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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6544 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6336 matches on Event Comments, 256 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

5251
22 May 1781 @ Drury Lane Theatre

Event Comment: By particular desire of their Excellencies the Persian Ambassadors. Benefit for Griffiths, Norris, Spencer & Williams. [Afterpiece in place of The Flitch of Bacon, announced on playbill of 21 May.] Receipts: #251 0s. 6d. (35.14.0; 14.17.6; 4.8.0; tickets: 196.1.0) (charge: none listed)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Quaker

Dance: End: The Devonshire Minuet, as17810517

5252
23 May 1781 @ Drury Lane Theatre

Event Comment: Benefit for Phillimore, Chaplin, Walker & Kirk, house-keeper. Receipts: #305 7s. (18.18; 7.11; 0.0; tickets: 278.18) (charge: none listed)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Whos the Dupe

Dance: End: Hornpipe, as17800921; End I afterpiece: The Butterfly, as17800921

Song: End IV: The Early Horn-Groves (1st appearance in public)

5253
24 May 1781 @ Drury Lane Theatre

Event Comment: Benefit for Watson, Carleton Jun., Wilson, Hicks & R. Palmer? Sen.. Receipts: #289 16s. 6d. (30.16.0; 7.7.6; 0.11.0; tickets: 251.2.0) (charge: none listed)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Register Office

Performance Comment: As17810428, but added: Gulwell-Packer; Frankly-Norris; Harwood-Lamash; Lord Brilliant-R. Palmer; Williams-Wrighten; Margery Moorpout-Mrs Love; Maria-Miss Kirby; Melpomene-Miss M. Stageldoir.
Cast
Role: Margery Moorpout Actor: Mrs Love
Role: Spouters Actor: Norris.

5254
25 May 1781 @ Drury Lane Theatre

Event Comment: Benefit for Mortimer, Tomlinson, Shade, Bayne & Carleton Sen. Receipts: #269 14s. (30.13; 15.6; 0.16; tickets: 222.19) (charge: none listed)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Rival Candidates

Dance: End IV: Hornpipe-Miss J. Stageldoir

5255
26 May 1781 @ Drury Lane Theatre

Event Comment: Benefit for Wood, Percey, Cameron, Enoe & Morris. Receipts: #305 19s. (23.16.6; 3.4.6; 0.2.0; tickets: 278.16.0) (charge: none listed)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: All the Worlds a Stage

Dance: End I: Hornpipe, as17810525; End: The Devonshire Minuet, as17810517

5256
28 May 1781 @ Drury Lane Theatre

Event Comment: Benefit for a Fund, for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Receipts: #138 13s. (95.8; 0.0; tickets: 43.5) (charge: free)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Robinson Crusoe

5257
15 August 1781 @ Haymarket Theatre

Event Comment: Benefit for Mrs Webb. Mainpiece: Never performed Here. [Miss Stuart was from cg.] Tickets to be had of Mrs Webb, No. 15, Bedford-street, Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Midas

Dance: End: The Italian Peasants-Master Byrn, Miss Byrn

5258
16 October 1781 @ Haymarket Theatre

Event Comment: Benefit for Walker. Mainpiece: Not acted these 30 years [not acted since 4 Oct. 1722], wrote by Mrs Ccntlivre. Afterpiece: Never performed there. The doors to be opened at 5:30. To begin at 6:30. Ladies are requested to send their servants by five o'clock to keep places. Tickets to be had of Walker, the Globe, Pall-mall

Performances

Mainpiece Title: The Artifice

Afterpiece Title: The Ghost

Song: End of mainpiece Auld Robin Gray by Miss Lyon

5259
03 November 1781 @ Drury Lane Theatre

Event Comment: Benefit for Tickell and Linley [who are named in the Account-Book, but not on the playbill]. Receipts: #198 12s. 6d. (154/1/0; 44/0/0; 0/11/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Gentle Shepherd

5260
17 November 1781 @ King's Theatre

Event Comment: A revived Serious Opera; the Music by the most eminent Composers [Bertoni, Gugliclmi, Giordani, Rauzzini, Gretry, &c], under the direction of Bertoni. With entire new scenes painted by Novosielski. New Dresses and Decorations both for the Opera and Dances. The Doors to be opened at 6:00. To begin exactly at 7:00 [see 18 June 1782]. By Command of Their Majesties no Persons to be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. Upper Gallery 3s. To prevent inconvenience in getting to their carriages, the Nobility and Gentry are requested to order their servants to set down and take up with their horses' heads towards Pall-Mali. The Subscribers to the Opera are intreated to send their instructions to Jewell and Johnson at the Office in Union-court before the opening of the Theatre, when the final arrangement of the Boxes will take place, and those which are not retained will then be disposed of. Subscriptions to be paid on delivery of the tickets. Books of the Opera, with an account of the Pantomime Dance, to be had at the Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I a Pastoral Dance (composed by Simonet) by Henry, Bournonville, Raymond, Sga Crespi, Mlle Dumont; End of Act II A Divertisement Dance (composed by Noverre) by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Henry. Sga Crespi, Bournonville, &c; End of Opera a new Tragi-Pantomime Ballet (composed by Noverre), Les Amans Reunis, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby, Simonet, Henry, Bournonville, Raymond, Mlle Dumont, Sga Crespi. [Partial cast, with synopsis of action, from Morning Herald, 18 Dec: Alphonso-Gardel; Ines-Mlle Baccelli; Chief of the Island-Slingsby.]

5261
19 November 1781 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of afterpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #193 19s. 6d. (127/13/0; 42/12/6; 1/4/0; tickets: 22/10/0) (charge: #105)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Divorce

Dance: As17811117

5262
29 November 1781 @ Drury Lane Theatre

Event Comment: Benefit for the Author. Mainpiece: The scenery designed by De Loutherbourg, and executed under his direction. Receipts: #151 4s. 6d. (123/7/0; 27/12/6; 0/5/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: The Quaker

Music: In Act III of mainpiece an Epithalamium [performers not listed; music by ThomasLinley Sen. (see text). This was included in all subsequent performances]

5263
03 December 1781 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #207 (164/6/0; 42/11/6; 0/2/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: The Gentle Shepherd

5264
07 December 1781 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #129 14s. 6d. (100/10/0; 29/2/0; 0/2/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: Comus

5265
15 December 1781 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #191 19s. 6d. (173/6/0; 17/17/0; 0/16/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Carnival Of Venice

Afterpiece Title: Bon Ton

5266
19 December 1781 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #165 16s. (135/7; 29/14; 0/15; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Carnival Of Venice

Afterpiece Title: The Divorce

Dance: As17811217

5267
21 December 1781 @ Covent Garden

Event Comment: Benefit for the Middlesex-Hospital. Receipts: #141 11s. 6d. (91/4/6; tickets: 50/7/0) (charge: #105)

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Flitch of Bacon

5268
22 December 1781 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #183 4s. (151/19; 31/0; 0/5; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Carnival Of Venice

Afterpiece Title: The Divorce

Dance: As17811217

5269
10 January 1782 @ King's Theatre

Event Comment: Subscribers' Boxes will be kept for them, and their tickets admitted as usual, without being accounted a Subscription Night

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II Divertisement Dance, as17811117; End of Act in a new Serious Dance, composed by Noverre, Le Triompbe de l'Amour Conjugal, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli. [Cast from libretto of Giunio Bruto (E. Cox, 1781), where it is entitled Alceste: Admetus-Gardel; Alceste-Mme Simonet; Apollo-Nivelon; Hebe-Mlle Theodore; Iris-Mlle Baccelli.]

5270
15 February 1782 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. [Public Advertiser, 18 Feb., refers to the Overture to Rodelinda, which opened the performance, and to Street Bird, sung by Miss Linley, accompanied on the organ by Stanley; Oft on a plat of rising ground by Miss Prudom; Hide me from day's garish eye by Miss Linley; Horn and Morn by Reinhold.] 2nd piece: Set to Music by Handel. Tickets to be had and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre, at half a guinea each. Pit 5s. 1st Gallery 3s. 6d. 2ndGallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Lallegro Ii Penseroso

Afterpiece Title: The Choice of Hercules

Music: End of Part I of oratorio concerto on the violoncello by Crosdill; End of Part II concerto on the hautboy by Parke

5271
26 February 1782 @ Covent Garden

Event Comment: Benefit for Miss Catley. Receipts: #282 14s. (194/12; tickets: 88/2) (charge: free)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tom Thumb

Dance: End of mainpiece, as17820221

Song: End of Act I of mainpiece The Huntsman's sweet Halloo; End of Act II If o'er the cruel Tyrant, Love (from Artaxerxes); In afterpiece the original song to Fischar's Minuet; End of Act I The Wanton God (from Comus); End of afterpiece Push about the Jorum, with an additional verse to Miss Catley's Friends, all five sung by Miss Catley

5272
28 February 1782 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #215 13s.(183/13/0; 31/2/6; 0/17/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Variety

Afterpiece Title: Comus

5273
04 March 1782 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Abington [who is named in the Account-Book, but not on the playbill]. Receipts: #153 6s. 6d. (118/6/0; 33/18/0; 1/2/6; tickets: none listed) (charge: free)

Performances

Mainpiece Title: Variety

Afterpiece Title: Robinson Crusoe

5274
05 March 1782 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #139 91. 6d. (112/15/0; 26/1/0; 0/13/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Variety

Afterpiece Title: The Gentle Shepherd

5275
07 March 1782 @ King's Theatre

Event Comment: Benefit for Pacchierotti. A Serious Opera; the Music by Bertoni. Tickets to be had of Pacchierotti, No. 8, Great Marybone-street, Cavendish-square

Performances

Mainpiece Title: Quinto Fabio

Dance: End of Act I Pastoral Dance, as17820129; End of Act II New Divertisement Dance, as17820216; End of Act III Divertisement Dance, as17811117, but Raymond in place of Bournonville