SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Count Flemming"/1) | (@(roleclean,performerclean) "Count Flemming")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 344 matches on Performance Comments, 51 matches on Performance Title, 38 matches on Event Comments, 10 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: The Characters by Henderson, Wroughton, Lewis, Thompson, Fearon, J. Bates; Miss Satchell, Mrs Morton, Miss Younge. [Cast from text (T. Cadell, 1781), and London Chronicle, 19 Nov.: Austin-Henderson; Raymond-Wroughton; Theodore-Lewis; Fabian-Thompson; Officers of the Count-Fearon, J. Bates, Painter, &c.; Adelaide-Miss Satchell; Jacqueline-Mrs Morton; Hortensia-Miss Younge.] With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] . With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] .

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: The False Count; Or, A New Way To Play An Old Game

Performance Comment: Count-Spiller; An Epilogue-Spiller riding on an Ass.
Cast
Role: Count Actor: Spiller

Afterpiece Title: The Jealous Doctor

Music: Flute Solo-John Bastion; accompanied-Pieppo

Song: Since Times Are So Bad-Leveridge, Mrs Fitzgerald

Dance: Moreau, Thurmond Jr, Cook, Mrs Bullock; Chacone-Mrs Bullock; French Peasant-Moreau, Mrs Bullock

Performances

Mainpiece Title: The False Count; Or, A New Way To Play An Old Game

Performance Comment: False Count-Spillar; Carlos-Keene; Antonio-John Leigh; Francisco-Hall; Guzman-Bullock Jr; Julia-Mrs Thurmond; Clara-Mrs Vincent; Isabella-Mrs Moor; Jacinta-Mrs Hunt.
Cast
Role: False Count Actor: Spillar

Song: A Dialogue-Pack, Cook

Dance: Dutch Skipper-Thurmond Jr, Mrs Cross

Performances

Mainpiece Title: The False Count; Or, A New Way To Play An Old Game

Performance Comment: False Count-Spillar; Carlos-Keene; Antonio-J. Leigh; Francisco-Hall; Guzman-Bullock Jr; Baltazar-Knapp; Sebastian-Griffin; Captain-Coker; Julia-Mrs Thurmond; Clara-Mrs Vincent; Isabella-Mrs Moor; Jacinta-Mrs Hunt.
Cast
Role: False Count Actor: Spillar

Dance: Thurmond Jr, Shaw

Performances

Mainpiece Title: The False Count

Performance Comment: See Oct., but False Count-Spiller.
Cast
Role: False Count Actor: Spiller.

Afterpiece Title: The Cobler of Preston

Song:

Dance:

Event Comment: Benefit for Brandon, box-book and house-keeper. [The playbill announces as mainpiece King Henry the Eighth, and as afterpiece Barnaby Brittle, but the Account-Book has, "Alter'd to the Count of Narbonne" and "Alter'd to Comus."] Receipts: #300 8s. (66/2; tickets: 234/6) (charge: #105)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: Comus

Performances

Mainpiece Title: The Count Of Burgundy

Performance Comment: Principal Characters by Pope, Munden, Murray, Hull, Clarke, Davenport, Thompson, Claremont, Abbot, Miss Chapman, Mrs Davenport, Mrs Pope. [Cast from Larpent MS: Henry-Pope; Chevalier Walter von Blonay-Munden; Brother Peter-Murray; Chevalier Cuno von Hallwyl-Hull; Count Hugo von Werdenberg-Clarke [in MS: Whitfield]; Bruno-Davenport; Benedict-Thompson; Guido-Claremont [in MS: Gilbert]; Nicholas-Abbot; Matilda-Miss Chapman; Gertrude-Mrs Davenport; Elizabeth-Mrs Pope.

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: Netley Abbey

Song: End: Black Ey'd Susan-Incledon; End 2nd piece: The Mid Watch-Incledon

Event Comment: Admission as 7 Nov. M De Fabrice to Count Flemming, 15 Jan. (in Deutsch, Handel, p. 147): Today is the second performance and there is such a run on it that tickets are already being sold at 2 and 3 guineas which are ordinarily half a guinea. London Journal, 19 Jan.: Last Tuesday being the second Time of Madam Cotzoni's Performance, we hear that Opera Tickets sold that Day and the preceding, at 4 Guineas each

Performances

Mainpiece Title: Otho

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, and there saw Romeo and Juliet, the first time it was ever acted; but it is a play of itself the worst that ever I heard in my life, and the worst acted that ever I saw these people do, and I am resolved to go no more to see the first time of acting, for they were all of them out more or less. Downes (p. 22): Note, There being a Fight and Scuffle in this Play, between the House of Capulet, and House of Paris; Mrs Holden Acting his Wife, enter'd in a Hurry, Crying, O my Dear Count! She Inadvertently left out, O, in the pronuntiation of the Word Count! giving it a Vehement Accent, put the House into such a Laughter, that London Bridge at low-water was silence to it. This Tragedy of Romeo and Juliet, was made some time after into a Tragi-comedy, by Mr James Howard, he preserving Romeo and Juliet alive; so that when the Tragedy was Reviv'd again, twas Play'd Alternately, Tragical one Day, and Tragicomical another; for several Days together. [No specific notices are known which would indicate when Howard's version appeared.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Downes (Roscius Anglicanus, p. 22): Romeo-Harris; Mercutio-Betterton; Paris-Price; Fryar-Richards; Sampson-Sandford; Gregory-Underhill; Juliet-Mrs Saunderson; Count Paris' Wife-Mrs Holden. Spencer (Shakespeare Improved, p. 73) thinks that James Nokes acted the Nurse.
Event Comment: At Bridges, Cross, Burton, and Vaughan's Great Theatrical Booth on the Bowling Green, Southwark, (with a company from the theatres) during the short time of the Fair will be presented an Historical Drama (lately acted in Bartholemew Fair with universal applause) the Northern Heroes with the Loves of Count Gillensternia, a Swedish General, and the fair Ellimira a Russian Princess, containing the most remarkable events of that time; and concluding with the memorable battle of Putlowav, and Charles's retreat into the Turkish dominionsv. Interspersed with a comic interlude, The Volunteers. Also the comical humours and amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's widow, the merry pranks of her foolish son Janny, and several other diverting incidents. As the Fair will be of so short continuance, we shall begin very early each day (General Advertiser). [See 24 Aug. 1748, bf]

Performances

Mainpiece Title: He Northern Heroes; Or, The Bloody Contest Between Charles The Twelfth, King Of Sweden, And Peter The Great, Czar Of Muscovy

Performance Comment: Charles XII-Usher; Prince of Wurtemburg-Jackson; Count Gillensternia-Hazard; Count Piper-Thomson; Mazeppa-Reid; Czar-Burton; Prince Dolguruki-Paget; Prince Menzikoif-Jones; Iwan-Shawford; Princess Ellimira-Mrs Cross.
Cast
Role: Count Gillensternia Actor: Hazard
Role: Count Piper Actor: Thomson

Afterpiece Title: The Volunteers; or, The Adventures of Roderick Random and His Friend Strap

Dance: Particularly a Hornpipe-

Event Comment: At Bridges, Cross, Burton and Vaughan's Great Theatrical Booth in the George Inn Yard, will be presented an Historical Drama never acted before call'd The Northern Heroes; or, The Bloody Contest between Charles XII, King of Sweden, and Peter the Great, Czar of Muscovy, with the Loves of Count Gillensternia, a Swedish General and the Fair Elimira, a Russian Princess, Containing the most remarkable Events of that Time; and concluding with the Memorable Battle of Pultowav, and Charles's Retreat into the Turkish Dominionv. Interspers'd with a Comic Interlude (never perform'd before) called The Volunteers; or, the Adventures of Roderick Random and his Friend Strap. Also the Comical Humours and Amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's Widow; the merry Pranks of her foolish son Janny, and several other diverting incidents. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each Day at Twelve o'clock. [This notice repeated during "the short Time of the Fair." Notice repeated 24, 26, 27 Aug.

Performances

Mainpiece Title: The Northern Heros

Performance Comment: Charles XII-Usher; Prince of Wurtemburgh-Jackson; Gillensternia-Hazard; Count Piper-Thomson; Mazeppa-Reid; Czar-Burton; Dolgoruki-Paget; Menzikoif-Jones; Ivan-Shawford; Elimira-Mrs Cross.
Cast
Role: Count Piper Actor: Thomson

Afterpiece Title: The Volunteers; or, The Adventures of Roderick Random and his Friend Strap

Dance: Mr Shawford, Mrs Shawford, Master Cross, Mrs Vaughan

Event Comment: Mainpiece: Not acted these 4 years. [See 22 Oct. 1760.] Lord Townly by Mr Powell, 1st time great applause. Mr Castle hiss'd in Count Basset (Hopkins). Mr Powell's first appearance in Lord Townly-The last scene he felt greatly, and in a few times performing will play the part well (+Hopkins Diary-MacMillan). Receipts: #231 19s. (MacMillan)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Powell, first time; Sir Francis Wronghead-Yates; Manly-Havard; Squire Richard-Mas. Burton; Count Basset-Castle; Lady Wronghead-Mrs Hopkins; Lady Grace-Miss Plym; Miss Jenny-Miss Pope; Mrs Motherly-Mrs Cross; Myrtilla-Mrs Lee; Poundage-Clough; Trusty-Mrs Bennet; John Moody-Burton; Lady Townly-Mrs Yates.
Cast
Role: Count Basset Actor: Castle

Afterpiece Title: The Fairy Tale

Event Comment: The Public are most respectfully informed that, on account of the danger to Gentlemen frequenting the Scenes, as well as to the Performers, and the other persons necessarily employed in working the machinery, in the scenes and decorations, no stranger can with safety remain upon the stage during the representation of this Opera; it has therefore become unavoidably necessary to shut up the communication between the audience part of the Theatre and the Stage during the performance of Alessandro e Timoteo, but the avenues will be opened as usual as soon as the Opera is over

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: A New Bacchanalian Divertisement Ballet-; La Fille Mal Gardee- As18000415 but no performers listed for either ballet

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: End I: A New Bacchanalian Divertisement Ballet- [see18000415]; End Opera: Hyppomene et Atalante- [see18000304

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: As18000422

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: As18000422

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: As18000419

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: End I: A New Bacchanalian Divertisement Ballet- [see18000415]; End Opera: Laura et Lenza, as18000513

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: As18000524

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: End I: A New Bacchanalian Divertisement Ballet, as18000422; End Opera: Rinaldo e Leonora, as18000530

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: As18000607

Event Comment: The Comic Opera [Il Capriccio Drammatico, advertised in Morning Herald, 7 July] is unavoidably deferred on account of the sudden indisposition of Sga Bolla

Performances

Mainpiece Title: Alessandro E Timoteo

Related Works
Related Work: Alessandro e Timoteo Author(s): Count Gaston di Rezzonico

Dance: End I: A New Bacchanalian Divertisement Ballet, as18000422; End Opera: Laura et Lenza, as18000628

Performances

Mainpiece Title: False And True

Performance Comment: Count Benini-Munden; Marchesi Caliari-Murray; Count Florenzi-H. Johnston; Lealto-Fawcett; Nicolo-Hill; Tomaso-Davenport; Malevole-Davenport [sic]; O'Raffarty-Johnstone; (with a new Planxty [in character, which includes Mr O'Raffarty's Parentage, Family Friend, Cheap Dinner or Pot Luck, and Joys of a Sun Shiny Night)-Johnstone; Marchesa Veteria-Mrs Davenport; Lauretta-Miss Wheatley; Juliana-Miss Sims; Janetta-Mrs Atkins.
Cast
Role: Count Benini Actor: Munden
Role: Count Florenzi Actor: H. Johnston

Afterpiece Title: The Son-in-Law

Afterpiece Title: The Paradox; or, Maid, Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Performances

Mainpiece Title: False And True

Performance Comment: Count Benini-Suett (1st appearance in that character); Marchese Caliari-Barrymore; Count Florenzi-Trueman; Lealto-C. Kemble; Tomaso-Davenport; Malevoli-J. Palmer; O'Rafarty-Johnstone; Nicolo-A Young Gentleman (3rd appearance on any stage [Story]); Juliana-Miss Heard; Lauretta-Miss Griffiths; Marchesa Veteria-Mrs Davenport; Janetra-Mrs Bland.
Cast
Role: Count Benini Actor: Suett
Role: Count Florenzi Actor: Trueman

Afterpiece Title: Blue Devils

Afterpiece Title: The Castle of Sorrento

Cast
Role: Count Murville Actor: Davies

Performances

Mainpiece Title: The Nest Of Plays; Three New Comedies Of One Act Each

Afterpiece Title: The Prodigal Reform'd

Afterpiece Title: The Happy Constancy

Performance Comment: Count Sebastian-Delane; Don Alphonso-Hall [Hale]; Stephano-Hippisley; Gomez-Ryan; Antonio-James; Lopez-Chapman; Petronilla-Mrs Martin; Teresa-Mrs Stevens.
Cast
Role: Count Sebastian Actor: Delane

Afterpiece Title: The Tryal of Conjugal Love

Afterpiece Title: The Dragon of Wantley

Dance: Glover, Mlle Roland; Je ne scai quoi-Tench, Villeneuve, Miss Oates