musick with French Horns by Handel-; All Vocal Parts-; Hautboy-Kytch; Little Flute, Bassoon-.

Performances

Mainpiece Title: Concert

Music: When the fine Overture compos'd by the late ingenious Mr William Babell, for St. Cecilia's Day, will be perform'd with Trumpets, Hautboys, Violins, and Bassoons, with several other Pieces of Mr Handel's Composition, for Trumpets, French Horns by the best Masters. I: Mr Wm. Babell's Overture-; Overture Ptolomy-; Concerto Violin-; Hautboys Solo-; Concerto French Horns-; II: Overture Siroe-; Solo Flute-; Concerto Hautbois-; Seventh Concerto Corelli-; Concerto French Horns-; Several flute Pieces-Mr John Baston

Performance Comment: Cecilia's Day, will be perform'd with Trumpets, Hautboys, Violins, and Bassoons, with several other Pieces of Mr Handel's Composition, for Trumpets, French Horns by the best Masters. I: Mr Wm. Babell's Overture-; Overture Ptolomy-; Concerto Violin-; Hautboys Solo-; Concerto French Horns-; II: Overture Siroe-; Solo Flute-; Concerto Hautbois-; Seventh Concerto Corelli-; Concerto French Horns-; Several flute Pieces-Mr John Baston.
Cast
Role: Concerto French Horns Actor:
Role: Concerto French Horns Actor:

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Orpheus and Eurydice; With The Metamorphoses of Harlequin

Performance Comment: Orpheus-Salway; Rhodope-Mrs Lampe; Eurydice-Miss Young; Followers of Eurydice-French Girl, Miss Oates, Mrs LeBrun, Mrs Villeneuve, Delagarde, Richardson; Harlequin-Lun; Colombine-Mrs Kilby; Pantalon-Grimaldi; Gawkey-Bencraft; Mrs Mannerly-Mrs Martin; Goody Gurton-Arthur; Drudge-Hippisley; Woman Dwarf-French Boy; Country Lads-Delagarde, Villeneuve, Richardson, Dupre; Country Lasses-Miss Oates, Mrs LeBrun, Mrs Villeneuve, Mrs Ozanne; Arcadian Shepherdess-French Girl; Swains-Destrade, Villeneuve, Richardson, Delagarde, Oates Jr, Dupre; Villagers-Waltz, Perry, Thompson, Roberts, Smith, Davies, Brett, Mrs Wright, Mrs Chambers, Miss Davies.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Orpheus and Eurydice

Performance Comment: See17401015, but Orpheus-Salway; Rhodope-Mrs Lampe; Eurydice-Miss Young; Followers of Eurydice-French Girl, Miss Oates, Mrs LeBrun, Mrs Villeneuve, Mrs Ozanne; Pluto-Leveridge; Ascalax-Roberts; Demons-Villeneuve, Delagarde, Richardson; Harlequin-Lun; Colombine-Mrs Kilby; Pantalon-Grimaldi; Gawkey-Bencraft; Mrs Mannerly-Mrs Martin; Goody Gurton-Arthur; Drudge-Hippisley; Woman Dwarf-French Boy; Country Lads-Villeneuve, Richardson, Destrade, Dupre; Lasses-Miss Oates, Mrs LeBrun, Mrs Villeneuve; Arcadian Shepherdess-French Girl; Swains-Villeneuve, Richardson, Destrade, Delagarde, Oates Jr, Dupre; Villagers-Waltz, Perry, Thompson, Roberts, Smith, Davies, Brett, Mrs Wright, Mrs Chambers, Miss Davies.
Event Comment: Mainpiece: Comedie in 5 Actes de Mr Baron. The alleged deposition of Wm Davison:...he on the 17th Day of November being the second Night of the French Strollers acting at the Theatre in the Haymarket, was at the Sign of the Globe, a Publick House about Nine of the Clock that Night, where this Deponent saw John Haines, one of the Waiters at the said Tavern, and several other Persons, to the Number of 16, dressed like Chairmen, each of which had a great Bludgeon in his Hand, which he put under his Coat, in order to hide the same, but in such a manner as this Deponent was capable of seeing said Bludgeons;...and was informed by several Persons of credit that they and others to the number of 30, were hired by Lord Trentham to protect the French Strollers from any Attempt that might be made to prevent their Acting [claims Haines had a list of their names and told them Lord Trentham would need them again on other nights] notarized before John Waple, 24 Nov. [Lord Trentham offered a fifty pound reward for the original copy of the above affidavit.] John Haynes...maketh Oath...that he...never had any Conversation directly or indirectly, with Lord Trentham, relating to the French Players, nor did the said Lord Trentham dine at the King's Arms on 17 Nov., nor did this Deponent see the said Lord Trentham on that Day, nor for several Days before, nor did the Deponent make use of the said Lord Trentham's name, in any conversation at the Globe Alehouse the said Lord Trentham was not in the least privy to this Deponent's going to the said little Theatre on the said 17th of Nov. with several Persons as mentioned in the affidavit or pretended affidavit of Wm Davison...Sworn the 26th Day of Nov., before me, H. Fielding. [This notice repeated in the General Advertiser for a week. The French players departed for France on 28 Dec.

Performances

Mainpiece Title: L'homme A Bonne Fortune

Afterpiece Title: La Chercheuse D'esprit

Performances

Mainpiece Title: The Fair Bride; Or, The Unexpected Event

Afterpiece Title: The British Tar's Triumph over M Soup-Maigre

Performance Comment: Cast:The performance will be highly enlivened with several entertaining Scenes between England, France, Ireland, and Scotland, in the diverting personges of Ben Bowling, an Dnglish Sailor; M Soup-Maigre, a French Captain; O'Flannaghan, an Irish officer; M'Pherson, a Scotch officer. Through which the manners of each nation will be characteristically and humourously depicted. In which will be introduced as singular and curious a procession as was ever exhibited in this nation. The Objects that compose the Pageantry are both Exotic and British. The Principal figure is the glory and delight of Old England, and the envy of our enemies. The Whole to conclude with a Loyal song on the approaching marriage of our great and glorious Sovereign, King George, and Princess Charlotte of Mecklenberg. An extraordinary band of music is provided: drums, hautboys, violins, French horns, violincellos, bassoons, clarinets. O'Flannaghan, an Irish officer; M'Pherson, a Scotch officer. Through which the manners of each nation will be characteristically and humourously depicted. In which will be introduced as singular and curious a procession as was ever exhibited in this nation. The Objects that compose the Pageantry are both Exotic and British. The Principal figure is the glory and delight of Old England, and the envy of our enemies. The Whole to conclude with a Loyal song on the approaching marriage of our great and glorious Sovereign, King George, and Princess Charlotte of Mecklenberg. An extraordinary band of music is provided: drums, hautboys, violins, French horns, violincellos, bassoons, clarinets.
Cast
Role: M Soup Actor: Maigre, a French Captain

Entertainment: of singing and dancing.of singing and dancing

Performance Comment: of singing and dancing.
Event Comment: Afterpiece: By Particular Desire. House. So Ends the Season 56 different Plays 37 different Farces 188 Nights in all (Hopkins Diary). Paid Mr J. French on acct #5 5s.; Subscription to Chas Standen #1 1s.; Returned Mr J. Palmer part of his Benefit Balance #30; Sga Hidou in full of 500 Guineas for this season #27 5s. Receipts: #118 14s. 6d. (Treasurer's Book). After season receipts and expenses (Treasurers's Book). Receipts: 29 May: Stopages #6 1s.; Watson & Mortimer #25 returned from cash advanced at beginning of season; Mrs Smith in full of debt #14. 2 June: Mr Heath's rent 1 yr to Xmas last #10; Mr Brereton's salary stopt & Benefit after money 3rd May #17 11s. 6d.; Ditto for Reddish #10; Ditto for Dibdin #24 12s. 24 June: Public Advertiser this season #50; Ditto for Gazetter #50; Mr Pope one yrs rent to Lady Day last (#1 10s. land tax deducted) #28 10s.; Harrison's rent ditto (#8 15s. deducted) #34 18s. 4d.; also deducted #2 6s. 8d. sewer's tax; Mr Parsonage 1 yrs ditto (#5 land tax and 15s. Repairs deducted) #42 5s.; Late Mr Banks 1 yrs ditto #3; Their Majesties account #80. 30 June: Mr Burges, 1 yrs rent to Xmas last (#4 4s. land tax deducted) #16 16s.; Discount on #362 1s. 3d. amount of tallow chandler's 10 Bills this season at 8%-#28 19s. 2d.; Remainder of Sinking Fund, #159 12s.; Mr Reddish's Benefit Acct #78 16s. 6d. 15 July: Sundry salary forfeits taken up by Evans #144 18s. 4d.; Music forfeits #18 4s. 6d. B. Richards forfeits #6 12s. Expenditures: 29 May: Salary List #510 6s.; Davies on note #9 9s.; Slingsby in full of #350 for this season #3 1s. 8d.; Mrs Yates ditto of #800 this season 11s. 8d.; Mr Courtney Chorus 27 nights at 5s. per night in full #6 15s.; Advanced to Everard to compleat his ticket acct #1 5s. 6d.; Mr Page on note #5 5s.; Mr Page in full of #25 this season #1 12s. 6d. 3 June: Miss Berkley on note #5 5s.; King in full of #500 salary #32 10s.; Mrs Moffat, dresser, per order D. Garrick #5 5s.; Lamash on note #6 15s.; One yrs watch & rector's rate to Lady Day last (Cov. Garden) #1 10s. 24 June: Repaid Mr Bannister his Bt balance #35 16s. 6d.; Lent Mr Baddeley per order Mr D. Garrick #20; Mr G. Garrick in full of #400, #50; Mr Smart, attending practices of Dances #10 10s.; Mr Pope's bill for Wigs #17 7s. 6d., and his bill for 64 extra nights for dressing #6 8s.; Mr D. Richards 31 weeks 1 day extra salary #31 3s. 4d.; Chaise to Hampton, Mr Evans & Becket 19s. 8d.; J. French on acct #7 7s. 30 June: Mr Vernon's balance of Acct in full #18 9s. 6d.; Mrs Chitty for coals #77; Barrow & Co. for Oil #187 6s. 6d.; Burges (bricklayer) #134 11s.; Tallow chandler's 10th and last bill #28 4s. 10d.; Chettell (timber merchant) #76 12s. 6d.; R. Palmer Jr 47 nights in Maid of Oaks and Harlequin's Jacket #4 14s.; Loss on sale of 75 Guineas & half light cash of Sinking Fund #3 9s. 6d. 5 July: Bibb (sword cutler) #3 6s.; Scott (copper laceman) #100 3s.; Powney (stationer) #5 16s.; Mrs Jones (worsted lace) &c. #8 2s.; Hopkins & Co. (ironmongers) #33 3s. 6d.; Blakes (hatter) #10 4s.; Jennings (glover & furrier) #23 7s. 6d.; Mrs Lowe@and@Co. (glaziers) #2 16s.; Mr Hadley (engine maker) #13; Thomson (smith) #14 9s.; Carter (scowrer) #9 4s.; Cubitt (tinman) #4 8s. 6d.; Hewetson & Co. (laceman) #17 2s. 6d.; Gardner (shoemaker) #3 19s. 7 July: Waller & Co. (hosiers) #24 4s. 6d.; Carpue (silk dyer) #8 10s. 6d.; Cropley (linen draper) #13 9s. 6d.; Mr Knyvett (harpsichord performer) 14 nights #5 5s.; Mrs Vaughan (haberdasher) #13 12s.; J. French on Acct #8 8s.; Cole (turner) #35 5s. 6d. 12 July: Mr Stafford (glassman) per Mr Johnston #29 5s. 6d.; Mr King & Co. for Women's cloaths, per Mr Johnston #10; Mrs Garwood (laundress) per Mr Johnston #15 15s.; Mr Palmer for Spermacetti Candles, per Mr Johnston, #172 4s. 15 July: J. French on Acct #15 15s.; J. Johnston's Music Bill, #12 11s. 10d.; Repaid Mr Reddish's Benefit Acct to Mr Burns for his creditors, #78 16s. 6d. 19 July: Lent to Miss Berkley on note #5 5s.; Mr Victor's Gratuity #30, and two weeks' extra salary #5; Mr Evans in lieu of Benefit #42 and two week's extra salary #3. Books closed and balanced paid. VIZ. Total income #33,614 16s. 6d. Total profit #389 5s. 7d. Total expense #29,719 10s. 11d. Paid Patentees #2840. To Clutterbuck #1000. Left in Victor's hands carried to next season 55 5s. 7d

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Conscious Lovers

Cast
Role: Daniel Actor: Burton

Afterpiece Title: Harlequin Junior; or, The Magis Cestus

Performance Comment: Characters by Wright, Williamson, Burton, Staunton, Williames, R. Palmer, Waldron, Chaplin, Phillimore, Wilson, Alfred, Spencer, Kenny, Grimaldi; Mrs Burnett, Miss Burnett, Miss Tidswell, Miss Barnes, Miss Cranford, Miss M. Stageldoir. [Partial cast from Parker's General Advertiser, 8 Jan.: Old Harlequin-Wright; Magician-Staunton; Sailor-Williames; Clown-Grimaldi; Spirit-Miss Cranford; Colombine-Miss M. Stagedoir. Playbill of 10 Nov. 1788 lists the other parts: Harlequin, German Officer, French Gentleman, Valet, Miller, Landlord, Cook, Daemon, Taylor; Old Colombine, French Ladies.] hathi. Old Colombine, French Ladies.] hathi.

Song: In Act II of mainpiece a song by Miss Phillips

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Harlequin Junior; or, The Magic Cestus

Performance Comment: Characters by Wright, Williamson, Burton, Staunton, Williames, R. Palmer, Waldron, Fawcett, Chaplin, Phillimore, Wilson, Alfred, Spencer, Chapman, Grimaldi; Mrs Burnett, Miss Burnett, Miss Tidswell, Miss Barnes, Miss Cranford, Miss M. Stageldoir. [Partial cast from Parker's General Advertiser, 8 Jan. 1784: Old Harlequin-Wright; Magician-Staunton; Sailor-Williames; Clown-Grimaldi; Spirit-Miss Cranford; Colombine-Miss M. Stageldoir. Playbill of 10 Nov. 1788 lists the other parts: Harlequin, German Officer, French Gentleman, Valet, Miller, Landlord, Cook, Daemon, Taylor; Old Colombine, French Ladies.] hathi. Old Colombine, French Ladies.] hathi.

Dance: End of Act IV of mainpiece The Sportsmen's Return, as17840916

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Performance Comment: As17980214, but The Argument-. [The Ballet (principally taken from Historical facts) commences with a Grand Battle before the Town of Orleans, in which the English being victorious, a wounded French Officer (Alenson) solicits shelter in the Inn where Joan of Arc and her sister Blanche reside; this is granted, and they scarcely retire, before the conquering party rush into the Inn, but are prevented from using outrage by the intervention of a young English General (Talbot) of whom the sisters become enamoured. He prefers Blanche; and Joan, from resentment, in conjunction with Alenson, meditate his ruin, in which they fail, and are forced to fly--Joan grown desperate, invokes supernatural aid, and receives a Banner from Lucifer--distinguishes the French King in the midst of his Courtiers, tho' a Nobleman in his habit had been imposed on her for him--demands a consecrated sword and shield at the tomb of Charlemagne--heads the French troops, and being victorious, takes young Talbot and her sister (whom he had espoused) Prisoners. +Edwin (young Talbot's Page), not allowed to attend on his master, by concealing himself in the spoils of his tent is conveyed to the court-yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant (as17980214)] . .

Music: As17980214

Event Comment: On this date a band of French comedians received a permit authorizing them to bring their scenes and stage decoration to England. See W. J. Lawrence, "Early French Players in England," The Elizabethan Playhouse and Other Studies, p. 140; Nicoll, Restoration Drama, p. 252; and Madame M. Horn-Monval, "French Troupes in England during the Restoration," Theatre Notebook, VII (1953), 82

Performances

Event Comment: This work, printed in 1674, was performed, probably, at court by a French company. See M. Horn-Monval, French Troupes in England During the Restoration, Theatre Notebook, VII (1953), 82; and Edwin P. Grobe, S. Bre, French Librettist at the Court of Charles II, Theatre Notebook, IX (1954), 20-21

Performances

Mainpiece Title: Ballet Et Musique Pour Le Divertissement Du Roy De La Grande Bretagne

Event Comment: Henry Savile to the Earl of Rochester, 17 Dec. 1677: I had allmost forgott for another argument to bring you to towne that a French troop of comaedians bound for Nimeguen were by adverse winds cast into this hospitable port and doe act at Whitehall soe very well that it is a thousand pittyes they should not stay, especially a young wench of fifteen, who has more beauty and sweetnesse than ever was seen upon the stage since a friend of our left it (HMC, Bath MSS., 1907, II, 161). W. J. Lawrence (Early French Players in England, pp. 148-49) identifies the French actress as Francoise Pitel, later Mlle Raisin

Performances