Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
6544 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6336 matches on Event Comments, 256 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

5776
15 March 1787 @ King's Theatre

Event Comment: Benefit for Rubinelli. Tickets to be had of Rubinelli, No. 18, Sherrard Street, Golden Square. Receipts not listed

Performances

Mainpiece Title: Virginia

Dance: As17870120

5777
17 March 1787 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #216 12s. 6d. (196.5.0; 19.17.0; 0.10.6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Seduction

Afterpiece Title: The Virgin Unmaskd

5778
20 March 1787 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. Receipts: #313 (139.19.0; 11.15.6; 0.11.6; tickets: 160.14.0) (charge: #70 5s. 8d.)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Dance: End II: As17870113

Song: As17870201

5779
22 March 1787 @ King's Theatre

Event Comment: Benefit for Mme Perignon. Tickets, half a guinea each, to be had of Mme Perignon, in the Court, No. 83, Pall-mall. Receipts: not listed

Performances

Mainpiece Title: Virginia

Dance: End I: a new Divertissement in the Pastoral Style, La Jardiniere-; in which a new Pas de Trois-Goyon, Mlle Mozon, Mme Perignon; End Opera: an entirely new ballet, composed by Hus, Sylvie-Goyon, Gricourt, Laborie, Mlle Mozon, the two Miss Simonets, Mme Perignon

5780
24 March 1787 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #199 13s. 6d. (174.17.0; 21.7.6; 3.9.0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Seduction

Afterpiece Title: The Sultan

5781
26 March 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: Richard Coeur de Lion

5782
26 March 1787 @ Red-Lion Inn, Lordship Road, Stoke Newington

Event Comment: Benefit for Sidney. Pit 1s. Gallery 6d. To begin at 7:00 precisely. Tickets to be had at the Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Citizen

Song: End: The Wedding Day-Wilson

Entertainment: Monologue. Afterpiece to conclude: with an Occasional Address of Thanks-Sidney

5783
29 March 1787 @ King's Theatre

Event Comment: Benefit for Mme Mara. Tickets to be had of Mme Mara, No. 39, Suffolk-street, Charing-cross. Receipts not listed

Performances

Mainpiece Title: Didone Abbandonata

Dance: End I: Divertissement, as17870116; End Opera: La Fete Provencale, as17870308

5784
31 March 1787 @ Covent Garden

Event Comment: Benefit for Lewis. Receipts: #310 12s. (213.3.6; 6.16.6; tickets: 90.12.0)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Comus

Song: In afterpiece: Sweet Echo-Mrs Billington; accompanied on the hautboy-W. Parke

5785
09 April 1787 @ Drury Lane Theatre

Event Comment: Benefit for Bannister. Receipts: #302 (123.4; 22.19; 1.6; tickets: 154.11) (charge: #109 16s. 4d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Quaker

5786
10 April 1787 @ Drury Lane Theatre

Event Comment: Benefit for Dodd. Receipts: #268 11s. 6d. (90.13.0; 13.6.0; 1.18.6; tickets: 162.14.0) (charge: #105 6s. 7d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Alchymist

5787
11 April 1787 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. Receipts: #282 15s. (110.11; 18.1; 1.3; tickets: 152.19) (charge: #111 14s. 8d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Harlequins Invasion

5788
13 April 1787 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. Receipts: #304 2s. (110.18.0; 11.6.6; 2.2.6; tickets: 179.15.0) (charge: #107 14s. 10d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Sultan

Dance: End: As17870113; End I: The Minuet de la Cour, as17861125

Song: V: song-Miss Romanzini

5789
13 April 1787 @ Covent Garden

Event Comment: Benefit for the Author [of afterpiece, who is named in the Account-Book, but not on the playbill]. Receipts; #120 1s. 6d. (113.18.6; 6.3.0; tickets; none listed)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Love and War

5790
17 April 1787 @ Drury Lane Theatre

Event Comment: Benefit for Bensley. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. The Romp [announced on playbill of 16 Apr.] cannot be performed on Account of the Indisposition of Mrs Jordan. Public Advertiser, 31 Mar.: Tickets to be had of Bensley at his house, No. 21, Charlotte-street, Bedford-square. Receipts: #285 12s. (126.18.0; 13.17.6; 2.16.6; ticket2: 140.0.0;) (charge: #107 8s.)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: Whos the Dupe

5791
20 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: The First Floor

Song: [Kelly introduced a song by Giuseppe Sarti with English words by Richard Tickell, and a duet composed by himself and Stephen Storace with words by French Laurence (Kelly, I, 296). Neither one of these is listed on the playbill]

5792
24 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: A School For Fathers

Afterpiece Title: Harlequins Invasion

5793
24 April 1787 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; O 1, by John Wolcot. Larpent MS 770; not published]: Being a Translation from the French Opera of that name [Nina; ou, La Folle par Amour, by Benoit Joseph Marsollier des Vivetieres], now performing at Paris with universal applause. With the original Music [by Nicolas Dalayrac, adapted by William Shield and William Thomas Parke. Two other versions of this opera, both unacted, were published this year: one anonymous, and one by George Monck Berkeley]. Receipts: #300 8s. 6d. (150.0.0; 2.18.0; tickets: 147.10.6)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Nina

Afterpiece Title: The Intriguing Chambermaid

Song: Between acts 1st piece: an entire new song, The Nymph's Refusal-Mrs Martyr

5794
26 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Whos the Dupe

5795
26 April 1787 @ King's Theatre

Event Comment: Benefit for Sga Sestini. Tickets, half a guinea each, to be had of Sga Sestini, No. 36, Mount-street, Grosvenor-square. Receipts not listed

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: As17870329

5796
27 April 1787 @ Drury Lane Theatre

Event Comment: Benefit for Suett. Receipts: #281 14s. (67.0.0; 20.6.6; 2.13.6; tickets: 191.14.0) (charge: #109 1s.)

Performances

Mainpiece Title: She Woud And She Woud Not

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: The Padlock

5797
28 April 1787 @ Drury Lane Theatre

Event Comment: Receipts: #152 7s. 6d. (126.7.0; 22.4.6; 2.8.6; tickets not come in: 1.7.6)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Double Disguise

5798
02 May 1787 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #218 2s. (213.5; 4.17; tickets: none listed)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Bonds without Judgement

5799
05 May 1787 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #153 3s. 6d. [120.18.0; 28.15.6; 3.10.0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Seduction

Afterpiece Title: Whos the Dupe

5800
11 May 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Distressd Baronet

Dance: End II: As17870113; I: a Country Dance (incident to the [main]piece)-

Song: [Kelly introduced a song, Love thou maddening power, and a duet, Each joy in thee possessing, neither one listed on playbill. Both were composed by Gluck, and both had English words by Elizabeth Sheridan (Kelly, I, 301-2)]