SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6336 matches on Event Comments, 256 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: An English Opera [from Rolt's The Royal Shepherd]. Never perform'd there. The Music selected from the best composers, and adapted by Tenducci. Books of Opera to be had at theatre. [Argument from Edition of 1769: Among the most celebrated actions ascribed to Alexander the Great, may be well ranked that of delivering the Kingdom of Sidon from the tyrant Strato; and instead of taking the dominion himself, restoring the crown to the next lawful heir, who, ignorant of his pretensions to it, lived as a shepherd in the country near Sidon, of which a more particular account may be found in Quintus Curtius, Book IV, Chap. 10. The superstructure of the fable raised on this historical foundation, will be seen in the course of the drama." The Plot sketched out in a review in the Freeholder's Magazine, Dec.] Receipts: #137 14s

Performances

Mainpiece Title: Amintas

Afterpiece Title: The Englishman in Paris

Dance: I: A New Pastoral Dance-Fishar, Sga Manesiere

Event Comment: Paid Housekeeper's Bill #6 7s. 2d. (Treasurer's Book). [The Public Advertiser carried a two-column account of Sethona, telling the story of the play act by act. It concluded: Such is the Story of this new Tragedy which was received with universal Applause by a crowded and brilliant Audience and seems to bid fair to become a Stock Play. The Parts were judiciously cast, and the Performers did great Justice to their respective Characters. Perhaps Mrs Barry never appeared in a greater or more amiable Point of View than on Saturday Night. In short her Performance beggared Description; and it is impossible to form an adequate Idea of her Merit in Sethona without seeing her. Mr Barry was also very great in the Old Hermit, and exhibited as pathetic and as chaste a piece of acting as we remember to have seen. The Dresses, Decorations and Scenery of this Play are much superior to those of any modern Tragedy; they do ample Justice to the Author, and likewise do Honour to the Taste and Spirit of the Manager, who seems to have spared no Expence to furnish a splendid and rational Entertainment. The Scene of the Temple of Osiris, and the View of the Egyptian Catacombsv were particularly admired, and are worthy of the Brush of Mr Loutherbourg. The Prologue is a very classical Performance, and was well delivered by Mr Reddish, notwithstanding the noise and the frequent Interruption usual on these occasions. The Epilogue in the character of an Egyptian Fortune Teller was admirably spoken by Mrs Barry, and had an amazing effect. It contains some excellent Strokes of Satire on the Times and a rich vein of Humour which is finely sustained throughout. From several Circumstances we should suppose this Epilogue to be the Production of our English Roscius and it seems to be one of his best."] Receipts: #226 15s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Performances

Mainpiece Title: The Fall Of Egypt

Music: As17740218

Event Comment: [Advertised as performed but once, but see 18 Jan. Sheridan in Preface to Edition of 1775 (2nd) refers to withdrawing the piece to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of hasty correction." He blames his inexperience and want of judgment in theatrical effects, the extreme length of the play act by act, and haste in writing. From the Westminster Magazine Feb., which outlined the plot in five columns: The present state of the Rivals is widely different from that in which we found it on the first night's representation. Sir Lucius O'Trigger being re-touched, has now the appearance of a character; and his assigning Beverley's reflection on his country as the grounds for his desire to quarrel with him, is a reasonable pretence, and wipes off the former stigma undeservedly thrown on the sister Kingdom. An alteration of a principal incident gave a very favorable turn to the fable and the whole piece: that where young Acres now delivers his challenge to his friend Absolute, begging him to carry it to his Rival Beverly, not knowing the two characters composed but one man; its being at first given to Sir Lucius, the person who indited it, was highly inconsistent...we should be induced from many evident traits of literary genius to pronounce the Rivals a good comedy."

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Thomasand Sally

Dance: End Epilogue: The Frolick, as17741214

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Jubilee

Event Comment: Mainpiece: Not acted these 16 years [not acted since 27 Oct. 1758]. With Alterations [by Richard Brinsley Sheridan. Prologue by David Garrick]. The Characters new dressed. This Play is revived with Alterations (by R. B. Sheridan Esq) and a new occasional Prologue written by Mr Garrick? and spoken by Dodd, both well received. Miss Essex made her first Appearance upon this stage in Silvia, a small mean Figure and shocking Actress, so bad that she is to do the Part no more. Reddish was very imperfect in Vainlove from the Beginning, but was so very much so in the last Act, that the Audience hissed very much, and cryed out, 'Off, Reddish, Off!" He went forward, and addressed them as follows, 'Ladies and Gentlemen, I have been honoured with your Favour and Protection for these ten years past, and I am very sorry to give any cause for your Displeasure now; but having undertaken the Part at a very short Warning, in order to strengthen the Bill, and having had but two Rehearsals for it, puts it out of my Power to do Justice to the Part, or myself.' The Play then went on. So great a Lye was never delivered to an Audience by any Actor or Actress before. He had the Part at least six weeks in his Possession, and repeated Notice to be ready in it, and six Rehearsals was called for it,--indeed, he attended but three. Vernon undertook to study the Part at eleven o'clock to-night, and to perform it to-morrow (Hopkins Diary). [Miss Essex was from the hay.] Receipts: #209 6s

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: A ChristmasTale

Dance: As17761115

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: All the Worlds a Stage

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Rival Knights

Afterpiece Title: The Devil upon Two Sticks

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Irish Widow

Performances

Mainpiece Title: Didone Abbandonata

Dance: As17860124 throughout

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Poor Soldier

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Oscar and Malvina

Dance: I: a Masquerade Scene incident to the Play, in which a favorite Pas de Deux-Byrne, Mme Rossi

Song: End IV: Juliet's Funeral Procession; with a favourite Elegy- (composed by Dr Arne); the Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Gray, Linton, Rock, Blurton, Abbot, Miss Poole, Mrs Mountain, Mrs Clendining, Miss Hopkins, Miss Stuart, Mrs Arnold, Miss Leserve, Mrs Lloyd, Mrs Bayzand, Mrs Blurton, Mrs Master, Mrs Martyr

Performances

Mainpiece Title: The Thespian Panorama Or Three Hours Hearts Ease

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Will

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: Hes Much To Blame

Afterpiece Title: Joan of Arc

Music: In afterpiece: The Harp-Weippert

Event Comment: "Much of the superfluous matter [in mainpiece] is cut out. The Epilogue...was not delivered on Saturday night; an apology was made for it on account of an accident" (Morning Chronicle, 27 May). Receipts: #301 3s. (264.6; 36.4; 0.13)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: The Deaf Lover

Song: As17990524

Performances

Mainpiece Title: The Creation Grand Selection 0

Music: End I: concerto on the clarionet-John Mahon; End II: concerto on the violin-C. Ashley

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Sultan

Dance: End I: Hornpipe-Miss Rogers (2nd appearance on any stage see18000611); In course Evening: by Permission of the Proprietors of the Royal Circus, a new Anacreontic Pantomimical Ballet, composed by Byrne, The Animated Statue Principal Characters-Byrne, Mrs Byrne, Platt, Mrs Watts, the three Miss Adams', Master Byrne

Song: End: Laughing Song-Dighton

Entertainment: After Singing: Imitations-Rees (positively his last appearance on any stage)

Event Comment: Benefit Leveridge. Tickets to be had at Mr Leveridge's in Tavistock-Street, to some Tune. Receipts: money #47 5s.; tickets #138 11s. Probable attendance: boxes, 57 by money and 259 by tickets; stage, 66 by money and 40 by tickets; pit, 39 by money and 350 by tickets; slips, 9 by money; first gallery, 100 by money and 113 by tickets; second gallery, 130 by money

Performances

Mainpiece Title: Love Makes A Man

Song: End I: Si Caro, Lass of Patie's Mill-Miss Warren; III: Plain Truth, Wheel of Life-Leveridge; IV: Ballad written, set to music by Leveridge-Miss Fenton; V: Merry Cobler's Tragical End At Last-

Dance: II: Peasant-Nivelon; III: Scots Dance-Mrs Bullock

Event Comment: By Command of Their Royal Highnesses the Prince and Princess of Wales [who were present]. Mainpiece: Written by Beaumont and Fletcher. Afterpiece: Written by the Author of the Toy Shop. [For a letter on the disputes between the footmen and the gentlemen, see Grub St. Journal, 17 March.] [There is in the Bennett Collection, I, 93, in the Birmingham Library, an exceptionally curious advance notice for a performance to be given at Drury Lane soon after Easter of The Conscious Lovers and The Devil to Pay, with no cast for either play in the bill. The announcement appears to refer to the spring of 1737 and presumably appeared around the middle of March. It is intended for the benefit of a Widow under Misfortunes and the bill bears the heading: Gift and Pleasure. According to the announcement, the widow has been left Italian pictures, antiqees, jewels, and precious stones; and she intends, for the encouragement of her benefactors, to make a gift of all the objects, which will be placed in three hundred parcels. Tickets for the performance are advertised at five shillings, and no one is to be admitted without a ticket. The pit and boxes are to be put together at two tickets for each person, and the first and second galleries are placed together at one ticket for each spectator. The tickets are not to be left with the door-keepers as usual, but only shewn and kept. On the day following the benefit a raffle will be held, by Mr Foubert's Patent Mathematical Machine, at Hickford's Great Room in Brewers Street, Golden Square, and only holders of tickets will be admitted to the raffle, After this entry was set, an advertisement was found in the Daily Advertiser, 18 April 1738, announcing this performance for 13 May 1738. The Daily Advertiser on 5 May 1738, however, announced that the proposed performance had been cancelled.

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The King and the Miller of Mansfield

Event Comment: Benefit for Rose, Sherrard and others. Tickets deliver'd by Robson, Dixon, Wooley, Roberts, Fransdorf, Doe, Reed, Ellis and Pilfold will be taken. @Tickets Box Pit Gallery Value 1!2 Value@Rose 20 31 25 #12 3s. #6 1s. 6d.@Sharratt 6 6 11 #3 10s. #1 15s.@Robson 1 49 52 #12 16s. #6 8s.@Dixon 4 39 33 #10 3s. #5 1s. 6d.@Wooley 3 38 64 #12 17s. #6 8s. 6d.@Roberts 13 53 42 #15 8s. #7 14s.@Fransdorf 33 33 #8 5s. #4 2s. 6d.@Doe 1 13 49 #7 2s. #3 11s.@Reed 10 13 37 #8 3s. #4 1s. 6d.@Ellis 6 33 #4 4s. #2 2s@Pilfold 25 128 17 #27 3s. #13 11s. 6d.@Total #121 14s. #60 17s. (Account Book).@ [See note to 27 May.]@ Rec'd of Gardner for his deficiency 6th inst. #13 3s. 6d.@ Rec'd of Miss Besford her deficiency 25th inst. #7 2s. 10 1!2d.@ Rec'd of Holtom for his deficiency 25th inst. #7 2s. 10 1!2d.@ Rec'd of Mrs Trott her 1!2 value of tickets 27th #2 16s.@ Rec'd of Miss Maddan her 1!2 value of tickets 27th #5 19s.@ Rec'd of Arnd Fishar his 1!2 value of tickets 27th #1 9s.@ Rec'd of Parsons his 1!2 value of tickets 27th #19.@ Rec'd of Morris his deficiency the 3rd inst. #2 10s. 9d. (Account Book).@ Receipts: #35 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Dr Faustus

Dance: II: Comic Dance, as17680527

Event Comment: Benefit Mrs Younger. [There is some confusion concerning this performance. Daily Journal advertises The Fortune Hunters for its second performance, but Rich's Register gives The Beggar's Opera, 33d time; this numbering is recongnized in the bills by 16 March.] Receipts: money #35 2s.; tickets #115 17s. Probable attendance: boxes, 41 by money and 247 by tickets; stage, 12 by money; pit, 59 by money and 203 by tickets; slips, 6 by money; first gallery, 66 by money and 203 by tickets; second gallery, 74 by money. Tickets for Volpone will be taken

Performances

Mainpiece Title: The Beggars Opera

Event Comment: Benefit Mrs Barbier. Tickets for The Beggar's Opera taken. Receipts: money #87 19s.; tickets #73 11s. Probable attendance: boxes, 63 by money and 262 by tickets; stage, 26 by money; pit, 158 by money and 49 by tickets; slips, 26 by money; pidgeon holes, 2 by money; first gallery, 271 by money and 7 by tickets; second gallery, 192 by money

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Song: t the Desire of several Persons of Quality Between Acts: four Scotch and English Ballads-Mrs Barbier; as also Tamo Tanto-Mrs Barbier; French Horn Song in Admetus-Mrs Barbier , properly accompanied

Dance: TTwo Pierrots-Nivelon, Poitier