SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "D Garrick Esq"/1) | (@(roleclean,performerclean) "D Garrick Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2783 matches on Author, 884 matches on Event Comments, 740 matches on Performance Comments, 28 matches on Roles/Actors, and 18 matches on Performance Title.
Event Comment: Benefit for Miss Brunton. Afterpiece: Written by Garrick; Not acted these 12 years [acted 2 Mar. 1776]. Public Advertiser, 26 Mar.: Tickets to be had of Miss Brunton, No. 5, George-street, York-buildings. Receipts: #197 17s. 6d. (123.18.6; 5.16.0; tickets: 68.3.0)

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Benedick Actor: Holman
Role: Leonato Actor: Hull
Role: Don Pedro Actor: Davies
Role: Claudio Actor: Farren
Role: Balthazar Actor: King
Role: Don John Actor: Booth
Role: Anthonio Actor: Thompson
Role: Borachio Actor: Macready
Role: Conrade Actor: Cubitt
Role: Friar Actor: Fearon
Role: Verges Actor: Kennedy
Role: Dogberry Actor: Quick
Role: Town Clerk Actor: Edwin
Role: Hero Actor: Mrs Inchbald
Role: Margaret Actor: Mrs Davenett
Role: Ursula Actor: Miss Platt
Role: Beatrice Actor: Miss Brunton.

Afterpiece Title: The Guardian

Cast
Role: The Guardian Actor: Pope
Role: Sir Charles Clackit Actor: Quick
Role: Young Clackit Actor: Brown
Role: Lucy Actor: Mrs Morton
Role: Harriet Actor: Miss Brunton.
Related Works
Related Work: The Guardian Author(s): David Garrick

Dance: II: a Masquerade Dance-incident to the Play; End: The Indian's Ransom, as17870217

Event Comment: Benefit for King. 2nd piece: Not acted for more than 20 years [acted 14 May 1782]. The Dialogue by Garrick and King. The Music by Michael Arne and Vernon. Tickets delivered for Friday May 5 [for which day the benefit was first announcedP will be admitted. True Briton, 6 May: Tickets to be had of King, No. 56, New Store-street, Bedford-Square. Receipts: #290 9s. 6d. (111.5.6; 58.4.6; 4.16.0; tickets: 116.3.6) (charge: #211 18s.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Cast
Role: Don Manuel Actor: King
Role: Don Philip Actor: Barrymore
Role: Octavio Actor: C. Kemble
Role: Trappanti Actor: Bannister Jun.
Role: Soto Actor: R. Palmer
Role: Hippolita Actor: Mrs Jordan
Role: Rosara Actor: Miss Heard
Role: Flora Actor: Mrs Goodall
Role: Viletta Actor: Miss Pope.

Afterpiece Title: Linco's Travels

Related Works
Related Work: Linco's Travels Author(s): David Garrick

Afterpiece Title: The Smugglers

Cast
Role: Shingle Actor: Hollingsworth.
Role: Beacon Actor: Phillimore.
Role: Captain Pendant Actor: Packer
Role: Valentine Actor: Trueman
Role: Sample Actor: Wewitzer
Role: Trim Actor: Bannister Jun.
Role: Edward Actor: Master Welsh
Role: Stella Actor: Miss DeCamp
Role: Phillis Actor: Miss Leak
Role: Margery Actor: Miss Mellon.

Entertainment: Monologue. End I: Kitty Conolly and Jack the Painter (Very lately Versified, and never before presented to the Public)-King

Event Comment: Paid to Sun Fire Office Insurance #15; Paid for a poker and shovel 5s. (Treasurer's Book). [This policy was doubltless similar to No 109085 dated 29 July 1747 issued to James Lacy and David Garrick Esq. Patentees of His Majesties Company of Comedians of the Theatre Royal Drury Lane, for #4,000: "On the Goods and Furniture, Wardrobe Apparel, Machines and Scenes, not valued as pictures, in the House, Dressing Rooms, Wardrobe, and Scene Rooms, of the said Theatre Royal, adjoining togethe r and situate in Drury Lane aforesaid and not elsewhere, not exceeding #4,000...Note: Except such Loss and Damage as may happen by any Fire occasioned by means of any representation in any Play or Farce or in any Rehearsal of the same." (From copy of original policy, by courtesy J. A. Miller, Esq. General Manager, Sun Insurance Office Ltd., sent me in ltr. dated 5 July 1951.)] Receipts: #110 (Cross). #104 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: A Peep Behind the Curtain; or, The New Rehearsal Author(s): David Garrick

Dance: As17491220

Song: III: Master Mattocks

Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Hero Actor: Mrs Elmy
Role: Balthasar Actor: _ Fryar-Bridges
Role: _ Fryar Actor: Bridges
Role: Borachio Actor: Blakes
Role: Margaret Actor: Mrs Havard.
Role: Dogberry Actor: Taswell
Role: Country Dance Actor: included at end of play.
Role: add Country Dance Actor: .
Role: add Masquerade Dance Actor: Mrs Addison.
Role: a Masquerade Dance Actor: Matthews
Role: to conclude with a Country Dance Actor: the Characters.
Role: Benedick Actor: Garrick for the first time
Role: Don Pedro Actor: Havard
Role: Leonato Actor: Berry
Role: Don John Actor: Winstone
Role: Claudio Actor: Lee
Role: Friar Actor: Bridges
Role: Sexton Actor: Ray
Role: Town Clerk Actor: James
Role: Verges Actor: Neale
Role: Conrade Actor: Bransby
Role: 1st Watchman Actor: Vaughan
Role: 2nd Watchman Actor: Marr
Role: Ursula Actor: Miss Cole
Role: Beatrice Actor: Mrs Pritchard
Role: Musical parts Actor: Beard, Reinhold, Mrs Clive.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: also Goodall Actor: Winstone
Role: Mrs Highman Actor: Mrs Bennet.
Role: Drunken Colonel Actor: Woodward
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Paid Mr Chapman for horsekeeping [for Jubilee] #12 6s. (Treasurer's Book). [Published this month A Letter to David Garrick, Esq. on his conduct as Principal Manager and Actor at Drury Lane. Printed for S. Bladon. Accuses Garrick of controlling the press, save for two papers, and thus getting more favourbale treatment than his position and actions deserve. "You are a mere actor. You affect to feel where you do not, and imitate tones, looks and gestures, while your heart is at ease. This should heighten our opinion of you as an artist, whatever we might think of you as a man. I believe you are not generally judged of in this manner. It is not difficult to impose on the world." The author (David Williams?) deprecates Garrick's supposed handling of the actors of his company, and desires to see more Shakespeare. Suggests Garricks' acting perfection lies in the extreme, in exaggerated gesture, and sudden bursts of passion." Suggests he is getting old and should try his hand at Shylock.] Receipts: #271 (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Cast
Role: Officers Actor: _Wheeler.
Role: Evander Actor: Barry
Role: Dionysius Actor: Palmer
Role: Philotus Actor: Reddish
Role: Melanthon Actor: Aickin
Role: Phocion Actor: J. Aickin
Role: Euphrasia Actor: Mrs Barry
Role: Greek Herald Actor: Packer
Role: Arcas Actor: Hurst
Role: Greek Soldier Actor: Davies
Role: Calippus Actor: Inchbald
Role: Erixene Actor: Miss Platt

Afterpiece Title: Wit's Last Stake

Cast
Role: Saville Actor: J. Aickin
Role: Mrs Watchly Actor: Mrs Cross
Role: Martin Actor: King
Role: Linger Actor: Parsons
Role: Caveat Actor: Hartry
Role: Item Actor: Wright
Role: Myra Actor: Miss Platt
Role: Lucetta Actor: Miss Pope.
Event Comment: More noise against the Dancers, wch so enrag'd My Ld that with a Number of Gents. he went into the upper Galleries & took out a very noisy person-who prov'd to be Cap. Venor's Brother; he resisted & was not brought behind the scenes without much Difficulty, sadly beat, yet still obstinate, they went with Garrick & Lacy into Mrs Clive's room, where he behav'd very boldly, but all was adjusted without farther Mischief (Cross). This day publish'd: The Mirror: a Poetical Essay in the manner of Spencer. Price 1s. Ridiculum acii fortissime & optime Secatrem. Anon. To David Garrick, Esq</a>: by C. Arnold. Sold by Woodfall. Receipts: #180 (Cross)
Event Comment: Mainpiece: By Desire. This Morning at Ten will be publish'd at 6d. An Epistle from Mr The. Cibber to David Garrick, Esq</i>; to which are prefix'd some occasional verses, Petitions, &c.: @Lowliness is young Ambition's ladder,@Whereto the Climber upwards turns his face;@But when he once attains the upmost Round,@He then unto the ladder turns his back,@Looks in the clouds, scorning the base degrees@By which he did ascend.@Shakespeare@"Let them not say in their hearts, Ah, so we would have it; let them not say, we have swallow'd him up," Ps. XXXV. v.25. Printed for R. Griffiths. [A thirty-five-page apologia, and bitter attack upon Garrick for supposed complicity in prohibiting the license of the Haymarket to him.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Cast
Role: Ranger Actor: Garrick
Role: Clarinda Actor: Mrs Pritchard
Role: Strictland Actor: Berry
Role: Frankly Actor: Palmer
Role: Bellamy Actor: Blakes
Role: Jack Meggot Actor: Woodward
Role: Jacintha Actor: Miss Macklin
Role: Mrs Strictland Actor: Mrs Davies
Role: Lucetta Actor: Miss Minors
Role: to conclude with a Country Dance Actor: the characters of the play.

Afterpiece Title: The Devil to Pay

Cast
Role: Loverule Actor: Beard
Role: Jobson Actor: Berry
Role: Nell Actor: Mrs Clive
Role: Lady Loverule Actor: Mrs Bennet.

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Benedick Actor: Garrick
Role: Beatrice Actor: Mrs Pritchard
Role: Don Pedro Actor: Havard
Role: Leonato Actor: Berry
Role: Don John Actor: Bransby
Role: Claudio Actor: Palmer
Role: Dogberry Actor: Taswell
Role: Antonio Actor: Simson
Role: Verges Actor: Philips
Role: Borachio Actor: Blakes
Role: Balthazar Actor: Beard
Role: Hero Actor: Mrs Davies
Role: Margaret Actor: Mrs Havard
Role: Ursula Actor: Miss Minors
Role: a Masquerade Dance Actor:
Role: To conclude with a Country Dance Actor: the characters of the play.

Afterpiece Title: The Apprentice

Cast
Role: Wingate Actor: Yates
Role: Dick Actor: Woodward
Role: Gargle Actor: Burton
Role: Charlotte Actor: Miss Minors
Role: Simon Actor: H. Vaughan
Role: Scotchman Actor: Blakes
Role: Irishman Actor: Jefferson
Role: Catchpole Actor: Vaughan
Role: Garrick Actor: Murphy
Event Comment: [M+Midwife, No II (at about this date) includes a Letter from Mary Midnight to David Garrick, Esq</a> praising him as actor and even as manager, but asking why he neglects Fletcher's plays: "What is the reason that the public patience is so largely try'd, and the human understanding so shamefully insulted as it is, by a perpetual repetition of the Duke and No Duke, the Anatomist, and twenty things of like nature?" Concludes by remarking that the London Cuckolds is a scandal to virtue.] Receipts: #120 (Cross)

Performances

Mainpiece Title: The London Cuckolds

Cast
Role: Arabella Actor: Mrs Ward
Role: Doodle Actor: James
Role: Dashwel Actor: Shuter
Role: Ramble Actor: Woodward
Role: Townly Actor: Palmer
Role: Loveday Actor: Blakes
Role: Wiseacre Actor: Yates
Role: Peggy Actor: Mrs Green
Role: Eugenia Actor: Mrs Mills
Role: Engine Actor: Mrs Cross
Role: Jane Actor: Mrs Havard
Role: Aunt Actor: Mrs James.

Afterpiece Title: The Anatomist

Cast
Role: Medicin Actor: Blakes
Role: Crispin Actor: Yates
Role: Old Gerald Actor: Shuter
Role: Beatrice Actor: Mrs Bennet.

Dance: I: Hornpipe-Mathews, the Little Swiss; III: Running Footman's Dance, as17501020 Play to conclude with a dance call'd The City Revels-the characters of the play

Event Comment: FFoote read part of his The Minor on 9 Nov. 1759 in a course of Comic Lectures and left for Dublin on 10 Nov. (Theatrical Duplicity or, A Genuine Narrative of the Conduct of David Garrick, Esq. to Joseph Reed on his Tragedy of Dido. MS in Harvard Theatre Collection)

Performances

Mainpiece Title: Comic Lectures

Event Comment: By Command of their Majesties. Mr Ximenes...is a very spirited and very chaste performer (Theatrical Review, 13 March). This Day Publish'd (in Quarto, price 2s.) Sanitas, Daughter to Aesculapius, to David Garrick, Esq</a>, a Poem

Performances

Mainpiece Title: Judas Maccabaeus

Cast
Role:
Judas Actor:
Role: Israelite Man Actor:
Role: Israelite Woman Actor:
Role: Chorus Actor:
Role: Simon Actor:
Role: Messenger Actor:
Role: Eupolemus Actor:

Music: Violin Solo-Ximene (the first time of his performing in public); Concerto on Violincello-Janson

Event Comment: Benefit for Wilson. Mainpiece: Not acted these 3 years. 3rd piece: Written by D. Garrick, Esq., with Additions. 4th piece [1st time; MF 2, by Charles Stuart]: The Overture and Music chiefly new, by Gehot, and Shield, who composed the music to The Flitch of Bacon. Public Advertiser, 3 Apr.: Tickets to be had of Wilson, No. 2, Henrietta-street, Covent Garden. Ibid, 29 Apr. 1779: This Day is published The Cobler of Castlebury (1s.)

Performances

Mainpiece Title: Illumination

Cast
Role: Skylight Actor: Lee Lewes
Role: Dip Actor: Wilson
Role: Quillet Actor: Brunsdon
Role: Parchment Actor: Thompson
Role: Dick Actor: Fearon
Role: Mob Actor: Bates, Mahon, Wewitzer
Role: Miss Skylight Actor: Miss Green
Role: Mrs Skylight Actor: Mrs Pitt

Afterpiece Title: The Funeral; or, Grief a-la-Mode

Cast
Role: Lord Hardy Actor: Wroughton
Role: Campley Actor: Lewis
Role: Lord Brumpton Actor: L'Estrange
Role: Trusty Actor: Hull
Role: Counsellor Puzzle Actor: Booth
Role: Tom Actor: Jones
Role: Sable Actor: Quick
Role: Trim Actor: Wilson
Role: Lady Harriet Actor: Mrs Bulkley
Role: Lady Charlotte Actor: Mrs Lessingham
Role: Tattleaid Actor: Mrs Pitt
Role: Fardingale Actor: Mrs Poussin
Role: Mademoiselle Actor: Miss Ambrose
Role: Lady Brumpton Actor: Mrs Mattocks.

Afterpiece Title: The Farmer's Return from London

Cast
Role: Farmer Actor: Wilson
Role: Farmer's Wife Actor: Mrs Pitt.
Related Works
Related Work: Farmer's Return from London Author(s): David Garrick

Afterpiece Title: The Cobler of Castlebury

Cast
Role: Lapstone Actor: Wilson
Role: Rawboy Actor: Wewitzer
Role: Bluff Actor: J. Wilson
Role: Kate Actor: Mrs Morton
Role: Nancy Actor: Mrs Wilson.

Performances

Mainpiece Title: Bonduca

Performance Comment: Caratach-Digges; Penius-Aickin; Suetonius-Bensley; Junius-Lamash; Demetrius-R. Palmer; Judas-Edwin; Macer-Massey; Nennius-Usher; Curius-Egan; Decius-Davis; Regulus-Kenny; Hengo-Master Edwin; Petillius-Palmer; Bonduca-Miss Sherry; 2nd Daughter-Mrs Cuyler; Eldest Daughter-Mrs Massey; The original Prologue ,written by the late D. Garrick, Esq.,-Palmer.
Cast
Role: Caratach Actor: Digges
Role: Penius Actor: Aickin
Role: Suetonius Actor: Bensley
Role: Junius Actor: Lamash
Role: Demetrius Actor: R. Palmer
Role: Judas Actor: Edwin
Role: Macer Actor: Massey
Role: Nennius Actor: Usher
Role: Curius Actor: Egan
Role: Decius Actor: Davis
Role: Regulus Actor: Kenny
Role: Hengo Actor: Master Edwin
Role: Petillius Actor: Palmer
Role: Bonduca Actor: Miss Sherry
Role: 2nd Daughter Actor: Mrs Cuyler
Role: Eldest Daughter Actor: Mrs Massey
Role: , Actor: Palmer.

Afterpiece Title: Fire And Water

Cast
Role: Du Actor: Bellamy, Wewitzer, Blissett, Barrett, Gardner, Massey, Kenny, Stevens, Edwin, Mrs Webb, Miss Harper. Cast from text
Role: Launch Actor: Bannister
Role: Tremor Actor: Wilson
Role: Frederick Actor: Du-Bellamy
Role: Du Actor: Bellamy
Role: Fripon Actor: Wewitzer
Role: San Benito Actor: Blissett
Role: Firebrand Actor: Barrett
Role: Sulphur Actor: Gardner
Role: Ambuscade Actor: Edwin
Role: Commode Actor: Mrs Webb
Role: Nancy Actor: Miss Harper
Role: unassigned Actor: Massey, Kenny, Stevens.
Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Mainpiece: Not acted these 10 years. [Epilogue by Robert Jephson.] Afterpiece: Written by D. Garrick, Esq. Public Advertiser, 31 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #340 5s. 6d. (166.10.0; 11.0.0; 1.4.6; tickets: 161.11.0) (charge: free)

Performances

Mainpiece Title: The Law Of Lombardy

Cast
Role: Paladore Actor: Kemble
Role: The King Actor: Aickin
Role: Rinaldo Actor: Packer
Role: Lucio Actor: Whitfield
Role: Arcanio Actor: Williames
Role: Shepherd Actor: Chaplin
Role: Senator Actor: Phillimore
Role: Knight Actor: Banks
Role: Officer Actor: Lyons
Role: Foresters Actor: Fawcett, Benson
Role: Bireno Actor: Wroughton
Role: Alinda Actor: Mrs Farmer
Role: The Princess Actor: Mrs Siddons
Role: the original Epilogue Actor: Mrs Siddons.

Afterpiece Title: Lethe; or, AEsop in the Shades

Cast
Role: Lord Chalkstone Actor: Bannister Jun.
Role: Mercury Actor: Kelly
Role: songs Actor: Kelly
Role: AEsop Actor: Aickin
Role: Fine Gentleman Actor: R. Palmer
Role: Frenchman Actor: Baddeley
Role: Drunken Man Actor: Moody
Role: Charon Actor: Williames
Role: Bowman Actor: Lamash
Role: Old Man Actor: Parsons
Role: Fine Lady Actor: Mrs Siddons.
Related Works
Related Work: Lethe; or, Esop in the Shades Author(s): David Garrick

Performances

Mainpiece Title: All In The Wrong

Cast
Role: Sir John Restless Actor: Wroughton
Role: Beverley Actor: Kemble
Role: Sir William Belmont Actor: Phillimore
Role: Young Belmont Actor: Barrymore
Role: Mr Blandford Actor: Packer
Role: Robert Actor: Waldron
Role: Brush Actor: Burton
Role: Lady Restless Actor: Mrs Ward
Role: Belinda Actor: Miss Farren
Role: Clarissa Actor: Miss Collins
Role: Tattle Actor: Mrs Wilson
Role: Tippet Actor: Miss Barnes
Role: Marmalet Actor: Miss Tidswell.

Afterpiece Title: Taste; or, Frolicks of Fancy

Performance Comment: Prologue [to Barbarossa] (as a Country Boy, from D. Garrick, Esq.)-Bannister Jun.; The Lark at Heaven's Gate-Dignum, Williames, Danby, Miss Romanzini; A Dance-the young D'Egvilles, Miss Blanchet, Miss DeCamp.

Afterpiece Title: Arthur and Emmeline

Cast
Role: Aurelius Actor: Haymes
Role: Honor Actor: Kelly
Role: Arthur Actor: Kemble
Role: Oswald Actor: Barrymore
Role: Merlin Actor: Aickin
Role: Conon Actor: Packer
Role: Osmand Actor: Phillimore
Role: Grimbald Actor: Sedgwick
Role: Matilda Actor: Miss Collins
Role: Emmeline Actor: Miss Farren
Role: Philidel Actor: Miss Hagley
Role: Spirit of Light Actor: Miss Romanzini
Role: Venus Actor: Mrs Crouch
Role: Rest of the Vocal Parts Actor: Kelly
Role: Page Actor: Mrs Wilson
Role: Countess Actor: Mrs Goodall
Role: Agnes Actor: Miss Heard.
Role: Count Almaviva Actor: Bannister Jun.
Role: Antonio Actor: R. Palmer
Role: Doctor Bartholo Actor: Suett
Role: Bazil Actor: Phillimore
Role: Figaro Actor: Wroughton
Role: Marcelina Actor: Mrs Hopkins
Role: Susan Actor: Miss Farren.
Related Works
Related Work: Arthur and Emmeline Author(s): David Garrick

Entertainment: Monologue. Previous: British Loyalty, as17900423; to conclude with: God save the King-Dignum, Williames, Danby

Event Comment: Benefit for Harley. Mainpiece: As altered from Beaumont and Fletcher by the Duke of Buckingham and D. Garrick, Esq. Not acted these 7 years. Morning Chronicle, 20 May: Tickets to be had of Harley, No. 22, Great Queen-street, Lincoln's-inn-fields. Receipts: #242 1s. 6d. (84.10.6; 7.5.0; tickets: 150.6.0)

Performances

Mainpiece Title: The Chances

Cast
Role: Don John Actor: Harley
Role: Don Frederick Actor: Marshall
Role: Duke Actor: Davies
Role: Petruchio Actor: Macready
Role: Peter Actor: Blanchard
Role: Anthony Actor: Cubitt
Role: Surgeon Actor: Powel
Role: Antonio's Man Actor: Rock
Role: Antonio Actor: Quick
Role: First Constantia Actor: Miss Chapman
Role: Mother Actor: Mrs Webb
Role: Landlady Actor: Mrs Pitt
Role: Niece Actor: Mrs Platt
Role: Second Constantia Actor: Mrs Pope.
Related Works
Related Work: The Chances Author(s): David Garrick

Afterpiece Title: Love in a Camp

Cast
Role: Darby Actor: Munden
Role: Rupert Actor: Reeve.
Role: Captain Patrick Actor: Johnstone
Role: Quiz Actor: Quick
Role: Marshall Ferbelin Actor: Davies
Role: Father Luke Actor: Rock
Role: Olmutz Actor: Cubitt
Role: Adjutant Actor: Macready
Role: Mabel Flourish Actor: Mrs Webb
Role: Norah Actor: Miss Francis
Role: Flora Actor: Mrs Martyr.

Dance: As17901204

Song: End I: The Group of Lovers-Munden; End II: a favourite Sea Song-Incledon

Event Comment: Benefit for Miss Pope. 2nd piece: Written by David Garrick, Esq. Morning Herald, 23 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's Inn Fields. Receipts: #367 8s. 6d. (127.15.0; 62.1.0; 9.17.6; tickets: 167.8.0; odd money: 0.7.0) (charge: #210 16s.)

Performances

Mainpiece Title: First Love

Cast
Role: Lord Sensitive Actor: Wroughton
Role: Sir Miles Mowbray Actor: King
Role: Fredrick Mowbray Actor: Palmer
Role: David Mowbray Actor: Bannister Jun.
Role: Mr Wrangle Actor: R. Palmer
Role: Billy Bustler Actor: Suett
Role: Robin Actor: Hollingsworth
Role: Servants Actor: Trueman, Webb
Role: Sabina Rosni Actor: Mrs Jordan
Role: Lady Ruby Actor: Miss Farren
Role: Mrs Wrangle Actor: Miss Pope
Role: Mrs Kate Actor: Miss Tidswell
Role: Waiting@woman Actor: Mrs Heard.

Afterpiece Title: A Much Admired Scene from Harlequin's Invasion

Cast
Role: Abraham Actor: Waldron
Role: Mrs Snip Actor: Mrs Hopkins
Role: Dolly Snip Actor: Miss Pope.

Afterpiece Title: The Virgin Unmask'd

Cast
Role: Goodwill Actor: Packer
Role: Blister Actor: Suett
Role: Coupee Actor: Bannister Jun.
Role: Quaver Actor: Dignum
Role: Miss Lucy Actor: Mrs Jordan
Role: Timothy Actor: Mrs Jordan.

Entertainment: Monologue.End: Paraphrase on Shakespeare's Seven Ages, as17960429

Event Comment: Benefit for Bannister Jun. 1st piece: 1st Time at this Theatre. 2nd piece: By permission of G. Colman, Esq. [as owner of the copyright]. Morning Chronicle, 26 Mar.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #681 2s. (392.3.6; 57.18.0; 7.17.6; tickets: 223.3.0) (charge: #211 14s. 5d.)

Performances

Mainpiece Title: The Child Of Nature

Performance Comment: Duke Murcia-King; Marquis Almanza-Wroughton; Count Valentia-Bannister Jun.; Seville-Maddocks; Granada-Trueman; Peasant-Aickin; Marchioness Merida-Mrs Goodall; Amanthis-Mrs Jordan; An Occasional Address by Henry Bunbury, Esq.-Mrs Jordan. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Cast
Role: Duke Murcia Actor: King
Role: Marquis Almanza Actor: Wroughton
Role: Count Valentia Actor: Bannister Jun.
Role: Seville Actor: Maddocks
Role: Granada Actor: Trueman
Role: Peasant Actor: Aickin
Role: Marchioness Merida Actor: Mrs Goodall
Role: Amanthis Actor: Mrs Jordan
Role: Actor: Mrs Jordan.

Afterpiece Title: The Agreeable Surprise

Cast
Role: Lingo Actor: Bannister Jun.
Role: Sir Felix Friendly Actor: Suett
Role: Compton Actor: Bannister
Role: Eugene Actor: Dignum
Role: Chicane Actor: Phillimore
Role: Laura Actor: Miss Leak
Role: Fringe Actor: Miss DeCamp
Role: Mrs Cheshire Actor: Mrs Booth
Role: Cowslip Actor: Mrs Jordan

Afterpiece Title: The Children in the Wood

Cast
Role: Sir Rowland Actor: Barrymore
Role: Lord Alford Actor: Dignum
Role: Walter Actor: Bannister Jun.
Role: Apathy Actor: Suett
Role: Gabriel Actor: Benson
Role: Oliver Actor: Caulfield
Role: Boy Actor: Master Menage
Role: Lady Helen Actor: Miss DeCamp
Role: Josephine Actor: Miss Leak
Role: Winifred Actor: Mrs Booth
Role: Girl Actor: Miss Menage.

Song: In course 2nd piece: The Little Farthing Rushlight-Bannister Jun

Event Comment: The Characters all New Dress'd. A new Comedy [by Dr Benjamin Hoadly] never before acted. [The previous July Garrick had been entertained by the Rev. Dr John Hoadly at Alresford and carried on a pleasant correspondence with him afterwards. In his letter 19 Aug. 1746 (Folger) he wrote]: I had the pleasure of the Doctor's company [brother Benjamin Hoadly] to supper at my lodgings the night before I set out for this place; we talk'd about Ranger, but whether he will appear next winter or sleep forever in ye scritore, is not yet determined: 'tis pit, faith. [That this friendship was exceedingly profitable to Garrick is indicated by the fact that Benjamin Hoadly seems to have turned over the profits from the three author's nights to Garrick. (1) Garrick by a bargain with John Rich received #80 advance cash and promised to pay nightly charges (3rd, 6th, & 9th nights) of #60, and (2) to divide equally the remaining profits on those nights. The agreement was drawn 27 Dec. 1746. Garrick noted on this document]: N.B. the copy of the play is my own, and the profit arising from the printing of it. [Hoadly seems to have received only the #100 given him by George II for dedicating the printed copy to him.] [Settlement for the three performances was made 6 April. Total receipts for those nights (14, 18, 21 Feb.) was #570 11s. Total expenses were #182 2s. (including #2 2s. for the licensing). The profit of #388 9s. was equally divided and Garrick received his #194 4s. 6d. on that day. He had received the other #80 the day before the play opened, 11 Feb. 1747. See documents in Folger, Holograph Letters of David Garrick, p. 38, seemingly Edmund Malone's copy, of BM Add MSS 21508.] Receipts: #205 9s. 6d

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Strictland-Bridgwater; Frankly-Ryan; Bellamy-Havard; Ranger-Garrick; Jack Meggot-Woodward; Buckle-Anderson; Tester-Vaughan; Servant-Bencraft; Simon-James; Mrs Strictland-Mrs Hale; Clarinda-Mrs Pritchard; Jacintha-Mrs Vincent; Lucetta-Miss Hippisley; Landlady-Mrs James; Milliner-Miss Haughton; Maid-Miss Ferguson; Prologue by Garrick-Ryan; Epilogue [by Garrick-Mrs Pritchard. [1747 ed.]1747 ed.]
Cast
Role: Strictland Actor: Bridgwater
Role: Frankly Actor: Ryan
Role: Bellamy Actor: Havard
Role: Ranger Actor: Garrick
Role: Jack Meggot Actor: Woodward
Role: Buckle Actor: Anderson
Role: Tester Actor: Vaughan
Role: Servant Actor: Bencraft
Role: Simon Actor: James
Role: Mrs Strictland Actor: Mrs Hale
Role: Clarinda Actor: Mrs Pritchard
Role: Jacintha Actor: Mrs Vincent
Role: Lucetta Actor: Miss Hippisley
Role: Landlady Actor: Mrs James
Role: Milliner Actor: Miss Haughton
Role: Maid Actor: Miss Ferguson
Role: Garrick Actor: Ryan
Role: by Garrick Actor: Mrs Pritchard.
Event Comment: Mainpiece: By Particular Desire. King of Denmark. Richard-Mr Garrick (Cross Diary). For the King of Denmark.--Richard by Mr Garrick, for the first time these six years-Beyond discription fine, -his voice clear to the last (Hopkins Diary). No money taken at stage door. None returned after curtain is up. The doors (by particular desire) will be opened at half an Hour after Five. To Begin at Seven. Neville MS Diary: Hearing about 7 o'clock that Garrick did Richard III, one of his very capital characters which he has not done these 7 or 8 years, resolved (if I could get in to see him) to bear the abhorred sight of that woman-like painted puppy, the King of Denmark. After one unsuccessful attempt got into the Pit with the greatest difficulty after the third act. Garrick is inimitably great in Richard & very different from the other Richards I have seen; his expression of the dying agony of that wretch is beyond description. Some actors speak with as strong & loud voice in that scene as if they had received no wound & were not dying. One Lloyd, who waits on Garrick sometimes, observed that he himself says he never acted better in his life, modestly observing that something must be allowed to the improvement of his judgment. During the dance (for there was no farce) I was within a yard of the Danish tyrant

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Garrick; King Henry-Havard; Richmond-Aickin; Prince Edward-Miss Rogers; Duke of York-Miss Collet; Buckingham-Jefferson; Tressel-Cautherley; Norfolk-Burton; Stanley-Bransby; Lord Mayor-Baddeley; Caresby-Packer; Ratcliffe-Strange; Lieut.-Moody; Lady Anne-Mrs W. Barry; Duchess of York-Mrs Johnston; Queen-Mrs Hopkins.
Cast
Role: Richard Actor: Garrick
Role: King Henry Actor: Havard
Role: Richmond Actor: Aickin
Role: Prince Edward Actor: Miss Rogers
Role: Duke of York Actor: Miss Collet
Role: Buckingham Actor: Jefferson
Role: Tressel Actor: Cautherley
Role: Norfolk Actor: Burton
Role: Stanley Actor: Bransby
Role: Lord Mayor Actor: Baddeley
Role: Caresby Actor: Packer
Role: Ratcliffe Actor: Strange
Role: Lieut. Actor: Moody
Role: Lady Anne Actor: Mrs W. Barry
Role: Duchess of York Actor: Mrs Johnston
Role: Queen Actor: Mrs Hopkins.

Dance: End: A Comic Dance call'd The Wake-Giorgi, Mrs King

Event Comment: Ladies send servants by 5 to keep Places and prevent Confusion. Doors will be opened at half after five o'clock. To begin at half after 6 o'clock (playbill). Mr G. Voice and Spirits was never finer he never wanted Spirit or Voice thro' the whole part and Convinced the Audience that those Amazing powers he has always possess'd are now as brilliant as ever. Never was a part play'd with greater Propriety nor an Audience more lavish of their Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] [A full column letter for the Morning Chronicle this date from Theatricus to Garrick protested the fact that his announced benefit for the Theatrical Fund on the 30th of May would be all sold out to the highest bidders for tickets; that a nobleman offering ten Guineas for four box seats would get them in preference to the tradesmen who offered only a pound, the stated price of the tickets. Since charity was the cause this writer suggested that Garrick give a second benefit night to the Fund, with the hopes (1) that the Fund would be thereby vastly increased, and (2) that opportunity might be given for twice as many People to see a Garrick final performance. It was, perhaps, in response to this public request that Garrick gave a second Benefit night for the Fund on 10 June. The Morning Post, 29 May, noted: "The concourse of servants assembled yesterday morning at seven o'clock, at Drury Lane Stage Door, to take places for the approaching benefit, in which it is said Mr Garrick will again play Richard III , was astonishing, amounting to many hundreds, three fourths of which were not able to Succeed in their embassies' (Hampden, Journal).] Receipts: #307 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17751212, but Richard-Garrick, first time in 5 years; Catesby-Packer; King Henry-Reddish; Lady Anne-Mrs Siddons, first time; Prince Edward-Miss P. Hopkins.
Cast
Role: Richard Actor: Garrick, first time in 5 years
Role: Catesby Actor: Packer
Role: King Henry Actor: Reddish
Role: Lady Anne Actor: Mrs Siddons, first time
Role: Prince Edward Actor: Miss P. Hopkins.
Role: Kind Henry Actor: Aickin
Role: Richard III Actor: Smith
Role: Richmond Actor: Palmer
Role: Buckingham Actor: Jefferson
Role: Tressel Actor: Davies
Role: Lord Stanley Actor: Bransby
Role: Norfolk Actor: Hurst
Role: Lord Mayor Actor: Griffith
Role: Ratcliff Actor: Wright
Role: Lieutenant Actor: Fawcett
Role: Queen Actor: Mrs Hopkins
Role: Duchess of York Actor: Mrs Johnston
Role: Duke of York Actor: Mas. Pulley.

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Loverule Actor: Vernon.
Role: Sir John Actor: Davies, first time
Role: Jobson Actor: Moody
Role: Lady Loverule Actor: Mrs Johnston
Role: Nell Actor: Mrs Wrighten , first time.
Event Comment: This Tragedy is taken from ye French by ye Revd Mr Francis. A great Noise before ye play began, occasion'd by ye Music not playing what they lik'd, they being Palted wou'd not come into the Orchestra-a Branch knock'd down, Candles thrown &c.-Mr Garrick went on, order'd ye Music in, & all was quiet-went off with great Applause (Cross). Never acted before. Characters New Dress'd Mr Garrick is intitled to my sincerest Gratitude for his Performance as an Actor, and for his Punctuality as a Manager...his strong good Sence, with that Spirit of Theatrical Criticism, which is his peculiar natural Genius (Prefatory matter by Francis first in ed.). Receipts: 180 (Cross)

Performances

Mainpiece Title: Eugenia

Performance Comment: Mercour-Garrick; Clerval-Dexter; Dorimond-Berry; Marquis of Delville-Havard; Eugenia-Miss Bellamy; Orphisa-Mrs Pritchard; Emelia-Mrs Ward; Prologue-Garrick; Epilogue by Cibber-Mrs Pritchard (1752 ed.).
Cast
Role: Mercour Actor: Garrick
Role: Clerval Actor: Dexter
Role: Dorimond Actor: Berry
Role: Marquis of Delville Actor: Havard
Role: Eugenia Actor: Miss Bellamy
Role: Orphisa Actor: Mrs Pritchard
Role: Emelia Actor: Mrs Ward
Role: Prologue Actor: Garrick
Role: Cibber Actor: Mrs Pritchard
Event Comment: Wrote by one Mr Crisp. A Gentlewoman, who never appear'd upon ye Stage before did Marcia (Mrs Graham) & had deservidly great applause, the whole play went off, with General Approbation. Mr Carey had his fiddle broke by an apple playing the first Music--the Prologue & Epilogue much lik'd--both wrote by Garrick (Cross). Gentlewoman-Mrs Graham, afterwards Mrs Yates (Winston MS 8). Tuner Letter the 2nd pub. at 6d.--29 pages

Performances

Mainpiece Title: Virginia

Performance Comment: Parts by Garrick, Mossop, Ross, Davies, Blakes, Mozeen, Mrs Bennet, a Gentlewoman (1st time on any stage), Mrs Cibber. Virginius-Garrick; Icilius-Ross; Appius-Mossop; Claudius-Davies; Virginia-Mrs Cibber; Marcia-Mrs Graham; Plautia-Mrs Bennet; Rufus-Mozeen; Caius-Blakes; Prologue-Garrick; Epilogue-Mrs Clive (Genest, IV, 386).
Cast
Role: Virginius Actor: Garrick
Role: Icilius Actor: Ross
Role: Appius Actor: Mossop
Role: Claudius Actor: Davies
Role: Virginia Actor: Mrs Cibber
Role: Marcia Actor: Mrs Graham
Role: Plautia Actor: Mrs Bennet
Role: Rufus Actor: Mozeen
Role: Caius Actor: Blakes
Role: Prologue Actor: Garrick
Role: Epilogue Actor: Mrs Clive
Event Comment: Benefit for Mrs Pritchard (Cross). Mainpiece: Not acted these 30 years. This day publish'd. Price 1s. Reflections upon Theatrical Expression in Tragedy. [By Roger Pickering. This is a defense of the theatrical profession, "which in all countries is considered low and contemptible." Author's thesis: "A master of theatrical expression in all its extensive significancy must be possess'd of such accomplishments, as to set the profession above all contempt." Garrick is mentioned as best example. True tragic expression "requires Genius, Education, Reading, Experience...and a solidity of thought which never accompanies abject morals" (p. 11). Includes an interesting treatise on acting-sections on figure, voice, ear, memory, management of feet and legs. Comments on costume: "Taste in dress demands that an actor be conversant in the mode of dress ancient and modern, in other countries as well as in our own...Alexander and Cato were not masters of the snuff box, nor Greek women of French heels." The appendix asks why all our plays are not dressed in character in point of time and place, and why they do not contain at least one "scene" proper to the country. The author (p. 61) sees need for variety in acting same role, especially when a play has a continuous run of several nights. He calls (p. 77) for creation of appropriate mood for the play by selection of proper music between the acts. Wants a softening of the prompter's bell. Concludes by damning contemporary audience manners, especially those of the stage loungers (pp. 79-81).] Receipts: #314 (Cross)

Performances

Mainpiece Title: The Mistake

Performance Comment: Parts-Garrick, Woodward, Bransby, Palmer, Yates, Taswell, Burton, Blakes, Mrs Clive, Mrs Davies, Mrs Bennet, Mrs Pritchard. Don Carlos-Garrick; Sancho-Woodward; Lopez-Yates; Lorenzo-Palmer; Leonora-Mrs Pritchard; Jacintha-Mrs Clive (Genest, IV, 408).

Afterpiece Title: The Englishman in Paris

Cast
Role: Buck Actor: Woodward
Role: Lucinda Actor: Miss Macklin.

Song: II: The Cantata of Cimon and Iphigenia-Beard

Event Comment: bout this time in the month was printed a 42-page pamphlet, Reasons why David Garrick should not appear on the Stage, in a Letter to John Rich. This is high praise of Garrick: 'I am so blinded either by prejudice of admiration that I can see nobody else" when Garrick plays.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Leonato-Davies; Balthasar (with a proper song)-Atkins; Beatrice-Miss Pritchard; Don Pedro-Havard; Claudio-Palmer; Dogberry-Yates; Frair-Burton; Don John-Bransby; Verges-Philips; Borachio-Blakes; Hero-Mrs Davies; In Act II a Masquerade Dance-; in which will be introduc'd a Minuet-Noverre, Miss Pritchard; To conclude with a Country Dance-the characters of the play.
Cast
Role: Benedick Actor: Garrick
Role: Leonato Actor: Davies
Role: Balthasar Actor: Atkins
Role: Beatrice Actor: Miss Pritchard
Role: Don Pedro Actor: Havard
Role: Claudio Actor: Palmer
Role: Dogberry Actor: Yates
Role: Frair Actor: Burton
Role: Don John Actor: Bransby
Role: Verges Actor: Philips
Role: Borachio Actor: Blakes
Role: Hero Actor: Mrs Davies
Role: In Act II a Masquerade Dance Actor:
Role: in which will be introduc'd a Minuet Actor: Noverre, Miss Pritchard
Role: To conclude with a Country Dance Actor: the characters of the play.