SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Creed"/1) | (@(roleclean,performerclean) "Creed")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 41 matches on Roles/Actors, 22 matches on Event Comments, 2 matches on Performance Comments, 0 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: Edwy And Elgiva

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Alexander the Great

Song: The Original Music, as17941007; Chorus of Witches and Spirits, as17941007, but Miss DeCamp, Mrs _Crouch

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Alexander the Great

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Alexander the Great

Ballet: Preceding: The Deserter. Alexis-J. D'Egville; Jean Louis-G. D'Egville; Bertrand-Aumer; Mountauciel-Fialon; Gaoler-Fairbrother; Court@Chemin-Boimaison; The King-Phillimore; Louisa-Mrs Fialon; Margaretta-Miss Heard; Janetta-Miss Menage; Duchess-Miss Collins; Officers, Attendants-

Event Comment: Pepys, Diary: Captain Fererrs, my Lord's Cornet, comes to us, who after dinner took me and Creed to the Cockpitt play, the first that I have had time to see since my coming from sea, The Loyall Subject, where one Kinaston, a boy, acted the Duke's sister but made the loveliest lady that ever I saw in my life, only her voice not very good

Performances

Mainpiece Title: The Loyal Subject

Event Comment: Pepys, Diary: We met with Mr Salisbury, who took Mr Creed and me to the cockpitt to see The Moore of Venice, which was well done. Burt acted the Moore; by the same token, a very pretty lady that sat by me, called out, to see Desdemona smothered. Possibly Clun acted Iago. Pepys (6 Feb. 1668@9) refers to his playing that role, and a reference to Clun as Iago appears in A Most Execrable Murther in A Little Ark, ed. G. Thorn-Drury, pp. 30-31. See also entry of 14 Aug. 1660

Performances

Mainpiece Title: The Moore Of Venice

Event Comment: The Duke's Company. Pepys, Diary: Creed and I to Whitefriars to the Play-house, and saw The Mad Lover, the first time I ever saw it acted, which I like pretty well

Performances

Mainpiece Title: The Mad Lover

Event Comment: The Duke's Company. Pepys, Diary: Mr Creed and I to White-Fryars, where we saw The Bondman acted most excellently, and though I have seen it often, yet I am every time more and more pleased with Betterton's action

Performances

Mainpiece Title: The Bondman

Event Comment: The Duke's Company. Pepys, Diary: Then by water, Creed and I, to Salisbury Court and there saw Love's Quarrell acted the first time, but I do not like the design or words

Performances

Mainpiece Title: Love's Quarrel

Event Comment: Pepys, Diary: So back to the Cockpitt [Whitehall], and there, by the favour of one Mr Bowman, he [Creed] and I got in, and there saw the King, and Duke of York and his Duchess (which is a plain woman, and like her mother, my Lady Chancellor). And so saw The Humersome Lieutenant acted before the King, but not very well done. But my pleasure was great to see the manner of it, and so many great beauties, but above all Mrs Palmer, with whom the King do discover a great deal of familiarity. Sometime before the Coronation of Charles II, on 23 April 1661, there may have been acted The Merry Conceited Humours of Bottom the Weaver. An edition of 1661 refers to its being "often publikely acted by some of his Majesties Comedians" and the Dedication suggests that it would make a good entertainment at the mirthful time of the Coronation. The edition lists no actors' names, no prologue, no epilogue

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: The King's Company. Pepys, Diary: After dinner with Mr Creed and Captain Ferrers to the Theatre to see The Chances

Performances

Mainpiece Title: The Chances

Event Comment: Pepys, Diary: Having sent for Mr Creed, had thought to have shown my wife a play before the King, but it is so late that we could not

Performances

Mainpiece Title: An Unidentified Play

Event Comment: This was probably acted by the King's Company, which acted the play several times in 1660-61. Pepys, Diary: At White Hall by appointment, Mr Creed carried my wife and I to the Cockpitt, and we had excellent places, and saw the King, Queen, Duke of Monmouth, his son, and my Lady Castlemaine, and all the fine ladies; and The Scornfull Lady, well performed. They had done by eleven o'clock

Performances

Mainpiece Title: The Scornful Lady