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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Count de Montijo"/1) | (@(roleclean,performerclean) "Count de Montijo")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1973 results for: Keyword - Count de Montijo
We found 1042 matches on Performance Title, 759 matches on Performance Comments, 197 matches on Event Comments, 168 matches on Author, and 0 matches on Roles/Actors.

1801
14 May 1795 @ King's Theatre

Event Comment: Benefit for Mme Morichelli. Afterpiece: An Heroic Entertainment in one act, consisting of Songs and Dances with Chorusses, and never performed upon any public Stage, but composed for the private Theatre of a Nobleman at Venice [in 1789]. The words by Count Alexander Pepoli; the music by Cimadoro; the pantomime and dances by Noverre. Tickets to be had of Mme Morichelli, No. 127, Pall Mall

Performances

Mainpiece Title: La Scola Dei Maritati

Afterpiece Title: Ati e Cibele

Dance: End I: L'Amant Retrouve, as17950120, but Mme Bossi [DelCaro], Mlle _Rosine [no other ballet listed]

Music: End II: concerto on the hautboy-Harrington

1802
03 June 1795 @ Covent Garden

Event Comment: 1st piece [1st time; MD 5, by James Boaden, based on Herman von Unna, by Anders Fredrik, Count Skjoldebrand. Prologue by John Litchfield. Epilogue by the author (see text)]: In the course of the Play, the Customs of the Tribunal in the Citation of the Offender-the Leading away to Judgement-the Habits and mysterious Signs of the Ministers of Vengeance, will be given with Accuracy. In the last Act, the awful Assembly of the Free Judges at Midnight, with the Ceremonies of the Trial-elucidating an Institution, which, by Secrecy and Certainty of its Judgements, produced many alarming Events in the 15th Century, throughout the Germanic Empire. Morning Herald, 20 June 1795: This Day is published The Secret Tribunal (2s.). Receipts: #93 11s. (82.19; 10.12)

Performances

Mainpiece Title: The Secret Tribunal

Afterpiece Title: The Irish Mimick

Cast
Role: Countess of Kent Actor: Miss Wallis

Afterpiece Title: The Tythe Pig

Cast
Role: Countryman Actor: Byrn
Role: Country Woman Actor: Mme Rossi
Role: Countess of Kent Actor: Miss Wallis

1803
17 April 1798 @ Covent Garden

Performances

Mainpiece Title: British Fortitude; Or, An Escape From France

Afterpiece Title: Curiosity

Performance Comment: Principal Characters-Holman, Murray, Whitfield, Johnston, Mrs Pope, Miss Chapman, Miss Mansel, Miss Betterton; [Larpent MS lists the parts: Count Almerstan, Thurston, Siddolph, Goran, Countess, Lady Anne, Lady Almanda, Eva.] Prologue-Holman; Epilogue-Miss Betterton.

Afterpiece Title: Lock and Key

1804
15 April 1800 @ King's Theatre

Event Comment: A New Grand Serious Opera (1st time in this Country [1st performed at Parma, 1782]); the Music by Sarti [with additions by Federici]. With entirely new Scenes, Machinery and Decorations, designed by Marinari, and executed under his direction; and new Dresses, invented by Sestini. "The Opera...is founded upon the story of Dryden's Alexander's Feast, of which, indeed, it is merely a literal, and, of course, an elegant and tasteful translation into Italian by Count Gaston di Brizzonie [recte Rezzonico]

Performances

Mainpiece Title: Alessandro E Timoteo (alexander's Feast, From dryden)

Dance: End I: A New Bacchanalian Divertisement Ballet, connected with and incidental to the Opera (introduced by a prelude of Chorus), the Music by Sarti, the Action and Dance by D'Egville, and performed-Didelot, Deshayes, Mlle Parisot, Mme Laborie, Mme Hilligsberg; End Opera: La Fille Mal Gardee-Mlle Parisot (will perform part originally represented by Mme Rose Didelot)

1805
03 January 1662 @ Lincoln's Inn

Performances

Mainpiece Title: Greek Words Universal Motion

1806
20 January 1662 @ The Cockpit in Drury Lane

Performances

Mainpiece Title: Andromeda

1807
05 October 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Tarugo's Wiles; Or, The Coffee House

1808
18 December 1668 @ The (first) Drury Lane Theatre

Performances

Mainpiece Title: Catiline's Conspiracy

1809
04 June 1674 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Tempest

1810
30 April 1676 @ Dorset Garden Theatre

Performances

1811
June 1677 @ Dorset Garden Theatre

Performances

Mainpiece Title: The French Conjuror

1812
18 January 1678 @ Whitehall or St. James's

Performances

1813
May 1681 @ Drury Lane Theatre

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Edition of 1682: The Earl of Essex-Clarke; Earl of Southampton-Gryffin; Burleigh-Major Mohun; Sir Walter Rawleigh-Disney; Queen Elizabeth-Mrs Quyn; Countess of Rutland-Mrs Cook; Countess of Nottingham-Mrs Corbett; Prologue-Major Mohun the first Four Dayes; Prologue to the King and Queen at their coming to the House, and Written on Purpose by Mr Dryden-; Epilogue by Mr Dryden-; Prologue Intended to be spoken, by the Author-.
Cast
Role: Countess of Rutland Actor: Mrs Cook
Role: Countess of Nottingham Actor: Mrs Corbett

1814
28 November 1682 @ Drury Lane Theatre

Performances

Mainpiece Title: The Duke Of Guise

1815
March 1700 @ Drury Lane Theatre

Performances

Mainpiece Title: The Reform'd Wife

1816
11 December 1702 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Indian Emperor; Or, The Conquest Of Mexico By The Spaniards

Afterpiece Title: Acis and Galatea

Dance: L'Abbe, Mrs Elford

1817
16 December 1706 @ Queen's Theatre

Performances

Mainpiece Title: Almyna; Or, The Arabian Vow

1818
19 July 1710 @ Queen's Theatre

Event Comment: Benefit Bowen, who will be (in a most particular Manner) Honour'd that Night with the Presence of L'Madam Signiora Fount, Native de Barselona Di Cala Qualificatta, being the first time of her appearance in the English Theatre; and by reason the Queen's Box will be taken up by the Foreign Ministers, The Spanish Lady will be in one of the Stage-Boxes in the Habit of of her Country

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Cheats of Scapin

1819
06 April 1714 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music Italian and English-; [Note, At the Desire of several Gentlemen, Mrs Fitzgerald's voice accompanied by] Trumpet and German Flute-Mr Grano; [The Consort opening with an entire new Trumpet Sonata-

1820
14 February 1721 @ Haymarket Theatre

Performances

Mainpiece Title: Les Fourberies D'arlequin; Ou, L'etourdye

Afterpiece Title: Le George Dandin

Dance:

1821
15 April 1721 @ King's Theatre

Event Comment: [Music by Ariosti, Bononcini, Handel. Text by P. A. Rolli.] Admission as 19 Nov. 1720. De Fabrice to Flemming, 21 April (in Deutsch, Handel, p. 126): The Princess of Wales was safely delivered of a son last Saturday. The news was taken to the King by Lord Herbert during...Mutius Scevola, where there was a particularly large audience on account of its being the first performance. The audience celebrated the event with loud applause and huzzas. Each act of this opera is by a different composer, -the first by a certain Pipo, the second by Bononcini, and the third by Hendell, who easily triumphed over the others

Performances

Mainpiece Title: Mutius Scaevola

1822
20 April 1721 @ Haymarket Theatre

Performances

Mainpiece Title: Pourceaugnac

Afterpiece Title: Les Amans Trompes

Dance:

1823
07 December 1721 @ Haymarket Theatre

Performances

Mainpiece Title: Le Joueur

Dance:

1824
04 January 1722 @ Haymarket Theatre

Performances

Mainpiece Title: Andromaque

Afterpiece Title: Le Cocu Imaginaire

1825
25 January 1722 @ Haymarket Theatre

Performances

Mainpiece Title: Grondeur

Afterpiece Title: Arlequin Cartouche