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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Count Gaston di Brizzonie"/1) | (@(roleclean,performerclean) "Count Gaston di Brizzonie")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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684 results for: Keyword - Count Gaston di Brizzonie
We found 391 matches on Performance Comments, 251 matches on Performance Title, 59 matches on Event Comments, 10 matches on Author, and 0 matches on Roles/Actors.

326
23 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Cast
Role: Countess Actor: Miss Younge

Afterpiece Title: The Royal Chace

Song: End of Act iv of mainpiece Tally Ho!, as17830516

327
26 January 1784 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Austin-Henderson; Theodore-Lewis; Fabian-Thompson; Officers-Fearon, Helme; Raymond-Wroughton; Adelaide-Mrs Kemble; Jaqueline-Mrs Morton; Countess-Miss Younge .
Cast
Role: Countess Actor: Miss Younge

Afterpiece Title: The Poor Soldier

328
14 June 1784 @ Covent Garden

Event Comment: [Extra night] Benefit for Bonnor. Afterpiece [1st time; INT 1]: Translated [by Charles Bonnor] from a new Production of Dorvigny, entitled La Fete de Campagne; ou, L'Intendant Comedien malgre Lui, now acting in Paris with uncommon Applause [MS: Larpent 664; not published; in later season occasionally acted under the title of Transformation]. Tickets to be had of Bonnor, No. 19, Piazza, Covent Garden. Bonnor begs leave to inform his Friends and the Public that on account of his Absence at the time his Night was to have been appointed he was induced to decline a Benefit in the course of the Season, but the Manager having obligingly made him an Offer of the Theatre, free of all Expense, and the several Performers kindly engaging to assist him, he has fixed on this Day. Receipts: none listed

Performances

Mainpiece Title: The Count Of Narbonne

Cast
Role: Countess Actor: Miss Younge

Afterpiece Title: The Manager an Actor in Spite of Himself

Song: End of mainpiece a favourite song by Mrs Martyr. monologues. End of Act IV of mainpiece The Adventures of a Buck by Bonnor; End of afterpiece a new address, Belles have at ye all! by Mrs Bates

329
08 March 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: All the World's a Stage

330
15 March 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The First Floor

331
22 March 1790 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Austin-Harley; Theodore-Holman; Fabian-Thompson; Officers-Powel, Evatt; Raymond-Farren; Adelaide-Miss Brunton; Jaqueline-Mrs Platt; Countess-Mrs Pope.
Cast
Role: Countess Actor: Mrs Pope.

Afterpiece Title: Cymon

Dance: End: Tamborine Dance- [See17891021]; Afterpiece conclude: Dance-Byrne, Mrs Goodwin

332
26 April 1790 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Cast
Role: Countess Actor: Mrs Pope.

Afterpiece Title: The Death of Captain Cook

Afterpiece Title: Love and War

333
19 September 1791 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Austin-Harley; Theodore-Bloomfield (from the Theatre Royal, Bath; 1st appearance on this stage); Fabian-Thompson; Officers-Powel, Evatt; Raymond-Farren; Adelaide-Mrs Merry; Jaqueline-Mrs Platt; Countess-Mrs Pope.
Cast
Role: Countess Actor: Mrs Pope.

Afterpiece Title: A Divertisement

334
02 March 1793 @ Drury Lane Theatre

Performances

Mainpiece Title: At Hay The Count Of Narbonne

Afterpiece Title: The Virgin Unmask'd

335
16 March 1795 @ Covent Garden

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 4 years. [2nd piece 1st acted at cg, 3 May 1793, as To Arms; or, The British Recruit.] Morning Chronicle, 26 Feb.: Tickets to be had of Mrs Pope at her house, Half-moon-street, Piccadilly. Account-Book, 21 Apr.: Paid Mrs Pope for Dresses as per Bill #32 19s. 6d. Receipts: #293 18s. (138.5; 9.7; tickets: 146.6)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: Narbonne-Pope (1st appearance in that character); Theodore-Holman; Fabian-Thompson; Officers-Powel, Claremont; Austin-Harley; Adelaide-Miss Wallis (1st appearance in that character); Jaqueline-Mrs Platt; Countess-Mrs Pope.
Cast
Role: Countess Actor: Mrs Pope.

Afterpiece Title: The British Recruit; or, Who's Afraid

Afterpiece Title: Catharine and Petruchio

Song: In course 2nd piece: The Mid Watch-Incledon; 2nd piece to conclude: with a new Loyal Duet (composed by Shield) Tho' Hurricanes rattle tho' Tempest appear-Incledon, Bowden

336
30 April 1795 @ Covent Garden

Performances

Mainpiece Title: The Count Of Narbonne

Cast
Role: Countess Actor: Mrs Pope.

Afterpiece Title: The Irish Mimick

Cast
Role: Countess of Kent Actor: Miss Wallis

Afterpiece Title: Windsor Castle

Cast
Role: Countess of Kent Actor: Miss Wallis

337
30 April 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Wedding Day

338
09 May 1789 @ King's Theatre

Event Comment: A new Comic Opera (never performed [in London; 1st performed at Florence, 1778]); the Music by Gazzaniga [with additions by Storace, Posi, Trachi (World, 11 May)], under the direction of Mazzinghi. At the London production of La Vendemmia, the duet (Count-Susanna) Crudel perche finora from Mozart's Le Nozze di Figaro was sung by Benucci and Anna Storace; probably the first piece of any Mozart opera which was heard on the London stage" (Loewenberg, 364). [In June 1789 it was published by Birchall and Andrews, as "A favorite duett...sung in...La Vendemmia...by Sg Benucci and Sga Storace". See Illustration

Performances

Mainpiece Title: La Vendemmia

Dance: As17890404

339
14 June 1710 @ Greenwich

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music ....The orchestra was not very strong, consisting of no more than sixty persons, but it was incomparable-; Signiora Margarita del'Epine; sang, but she was by no means as pleasing as in the opera....She was the only person who sang. The instrumental music was extremely beautiful: Pepusch; who directs everything, and played the thorough-bass, excelled all the others. The violins too could scarce have been better. But most notable of all was a most charming concerto played with Pepusch by a flute and a viol di gamba. The person who plays the flute is a Frenchman called-Paisible; whose equal is not to be found....The second man, who played the viol di gamba with such uncommon excellence, is an Italian called-Signor Pietro

340
25 April 1763 @ King's Theatre

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

341
16 December 1777 @ King's Theatre

Performances

Mainpiece Title: Vittorina

Dance: End I: New Ballet, as17771104; End II: new ballet, Demicaractere, composed by Banti, Les Bohemiens-Sg and Sga Banti, Sg and Sga Zuchelli; End Opera: La Polonaise Favourite, as17771104

342
11 March 1786 @ King's Theatre

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I Divertissement Villageois, as17860218; End of Opera a New Divertissement (composed by Giroux) by Vestris, Sga Carolina, Sga Crespi, Henry, Marseilles, Duquesney Jun., the two Mlles Simonet, Mlle Mozon, Fabiani (1st King's appearance in England)

343
08 May 1724 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Several choiceConcertos-the Youth [J. Clegg][, never perform'd in Publick; [particularly, Concert of Vivaldi's called La Temista di Mare-; Solo-Mr Kitch; Solo Song [out of the Opera of Julius Caesar. Song Part-Mr Kitch; Violin-the Youth; [as done by Sig Castrucci in the Opera, Solo [of Sig Germiniani's-the Youth

344
08 January 1735 @ Covent Garden

Performances

Mainpiece Title: Ariodante

345
21 February 1772 @ King's Theatre

Performances

Mainpiece Title: Concert Of Vocal And Instrumental Music

346
27 April 1772 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Part I.Overture-Abel; Duo Violincello, Violin-Vachon, Duport; Concerto on German Flute-Wendling; Solo on Viol di Gamba-Abel; Concerto on French Horn-Ponta; Part II.Concerto Hautboy-Fischer; Concerto on Harpsichord-Hulmandel; Solo on Violincello-Duport; Concerto on Violin-Vachon; Full piece-Vachon

347
02 December 1774 @ Covent Garden

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Romance of An Hour

Dance: I: The Vintage Festival, as17741007; End Opera: The Irish Lilt-Aldridge, Miss Valois. [See17731005]

348
04 November 1777 @ King's Theatre

Performances

Mainpiece Title: Le Due Contesse

Dance: WithNew Dances composed by Simonet-; End I: new ballet, demi-caractere Le Devin du Village-Mons and Mlle Banti, Sg and Sga Zuchelli Colin-Banti; +Colette-Mlle Banti; End II: +New BalletSerious and Demi-caractere-; in which a Pas de Quatre-Mons and Mme Simonet, Mons and Mlle Banti; to conclude with the Chaconne of Froquett-; End Opera: new serious ballet La Polonaise Favourite-Mons Simonet, Mme Simonet, Mlle Baccelli, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet

349
15 May 1779 @ King's Theatre

Performances

Mainpiece Title: La Governante

Dance: End I: new Ballet, Les Paysans Voles-Banti, Sga Tinti, Sg and Sga Zuchelli; End II: Ballet by Fairies, as17790302End Opera: new Ballet Espagnol, La Serenade Interrompuee-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, LeDet; with a Pas de Deux du Masque-Simonet, Mlle Baccelli; accompanied on the Guittar-Noferi

350
22 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Summer Amusement

Afterpiece Title: Seeing is Believing: A Dramatic Proverb

Dance: As17830610