Event Comment: For ye Author of ye farce tho' not advertis'd (Cross). Afterpiece: At the Particular Desire of several Persons of Quality. Being the last time but one of performing it this season. Receipts: #180 (Cross)

Event Comment: Benefit for Raftor, Roger, Shawford & Bowers. No Building on the Stage. Receipts: #190 (Cross)

Event Comment: MMr Woodward has enter'd into partnership with Mr Barry in a new Theater in Ireland & has taken from us Mr Walker and Wife (Miss Minors that was) Mr Vernon, Mr Jefferson and Wife-from Mr Rich, Mr Arthur, Mr White, Mr Chambers, Mr Finny (his Scene-man) & others (Cross). Receipts: #120 (Cross); #128 15s. (Winston MS 8). Places for Boxes to be had of Mr Varney at the stage door. No admittance behind scenes, nor any money returned after the Curtain is drawn up. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. [This notice regularly occurs at foot of bill and will not be noted further this season. The box receipts recorded from Winston MS 8 seem to have been taken by him from the Huntington Library playbills (second set) annotated by J. P. Kemble from a Treasurer's Book.] Letter to Mr G@k on Opening of the Theatre, With Observations on Managers, Actors, Authors, and their Audiences and Particularly New Performers. 6d. Published by Cooke opposite Drury Lane Theatre. [It is a plea for more frequent appearances of Garrick, especially in lighter parts, now that Woodward has left; for especially good plays on Saturday nights; for striking from the repertoire all immoral, immodest and cruel plays; for being a sport about competition with Rich; for better regulation of the boxes, on a first-come, first-pay basis; for training up the most promising young actors gradually and not casting them in parts beyond their reaches; for more new plays; and for an advisory council in selecting them; for omission of personal satirical attacks in comedy.

Event Comment: MMr Fleetwood first appear'd--he did Romeo & was receiv'd with great & deserv'd Applause--he is son to our Late Patentee (Cross). Receipts: #200 (Cross); #210 19s. (Winston MS 8)

Event Comment: Great applause again--& he mended (Cross). Receipts: #150 (Cross)

Event Comment: OObrien did Brazen, for his first appearance, & met with great Applause (Cross). [See a two-column comment on The Recruiting Officer and O'Brien's acting in Theatre No II published in The London Chronicle, No. 277, 5-7 Oct., p. 343: "The character of Brazen never existed in human nature, but is merely the child of Farquhar's own licentious invention...and for this reason I imagined it impossible for any actor to appear to advantage in it, without having recourse to that buffoonery and grimace which has always been made use of by the most eminent to support it; but I was agreeably surprised to find myself mistaken: for the young gentleman who has now got it into his possession goes through the whole with a genuine comic spirit; and, by his peculiar method of acting it, in a great measure corrects the unnatural absurdity of the writer." Specific details of his acting as well as comments on other roles are given.] Receipts: #150 (Cross); #174 3s. 6d. (Winston MS 8)

Event Comment: Dance by Signor Grimaldi (Cross). Receipts: #170 (Cross); #154 12s. (Winston MS 8)

Event Comment: MMr Fleetwood in ye fight with Paris in ye last Act, having a Sword by his Side instead of a Foil, run Mr Austin (Paris) into the belly, he lay some time but at last call'd to be taken off--a Surgeon was sent for--No harm, a Small Wound, & he is recover'd (Cross). Receipts: #140 (Cross); #153 6d. (Winston MS 8)

Event Comment: Afterpiece: By Foote alter'd from Taste &c. (Cross). Receipts: #180 (Cross); #183 3s. (Winston MS 8)

Event Comment: Receipts: #90 (Cross); #93 13s. 6d. (Winston MS 8)

Event Comment: Great Calling for ye Imitations & they were done (Cross). Receipts: #130 (Cross); #160 10s. 6d. (Winston MS 8)

Event Comment: Imitations as before (Cross). Receipts: #130 (Cross); #154 9s. 6d. (Winston MS 8)

Event Comment: Imitations as before (Cross). Receipts: #100 (Cross); #143 18s. (Winston MS 8)

Event Comment: MMr Garrick did Marplot Mr Garrick spoke an Epilogue to the Busy Body & was greatly receiv'd, the Audience wou'd fain have had it repeated, but when I told 'em he was not well, the noise ceas'd. Mr Grimaldi [hurt?] in a Jump in the Swiss (Cross). Receipts: #210 (Cross); #204 10s. 6d. (Winston MS 8)

Event Comment: Benefit for ye Lock Hospital (Cross). Receipts: #160 (Cross); Charges #84 (Winston MS 8)

Event Comment: MMr Foote advertis'd the Author, with Alterations for his farce, but Mr Apreece obtain'd an order from ye Ld Chamberlain to stop it. Benefit for Mr Foote (Cross). Foote advertised that he would deliver [an apology] that night at Drury Lane at his benefit there against any imputation against him on account of the Author being prohibited (Winston MS 8). Advertised Diversions of the Morning for positively the last time (playbill). Receipts: #220 (Cross); Charges #63 (Winston MS 8)

Event Comment: Benefit for ye General Lying-in-Hospital. Afterpiece a new farce (Cross). Part of Pit laid into Boxes & Amphitheatre on Stage. Ladies are desired to send their servants at 3 o'clock. Receipts: #320 (Cross); Charges #84 (Winston MS 8)

Event Comment: The Farce dislik'd (Cross). Receipts: #160 (Cross); #169 18s. 6d. (Winston MS 8). [See review of the reception and circumstances of publication in Gentleman's Magazine (p. 37), which presents Hill in no good light. See also review of A Letter to the Honourable Author of the Rout (idem.) with its charges against Garrick.

Event Comment: Receipts: #110 (Cross); #125 (Winston MS 8)

Event Comment: MMrs Macklin dy'd (Cross). The Rout deferred by indisposition of a principal performer. Receipts: #140 (Cross); #132 15s. 6d. (Winston MS 8)

Event Comment: MMr Oram (our Painter) dy'd-a worhty honest Man (Cross). Receipts: #150 (Cross); #147 6s. (Winston MS 8)

Event Comment: Mainpiece: By Particular Desire. Receipts: #170 (Cross); #166 14s. (Winston MS 8). Sun. Dec. 31, 1758 Mrs Macklin buried at Covent Garden (Cross)

Event Comment: MMr Oram buried at St. Martins (Cross). [This year was translated and published Rousseau's Letter to M D'Alembert (Preface and 190 pp.) on the effect of dramatic entertainments on mankind. Thesis: Aim of the stage is to amuse; authors succeed when they follow the whims of the public. "Let us not then attribute to the stage a power of changing opinions or manners, when it is only that of following or heightening them."] Receipts: #130 (Cross); #129 16s. 6d. (Winston MS 8)

Event Comment: This Play tho' all new dress'd and had Fine Scenes did not seem to give ye audience any great plasure, or draw any applause (Cross). Written by Shakespear. Never Acted there. New Habits, Scenes, and Decorations. Nothing under Full Prices will be taken during the Performance. No Gentleman can possibly be admitted behind the Scenes, or into the Orchestra on account of the Music, Decorations, and number of Performers which are necessary to the Representation (playbill). [See "Garrick's Presentation of Antony and Cleopatra," RES, Jan. 1937. The following characters appear in Capel's acting text, 23 Oct. 1958, Maecenas-Cross">Atkins; Proculeius-$Austin; Soothsayer-$Burton; Mardian-$Perry; Seleucas-$Burton.] Receipts: #200 ($Cross); #193 14s. (Winston MS 8)

Event Comment: MMr Taswell dy'd -an excellent Actor, the best in that Way since Johnson (Cross). Receipts: #160 (Cross); #165 16s. 6d. (Winston MS 8)