SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Crow Street Theatre Dublin"/1) | (@(roleclean,performerclean) "Crow Street Theatre Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3709 matches on Event Comments, 590 matches on Performance Comments, 152 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: 11th time [i.e. in continuation of the reckoning for the previous season]. The Music composed by Baumgarten, Paisiello, Dr Arne, W. Parke. Howard and Shield. Books of the Songs to be had at the Theatre. Receipts: #230 12s. 6d. (226.1.6; 4.11.0)

Performances

Mainpiece Title: Othello

Afterpiece Title: Netley Abbey

Event Comment: [Mrs Gibbs was from the hay.] Afterpiece: 21st time [i.e. in continuation of the reckoning for the previous season]. The Music composed, and selected from Cherubini, Kreutzer and Andreozzi, by Storace. An Accurate Edition of Lodoiska to be had at the Theatre. Powell, 26 Sept.: Provoked Husband rehearsed at 10; Lodoiska at 12 (for Palmer); 27 Sept.: Lodoiska rehearsed at 10 (for Bannister). Receipts: #433 19s. 6d. (296.14.0; 134.13.0; 2.12.6)

Performances

Mainpiece Title: The Provok'd Husband; Or, The Journey To London

Afterpiece Title: Lodoiska

Event Comment: Powell: In Consequence of Palmer not coming in time to the Theatre, the Audience were kept in waiting and the Play, which was ordered by Mr Sheridan to begin 5 minutes before the usual time [6:30], could not be begun till within Ten minutes of Seven o'Clock. Benson being lame Fisher went on as Casimir and Caulfield doubled the Part with his own. Roman Actor read at 10 [this Play not acted this season; see Powell, 18 Oct.]; Douglas rehearsed at 12 (for Mrs Siddons and Palmer). Receipts: #412 16s. (325.17.6; 80.18.6; 6.0.0)

Performances

Mainpiece Title: The Jew

Afterpiece Title: Lodoiska

Event Comment: The Publick is respectfully requested to observe that no Play Bills can be depended upon for this Theatre except those signed by C. Lowndes [and see 16 Sept.]. Powell: Mountaineers rehearsed at 10. Receipts: #252 2s. (209.5.6; 42.15.6; 0.1.0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: My Grandmother

Song: The Original Music of Matthew Locke and Accompaniments by Dr Arne and Linley? Sen.-; Chorus of Witches and Spirits-Kelly, Master Welsh, Sedgwick, Dignum, Cooke, Mrs Crouch, Mrs Bland, Miss Leak, Miss Menage, Miss Redhead

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Holman; Cymbeline-Richardson; Cloten-Bernard; Bellario-Farren; Arviragus-Middleton; Guiderius-Macready; Pisanio-Harley; Caius Lucius-Davies; Lords-Claremont, Davenport; Phillario-Powel; Frenchman-Farley; Iachimo-Pope; Queen-Mrs Fawcett; Helen-Miss Leserve; Imogen-Miss Wallis (from the Theatre Royal Bath).

Afterpiece Title: Robin Hood

Song: II: Hark! Hark! the Lark-Townsend, Linton, Gray, Mrs Martyr, Mrs Clendining, Mrs Mountain, Mrs Henley, Miss Poole

Event Comment: Mainpiece: With new Scenery, Dresses and Decorations. The Words of the Dirge and the Elegy to be delivered Gratis, at the Doors of the Theatre. Receipts: #299 13s. (294.17; 4.16)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Oscar and Malvina

Dance: I: a Masquerade Scene incident to the Play, in which a favorite Pas de Deux-Byrne, Mme Rossi

Song: End IV: Juliet's Funeral Procession; with a favourite Elegy- (composed by Dr Arne); the Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Gray, Linton, Rock, Blurton, Abbot, Miss Poole, Mrs Mountain, Mrs Clendining, Miss Hopkins, Miss Stuart, Mrs Arnold, Miss Leserve, Mrs Lloyd, Mrs Bayzand, Mrs Blurton, Mrs Master, Mrs Martyr

Event Comment: [1st piece: Epilogue by Miles Peter Andrews.] 2nd piece [1st time; MF 2, by William Pearce. In 1796 acted at cg, reduced to 1 act]: Scenery entirely new, consisting of several Views taken from the Spot, and executed by Richards. The Music selected and composed by Shield. Books of the Songs to be had at the Theatre. Morning Chronicle, 16 Nov. 1794: This Day is published Arrived at Portsmouth (1s.). The Doors to be opened at 5:15. To begin at 6:15 [see 22 Apr. 1795]. Receipts: #203 5s. (200.1; 3.4)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: Two Strings to Your Bow

Event Comment: [This was Baddeley's last appearance on the stage (see 19 Nov.).] Powell: R. Palmer Ill, Benson Trip [as in playbill]; Banks Servt to Joseph Surface for Benson. School for Lovers rehearsed at 10; Mithridates at 12 [but this play not acted at this or any other London theatre between 1738 and 1800], Receipts: #329 1s. (259.0.6; 68.9.0; 1.11.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: My Grandmother

Song: III: a song-Sedgwick

Event Comment: [In afterpiece the playbill retains Johnstone, but "An apology was made for Johnstone's absence from the theatre, on account of indisposition, and his character was undertaken, at a short notice, by Macready" (Morning Herald, 13 Nov.).] Receipts: #159 18s. (149.1.6; 10.16.6)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Arrived at Portsmouth

Dance: In II: Masquerade Dance- incident to the Play

Event Comment: [The playbill retains Baddeley as Moses , and Mrs Heard as the Maid , but "Mr Baddeley being suddenly taken ill at the Theatre this Evening Banks play'd the part of Moses, and Evans doubled Surface's Servant with his own, Mrs Heard Ill, Mrs Jones the Maid" (Powell). Baddeley was stricken with apoplexy while still in his dressing room before the play began; he died the following day.] Powell: New Ballet [Alexander the Great] rehearsed at 10; Chorus of 1st Act of Cherokee at 12. Receipts: #174 13s. (136.4.6; 36.5.0; 2.3.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: No Song No Supper

Song: As17941112

Event Comment: Mainpiece: With Alterations [by John Philip Kemble. In his version, as published in 1793, Lewis is assigned to Barrymore, Helena to Mrs Siddons, the Countess to Mrs Ward, Diana to Mrs Powell. Genest lists the present cast; it appears to be reliable. He omits Phillimore, who is assigned in the text, and Miss Tidswell]. A new Edition of All's Well that Ends Well to be had in the Theatre. Afterpiece: With a Sea Fightv. Powell: Drummer rehearsed at 10; Critic at 11:30; Cherokee at 1. Receipts: #282 1s. (178.19; 99.16; 3.6)

Performances

Mainpiece Title: All's Well That Ends Well

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Larpent MS 1050; published (pirated) 1795]: The Musick, principally new, composed by Storace, with a few Pieces selected from Anfossi, Mozart, Bianchi, Ditters and Sarti. The Scenes and Decorations are all designed and painted by Greenwood, except the View of the New Settlement, which is by Capon. The Dresses, &c. are executed by Johnston and Miss Rein. Books of the Songs to be had in the Theatre. Powell: Cherokee rehearsed at 9:30. Receipts: #340 5s. 6d. (284.5.0; 54.13.0; 1.7.6)

Performances

Mainpiece Title: The Cherokee

Afterpiece Title: The Wedding Day

Event Comment: The Public are respectfully informed that, a sufficient Profit being allowed to the Persons who sell Plays and Books of Songs in the Theatre, those Persons are forbidden to demand for such Plays or Books of Songs more than the Price marked thereon, upon pain of dismission from their employ. [Afterpiece in place of The Pannel, advertized on playbill of 27 Dec.] Powell: Messrs Danby & Fisher absent from this Evening's Performance, Ill. Measure for Measure rehearsed at 10; New Ballet at 12. Receipts: #208 8s. (167.4.6; 39.13.6; 1.10.0)

Performances

Mainpiece Title: The Cherokee

Afterpiece Title: The Deaf Lover

Event Comment: A new Edition of Measure for Measure [altered by John Philip Kemble] to be had in the Theatre. Powell: Miss Leak absent from this Evening's Performance, Ill. New Ballet rehearsed at 12. Receipts: #248 8s. 6d. (193.2.6; 53.18.0; 1.8.0)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Lodoiska

Event Comment: The whole under the direction of Viotti, who is engaged as Acting Manager at this Theatre

Performances

Mainpiece Title: Zenobia In Palmira

Dance: As17941220

Event Comment: [Wathen was from the Richmond theatre. Afterpiece in place of Lodoiska, advertised on playbill of 24 Jan.] Powell: Mountaineers rehearsed at 11; New Ballet at 12. Receipts: #171 6s. (125.7; 41.2; 4.17)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: My Grandmother

Event Comment: [Miss Mellon, who was from the Stafford theatre, is identified by MS annotation on Kemble playbill. In afterpiece the playbill retains Dignum as Ithorak, but "Ithorak Cooke, Dignum Ill; Michael [omitted from playbill] Trueman, Bland Ill; the Speech of the 1st Page Master Gregson, Master Welsh Ill" (Powell).] Powell, 30 Jan.: Rivals rehearsed at 11; New Ballet at 2 and at 6; 31 Jan.: Prize rehearsed at 12; New Ballet at 2. Receipts: #215 6s. 6d. (149.0.6; 63.9.6; 2.16.6)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Lodoiska

Event Comment: Powell: Sedgwick not coming to the Theatre, his 1st Scene in My Grandmother was oblig'd to be omitted. The above Neglect Mr Sedgwick is too often guilty of. New Ballet rehearsed at 12. [Mainpiece in place of The Clandestine Marriage, advertised on playbill of 6 Feb.] Receipts: #103 7s. 6d. (65.12.6; 31.14.0; 6.1.0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: My Grandmother

Song: As17941029

Event Comment: The Subscribers and the Public are most respectfully informed that several of the Performers of this Theatre, both Singers and Dancers, being confined with severe illnesses at present so prevalent, the performance of the Opera is unavoidably postponed to Saturday next (Morning Chronicle, 9 Feb.)

Performances

Mainpiece Title: None

Event Comment: On account of the indispensable necessity of having an Evening's Rehearsal of [Alexander the Great], Ladies and Gentlemen will please to take notice there can be No Play at this Theatre To-morrow Evening (notice on playbill of 10 Feb.)

Performances

Mainpiece Title: None

Event Comment: [In mainpiece the playbill retains Barrymore as Careless, but "Barrymore came too late to play Careless, in consequence of which Dignum did the part and sang Sedgwick's song, who came in time to the theatre [Powell's italics, see 7 Feb.], but begged to be excused going on from the violent pain he was in, occasioned by a swelling upon his finger. Dignum not in time to be discovered at Lady Sneerwell's rout, but came on after the Scene opened. Fisher, one of the waiters in the above Scene, was absent. Caulfield absent from the scene with Charles, and Kelly Jr. not being in time to be discovered With the rest, walked on after the Scene opened." [In afterpiece] the playbill retains Aumer as Hephestion, "Hephestion C. Kemble, Aumer at the Opera House" (Powell).] Receipts: #349 7s. (264.16; 81.10; 3.1)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Alexander the Great

Song: [omitted from playbill]As17950128

Event Comment: A Sacred Oratorio; the music entirely by Guglielmi, composed purposely for Mme Banti at the Royal Theatre of St.@Charles at Naples [in l788]; with Grand Chorusses under the direction of Dr Arnold, who will himself preside at the organ. At the harpsichord, Federici. Leader of the Band, Cramer. The Orchestra, vocal and instrumental, will consist of nearly two hundred performers

Performances

Mainpiece Title: Debora And Sisara

Music: End Part I: a Grand Overture by Haydn-; conducted-Haydn

Song: At commencement Part II: Angels ever bright and fair-Mme Banti

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland. Prologue and Epilogue by the author (Pocket Magazine, Mar. 1795, pp. 190, 191)]: With new Scenes, &c. Powell, 27 Feb.: Wheel of Fortune rehearsed at 11; 28 Feb.: Wheel of Fortune rehearsed at 10. "The character of Penruddock is [Kemble's] greatest performance, and I believe it to be a perfect one. It is admirable...because the very defect which hurts his general style of acting, that studious and important preciseness, which is affectation in all his other characters, contributes to the strength, to the nature of Penruddock" (Leigh Hunt, Critical Essays on the Performers of the London Theatres, 1807, p. 8). Receipts: #255 19s. (195.10; 57.15; 2.14)

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor (see text). Address by John Wolcot (Pocket Magazine, supra)]: With new Dresses and Decorations. [Mrs Lee was from the Salisbury theatre.] Morning Chronicle, 11 May 1795: This Day is published Life's Vagaries (2s.). Receipts: #268 3s. 6d. (259.19.6; 8.4.0)

Performances

Mainpiece Title: Life's Vagaries

Afterpiece Title: Rosina

Song: In: I can dance and sing-Mrs Lee. [Not listed on playbill, but see BUC, p. 619.

Performances

Mainpiece Title: The Telegraph

Afterpiece Title: The Comedy of Errors

Afterpiece Title: The Miser

Afterpiece Title: The Devil to Pay

Performance Comment: Jobson (for that night only)-Hughes (Manager of the Theatre Royal, Weymouth); Sir John Loverule (with Old Towler)-Incledon (1st appearance in that character); Butler-Townsend; Coachman-Rock; Cook-Rees; Lady Loverule-Mrs Fawcett; Lucy-Miss Stuart; Lettice-Miss Leserve; Nell-Mrs Mattocks (1st appearance in that character).

Song: III 2nd piece: song in character-Mrs Clendining