SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "D G Esq"/1) | (@(roleclean,performerclean) "D G Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 496 matches on Event Comments, 226 matches on Performance Comments, 56 matches on Author, 42 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Cast
Role: Zadock the Priest Actor: Chorus
Role: Overture Actor:
Role: The Dettingen te Deum Actor:
Role: in which Holy Holy Lord Actor: .
Role: Overture and Dead March Actor:
Role: Gentle Airs Actor:
Role: accompanied on violoncello Actor: C. Ashley
Role: Fall'n is the foe Actor: Chorus
Role: Redemption] Actor:
Role: Lord of Eternity Actor: Chorus
Role: Behold the nations Actor:
Role: O Baal Actor: Chorus
Role: Esther] Actor:
Role: He smote all the first born Actor: Chorus
Role: What though I trace Actor: Miss Parke
Role: He gave them hailstones Actor: Double Chorus
Role: Second Oboe Concerto Actor:
Role: Happy Iphis Actor:
Role: We hear Actor: Chorus
Role: Chandos Anthems] Actor:
Role: Hear Jacob's God Actor: Chorus
Role: What's sweeter than the new@blown rose Actor:
Role: I feel the Deity within Actor:
Role: Arm arm ye brave Actor:
Role: We come Actor: Chorus
Role: From mighty Kings Actor: Miss Parke
Role: Gloria Patri Actor: Chorus

Afterpiece Title: Grand Selection 2

Cast
Role: Zadock the Priest Actor: Chorus
Role: Overture Actor:
Role: The Dettingen te Deum Actor:
Role: in which Holy Holy Lord Actor: .
Role: Overture and Dead March Actor:
Role: Gentle Airs Actor:
Role: accompanied on violoncello Actor: C. Ashley
Role: Fall'n is the foe Actor: Chorus
Role: Redemption] Actor:
Role: Lord of Eternity Actor: Chorus
Role: Behold the nations Actor:
Role: O Baal Actor: Chorus
Role: Esther] Actor:
Role: He smote all the first born Actor: Chorus
Role: What though I trace Actor: Miss Parke
Role: He gave them hailstones Actor: Double Chorus
Role: Second Oboe Concerto Actor:
Role: Happy Iphis Actor:
Role: We hear Actor: Chorus
Role: Chandos Anthems] Actor:
Role: Hear Jacob's God Actor: Chorus
Role: What's sweeter than the new@blown rose Actor:
Role: I feel the Deity within Actor:
Role: Arm arm ye brave Actor:
Role: We come Actor: Chorus
Role: From mighty Kings Actor: Miss Parke
Role: Gloria Patri Actor: Chorus

Afterpiece Title: Grand Selection 3

Cast
Role: Zadock the Priest Actor: Chorus
Role: Overture Actor:
Role: The Dettingen te Deum Actor:
Role: in which Holy Holy Lord Actor: .
Role: Overture and Dead March Actor:
Role: Gentle Airs Actor:
Role: accompanied on violoncello Actor: C. Ashley
Role: Fall'n is the foe Actor: Chorus
Role: Redemption] Actor:
Role: Lord of Eternity Actor: Chorus
Role: Behold the nations Actor:
Role: O Baal Actor: Chorus
Role: Esther] Actor:
Role: He smote all the first born Actor: Chorus
Role: What though I trace Actor: Miss Parke
Role: He gave them hailstones Actor: Double Chorus
Role: Second Oboe Concerto Actor:
Role: Happy Iphis Actor:
Role: We hear Actor: Chorus
Role: Chandos Anthems] Actor:
Role: Hear Jacob's God Actor: Chorus
Role: What's sweeter than the new@blown rose Actor:
Role: I feel the Deity within Actor:
Role: Arm arm ye brave Actor:
Role: We come Actor: Chorus
Role: From mighty Kings Actor: Miss Parke
Role: Gloria Patri Actor: Chorus

Music: In Part II: 1st concerto [of Geminiani]-G. Ashley

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part II: violin concerto by Giardini-G. Ashley

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Cast
Role: Don Manuel Actor: Dodd
Role: Don Philip Actor: Barrymore
Role: Octavio Actor: C. Kemble
Role: Trappanti Actor: King
Role: Soto Actor: R. Palmer
Role: Diego Actor: Phillimore
Role: Alguazile Actor: Maddocks
Role: Don Lewis Actor: Caulfield
Role: Corrigidore Actor: Jones
Role: Hippolita Actor: Mrs Jordan
Role: Rosara Actor: Miss Heard
Role: Flora Actor: Miss Collins
Role: Viletta Actor: Miss Pope.

Afterpiece Title: My Grandmother

Cast
Role: Florella Actor: Sga Storace.
Role: Sir Matthew Medley Actor: Maddocks
Role: Vapour Actor: Bannister Jun.
Role: Woodly Actor: Sedgwick
Role: Gossip Actor: Suett
Role: Souffrance Actor: Benson
Role: Waiter Actor: Bland
Role: Servant Actor: Lyons
Role: Charlotte Actor: Miss DeCamp

Dance: End: La Provencale-Fialon, G. D'Egville, Mrs Fialon, Miss F. D'Egville, Miss Menage

Song: End II: a favourite song (composed by Ross)-Master Welsh

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Music: End Part I: concerto on the violin-G. Ashley; End Part II: concerto on the Grand Piano Forte-Miss M'Arthur

Performances

Mainpiece Title: The Messiah; Grand Selection 0

Music: End Part I: concerto on the violin-G. Ashley

Performances

Mainpiece Title: The Village Fete

Cast
Role: Sheva Actor: Elliston
Role: Jabel Actor: Knight
Role: Frderic Bertram Actor: Middleton
Role: Sir Stephen Bertram Actor: Hull
Role: Saunders Actor: Powel
Role: Waiter Actor: Curties
Role: Charles Ratcliffe Actor: Holman
Role: Mrs Ratcliffe Actor: Miss Morris
Role: Dorcas Actor: Mrs Davenport
Role: Mrs Goodison Actor: Mrs Platt
Role: Eliza Ratcliffe Actor: Miss Wallis.

Afterpiece Title: The School for Wives

Cast
Role: Mrs Belville Actor: Miss Wallis
Role: Belville Actor: Johnstone
Role: Captain Belville Actor: Incledon
Role: Shield Actor: Incledon
Role: William Actor: Townsend
Role: Rustic Actor: Haymes
Role: Irish Haymaker Actor: Macready
Role: Phoebe Actor: Mrs Martyr
Role: Dorcas Actor: Mrs Davenport
Role: Rosina Actor: A Young Lady

Afterpiece Title: Oscar and Malvina

Cast
Role: the Descendant of Fingal Actor: Farley
Role: Fingal Actor: Blurton
Role: the Scottish Chieftain Actor: Follett
Role: Morven Actor: Cranfield
Role: Draco Actor: Simpson
Role: Scotch Pedlar Actor: Townsend
Role: Farmer Actor: Gray
Role: Scotch Lad Actor: Mrs Martyr
Role: Scotch Lassie Actor: Mrs Mountain
Role: Daughter to Toscar Actor: Mlle St.Amand.

Song: In: Chorusses, as17970518; End II 2nd piece: The Sea Storm by G. A. Stevens (Cease rude Boreas blust'ring railer)-; End IV: Black Ey'd Susan-Incledon; In 3rd piece: Come every jovial Fellow-Gray, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

Entertainment: End 2nd piece: a variety of Imitations-Rees (1st appearance this season [i.e. as imitator])

Performances

Mainpiece Title: Acis And Galatea 0

Afterpiece Title: Acis and Galatea 3 [i

Music: End I: serenata concerto on violin-G. Ashley; End II: a new concerto, with a military rondo, on the Grand Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: Bach's concertante for violin oboe viola and violoncello-Messrs [G., R. and C.] Ashley, W. Parke

Performances

Mainpiece Title: The Way To Get Married

Cast
Role: Tangent Actor: Lewis
Role: Toby Allspice Actor: Emery
Role: Captain Faulkner Actor: Pope
Role: Caustic Actor: Munden
Role: Dick Dashall Actor: Fawcett
Role: M'Query Actor: Waddy
Role: Landlord Actor: Rees
Role: Bailiff Actor: Thompson
Role: John Actor: Claremont
Role: Undertaker Actor: Street
Role: Clementina Allspice Actor: Mrs Mattocks
Role: Lady Sorrel Actor: Mrs Davenport
Role: Fanny Actor: Miss Leserve
Role: Julia Faulkner Actor: Miss Betterton.

Afterpiece Title: The Vanguard

Afterpiece Title: The Virgin Unmask'd

Cast
Role: Blister Actor: Emery
Role: Coupee Actor: Betterton
Role: Quaver Actor: Clarke
Role: Goodwill Actor: Thompson
Role: Thomas Actor: Claremont
Role: Lucy Actor: Mrs Jordan
Role: Drury Actor:

Song: End II: The Storm-Incledon (written by G. A. Stevens); Black Ey'd Susan-Incledon; Sally in our Alley-Incledon

Entertainment: Monologue End: An Occasional Address-H. Johnston; Imitations-Rees

Cast
Role: Imitations Actor: Rees.

Performances

Mainpiece Title: Alexander's Feast 0; The Messiah; Grand Selection 0

Music: End II: a concertante for violin oboe tenor and violoncello-G. Ashley, W. Parke, R. Ashley, C. Ashley

Performances

Mainpiece Title: The Creation; Grand Selection 0

Music: End I: concerto on the Grand Piano Forte-Master Neate; End II: cobcerto on the violin-G. Ashley

Performances

Mainpiece Title: The Woodman

Cast
Role: Sir Walter Waring Actor: Munden
Role: Captain O'Donnel Actor: Johnstone
Role: Fairlop Actor: Townsend
Role: Medley Actor: Hill
Role: Bob Actor: Emery
Role: Ralph Actor: Linton
Role: Wilford Actor: Incledon
Role: Dolly Actor: Mrs Martyr
Role: Miss Di Clackit Actor: Mrs Davenport
Role: Polly Actor: Miss Sims
Role: Bridget Actor: Mrs Watts
Role: Emily Actor: Mrs Atkins

Afterpiece Title: The Jew and the Doctor

Cast
Role: Abednego Actor: Fawcett
Role: Changeable Actor: Knight
Role: Dr Specific Actor: Murray
Role: Old Bromley Actor: Emery
Role: Charles Actor: Mansel
Role: William Actor: Farley
Role: Emily Actor: Miss Chapman
Role: Betty Actor: Miss Leserve
Role: Mrs Changeable Actor: Mrs Litchfield.

Song: End I: The Storm (by G. A. Stevens)-Incledon; In course Evening: an entire new Glee, composed by King, The Witches[, the Words from the First Scene of Shakspeare's Macbeth, -Incledon, Townsend, Linton, Chorus; [Also Black Ey'd Susan-; Old Towler- [Incledon]

Cast
Role: Actor: Incledon
Role: Actor: Incledon, Townsend, Linton, Chorus
Role: Also Black Ey'd Susan Actor:
Role: Old Towler Actor:

Performances

Mainpiece Title: Douglas

Cast
Role: Douglas Actor: H. Johnston
Role: Lord Randolph Actor: Betterton
Role: Glenalvon Actor: Raymond
Role: Drury Actor:
Role: Officer Actor: Thompson
Role: Old Norval Actor: Murray
Role: Anna Actor: Miss Mills
Role: Lady Randolph Actor: Mrs St.Ledger

Afterpiece Title: Lovers' Quarrels

Cast
Role: Jacintha Actor: Mrs H. Johnston
Role: Isabella Actor: Miss Leserve
Role: Leonora Actor: the Late Miss Betterton
Role: Sancho Actor: Fawcett
Role: Don Carlos Actor: Holman
Role: Lopez Actor: Munden
Role: Don Lorenzo Actor: Claremont
Role: Don Alvarez Actor: Davenport
Role: Don Felix Actor: Thompson
Role: Angelina Actor: Miss Chapman

Afterpiece Title: The Deserter of Naples

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

Cast
Role: Actor: Incledon
Role: Dancing Actor: Mr and Master Michell

Performances

Mainpiece Title: The Maid Of Kent

Cast
Role: Prologue Actor: King
Role: Epilogue Actor: Miss Younge
Role: Sir ThomasRichacre Actor: Parsons
Role: George Actor: Palmer
Role: Dr Goodman Actor: Packer
Role: Metre Actor: Waldron
Role: William Actor: Vernon
Role: Lord Sealand Actor: Davies
Role: O'Connor Actor: Moody
Role: La Poudre Actor: Baddeley
Role: the Maid of Kent Actor: Miss Younge
Role: Patty Actor: Miss Pope
Role: Dame Quickset Actor: Mrs Bradshaw
Role: Robert Actor: Griffith

Afterpiece Title: The Author

Cast
Role: Young Cape Actor: J. Aickin.
Role: Vamp Actor: Moody
Role: Cadwallader Actor: King
Role: Governor Actor: Bransby
Role: Sprightly Actor: Packer
Role: Poet Actor: Waldron
Role: Robin Actor: Keen
Role: Printer's Devil Actor: Burton
Role: Mrs Cadwallader Actor: Mrs Egerton
Role: Arabella Actor: Miss Ambrose.

Ballet: I: The Drunken Peasant. Drunken Peasant-Atkins; Clown-Wright

Cast
Role: Drunken Peasant Actor: Atkins
Role: Clown Actor: Wright.

Performances

Mainpiece Title: The Maid Of Kent

Cast
Role: Wm Strongbow Actor: Vernon
Role: George Actor: Dimond
Role: Sealand Actor: J. Bannister
Role: Sir Thomas Actor: Parsons
Role: Brian Actor: Moody
Role: Dr Goodman Actor: Packer
Role: La Poudre Actor: Baddeley
Role: Metre Actor: Waldron
Role: Robert Actor: Griffith
Role: Patty Actor: Miss Pope
Role: Dame Quickset Actor: Mrs Bradshaw
Role: Emily Actor: Miss Younge.

Afterpiece Title: A Trip to Scotland

Entertainment: End II: (By Particular Desire, and for the last time this season) Imitations-Bannister

Event Comment: NNeale had Tickets (Cross). Last time of the Company's performing this season. Neale had tickets on this night for which it is customary to pay half price, the whole amount of his tickets in the House came to #22 7s. (Powel). Receipts: #60 (Cross); #33 18s. 6d. (Powel). General Advertiser, 23 June: Yesterday was married by the Rev. Mr Franklin at his Chapel Russel St?, Bloomsbury,--David Garrick Esq. to Mlle Eva Maria Violette. Comments by John Powel in MS Tit for Tat: This was the last night of the season, having play'd 175 nights. Rec'd by forfeits of the Band of Music #32 11d. Rec'd ditto from actors #1 15s. Rec'd of Mr Neale for half share of his tickets #11 3s. 6d. So that they received as appears by their own books in the two seasons that Mr G k has been concern'd as manager, the sum of #40,906 2s. 7d. having play'd in the whole time 346 nights. But as Mr Garrick's Benefit and Mrs Cibber's charges were included in the account as a blind to the Principle Treasurer, I must therefore, among some few other things, subtract them from the total amount, and then it will stand as follows: @The first season:@Cash return'd by licencer #2 2s.@G k's Benefit, whole amount of house #193 16s.@Mrs Cibber's charges at her Bt. #60@Mr Berry #1 10s.@Mrs Pritchard for a ticket as agreed #10 10s.@The last season G k receiv'd as author of Lethe, for 6th night #56 8s. 6d.@Mr Warner #5 14s.@G k's benefit as before #187@Mrs Cibber's charges #60@Mrs Pritchard's #10@Total #587 16s. 6d.@ The sum subtracted, it wil remain #40,318 6s. 1d., which is at the rate of #116 10s. 6d. for each night, one night with another, Benefit nights and all Disadvantages included. As I have no given an exact account of the Receipts of Cash, I must also endeavor to give an account of the nightly charge, that the reader may be able to judge of the Profits. But it must be first consider'd, that all nights will not amount to the same, as for example the play of Macbeth requires more incidents, than a common play, such as wine, fruit made use of in the Banqueting Scene, also spirits of wine for the Cauldron in the scene of the Witches, Rosin for lightening, &c. Whereas in another play, such as the Orphan perhaps there are few or no incidents, and consequently the charges must be less, so that it is impossible to be quite exact without giving the particulars of each night's play throughout the two seasons which would not only tire the reader's patience, but swell this pamphlet to a greater bulk than the nature of the thing requires; besides as all the Account Books are in their own custody, there can be no such thing as making an abstract. But as my own memorandums will let me into the most principle things, it is an easy matter to make an allowance for others of less consequence, which I shall take care as much as I can to do rather in their favor than against them. In the first place I shall begin with their Rents and Taxes as they stood last season: @A Calculation of the Nightly Expence of Drury Lane Playhouse:@Renter's Shares in the House, being in number Thirty-Six at #23 6s. 8d. each share for the season amounts in all to #840, and supposing they play but 170 nights (tho' they play'd 175 last season which is allowing them as much advantage as I possibly can) then will it amount to per night #4 18s. 9d.@Land Tax for the year #88, which calculated at the rate of 170 nights as above, is per night 10s. 4d.@Ground Rent, and for the rent of a Wardrobe call'd the Sparrow's Nest, for the year #80, which is per night 9s. 4d.@Poor's rate for the year #33 6s. 8d., which is per night 3s. 11d.@Scavanger for the House, and another place call'd the King's Passage, for the year #7 9s. 4d., which is 10 1!2d.@Rent for a Place call'd the King's Passage for the year #31 10s., which is per night 3s. 8 1!4d.@Watch Rate for the Playhouse and a House in Russel St, call'd the King's Passage #7, which is per night 9 3!4d.@Window lights for the Playhouse and the King's Passage, #6 per year, which is per night 8 1!4d.@Water for the year, #2, which is per night 2 3!3d.@Rent of a room call'd the Scene Room for the year #60, which is per night 7s. 1!2d.@Fruit money to be divided among the renters, as by their Lease #40, which is per night 4s. 8 1!4d.@(N.B.: It has not been the custom for some years past to pay this money to the Renters, but as they are entitled to receive it, I think proper to make it one of the charges.)@A Perquisite payable out of the P t [Patent?] for the year #815, which is per night #1 1 7s. 1!2d.@The Total amount of their Rent and Taxes is per night #8 17s. 6d.@ Thus far I have given an account of their rents] and Taxes and before I proceed any farther I believe it will be necessary to acquaint the reader, that the Renter's Lease will expire in the year 1753, and then the whole affair will come into the hands of Messrs G k and L y, for the term of near 21 years at an annual Rent of #210. This is a purchase made not long ago, for which they gave #3000. But the Annual rent of #210 commences before the Renters time is out, occasioned by an addition of several dwelling Houses in the Playhouse Passages which they had thrown into their agreement, and for some of which they now receive Rent. The next principal charge is the Nightly Salaries of the people belonging to the House, such as actors, dancers, musicians, office keepers, doorkeepers, dressers, and sweepers. The customary way of paying these people is once a week; on a Saturday Morning their names being all enter'd alphabetically upon a list (which is call'd the Pay List). This List is always made out according to the number of nights that the House has played in the week, but I must set it down at 6 which is a full week's pay. This is also a fluctuating affair, as well as the incidents, their generally being a necessity of either adding or striking off some names before the season is out, which consequently either makes an increase or decrease in the charges, but as I am oblig'd to be as particular as possible, and to bring it to a point, I will fix upon salaries of the latest date. @Sat. Feb. 25, 1748-49. The salaries amounted to per week #296 9s. 6d., and on Sat. 15 Apr. 1749, the salaries were per week #294 6d. But as I chuse to make the thing rather more than less, I will enter it according to the former list, which is per night #49 8s. 8d.@N.B. Mr Lacy has #2 15s. 6d. per night upon this list for management, but I cannot comprehend that this is any part of the charge because he has a moity, or equal half-share of the Profits, as being a partner; and consequently ought not to be paid for inspecting into his own affairs. I shall therefore subtract this from the Nightly expence at the end.@The next charge to be consider'd is that of the Tallow Chandler, which generally amounts to per week about #17, but this is not always certain, it varying sometimes either a trifle over or under. This person makes an allowance of 8 per cent Discount upon account of his receiving ready money for his goods, which deducted from the #17 makes it per night #2 12s. 1d.@The Printer's Bill generally amounts to between #7 and #8 per week, but as I rather chuse to be over than under the mark, I will set it down at #8, which is per night #1 6s. 8d.@Advertisements in the General Advertiser, there has been nothing charg'd for these two years and upwards, which I believe is occasion'd by the Managers having a share in that paper, that perhaps may bring as much as their advertisements come to.@I shall find the greatest difficulty of any yet in making an Allowance for the nightly use of their cloaths, Scenes, &c, there being a vast number of rich cloaths bought into their wardrobe within these two years, and large sums paid to the Taylor, Mercer and other Tradesmen, on account of the same, but then the Stock remains, and will serve for a considerable time with some little addition, and it is well known the wardrobe was never so rich before, as at this juncture, a great many of the cloaths having been bought ready-made at dery great bargains, and when they are no longer fit to appear upon the stage, the Lace will burn to a considerable part of their money again; And as it is impossible to be quite exact, I must submit to the reader whether #3 3s. a Night only for the use of their cloaths, Scenes and other things that appertain to the dress, is not sufficient, for according to the calculation of playing 170 nights in the season it will amount to #535 10s., only for the use, which in my opinion is enough, and if they can contradict it let them make it appear #3 3s.@Mr Fleetwood (who was the late manager) when he made an assignment of the Playhouse to Mr Lacy in trust for the Bankers (Gr n, and Am r, late of the Strand) and himself to care to keep a Reserve of #500 a year during the Time then to come on the P t [patent?], a part of which has been paid annually to a Gentleman appointed to receive the same by Mr Fleetwood. But when Mr G k came in as manager, it was agreed by the consent of that Gentleman, that it should be paid at the rate of #300 a year, and so to take a longer time for the payment of the whole. This annuity had it stood at the rate of #500 a year as was first design'd would have expir'd with the P t, which is several months before the Renter's time is out, but this affair ought to be look'd upon rather as a Debt than part of the nightly charge of the Playhouse. However, as it always stood in that Rank in their books, I shall make the same allowance here and leave the reader to judge of it as he thinks proper, which is per night according to the former calculation #1 15s. 3d.@The Lamp Lighter's bill for lighting the lamps will amount to about 7 shillings sixpence a night, but as there is an occasion sometimes for Tin Wares and reparations, I shall set it down at Per night 10s.@Coals made use of are generally about 40 Chaldrons for the season, which bought in the summer time, we must suppose not be to above 34s. a chaldron, amounting in the whole to #68, which is per night 8s.@Properties, or Incidents, are sometimes more, sometimes less, as I have before observed, and are according to the play. They are under the Denomination of Fruit, Wines, Sweetmeats, Sticks, Stage Money, &c, but to take one night with another throughout the season they don't amount to quite 5s.@Bill Stickers are those men that stick the Large Bills about the Town, being Six in number, and have 18 pence per night each. They are not enter'd on the pay List among other servants, on account of their sticking Bills sometimes when the House does not play, which makes a difference, and supposing them to be in full pay, which is not always the case, then it would amount to per night 9s.@Two men that deliver Handbills, at 1 shilling a night each per night 2s.@Four constant supernumerary scene-men to assist the scene-men belonging to the House, and a Candle-man that sees all tne candles put out after the play is over, at 1 shilling each, which is per night 5s.@There are sometimes extraordinary Supernumerary scene-men, made use of in plays, to help the traps, &c, such as Richard III, Macbeth, The Tempest, &c, which have a shilling each, but one night with another it will not amount to above 3s.@Kettle Drums and French Horns are not included among the Band of Music, and as there are but two French Horns, and one pair of Kettle Drums made use of, which are only in some particular things, at 5 shillings a night, I cannot think they will amount to throughout the season more than per night 7s. 6d.@Chorus singers, which are people that stand behind the scenes, whose additional voices are sometimes necessary in grand pieces of vocal music, and are made use of in the Tempest, Comus, Macbeth, &c., and seldom in number so many as 6, at 5 shillings each,--but if I make allowance for two each night throughout the season, I am very confident it is more than sufficient, which supposition is per night 10s.@The Prompter is allowed for Paper, Pens, Ink and Wafers per night 3d.@The Carpenters, being sometimes employed in doing work in the House, save 2s. 6d. a day each, and as this is also a fluctuating affair, I shall put them down throughout the season at per night 5s.@The Glover's bill amounts one night with another to about 6s.@The Stationer's Bill, perhaps about #15 in the season, every Boxkeeper, &c being oblig'd to find his own Paper, which is per night 1s. 9d.@The Feather-man, Shoe-maker, Sword-Cutler, Hatter, Taylor, Scene Painter, Lace-man, Mercer, &c, I have already made an allowance for,--the #3 3s. per night for the use of the Cloaths, Scenes, &c. ....@The Brick-layer and Iron-monger are casual tradesmen, and as accidents so frequently happen, I think it necessary to put them down at per night 7s. 6d.@The Turner's Bill perhaps may amount in the season to about #6 which is per night 8d.@The person that has the care of the Candles brings in a bill for small wax candles, &c, and one night with another about 1s. 6d.@The House-keeper sometimes brings in a bill for little things to the amount of about per night 1s.@The Prompter for writing parts, one night witn another 8d.@I have thus endeavored to give the most minute Part of the charges that belongs to the House, but as most of these affairs depends upon accident and for fear of any omission (At the beginning of the first season their salaries were a few weeks at #54 per night, but as this was but of a short duration it cannot make any great difference) and lest they say I fix them to certain sums which have alter'd to their disadvantage, I will as a guard against such a supposition allow them per night #3@#74 6s. 8d.@[Subtracting Mr Lacy's #2 15s. 6d.] then according to the nearest calculation I can make the whole nightly charge is #71 11s. 2d.@ The next thing to be consider'd (supposing this charge to be right) is their Profits, which will appear by multiplying the sum of #71 11s. 2d. by 346 (the number of nights they play'd in the two seasons) and the total sum will be #24,759 10s. 10d., which subtracted from #40,318 6s. 1d., the remainder will be #15,558 15s. 2d., the profits, according to the best calculations I can make arising from the two last seasons. But I think it incumbent on me to inform the reader that this money was not all at the Managers' disposal, because there was a mortgage upon the Playhouse, &c to one Mr Clutterbuck?, a tradesman in the Strand, who was Mortgagee in trust for Mr G k himself and others, and the Mortgagee was entitled to take up #1000 a year and interest at 5 per cent. This security was made at Mr G k's first commencing manager in order to purchase the Bankers' two shares in the old P t, &c. which was sold for #3,500, also to discharge an old mortgage made by Mr Fleetwood, and other debts due from the playhouse. Thus have I made appear to the Town the receipts and charges as near as possibly can, and hope not to the disadvantage of the Managers. But perhaps they will say that they have expended more money than I have already given an account of, which I must readily submit to, but then it has been upon different affairs than the nightly charge of the House; as for example the first season they, as will appear by their own Books, #15,179 12s. 3d.; the second season #13,663 3s. 3d., so at this rate the profits do not amount to above #10,475 10s. 8d., which is noways right, for as I have already observed, they bought large quantities of ready-made rich cloaths, merely because they were great bargains. These cloaths they now have by them, and doubtless are as good as money, and which I make an allowance for at #3 3s. a night. They also made alterations in the House, by enlarging the first Gallery, and adding more seats, which are placed so neighborly together, that they keep people pure warm in a cole [sic] winter's night, especially at the upper end. The transformation of that Part adjoining to the Box-Lobby into a standing place for the Quality, that they may pay before they go in, is another charming contrivance, and many other alterations much to advantage, but these conveniences being once finish't become Perpetual, and are no longer chargeable. Besides they lent out of the said sums money to several actors for some of which they have bonds that bear 5 per cent interest, and these are the things that were the occasion of the Extraordinary Advancement, which perhaps they under a pretence may call part of the Nightly charges, but as I have made the thing as clear as well can be, I shall submit to the reader's judgment. I thought it necessary to set down each night's farce with the play as near as I could throughout the two seasons, and I believe upon strict examination the reader will find that the whole number consists of about 25 good old Stagers, one of them having mounted upwards of that times. But however dis[agreea]ble these antient attendants may prove to an Audience, yet they are absolutely necessary on account of keeping up the [starf--l P[rice]s, which could not decently be done without them as Mr Rich has Pantomime entertainments. [starWhilst their rent, Taxes, &c are so very high, it is my firm opinion, they cannot afford to take under full prices, and therefore I would not have any one imagine to the Contrary. And the reason of publishing this account is no more than to do my self common justice and to shew how well they could afford to make me amends for my past Labours. Tho in my opinion Mr G-k is such a rarity, that he needs no embellishment, and I hope I shan't be thought too lavish in his Praise when I say that his great condesention in playing oftener since he has been a manager (almost in spite of his sickness) than he did when he was under management, is such an obligation conferr'd on the town, that it is questionable whether the salary he now receives as an Actor is equivalent. But lest it should not be generally known what it is (as such things do sometimes slip the ears of the People) I think it proper to inform the Reader, and having first ask'd Mr Garrick the manager's pardon, I shall begin with Mr Garrick the Actor, whose salary for the season is #525 certain, and as most players have a benefit once a year, so has he, but only this difference, that they pay for theirs (Mrs Cibber excepted) and he does not. Nor need he give himself any trouble to make an interest at the time; for it is only playing Richard, or Lear, and the job is done without putting his name up in large characters at the top of the Playbill, for every inquisitive person to gape at. What these Benefits have brought him in is easily seen by looking backwards. This added to the salary makes upwards of #700 a year, and so much for Mr G-k the actor. As to Mr Garrick the Manager, he only takes up #500 a year out of the profits under the denomination of Management, which does but just put him upon a footing with his brother manager, who takes up the same, and if I may presume to put the Manager and Actor together, it will appear that Mr Garrick's income from the Playhouse is upwards of #1200 a year exclusive of a Mortgage of #4000 upon the Playhouse, Patent, Cloaths, Scenes, &c., which brings him in #200 per year, at the rate of 5 per cent interest. These things put together and added to his half share of Profits, makes it a comfortable living enough, and I heartily wish every brave fellow that ventured his life and limbs for his Country's service could meet with the same success. I make no doubt but it will create some wonder that I have laid these things before the Town, without saying for why. But I must assure the reader that after weighing every circumstance well within my own breast, I think I have sufficient reason, and would relate each particular reason, but that I have given to understand Facts may be Libels--that all advantages will be taken--that I must have a care what I do, and that Power may get the better of Truth. I must confess I think it very hard that if a man is hurt he must not only suffer the injury, but be also hindered from telling his grievance. However, as I have often groan'd in private, I will run the risk of venturing one groan in public, but will be as concise as possible, for fear my antagonists may be too impatient to stay till my tale is told. Let it suffice them that I was Deputy Treasurer of D-y L-ne Playhouse upwards of four years, and resigened my office the beginning of this season. Several messages were sent to me to return again, and I had my place kept for me several weeks, which plainly shows I have been guilty of no misdemeanor, but have been rather look'd upon as a valuable sl-ve than other ways, and could I have been content with much more labor and little pay I don't doubt but I might have been suffer'd to trudge on and carry my Burthen to the end of my days. But having forgot my station, and that I had no right to make terms for myself, was so impudent as to imagine I had some Gratitude due me for past services, and that as I had weather'd a most terrible Storm, I had some right to share in the calm, but alas! I was mistaken. Property was not intended for me, I was only design'd to share in Adversity and help others to cut their passage to happiness. I believe it is pretty well known that near two years before Mr G-k came in as manager, the Playhouse was involved [in] many difficulties, much money being due to tradesmen, Actors, &c occasioned by his not playing there, which [would] not have been the case had Mr Lacy, who was then manager in trust for the Bankers and himself, agreed with him, and given what he demanded as an actor, which was as Mr Lacy order'd him #500 for the season, and as Mr G-k did not chuse to be under him he went to Ireland where he remain'd during the season. The Bankers who advanc'd #6,800 to purchase the Playhouse, the Renters, and Mr Lacy begun to see their folly, and were so unfortunate as to become Bankers' prey afterwards, though one of them (Mr Amber) has had the grant to be made a Pit office-keeper in the Playhouse, where he now remains at a salary of about #29 a year. I shall return to the difficulties. The People that had the demands to them (being upwards of #140) began to be very uneasy, and they very clamorous, that we perceiv'd what we were to depend upon. Distruction, seemingly as it was a dark cloud over our heads, we expected daily to burst upon us; and tho' Mr Lacy had given as many fair promises as a man could do, yet it availed nothing, for every word they spoke had something of danger in it (which oblig'd him to keep pretty much within doors). Here I interposed, and stood between him and his creditors, for upwards of a year and a half, ever breaking my rest to preserve his, and was continually forming excuses and pledging my word, to divert them from their design, and as it was unsafe for him to come to the playhouse for a long time together, for fear of arrests, I was oblig'd to undertake the management there (which they now take up #500 a year for) and go through a very hard Task to an account of the people's not having their pay. Added to this I had the Accounts of the Treasurer's Office to keep and as we were in debt every particular person's belonging to the playhouse, beside. I also took upon myself the Inspection of the Wardrobe and kept an account of that (which was almost one man's business alone to do). I drew all the articles between the manager and actor, and at other times were [sic] continually either writing, walking, though lame, or contriving for Mr Lacy's welfare. In the day I had no rest, in the night very little sleep, and my whole study was to extricate him from his troubles. I was bail for him to the Sheriff in two actions for #200, and brought at the suit of Mr Fl-dyer in Bazinghall St, and Mr Ho-se, Tinman in High Holborn, and had a great deal of trouble in getting one of these actions defended in order to gain time. I was arrested twice myself for him: one of these times dragg'd out of my lodgings at twelve o'clock at night. In short I went through every trouble that a sincere friend could do, while he was endeavouring to get the new Patent, which he and Mr Garrick now enjoy, and did imagine if ever those difficulties were got over (which I then very much question'd) that I should have met with some gratification, but instead of that as soon as Mr G-k came to be concern'd as a partner (who knew very well that I had gone through for the service of the Playhouse) I found another Person was to be put in Principal Treasurer over my head, with this Reason: "That it was their interest it should be so, because his Wife, Mrs Pr-h-d was to play for them." Not that I envy the gentleman that has it, for I think him worthy of much more, and hope my being under a necessity of mentioning it will be a sufficient plea for my excuse. This I very easily look'd over, and had not the least doubt but they would make me some amends another way, but adding something to my salary, which was at the rate of #44 a year, and this I was entitled to for doing the business of Deputy treasurer in the Office which was nothing in competition with the other affairs I had gone through. But I found I was mistaken here too for I had no addition, and discover'd when too late that I should have made use of the opportunity when I had it in my power,--but though I knew the time when everything must have been granted that I ask'd, yet I did not take the advantage, nor would by compulsion force the thing that I knew was due from the strongest ties of Friendship. How wretched must such a disappointment make me! What must that man deserve that can betray such confidence, and without blushing deny the breach he had made in Honour. If after this I can point out a way to do myself justice, have I not Right to make use of it? Must I lose my health, Time, Labor, for other's happiness, and not consider my miseries? It is against Nature and I hope the Reader will make my Case his own, and then judge accordingly. In my next I shall give the full history of the Stage ever since Mr Fl-w-d was manager, down to the end of the last season, wherein will be the Bankers' affair set forth at large. The manner of obtaining the new P-t, and Gratitude displayed in a particular manner. The intended partnership between Mr Rich and Mr Lacy, how Mr Garrick came to be admitted. His compact with Mrs Pritchard, and some other affairs necessary to be known both to the Public and the Theatres. @Then let the stricken deer go weep@The hart ungall'd go play...&c. &c.@Finis.@ [Powel's second pamphlet seems not to have been written, as this one seems never to have been printed. His total income for the two seasons #40,906 2s. 7d. corresponds favorably with Cross's total estimates for the same period of #40,995. His analysis of the cost of many items in his attempt to arrive at a reasonable statement of nightly charges is most valuable. If his figure of #71 11s. 2d. is correct, then the managers lost from #8 to #11 on each benefit night, which hardly seems probable.

Performances

Mainpiece Title: Much Ado About Nothing

Cast
Role: Hero Actor: Mrs Elmy
Role: Balthasar Actor: _ Fryar-Bridges
Role: _ Fryar Actor: Bridges
Role: Borachio Actor: Blakes
Role: Margaret Actor: Mrs Havard.
Role: Dogberry Actor: Taswell
Role: Country Dance Actor: included at end of play.
Role: add Country Dance Actor: .
Role: add Masquerade Dance Actor: Mrs Addison.
Role: a Masquerade Dance Actor: Matthews
Role: to conclude with a Country Dance Actor: the Characters.
Role: Benedick Actor: Garrick for the first time
Role: Don Pedro Actor: Havard
Role: Leonato Actor: Berry
Role: Don John Actor: Winstone
Role: Claudio Actor: Lee
Role: Friar Actor: Bridges
Role: Sexton Actor: Ray
Role: Town Clerk Actor: James
Role: Verges Actor: Neale
Role: Conrade Actor: Bransby
Role: 1st Watchman Actor: Vaughan
Role: 2nd Watchman Actor: Marr
Role: Ursula Actor: Miss Cole
Role: Beatrice Actor: Mrs Pritchard
Role: Musical parts Actor: Beard, Reinhold, Mrs Clive.

Afterpiece Title: The Intriguing Chambermaid

Cast
Role: also Goodall Actor: Winstone
Role: Mrs Highman Actor: Mrs Bennet.
Role: Drunken Colonel Actor: Woodward
Role: Lettice Actor: Mrs Clive.

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Event Comment: Benefit for Wild. 1st Piece: 1st Time at this Theatre, and with Permission of G. Colman, Esq. [owner of the copyright]; written by Joseph Atkinson, Esq. [i.e. altered from his The Mutual Deception (see hay, 29 Aug. 1786)]. 2nd piece: Not acted these 2 years. 3rd piece: Not acted these 7 years [acted 23 May 1783]. Receipts: #225 0s. 6d. (113.0.6; 5.5.0; tickets: 106.15.0)

Performances

Mainpiece Title: Tit For Tat

Cast
Role: Villamour Actor: Farren
Role: Old Meanwell Actor: Booth
Role: Young Meanwell Actor: Macready
Role: Skipwell Actor: Ryder
Role: Letty Actor: Mrs Mattocks
Role: Florinda Actor: Mrs Bernard

Afterpiece Title: The Nunnery

Cast
Role: Captain Banner Actor: Johnstone
Role: Forage Actor: Quick
Role: Peter Actor: Edwin
Role: Monks Actor: Rock, Ledger, Helme
Role: Francis Actor: Painter
Role: Lieutenant of Police Actor: Gardner
Role: Ambrose Actor: Fearon
Role: Mrs D'Arcey Actor: Mrs Kennedy
Role: Teresa Actor: Mrs Martyr
Role: Selima Actor: Mrs Mountain.

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Cast
Role: Jupiter Actor: A Gentleman
Role: Pierrot Actor: Blanchard
Role: Hercules Actor: Cranfield
Role: Mezzetin Actor: Ware
Role: Punch Actor: Jackson
Role: Scaramouch Actor: Ratchford
Role: Doctor Actor: King
Role: Anatomist Actor: Rock
Role: Pantaloon Actor: Thompson
Role: Old Woman Actor: Mr Stevens
Role: Columbine Actor: Mrs Watts
Role: Diana Actor: Mrs Martyr
Role: a Hunting Song Actor: Mrs Martyr.

Song: End I 1st piece: Oh say Bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr

Cast
Role: i> Actor: Mrs Kennedy, Mrs Martyr.

Entertainment: Monologue. End II 1st piece: A Description of the Curiosities in the Tower-Edwin

Event Comment: [Benefit on one-half value of tickets basis to nine ticket holders. The General Advertiser notice lists beneficiaries as Harrington (Prompter); Stede, Carr, Mrs Bland, Mrs Rowley.] Tickets deliver'd by Mrs Daniel, Mrs Dumont, &c will be taken. /For Box Pit Gallery Value Half-Value/Harrington 7 29 22 #8 6s. #4 3s./Stede 7 52 59 #15 9s. #7 14s. 6d./Carr 6 53 46 #14 1s. #7 0s. 6d./Mrs Rowley 27 77 44 #22 14s. #11 7s./Mrs Dumont 36 31 32 #16 17s. #8 8s. 6d./Mrs Bland 9 56 91 #19 15s. #9 17s. 6d./Mrs Dupre 5 33 42 #10 8s. #5 4s./Mrs Daniel .. 45 109 #17 13s. #8 16s. 6d./Mrs Hitchcock 34 58 31 #20 6s. ........./Totals 131 434 476 #145 9s. #62 11s. 6d./ [Mrs Hitchcock seems to have received the full value of her tickets.] This Day is Publish'd A Treatis on the Passions so far as they regard the stage, with a critical inquiry into the Theatrical Merit of Mr G k, Mr Q n, and Mr B y, the first considered in the part of Lear, the last two oppos'd in Othello. By S. Foote, Esq

Performances

Mainpiece Title: The Committee

Cast
Role: Day Actor: Arthur
Role: Obadiah Actor: Morgan
Role: Mrs Day Actor: Mrs Bland
Role: Arabella Actor: Mrs Rowley
Role: Mrs Chat Actor: Mrs Daniel.
Role: Story Actor: Rosco.
Role: Teague Actor: Morris, from Dublin, 1st appearance on English stage
Role: Careless Actor: Ryan
Role: Ruth Actor: Mrs Pritchard
Role: Blunt Actor: Cashell
Role: Arbella Actor: Mrs Hale
Role: Abel Actor: Woodward
Role: Bookseller Actor: James.

Afterpiece Title: Phebe

Cast
Role: Hunter Actor: Beard
Role: Phebe Actor: Mrs Dunstall
Role: Tippet Actor: Miss Hippisley
Role: Quorum Actor: Marten
Role: Chaunter Actor: Bridgwater.

Dance: The English Boy, English Girl

Event Comment: AAsh Wednesday. Publish'd this day. Price only 1s. Letters which have passed between John Beard Esq Manager of Covent Garden Theatre, and John Shebbeare, M.D. Wherefore I thus entreat with due Submission, Between the Bard and me you'd make decision, The whole now on your Approbation waits. Prologue to the Perplexities, sung by Mr Beard. Printed for G. Kearsly N.B. This Pamphlet is entered at Stationers Hall, whoever pyrates any part of it will be prosecuted. [This pamphlet of 50 pages is given a four-column review in the Gentleman's Magazine for March (p. 124). The controversy was over a play which Shebbeare submitted to Beard and which the latter finally rejected after holding it two seasons. Beard's letters are quoted. The reviewer is severe upon Shebbeare: Upon the whole for anything that has hitherto appeared, the managers of both theatre have rather been to blame for receiving some pieces that they should have rejected, than for rejecting any they should have received. No piece has yet been printed, by the rejection of which the managers have betrayed their trust, or neglected their duty to the public. There may be such pieces in manuscript, but, if there are, the most effective way of avenging the author on the manager is to print them, for the voice of the public would instantly and effecturally do justice to the writter...by compelling the representation.' Shebbeare was Joseph Pittard?]

Performances

Mainpiece Title: None

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Cast
Role: Lear Actor: Garrick
Role: Edgar Actor: Reddish
Role: Bastard Actor: Palmer
Role: Kent Actor: Bransby
Role: Gloster Actor: J. Aickin
Role: Albany Actor: Packer
Role: Burgundy Actor: Norris
Role: Captain of Guards Actor: Whitfield
Role: Gentleman Usher Actor: Burton
Role: Cornwall Actor: Hurst
Role: Curan Actor: Fawcett
Role: Goneril Actor: Miss Sherry
Role: Regan Actor: Mrs Hopkins
Role: Arante Actor: Miss Platt
Role: Cordelia Actor: Miss Younge.

Afterpiece Title: The Spleen

Cast
Role: Merton Actor: Brereton.
Role: Rubrick Actor: King
Role: Jack Rubrick Actor: Palmer
Role: Machoof Actor: Moody
Role: Aspin Actor: Baddeley
Role: Merton's Servant Actor: Lamash
Role: Clerk Actor: Whitfield
Role: Folio Actor: Wrighten
Role: D'Oyley Actor: Parsons
Role: Servt? Actor: Everard
Role: Mrs Rubrick Actor: Mrs Hopkins
Role: Eliza Actor: Miss P. Hopkins
Role: Maid Actor: Mrs Davies
Role: Mrs Tabitha Actor: Mrs Love
Role: Laetitia Actor: Mrs King
Event Comment: Prelude [1st time: PREL 1, by George Colman elder; incidental music by Thomas Linley Sen. and Nicola Piccinni. Prologue by David Garrick (Poetical Works, II, 327)]. The Words of the Songs in [the] Prelude will be given at the Theatre. The Doors to be opened at 5:3O. To begin at 6:30 [see 11 Nov.]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The TR opened this Season under the Management of Messrs Lacy, Sheridan, Ford and Linley. This Summer the Flys has been raised considerably--the Stage widened and heitened--the orchestra enlarged, and Iron ornaments at the Top. New Brooms written by G. Colman Esq. went off with tolerable Applause--is much too long (Hopkins Diary). Public Advertiser, 3 Oct. 1776: This Day at Noon will be published New Brooms! (1s.). [Yates had last acted Malvolio at dl on 6 Jan. 1764 and at cg on 5 May 1772.] Receipts: #269 19s. 6d

Performances

Mainpiece Title: New Brooms

Cast
Role: Sprightly Actor: King
Role: Phelim Actor: Moody
Role: Catcall Actor: Palmer
Role: Sir Dulcimer Dunder Actor: Parsons
Role: Sailor Actor: Bannister
Role: Mezzetin Actor: Baddeley
Role: Furrow Actor: Wrighten
Role: Dripping Actor: Griffiths
Role: Musician Actor: Wright
Role: Frank Furrow Actor: Burton
Role: Lad Actor: R. Palmer
Role: Crotchet Actor: Dodd
Role: Mrs Dripping Actor: Mrs Bradshaw
Role: Mrs Furrow Actor: Mrs Love
Role: Doxy Actor: Miss Platt
Role: Miss Dripping Actor: Miss Stageldoir
Role: Miss Quaver Actor: Mrs Wrighten
Role: unassigned Actor: Carpenter
Role: not listed on playbill, Actor: King

Afterpiece Title: Twelfth Night

Cast
Role: Malvolio Actor: Yates
Role: Sir Andrew Ague@Cheek Actor: Dodd
Role: Sir Toby Belch Actor: Palmer
Role: Orsino Actor: Jefferson
Role: Sebastian Actor: Davies
Role: Fabian Actor: Lamash
Role: Antonio Actor: Wrighten
Role: Captain Actor: Wright
Role: Officer Actor: Carpenter
Role: Priest Actor: Griffiths
Role: Valentine Actor: Norris
Role: Curio Actor: Everard
Role: Clown Actor: Vernon
Role: with the original Epilogue song Actor: Vernon
Role: Olivia Actor: Mrs Baddeley
Role: Maria Actor: Mrs Hopkins
Role: Viola Actor: Miss Younge.

Afterpiece Title: Miss in her Teens

Cast
Role: Fribble Actor: Dodd
Role: Captain Flash Actor: Palmer
Role: Captain Loveit Actor: Davies
Role: Puff Actor: Moody
Role: Jasper Actor: Burton
Role: Tag Actor: Mrs Love
Role: Miss Biddy Actor: Miss Jarratt.
Event Comment: Benefit for Bannister Jun. 1st piece: Never Acted Here. 2nd piece: Written by G. Colman Esq., with Alterations [from his Occasional Prelude]. 3rd piece: Not acted these 10 years [not acted since 17 May 1763]. Receipts: #207 18s. 6d. (89.5.0; 29.19.0; 1.13.6; tickets: 87.1.0) (charge: #106 13s. 8d.)

Performances

Mainpiece Title: The Chapter Of Accidents

Cast
Role: Principal Characters Actor: Palmer, Bensley, Fearon
Role: Woodville Actor: Palmer
Role: Lord Glenmore Actor: Bensley
Role: Governor Harcourt Actor: Fearon
Role: Grey Actor: Aickin
Role: Captain Harcourt Actor: Bannister Jun.
Role: Vane Actor: Lamash
Role: Jacob Actor: Dodd
Role: Bridget Actor: Mrs Wrighten
Role: Miss Mortimer Actor: Mrs Cuyler
Role: Warner Actor: Mrs Love
Role: Cecilia Actor: Miss Farren.

Afterpiece Title: The Young Actor

Afterpiece Title: The Englishman in Paris

Cast
Role: Buck Actor: Bannister Jun.
Role: Classic Actor: Packer
Role: Subtle Actor: Waldron
Role: Sir John Buck Actor: Wrighten
Role: Lucinda Actor: Miss Collett.

Dance: End 2nd piece: The Butterfly, as17800921; In 3rd piece: The Minuet de la Cour-Henry, Miss Collett

Event Comment: Benefit for Bannister Jun. [Author of Prologue to 1st piece unknown. 2nd piece: By permission of G. Colman, Esq. [owner of the copyright]. 3rd piece [1st time; F 2 (?)]: Altered from Woman's a Riddle [by Christopher Bullock; alterer unknown. Not in Larpent MS; not published]. Public Advertiser, 2 Apr.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #286 11s. (145.16; 14.5; 1.12; tickets: 124.18) (charge: #106 1s. 5d.)

Performances

Mainpiece Title: Transformation; Or, The Manager An Actor In Spite Of Himself

Afterpiece Title: The Spanish Barber

Cast
Role: Count Almaviva Actor: Wroughton
Role: The Spanish Barber Actor: Bannister Jun.
Role: Basil Actor: Aickin
Role: Argus Actor: Suett
Role: Tall@boy Actor: R. Palmer
Role: Notary Actor: Benson
Role: Dr Bartholo Actor: Parsons
Role: Rosina Actor: Miss Farren.

Afterpiece Title: The Invisible Mistress

Cast
Role: Courtly Actor: Wroughton
Role: Vulture Actor: Moody
Role: Monks Actor: Barrymore
Role: Aspin Actor: Lamash
Role: Sir Amorous Vain@wit Actor: Bannister Jun.
Role: Lady Outside Actor: Mrs Wilson
Role: Miranda Actor: Mrs Taylor
Role: unassigned Actor: Miss Collins, Miss Tidswell.

Entertainment: Monologue. End 2nd piece: A Touch of the Times; or, A Ramble through London-Bannister Jun

Event Comment: Benefit for R. Palmer. 1st, 2nd and 3rd pieces: Never performed there. By Permission of G. Colman, Esq. [owner of the copyrights]. Public Advertiser, 30 Apr.: Tickets to be had of R. Palmer, No. 14, East Place, Lambeth. Receipts: #144 17s. (43.5; 18.13; 0.14; tickets: 82.5) (charge: #105 9s. 8d.)

Performances

Mainpiece Title: Seeing Is Believing

Cast
Role: Sir Credule Actor: Parsons
Role: Sceptic Actor: Baddeley
Role: Captain Nightshade Actor: R. Palmer
Role: Simon Actor: Bannister Jun.
Role: Kitty Actor: Mrs Cuyler
Role: Diana Actor: Miss Collins.

Afterpiece Title: Tit for Tat

Cast
Role: Villamour Actor: Palmer
Role: Old Meanwell Actor: Packer
Role: Young Meanwell Actor: Whitfield
Role: Servant Actor: Lyons
Role: Skipwell Actor: R. Palmer
Role: Letty Actor: Miss Pope
Role: Florinda Actor: Miss Farren.

Afterpiece Title: Nature Will Prevail

Cast
Role: Current Actor: Palmer
Role: Padlock Actor: Suett
Role: Almandine Actor: Mrs Cuyler
Role: Finette Actor: Mrs Wilson.

Afterpiece Title: The Lyar

Cast
Role: Young Wilding Actor: Palmer
Role: Old Wilding Actor: Aickin
Role: Sir James Elliot Actor: R. Palmer
Role: Papillion Actor: Burton
Role: Miss Godfrey Actor: Miss Barnes
Role: Kitty Actor: Miss Tidswell
Role: Miss Grantham Actor: Mrs Kemble.
Event Comment: Afterpiece [1st time; F 2, ascribed variously to John O'Keeffe and to James Foord; adapted from La Gageure Imprevue, by Michel Jean Sedaine. Text prints a Prologue "Supposed to be written by G. Colman, Esq., and intended to be spoken by Bannister Jun.," but "it arrived, by accident, too late at the theatre to be studied and recited" (London Chronicle, 25 Aug.)]. "A new afterpiece was...attempted to be represented, [but] it was not heard out" (Public Advertiser, 19 Aug.). Public Advertiser, 8 Oct. 1788: This Day is published A Key to the Lock (1s.)

Performances

Mainpiece Title: Inkle And Yarico

Cast
Role: Wowski Actor: Mrs Plomer
Role: Patty Actor: Mrs Forster
Role: Campley Actor: Davies.
Role: Inkle Actor: Bannister Jun.
Role: Sir Christopher Curry Actor: Kemble
Role: Medium Actor: Baddeley
Role: Mate Actor: Chapman
Role: Planters Actor: Usher, Gardner, Johnson
Role: Sailors Actor: Ledger, Painter
Role: Waiter Actor: Farley
Role: Trudge Actor: Edwin
Role: Narcissa Actor: Mrs Bannister
Role: Yarico Actor: Mrs Kemble.

Afterpiece Title: A Key to the Lock

Cast
Role: Don Juan Actor: Bannister Jun.
Role: Don Pedro Actor: Iliff
Role: Sancho Actor: Usher
Role: Antonio Actor: R. Palmer
Role: Inis Actor: Miss Collett
Role: Laura Actor: Miss Palmer
Role: Margaretta Actor: Mrs Gaudry
Role: Donna Elvira Actor: Mrs Brooks
Role: unassigned Actor: Abbot.