SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Court Theatre Vienna"/1) | (@(roleclean,performerclean) "Court Theatre Vienna")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2944 matches on Event Comments, 399 matches on Performance Comments, 117 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Command of Their Majesties. Tickets to be had and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre at Half a Guinea each. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Those ladies who have had Boxes for the Oratorios, and intend continuing them, are humbly requested to give notice to Fosbrook

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Coronation Anthems

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-Linley Jun

Event Comment: The Account-Book notes that the theatre received #21 on each of the 11 Oratorio nights

Performances

Mainpiece Title: Acis And Galatea; Prodigal Son

Afterpiece Title: A Miscellaneous Concert

Event Comment: Benefit for Grimaldi & Hurst. Public Advertiser, 21 Apr.: Tickets to be had of Grimaldi, Little Piazza, Covent Garden. [Younger was from the Manchester theatre.] Receipts: #217 0s. 6d. (46.14.0; 17.17.6; 0.0.0; tickets: 152.9.0) (charge: #65 16s. 6d.)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: Bon Ton

Dance: End: Grand Dance, as17770425; End I afterpiece: The Irish Fair, as17761031

Song: As17761104

Event Comment: Benefit for a Fund, for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Prelude [1st time; M. PREL 1, by David Garrick, and others. In a synopsis of the plot the London Chronicle assigns Bannister; it lists the names of the other performers and, separately, their parts. The assignments given above are my own conjecture. Not in Larpent MS; the composer of the vaudeville written by Garrick is unknown]. The Words of the Songs will be given at the Theatre. Ladies and Gentlemen are requested to come early, to prevent Confusion. And to send their Servants by Five o'clock to keep the Places. Receipts: #217 8s. 6d. (100.9.0; 25.14.6; 0.0.0; tickets: 91.5.0) (charge: free)

Performances

Mainpiece Title: A Bundle Of Prologues

Afterpiece Title: Twelfth Night

Afterpiece Title: The Jubilee

Event Comment: Benefit for Miss Brown. The Words of the Pastoral Dialogue to be had Gratis at the Theatre. Mainpiece: Not acted these 6 years. Receipts: #244 6s. 6d. (167.1.6; tickets: 77.5.0) (charge: #64 10s.)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Citizen

Related Works
Related Work: The Fair Example: or the Modish Citizens Author(s): Richard EstcourtFlorent Carton Dancourt

Dance: End Dialogue: As17761123; End I: Minuet-Aldridge, Miss Brown

Song: End: New Pastoral Dialogue [Tell me Silvia why so sad?] set to music by Dr Arnold-Miss Wewitzer, Miss Brown

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: Sir John Dormer-Comerford; Sir George Hastings-Brerely; Willoughby-Webb; Villars-Pepys; Captain Dormer-West; Mrs Willoughby-Mrs Nost'e (from the Theatre Royal, York); Miss Willoughby-Mrs West; Miss Dormer-A Lady (1st appearance in London [unidentified]); Miss Montague (with the original Epilogue)-The Lady [who performed Emily in the Deuce is in Him, on 11 Feb.].who performed Emily in the Deuce is in Him, on 11 Feb.].

Afterpiece Title: Catherine and Petruchio

Event Comment: On account of the many necessary Alterations wanted in the Theatre for the ensuing Season, the Lecture on Heads can only be repeated the above Night

Performances

Mainpiece Title: A Lecture On Heads

Event Comment: A Concert of Music, Vocal and Instrumental, by the most celebrated performers, with Dancing by Miss Cranfield. Between the several parts of the Concert will be rehearsed (gratis) by Pupils, for their mutual improvement in Oratory The Fair Penitent [etc., as above]. By Subscription. The Doors to be opened at 5:30. To begin precisely at 6:30. Boxes 3s. Pit 2s. Gallery 1s. No money will be taken at the door, nor any person admitted without a ticket, which may be had at the Office near the Concert Room, where attendance will be given from Ten to One every day; and from half past Five till Eleven each evening of performing. Morning Chronicle, 19 June: A correspondent who was present declares the business of the evening was conducted with great regularity and decorum... The dresses were as good as those of the Theatres Royal, the band excellent, and the decorations neat and ornamental

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Miss in her Teens

Entertainment: Monologue. An OccasionalPoetical Address-Russell

Event Comment: Mainpiece [1st time; BO 3]: Being the Sequel to The Beggar's Opera, Written by Gay, with Alterations [by George Colman elder; the overture (a compilation of airs from The Beggar's Opera) and 6 new airs by Samuel Arnold]. Books of the Opera to be had at the Theatre. [Mrs Colles is identified on playbill of 9 July.] Public Advertiser, 20 June: This Day is published Polly (1s.)

Performances

Mainpiece Title: Polly

Afterpiece Title: Polly Honeycombe

Dance: End I: a Dance of Pirates-(see17770611; III: Dance of Indians- (see17770611. [These were danced in all subsequent performance.

Event Comment: [Announced on playbill of 2 July, which lists no afterpiece, but not advertised on 3 July. Perhaps not acted; the theatre appears to have been closed until 21 July.

Performances

Mainpiece Title: Venice Preserved

Event Comment: Mainpiece [1st time; PAST 3]: Taken from [The Winter's Tale, by] Shakespeare [altered by George Colman elder]. Afterpiece: Likewise taken from [A Midsummer-Night's Dream, by] Shakespeare. Books of both pieces to be had at the Theatre. The Musick of both pieces by the most eminent Composers [i.e. Michael Arne, Dibdin, Dr Burney, Hook, Theodore Smith, Dr Arnold]. The Characters new dressed

Performances

Mainpiece Title: The Sheep-shearing

Afterpiece Title: The Fairy Tale

Dance: With aPastoral Dance (incident to the [main]piece)-; End: As17770707

Event Comment: [Henderson's 1st appearance as Richard was at Bath, 20 Oct. 1772. Mrs Massey was from the Norwich theatre.

Performances

Mainpiece Title: K

Afterpiece Title: Miss in Her Teens

Event Comment: Mainpiece [1st time; C 3, by Sarah Gardner. Prologue by the author (London Chronicle, 11 Aug.). Larpent MS 435; not published; synopsis of plot in London Magazine, Aug. 1777, p. 433. For a description of the difficulties attending the reception of this play, from a recently discovered MS by Mrs Gardner, see Theatre Notebook, VII, 76-81]

Performances

Mainpiece Title: The Advertisement; Or, A Bold Stroke For A Husband

Afterpiece Title: The Citizen

Related Works
Related Work: The Fair Example: or the Modish Citizens Author(s): Richard EstcourtFlorent Carton Dancourt
Event Comment: Mainpiece [1st time; BURL 3]: Written by the Author of Midas [Kane O'Hara; music by Samuel Arnold]. Books of the Burletta to be had at the Theatre. Public Advertiser, 22 Aug.: This Afternoon, at Three, will be published April-Day (1s. 6d.)

Performances

Mainpiece Title: April-day

Afterpiece Title: The Citizen

Related Works
Related Work: The Fair Example: or the Modish Citizens Author(s): Richard EstcourtFlorent Carton Dancourt

Dance: End I: a New Pastoral Dance-see17770611; End II: The Provencalle-see17770611

Performances

Mainpiece Title: King Henry Viii

Performance Comment: Cardinal Wolsey-Digges; Buckingham-Palmer; Cranmer-Younger; Surry-Davies; Cromwell-R. Palmer; Gardiner-Parsons; Lord Sands-Jackson; Lord Chamberlain-Egan; Norfolk-T. Davis; Suffolk-Fearon; King Henry-A Gentleman (from the Theatre Royal, Dublin; 1st appearance in London [Fotteral]); Anne Bullen-Mrs Colles; Patience (with a song)-Miss Twist; Queen Catherine-Mrs Massey (1st appearance in that character).

Afterpiece Title: The Portrait

Performances

Mainpiece Title: The First Part Of King Henry Iv

Performance Comment: As17770724 but Hotspur-Smith (from the Theatre Royal, Dublin; 1st appearance in London). 1st appearance in London).

Afterpiece Title: The Portrait

Dance: As17770728

Event Comment: [Miss Walpole was from the Crow Street Theatre, Dublin.] Receipts: #178 19s. 6d. (146.17.0; 31.13.6; 0.9.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Harlequin's Invasion

Dance: I: Country Dance (incident to the [main]piece)-; This was danced in both performances.] End II: [New Ballet, Demi-Caractere (composed by Gallet), Rural Grace-Gallet, Henry, Miss Armstrong, Mlle Dupre

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Digges. The Doors to be opened at 5:30. To begin at 6:30. Morning Post, 7 Oct.: Digges, far advanced in the autumn of his life, wanted that fire which is so indispensable to Macheath. His dress was beyond measure ridiculous, and his songs...discordant and tedious. [His 1st appearance as Macheath was at Smock Alley Theatre, Dublin, 10 Oct. 1752.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: A Farce and Entertainments

Event Comment: [Death is identified in Public Advertiser, 9 Oct.; he was from the York theatre. Leoni's song is identified in London Chronicle, 9 Oct.] Receipts: #197 1s. (196.3; 0.18)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Royal Chace

Dance: End III: The Humours of Leixlip-Aldridge, Master Jackson, Miss Besford

Song: II: song [I have lost my Anna]-Leoni

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock (1st time [at this theatre])-Henderson; Antonio-Bensley (1st appearance in that character); Gratiano-Dodd; Lorenzo (with songs)-Vernon; Duke-Packer; Launcelot-Parsons; Gobbo-Wrighten; Salanio-Farren; Solerino-Lamash; Tubal-Waldron; Bassanio-Palmer (1st appearance in that character); Jessica (1st time; with a song)-Miss Walpole; Nerissa-Mrs Davies; Portia-Miss Younge (1st appearance in that character).

Afterpiece Title: The Quaker

Dance: End III: Rural Grace, as17771002

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Performance Comment: Hotspur-Smith; King Henry-Bensley (1st appearance in that character); Worchester-Aickin; Sir Richard Vernon-Farren; Northumberland-Packer; Sir Walter Blunt-Hurst; Prince John-Lamash; Westmorland-Wrighten; Douglas-Chaplin; Poins-R. Palmer; Carriers-Moody, Parsons; Francis-Waldron; Bardolph-Wright; Sheriff-Griffiths; Gadshill-Holcroft; Peto-Nash; Prince of Wales-Palmer; Falstaff (1st time [at this theatre])-Henderson; Hostess-Mrs Bradshaw; Lady Piercy (1st time)-Mrs Cuyler.

Afterpiece Title: The Quaker

Dance: End II: Comic Dance-the Miss Stageldoirs

Event Comment: Paid Land Tax one-half year on Theatre #52 10s.; Tax on Window Lights #6 12s. 6d. Receipts: #171 11s. 6d. (171.3.6; 0.8.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Apprentice

Dance: Hornpipe, as17771017; End II: As17771008

Event Comment: [Kirkpatrick is identified in Morning Chronicle, 8 Nov. He was from the Crow Street Theatre, Dublin.] Receipts: #132 11s. 6d. (129.19.0; 2.12.6)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Comus

Event Comment: Mainpiece: Not acted these 3 years [acted 6 May 1776]. With Accompaniments to the Airs composed by Thomas? Linley Sen?.. Public Advertiser, 10 Nov.: "Jenny Diver forgot her song...and continued inflexibly silent till a Wag behind the Scenes assumed her Voice, and sung the Song for her"; ibid, 15 Nov., identifies this wag as Bannister, who sang "in a feigned voice." [Webster was from the Crow Street Theatre, Dublin.] Receipts: #192 6s. 6d. (167.2.0; 24.16.0; 0.8.6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Dance: III: a Hornpipe-Blurton. [This was danced, as here assigned, in all subsequent performances.

Event Comment: Mainpiece [1st time; CO 3, by Thomas Hull, altered from The School for Guardians by Arthur Murphy. Not in Larpent MS; synopsis of plot in Public Advertiser 19 Nov.]: With New Dresses, &c. The Music chiefly compiled; the rest composed by Dr Arne, Sacchini and Fisher. Books of the Songs to be had at the Theatre. Public Advertiser, 18 Nov. 1777: This Day is published the Airs in Love Finds the Way (6d.). [Miss Courtenay is identified in the Airs.] Receipts: #233 8s. 6d. (232.5.0; 1.3.6)

Performances

Mainpiece Title: Love Finds The Way

Performance Comment: [Principal Characters by Mattocks, Quick, Wilson, Wewitzer, Fearon, Mrs Farrell, Miss Brown, Mrs Wilson, A Young Lady (1st appearance on any stage Miss Courtenay]). [Cast from Airs (J. Bell, 1777) and Public Advertiser, 19 Nov.: Young Brumpton-Mattocks; Oldcastle-Quick; Lovibond-Wilson; Peter-Wewitzer; Sir Theodore Brumpton-Fearon; Bellford-Mrs Farrell; Mary@Ann-Miss Brown; Bridget-Mrs Wilson; Harriet-Miss Courtenay.
Cast
Role: Harriet Actor: Miss Courtenay.

Afterpiece Title: The Upholsterer

Dance: End II: The Minuet de la Cour, as17771111; End: The Enchantress, as17771104