Event Comment: Benefit for the Author (Cross). Being the last time of performing till the Holidays. Receipts: #190 (Cross)

Event Comment: Receipts: #130 (Cross)

Event Comment: Benefit for the Author (Cross). Receipts: #180 (Cross)

Event Comment: Afterpiece went off better (Cross). Receipts: #180 (Cross)

Event Comment: Afterpiece better still (Cross). Receipts: #190 (Cross)

Event Comment: By Command of Princess of Wales and 6 more (Cross). Receipts: #200 (Cross)

Event Comment: Receipts: #180 (Cross)

Event Comment: MMr Woodward's Night for ye Pantomime. Receipts: #205 (Cross)

Event Comment: Receipts: #120 (Cross)

Event Comment: The Russian Embassador's ball at Summerset House (Cross). [The Tuner, Letter No. 5, noted that Guards were stationed on the stage at this time.] Receipts: #100 (Cross)

Event Comment: Mainpiece: By Particular Desire. The greatest crowd I ever saw since the Delevals play'd. This (tis said) was Mr Garrick's Benefit (Cross). Receipts: #220 (Cross)

Event Comment: Benefit for ye Composer--tho' not in ye Bills (Cross). Receipts: #160 (Cross)

Event Comment: Benefit for Mrs Pritchard (Cross). Mainpiece: Not acted these 30 years. This day publish'd. Price 1s. Reflections upon Theatrical Expression in Tragedy. [By Roger Pickering. This is a defense of the theatrical profession, "which in all countries is considered low and contemptible." Author's thesis: "A master of theatrical expression in all its extensive significancy must be possess'd of such accomplishments, as to set the profession above all contempt." Garrick is mentioned as best example. True tragic expression "requires Genius, Education, Reading, Experience...and a solidity of thought which never accompanies abject morals" (p. 11). Includes an interesting treatise on acting-sections on figure, voice, ear, memory, management of feet and legs. Comments on costume: "Taste in dress demands that an actor be conversant in the mode of dress ancient and modern, in other countries as well as in our own...Alexander and Cato were not masters of the snuff box, nor Greek women of French heels." The appendix asks why all our plays are not dressed in character in point of time and place, and why they do not contain at least one "scene" proper to the country. The author (p. 61) sees need for variety in acting same role, especially when a play has a continuous run of several nights. He calls (p. 77) for creation of appropriate mood for the play by selection of proper music between the acts. Wants a softening of the prompter's bell. Concludes by damning contemporary audience manners, especially those of the stage loungers (pp. 79-81).] Receipts: #314 (Cross)

Event Comment: Benefit for Mrs Clive (Cross). Music of Afterpiece by DeFesch. Tickets at her lodgings at the Wheatsheaf in Henrietta St., and at the Stage Door. Afterpiece: Never performed but twice. Part of Pit to be laid into the boxes. Receipts: #210 (Cross)

Event Comment: Benefit for Mrs Cibber (Cross). Tickets delivered for the 11th will be taken (playbill). Receipts: #280 (Cross)

Event Comment: Farce never performed before, taken from second part of ye Busy Body (Cross). For the benefit of Woodward. Garrick had Woodward act Polonius seriously (Genest, IV, 408). Receipts: #300 (Cross)

Event Comment: Benefit for Miss Macklin (Cross). Receipts: #180 (Cross). Ladies to send for tickets for the places they taken at Miss Macklin's, Russel St. next door to Tom's Coffee House. Part of Pit laid into Boxes and Amphitheatre on stage. Afterpiece: By Particular Desire. Last time of Performing till the Holidays. On seeing Miss Macklin in the character of the Mourning Bride: @Should Death (for Oh! what power can save Our tragic heroine from the grave)@At Cibber aim his dart:@Tears should forever speak my moan,@For oh! 'tis she, and she alone@Can melt the feeling heart.@Britannia spake, when Lo! a Voice@Britain be happy, and rejoice,@That, when your Cibber dies@The Gods have yet in store for thee,@A Macklin; and in her you'll see@Another Cibber rise.--Public Adveriser@

Event Comment: Benefit for Mr Havard (Cross). Last time of performing the Mainpiece this season. Tickets of Havard at his house in Broad Court, Bow St., Covent Garden, and at the Bedford Coffee House and the Stage Door. [The Public Advertiser lists Old Knowell this night as Berry.] Receipts: #190 (Cross)

Event Comment: Benefit for Mlle Auretti--she sick in bed (Cross). Receipts: #190 (Cross)

Event Comment: Benefit for Miss Haughton--masters share (Cross). Full Prices. That there may be no Obstruction in the Machinery, there will be no building on the stage. Tickets of Miss Haughton, in Chandois St., and at Stage Door. Receipts: #100 (Cross)

Event Comment: Tickets deliver'd for the Busy Body will be taken. Receipts: #100 (Cross)

Event Comment: Benefit for Mr Raftor and Miss Young (Cross). [Miss Young is referred to as "The Queen of the Fairies " on the Huntington advance Bill.] Tickets to be had of Miss Young, at Mr Driscol's, Peruke Maker, in Broad Court, Bow Street Covent Garden, and at Stage Door. There will be no building on the Stage. Receipts: #80 (Cross)

Event Comment: Benefit for Mathews and Miss Minors. Receipts: #90 (Cross)

Event Comment: Benefit for Burton and Philips. Tickets of Philips at Martlet Court in Bow St., Covent Garden, and at the stage door (Playbill). [Advertised as not acted in 10 years, but see 29 Oct. 1748.] Receipts: #220 (Cross)