SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "D Garrick Esq"/1) | (@(roleclean,performerclean) "D Garrick Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2783 matches on Author, 884 matches on Event Comments, 740 matches on Performance Comments, 28 matches on Roles/Actors, and 18 matches on Performance Title.
Event Comment: Felix, Mr Garrick (Cross Diary)

Performances

Mainpiece Title: The Wonder

Performance Comment: Don Felix-Garrick; Col. Briton-Jefferson; Don Lopez-Baddeley; Don Pedro-Burton; Lissardo-King; Frederick-Packer; Gibby-Johnson; Isabella-Mrs W. Barry; Flora-Miss Pope; Inis-Mrs Bradshaw; Violante-Mrs Barry.

Afterpiece Title: Daphne and Amintor

Event Comment: Drugger, Mr Garrick (Cross Diary). Cymbeline Deferr'd on account of Mrs Barry's indisposition

Performances

Mainpiece Title: The Alchymist

Performance Comment: Subtle-Burton; Face-Palmer; Sir Epicure-Love; Kastril-J. Burton; Tribulation-Hartry; Surly-Baddeley; Ananias-Parsons; Lovewit-Packer; Dame Pliant-Mrs Johnston; Abel Drugger-Garrick; Doll Common-Mrs Hopkins; Dapper-W. Palmer.

Afterpiece Title: The Musical Lady

Event Comment: Benefit for Theatrical Fund. Afterpiece: By Desire. Pit and Boxes together. Play begins half past six. Benedick, Mr Garrick (Cross Diary). No admittance into Pit or Boxes but with tickets. Ladies urged to come early to get to their places with greater Conveniency

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17701113, but Hero-Mrs Baddeley; Occasional Epilogue-Garrick.

Afterpiece Title: The Padlock

Dance: At End of the Country Dance: an Allemande-Daigville, Sga Vidini

Event Comment: Paid Mr Langford for Woman's cloaths #10 2s. 6d. (Treasurer's Book). Garrick?] (Hopkins Diary). Receipts: #252 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Garrick; Duke-J. Aickin; Cacafogo-Love; Copper Captain-King; Clara-Miss Ambrose; Old Woman-Baddeley; Estifania-Mrs Abington; Maid-Waldron; Juan-Packer; Sanchio-Hurst; Alonzo-Ackman; Margaretta-Mrs Egerton; Altea-Mrs Love.

Afterpiece Title: The Padlock

Event Comment: Mr G. never better (Hopkins Diary). [MacMillan's note from Kemble: Mr Garrick prodigiously fine.'] Receipts: #286 14s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Performance Comment: As17751023, but Hamlet-Garrick.
Related Works
Related Work: Hamlet Author(s): David Garrick

Afterpiece Title: The Lottery

Event Comment: House (Hopkins Diary). The new Comedy of The Runaway is unavoidably oblig'd to be deferred till Saturday. Rec'd Mr Stanley's Oratorio Account, 11 nights, #327 5s. Paid Lawrence (paper hanger) #13 7s.; Renters (for 11 Oratorio nights) #88; Cubit (tinman) #7 14s. 6d.; Gardner (shoemaker) #25; Chettle (timber merchant) #22 14s. 6d.; Mist andCo. (brazier) #10 8s.; Thomson (smith) #5 16s. 6d. Barrow andCo. (oil) #106 5s.; Tallow Chandler's 8th Bill #26 12s.; Palmer's Bill of Bath for Spermacetti Candles #162 10s. (Treasurer's Book). [MacMillan quotes from Kemble's note on the playbill, a Garrick interpolation in Drugger 's last speech (IV, vii): "Abel: Did you never see me play the Fool? Face: Yes. Abel: But the wise ones say I have played the Fool long enough; So I am going to leave it off and grow melancholy." [This note does not appear in the Hopkins Diary in the Folger Library.] Receipts: #265 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Alchymist

Performance Comment: As17751125, but Abel Drugger-Garrick, for the last time of performing it.

Afterpiece Title: The Spleen

Dance: V: The Irish Fair, as17751003

Event Comment: Mainpiece: A Tragedy never performed there. Mrs Yates first appearance this stage in 8 years. This Play is from the Orestes of Voltaire Mrs Yates who has been at Covent Garden these 8 years is now return'd & chose to make her first appearance in the part of Electra. Mr Garrick wrote an Excellent Prologue & Epilogue for the Occasion both of which were greatly receiv'd With great Applause. The Play is very dull & heavy & Mrs Yates wanted Spirit greatly in the part of Electra had but little Applause (Hopkins Diary). Paid salary list 5 days at #91 8s. 10d. #457 4s. 2d.; Mr French on acct #5 5s. (Treasurer's Book). [From Westminster Magazine, Oct. (of the mainpiece): From its want of business, it is a very heavy, tedious performance. Most of the scenes are mere declamations; and a certain air of coldness and apathy, which is the peculiar characteristic of French drama, runs thro the whole, which must ever render it unpleasing as well as uninteresting to an English Audience." Gave a severe comment on the Prologue with its theme "home is home be it ever so homely." Preferred the Epilogue. The perspective scenery of Argosv, the Palace of Aegisthusv, and the Tomb of Agamemnonv, designed by Loutherbourg, and painted by Messrs French and Roy, were warm and spirited, and the dresses elegant and characteristic."] Receipts: #243 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Electra

Performance Comment: Orestes-Smith; Aegisthus-Palmer; Pammenes-J. Aickin; Pylades-Packer; Electra-Mrs Yates; Dymas-Wright; Clytemnestra-Mrs Hopkins; Iphisa-Mrs Baddeley; New Occasional Prologue-King; Epilogue, written by Garrick, spoken by-Mrs Yates.

Afterpiece Title: The Anatomist

Event Comment: By Permission of the Lord Chamberlain. [Both Prologues by David Garrick.] To begin at 7:00

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .
Event Comment: G[arrick] This Night was advertis'd for Mr Barry's Benefit but he being ill his Benefit was deferr'd (Hopkins Diary). Garrick is removed from Southampton St. to Adelphi Terrace (Winston MS 10). This day is publish'd Theatrical Biography; or, Memoirs of the principal performers of the three Theatres Royal. Drury Lane: Garrick, Barry, Reddish, Aickin, King, Moody, Dodd, Love, Vernon, Parsons, Baddeley, Mrs Barry, Mrs Abington, Miss Younger, Miss Hayward, Mrs Baddeley, Miss Pope, Mrs Egerton, Mrs W. Barry and Mrs Jefferson. Covent Garden: Ross, Smith, Savigny, Woodward, Yates, Shuter, Bensley, Dyer, Mattocks, Clark, Mrs Yates, Mrs Mattocks, Miss Macklin, Mrs Bulkley, Mrs Green, and Mrs Thompson. Haymarket: Foote, Weston, Aikin, Didier, Davies, Mrs Gardner, Mrs Jewell, and Mrs Didier. Together with critical and impartial remarks on their respective professional merits. Printed for S. Bladon. Receipts: #265 18s. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

Dance: V: The Sailors Revels, as17711008

Performances

Mainpiece Title: Eurydice

Performance Comment: Garrick, Havard, Holland, Davies, Burton, Packer, Mozeen, Mrs Cibber, Miss Haughton, but Genest, IV, 547, lists: Periander-Garrick; Procles-Havard; Polydore-Holland; Eurydice-Mrs Cibber; Leonidas-Davis; Ariston-Burton; Medon-Packer; Officer-Mozeen; Melissa-Miss Haughton.

Ballet: TThe Prussian Camp. As17581214

Event Comment: Garrick? (Hopkins Diary). Receipts: #260 9s. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Anatomist

Event Comment: Garrick left Hampton for Bath (Winston MS 10)

Performances

Mainpiece Title: None

Performances

Mainpiece Title: The Recruiting Officer

Dance: Lancashire Hornpipe-Esq Timothy's Countryman who perform'd it with so much Applause during the Time of the Fair; Mimic Scene between Harlequin and a Peasant-; Vaulting on the Horse-a Gentleman lately arriv'd from France

Performances

Mainpiece Title: Oedipus, King Of Thebes

Dance: I: Two Pierrots-Nivelon, Poitier; III: Pastoral-Salle, Mlle Salle

Music: t the Request of the Free and Accepted Masons a Piece of Vocal and Instrumental Musick (never perform'd in publick), Words by Charles De la Faye, Esq</a>; and set to Musick by Mr Francisco-; Vocal Parts-Leveridge, Laguerre, Salway, Hall, Papillion, Thompson

Performances

Mainpiece Title: The Blazing Comet

Song: Song on the Privilege and Happiness of Free@Masonry A very humorous Song on the Charitable Corporation, sent by George Robinson, Esq</a>. late Treasurer, from Italy to his Friends in London-

Performances

Mainpiece Title: As You Like It

Afterpiece Title: No Song No Supper

Song: End I: Sweet Lillies of the Valley-Dignum; End IV: My Friend is the Man I'd copy through Life (written by Miles Peter Andrews, Esq., composed by Hook)-Dignum; V: a song, as17990214

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Lethe, with Mr Garrick's new Scene

Related Works
Related Work: Lethe; or, Esop in the Shades Author(s): David Garrick

Dance: II: A New Dance-several Children, Scholars to Mr Leviez; III: A New Sailor's Dance, as17560217; IV: (By Particular Desire) Minuet-Leviez, Miss Macklin; V: The Garlands, as17560213

Performances

Mainpiece Title: The Lady's Last Stake

Afterpiece Title: Lethe, with Mr Garrick's new Scene

Related Works
Related Work: Lethe; or, Esop in the Shades Author(s): David Garrick

Dance: IV: Hornpipe-Mathews

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Lying Valet

Related Works
Related Work: The Lying Valet Author(s): David Garrick

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Lying Valet

Related Works
Related Work: The Lying Valet Author(s): David Garrick

Performances

Mainpiece Title: Pamela

Afterpiece Title: The Lying Valet

Related Works
Related Work: The Lying Valet Author(s): David Garrick

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Lying Valet

Related Works
Related Work: The Lying Valet Author(s): David Garrick

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Lying Valet

Related Works
Related Work: The Lying Valet Author(s): David Garrick

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Lying Valet

Related Works
Related Work: The Lying Valet Author(s): David Garrick

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Related Works
Related Work: The Lying Valet Author(s): David Garrick