SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Court"/1) | (@(roleclean,performerclean) "Court")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 582 matches on Event Comments, 131 matches on Roles/Actors, 64 matches on Performance Title, 41 matches on Performance Comments, and 0 matches on Author.
Event Comment: Charles II had rope-dancers perform in the Hall at Whitehall. (See Boswell, Restoration Court Stage, p. 25.

Performances

Event Comment: On this date John Rogers petitioned the King concerning his right to keep the peace at the playhouses. In Herbert, Dramatic Records, p. 84, three companies, those at the red bull, cockpit, and salisbury court, are named as currently performing

Performances

Event Comment: A draft of a proposed order, i Hotson, Commonwealth and Restoration Stage, p. 201, specifies the companies acting at this time: Forasmuch as wee are advertis'd, that divers persons, and Companies have assembled, and doe dayly assemble themselves together at the Play-Houses called the red bull, in St. Johns Street, the cockpit in Drury Lane, and a certaine Play-House in Salisbury Court, and at other places within our Citty of London and County of Middlesex, without the least Colour of Authority, and doe there act, performe and shew in publique, Comedies, Tragedies, and other Entertainments of the Stage

Performances

Event Comment: Evelyn, Diary: I saw in Southwark at St Margarites faire...we saw also Monkyes & Apes daunce, & do other feates of activity on the high-rope, to admiration: They were galantly clad alamode, went upright, saluted the Company, bowing & pulling-off their hatts: They saluted one another with as good grace as if instructed by a Dauncing Master. They turned heales over head, with a bucket of Eggs in it, without breaking any: also with Candles (lighted) their their hands, & on their head, without extinguishing them, & with vessells of water, without spilling a drop; I also saw an Italian Wench daunce to admiration, & performe all the Tricks of agility on the high rope, all the Court went to see her: (likewise here was her Father) who tooke up a piece of Yron Canon of above 400 pounds weight, with the haires of his head onely

Performances

Mainpiece Title: Entertainments

Event Comment: The death of the Duke of Gloucester on this day apparently closed the theatres for a short time. Andrew Newport, writing on 15 Sept. 1660 to Sir Richard Leveson, stated: The court is in deep mourning and will continue so for 6 weeks (Sutherland MSS., HMC, 5th Report, Appendix, 1876, p. 156), but it is not until 27 Sept. 1660 that Rugg reported: playes are for present forbiden because of the death of the Duke of Gloucester (BM Add. Mss. 10116, folio 90v). The theatres may have opened on Monday 8 Oct. 1660; certainly they were acting by 11 Oct. 1660

Performances

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (Killigrew's), now removed from the red bull to Gibbons' Tennis Court in Vere Street. Probably Clun acted Falstaff. (See An Elegy Upon the Most Execrable Murther in A Little Ark, ed. G. Thorn-Drury, pp. 30-31.

Performances

Mainpiece Title: Henry The Fourthe Part I

Event Comment: Possibly Davenant opened Salisbury Court on this date, but no certain evidence exists. (See Spencer, Shakespeare Improved, pp. 37-39; Nicoll, Restoration Drama, p. 300.)

Performances

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. Pepys, Diary: Mr Shepley and I to the new Play-house near Lincoln's-Inn-Fields (which was formerly Gibbon's tennis-court), where the play of Beggar's Bush was newly begun; and so we went in and saw it, it was well acted: and here I saw the first time one Moone [Mohun], who is said to be the best actor in the world, lately come over with the King, and indeed it is the finest play-house, I believe, that ever was in England

Performances

Mainpiece Title: The Beggar's Bush

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. Andrew Newport to Sir Richard Leveson, 6 Dec. 1660: Plays at court every week (HMC, 5th Report, Part I, 1876, p. 158)

Performances

Mainpiece Title: Rollo, Duke Of Normandy

Event Comment: The Duke's Company. Pepys, Diary: To Blackfryars [presumably a slip for Whitefriars, Salisbury Court] (the first time I ever was there since plays begun), and there after great patience and little expectation, from so poor beginning, I saw three acts of The Mayd in ye Mill, acted to my great content. But it begin late, I left the play

Performances

Mainpiece Title: The Maid In The Mill

Event Comment: The King's Company. Pepys, Diary: we went by water to Salisbury Court play-house, where not liking to sit, we went out again, and by coach to the Theatre, and there saw The Scornful Lady, now done by a woman, which makes the play appear much better than ever it did to me

Performances

Mainpiece Title: The Scornful Lady

Event Comment: The Countess of Derby to the Duchess de la Tremoille, 25 Feb. 1660@1: Plays are often acted at court, and the King and their Royal Highnesses have been present at two this evening, at the Duchess of Buckingham's (Madame Guizot de Witt, The Lady of Latham [London, 1869], p. 268)

Performances

Event Comment: The Duke's Company. Pepys, Diary: And so to Salisbury Court, where the house as full as could be; and it seems it was a new play, The Queen's Maske, wherein there are some good humours: among others, a good jeer to the old story of the Siege of Troy, making it to be a common country tale. But above all it was strange to see so little a boy as that was to act Cupid, which is one of the greatest parts in it

Performances

Mainpiece Title: The Queen's Mask

Event Comment: The Duke's Company. See 2 March 1661. Pepys, Diary: I and Captain Ferrers to Salisbury Court, by water, and saw part of the Queen's Maske

Performances

Mainpiece Title: The Queen's Mask

Event Comment: The Duke's Company. Pepys, Diary: Mrs Pierce and her husband and I and my wife to Salisbury Court, where coming late he and she light of Col. Boone that made room for them, and I and my wife sat in the pit, and there met with Mr Lewes and Tom Whitton, and saw The Bondman done to admiration

Performances

Mainpiece Title: The Bondman

Event Comment: The Duke's Company. Pepys, Diary: Then by water, Creed and I, to Salisbury Court and there saw Love's Quarrell acted the first time, but I do not like the design or words

Performances

Mainpiece Title: Love's Quarrel

Event Comment: On Sunday Charles, Duke of Cambridge, the son of the Duke of York, died. On 7 May 1661, Francis Newport wrote to Sir Richard Leveson: The Duke of Cambridge dyed on Sunday in the afternoon and was buryed yesternight without any solemnity, noe mourning in the Court for him (HMC, Sutherland MSS, 5th Report, Appendix, 1876, p. 151). If the theatres were closed because of this death, the closure was for not more than ten days

Performances

Event Comment: Sixtus Petri Arnoldinus, a Dutchman, visiting in London, saw at the King's Playhouse this day a delightful "Courting-Comedy." See N. W. Zwager, A Visitor to England in 1661, Tijdschrift voor Taal en Letteren, XXVII (1939), 286

Performances

Event Comment: Pepys, Diary: Then my wife and I to Drury Lane to the French comedy, which was so ill done, and the scenes and company and everything else so nasty and out of order and poor, that I was sick all the while in my mind to be there. See also Boswell (Restoration Court Stage, p. 280). W. J. Lawrence (Early French Players in England, The Elizabethan Playhouse and Other Studies (1912), pp. 139-40) argues that the play was Chapoton's Le Mariage d'Orphee et d'Eurydice. See also The Description of the Great Machines of the Descent of Orpheus into Hell. Presented by the French Comedians at the cockpit in Drury Lane. The Argument Taken out of the Tenth and Eleventh Books of Ovid's Metamorphosis (1661). Rugg's Diurnal the French players (BM Add. Mss. 10116, f243v)

Performances

Mainpiece Title: A French Comedy

Event Comment: 'It is not certain what company played at this theatre ont his day Pepys, Diary: To Salisbury Court play house, where was acted the first time 'Tis pity Shee's a Whore, a simple play and ill acted, only it was my fortune to sit by a most pretty and ingenious lady, which pleased me much

Performances

Mainpiece Title: 'tis A Pity She's A Whore

Event Comment: The Duke's Company. Pepys, Diary: I...called my wife at my brother's where I left her, and to the Opera, where we saw The Bondman, which of old we both did so doat on, and do still; though to both our thinking not so well acted here (having too great expectations), as formerly at Salisbury-court. But for Betterton he is called by us both the best actor in the world

Performances

Mainpiece Title: The Bondman

Event Comment: On this date Jean Chamouveau received #300 for the services of a French company, who presumably acted at court on 16 Dec. 1661 (CSP, Treasury Books, 1660-1667, p. 311, in Nicoll, Restoration Drama, p. 252)

Performances

Event Comment: Boswell, (Restoration Court Stage, p. 280) lists this as by the King's Company, which had given it on 23 July 1662. Pepys, Diary: Hearing that there was a play at the Cockpit (and my Lord Sandwich, who came to town last night, at it), I do go thither, and by very great fortune did follow four or five gentlemen who were carried to a little private door in a wall, and so crept through a narrow place and come into one of the boxes next the King's, but so as I could not see the King or Queene, but many of the fine ladies, who yet are really not so handsome generally as I used to take them to be, but that they are finely dressed. Here we saw The Cardinall, a tragedy I had never seen before, nor is there any great matter in it. The company that came in with me into the box, were all Frenchmen that could speak no English, but Lord! what sport they made to ask a pretty lady that they got among them that understood both French and English to make her tell them what the actors said

Performances

Mainpiece Title: The Cardinal

Event Comment: See Boswell, Restoration Court Theatre, pp. 56-57, for a stage which may have been used for the puppets, and also Speaight, English Puppet Theatre, p. 73. Pepys, Diary: To my Lord's again, thinking to speak with him, but he is at White Hall with the King, before whom the puppet plays I saw this summer at Covent-garden are acted this night

Performances

Mainpiece Title: Puppets

Event Comment: This play was probably given by the King's Company, which presented it a number of times later. See Noyes, Ben Jonson, pp. 42-43. Evelyn, Diary: I saw Vulpone acted at court before their Majesties &c

Performances

Mainpiece Title: Volpone