SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Court of Chancery"/1) | (@(roleclean,performerclean) "Court of Chancery")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 593 matches on Event Comments, 64 matches on Performance Title, 42 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: 'It is not certain what company played at this theatre ont his day Pepys, Diary: To Salisbury Court play house, where was acted the first time 'Tis pity Shee's a Whore, a simple play and ill acted, only it was my fortune to sit by a most pretty and ingenious lady, which pleased me much

Performances

Mainpiece Title: 'tis A Pity She's A Whore

Event Comment: The Duke's Company. Pepys, Diary: I...called my wife at my brother's where I left her, and to the Opera, where we saw The Bondman, which of old we both did so doat on, and do still; though to both our thinking not so well acted here (having too great expectations), as formerly at Salisbury-court. But for Betterton he is called by us both the best actor in the world

Performances

Mainpiece Title: The Bondman

Event Comment: On this date Jean Chamouveau received #300 for the services of a French company, who presumably acted at court on 16 Dec. 1661 (CSP, Treasury Books, 1660-1667, p. 311, in Nicoll, Restoration Drama, p. 252)

Performances

Event Comment: Boswell, (Restoration Court Stage, p. 280) lists this as by the King's Company, which had given it on 23 July 1662. Pepys, Diary: Hearing that there was a play at the Cockpit (and my Lord Sandwich, who came to town last night, at it), I do go thither, and by very great fortune did follow four or five gentlemen who were carried to a little private door in a wall, and so crept through a narrow place and come into one of the boxes next the King's, but so as I could not see the King or Queene, but many of the fine ladies, who yet are really not so handsome generally as I used to take them to be, but that they are finely dressed. Here we saw The Cardinall, a tragedy I had never seen before, nor is there any great matter in it. The company that came in with me into the box, were all Frenchmen that could speak no English, but Lord! what sport they made to ask a pretty lady that they got among them that understood both French and English to make her tell them what the actors said

Performances

Mainpiece Title: The Cardinal

Event Comment: See Boswell, Restoration Court Theatre, pp. 56-57, for a stage which may have been used for the puppets, and also Speaight, English Puppet Theatre, p. 73. Pepys, Diary: To my Lord's again, thinking to speak with him, but he is at White Hall with the King, before whom the puppet plays I saw this summer at Covent-garden are acted this night

Performances

Mainpiece Title: Puppets

Event Comment: This play was probably given by the King's Company, which presented it a number of times later. See Noyes, Ben Jonson, pp. 42-43. Evelyn, Diary: I saw Vulpone acted at court before their Majesties &c

Performances

Mainpiece Title: Volpone

Event Comment: If Downes is correct that this play was given ten days successively, the run lasted from Saturday 18 through Tuesday 28 (including one performance at court)

Performances

Mainpiece Title: The Villain

Event Comment: See Boswell (Restoration Court Stage, p. 280), who identifies the company as the King's Company. Evelyn, Diary: Saw the Young Admiral acted coram Rege &c

Performances

Mainpiece Title: The Young Admiral

Event Comment: The King's Company. This is the first known performance of the comedy, but it may not be the premiere. Evelyn, Diary: At night saw acted the Committe, a ridiculous play of Sir R. Howards where that Mimic Lacy acted the Irish-footeman to admiration: a very Satyrus or Roscius. Downes, Roscius Anglicanus, p. 16: @For his Just Acting, all gave him due Praise,@His Part in the Cheats, Jony Thump, Teg and Bayes,@In these Four Excelling; The Court gave him the Bays.

Performances

Mainpiece Title: The Committee

Event Comment: L. C. 5@137, p. 389, in Boswell, Restoration Court Stage, p. 281. By the Duke's Company. Charles II to Madame (his sister), 9 Feb. 1662@3: I am just now called for to goe to Play (C. H. Hartman, Charles II and Madame [London, 1934], p. 68)

Performances

Mainpiece Title: An Unidentified Play

Event Comment: The Duke's Company. Pepys, Diary: So resolved to take my wife to a play at court to-night, and the rather because it is my birthday....While my wife dressed herself, Creed and I walked out to see what play was acted to-day, and we find it The Slighted Mayde. But, Lord! to see that though I did know myself to be out of danger, yet I durst not go through the street, but round by the garden into Tower Street. By and by took coach, and to the Duke's house, where we saw it well acted, thought the play hath little good in it, being most pleased to see the little girl [Moll Davis] dance in boy's apparel, she having very fine legs, only bends in the hams, as I perceive all women do

Performances

Mainpiece Title: The Slighted Maid

Cast
Role: Salerno Actor: Harris
Role: Iberio Actor: Betterton
Role: Filomarini Actor: Metborn
Role: Lugo Actor: Smith
Role: Arviedo Actor: Cadiman
Role: Corbulo Actor: Young
Role: Peralta Actor: Underhill
Role: Gioseppe Actor: the Elder Noke
Role: Vindex Actor: Sandford
Role: Decio Actor: Mrs Gibbs
Role: Pyramena Actor: Mrs Betterton
Role: Diacelia Actor: Mrs Long
Role: Leandra Actor: Mrs Williams
Role: Menanthe Actor: the Younger Noke
Role: Joan Actor: Turner
Role: Banister Actor:
Role: the Prologue to the King Actor:
Role: the Prologue to the House Actor:
Role: the Epilogue Actor: The Slighted Maid
Role: Epilogue to the King Actor: .
Event Comment: For an account of the play, see John Wilson's The Cheats, ed. Milton C. Nahm (Oxford, 1935). It was licensed on 6 March (p. 124), acted, then forbade on 22 March in an order: Letter to Mr Tho. Killigrew: Signifying the Ks Pleasure that the New Play called the Cheates be no more represented till it be reuiewed by Sir Jo. Denham & Mr Waller. 22 March. 1662-3 (p. 130). Abraham Hill to John Brooke, 28 March 1663: P.S. The new play, called The Cheats, has been attempted on the Stage; but it is so scandalous, that it is forbidden (Familiar Letters of? Abraham Hill, [London, 1717], p. 103. Downes (Roscius Anglicanus, p. 16) concerning Lacy: @For his just Acting, all gave him due Praise,@His Part in the Cheats, Jony Thump, Teg and Bayes,@In these Four Excelling, The Court gave him the Bays.

Performances

Mainpiece Title: The Cheats

Cast
Role: Bilboe Actor: Shottrell
Role: Titere Tu Actor: Clunn
Role: Dilligence Actor: Loueday
Role: Mrs Dilligence Actor: Mrs Marshall
Role: Jolly Actor: Hart
Role: Afterwit Actor: Burt
Role: Edition of 1664 Prologue Actor:
Role: Whitebroth Actor: Cartwright
Role: Runter Actor: Wintersal
Role: Scruple Actor: Lacy
Role: Mopus Actor: Mohun
Role: Mrs Whitebroth Actor: Mrs Covey
Event Comment: The King's Company. Pepys, Diary To the Royall Theatre, where I resolved to bid farewell, as shall appear by my oaths to-morrow against all plays either at publique houses or Court till Christmas be over. Here we saw The Faithfull Sheepheardesse, a most simple thing, and yet much thronged after, and often shown, but it is only for the scenes' sake, which is very fine indeed and worth seeing; but I am quite out of opinion with any of their actings, but Lacy's, compared with the other house

Performances

Mainpiece Title: The Faithful Shepherdess

Event Comment: Evelyn, Diary: I saw the greate Masque at court

Performances

Mainpiece Title: A Masque

Event Comment: Charles II to Madame, 10 Dec. 1663: I am just now going to see a new play (C. H. Hartmann, Charles II and Madame[1934], p. 89). The Duke's Company. W. J. Lawrence, in a review of Boswell, The Restoration Court Stage, in Modern Language Review, XXVIII (1933), 103, suggests that it was The Step-Mother which was given on this occasion. The edition of 1664 lists: The Prologue to the King at the Cockpit at White-Hall. The Epilogue to the King

Performances

Mainpiece Title: The Step Mother

Cast
Role: Sylvanus Actor: Sandford?
Role: Filamor Actor: Bettertun?
Role: Adolph Actor: Young?
Role: Tetrick Actor: Underhill?
Role: Fromund Actor: Price?
Role: Crispus Actor: Smith?
Role: Capito Actor: Metborn?
Role: Gracchus Actor: Lovell?
Role: Sergius Actor: Rob. Noke?
Role: Pontia Actor: Mrs Williams?
Role: Caesarina Actor: Mrs Bettertun?
Role: Violinda Actor: Mrs Davies?
Role: Brianella Actor: Mrs Long?
Role: The Prologue to the King Actor:
Role: The Prologue to the Stage Actor:
Role: The Epilogue to the House Actor: the Step-Mother?
Role: the Step Actor: Mother?
Role: The Epilogue to the King Actor:
Role: Mr Lock Actor: .
Event Comment: The Duke's Company. On Thursday 10 Dec. 1663, Pepys reported that this play was to be acted the following week, but the date of the first performance is uncertain. But--except for the holidays--it was probably acted on consecutive days until 1 Jan. 1663@4, when Pepys saw it. The play is also in Herbert, Dramatic Records, p. 138, as a "Revived Play." Pepys, Diary: I perceive the King and Duke and the Court was going to the Duke's playhouse to see Henry VIII. acted, which is said to be an admirable play. But, Lord! to see now near I was to have broken my oathe, or run the hazard of 20s. losse, so much my nature was hot to have gone thither; but I did not go. Downes (p.24): King Henry the 8th, This Play, by Order of Sir William Davenant, was all new Cloath'd in proper Habits: The King's was new, all the Lords, the Cardinals, the Bishops, the Doctors, Proctors, Lawyers, Tip-staves, new Scenes: The part of the King was so right and justly done by Mr Betterton, he being Instructed in it by Sir William, who had it from Old Mr Lowen, that had his Instructions from Mr Shakespear himself, that I dare and will aver, none can, or will come near him in this Age, in the performance of that part: Mr Harris's performance of Cardinal Wolsey, was little Inferior to that, he doing it with such just State, Port, and Mein, that I dare affirm, none hitherto has Equall'd him:...Every part by the great Care of Sir William, being exactly perform'd; it being all new Scenes; it continu'd Acting 15 Days together with general Applause

Performances

Mainpiece Title: Henry Viii

Cast
Role: King Actor: Betterton
Role: Wolsey Actor: Harris
Role: Duke of Buckingham Actor: Smith
Role: Norfolk Actor: Nokes
Role: Suffolk Actor: Lilliston
Role: Cranmur Actor: Medburn
Role: Bishop Gardiner Actor: Underhill
Role: Earl of Surry Actor: Young
Role: Lord Sands Actor: Price
Role: Queen Catherine Actor: Mrs Betterton.
Event Comment: Pepys, Diary: My wife not being come home from my Lady Jemimah, with whom she had been at a play and at court to-day

Performances

Event Comment: H. B. Wilson, The History of the Merchant-Taylors' School (London, 1814), 1, 344n: 15 March 1664@5. There was this day presented to the court, the bill of charges in erecting the Stage and Seates and other necessaries in the hall, when the Schollers of the companies schoole, at St Laurence Pounctneys, London, acted the play called Love's Pilgrimage, amounting unto seventeen Poundes, Tenn-shillings, and nine-pence

Performances

Mainpiece Title: Love's Pilgrimage

Event Comment: See Boswell, Restoration Court Stage, pp. 22-56. Pepys, Diary: This night I am told the first play is played in White Hall noon-hall, which is now turned to a house of playing. I had a great mind, but could not go to see it

Performances

Event Comment: The Duke's Company. Pepys, Diary: I away before to White Hall and into the new play-house there, the first time I ever was there, and the first play I have seen since before the great plague. By and by Mr Pierce comes, bringing my wife and his, and Knipp. By and by the King and Queene, Duke and Duchesse, and all the great ladies of the Court; which, indeed, was a fine sight. But the play being Love in a Tub, a silly play, and though done by the Duke's people, yet having neither Betterton nor his wife, and the whole thing done ill, and being ill also, I had no manner of pleasure in the play. Besides, the House, though very fine, yet bad for the voice, for hearing. The sight of the ladies, indeed, was exceeding noble; and above all, my Lady Castlemayne. The play done by ten o'clock. I carried them all home, and then home myself, and well satisfied with the sight, but not the play

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

Event Comment: Pepys, Diary: [Mrs Knipp] tells me how Smith, of the Duke's house, hath killed a man upon a quarrel in play; which makes every body sorry, he being a good actor, and, they say, a good man, however this happens. The ladies of the Court do much bemoan him, she says

Performances

Event Comment: The Duke's Company. This performance is on His Majesty's bill at the Duke's Company, L. C. 5@139, p. 125: Worse & Worse at court. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Worse And Worse

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125: Adventure of five houres at court. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: The Adventures Of Five Hours

Event Comment: The King's Company. This performance is on the L. C. lists, 5@139, p. 129, and 5@12, p. 17: The Mayden Queene at court. See also Nicoll, Restoration Drama, p. 343

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125: The Witts at court. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: The Wits