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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6544 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6336 matches on Event Comments, 256 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

5051
20 March 1777 @ King's Theatre

Event Comment: Benefit for Signora Davies Inglesina. Public Advertiser, 25 Feb.: Tickets to be had of Sga Davies at her House, No. 1, St. Alban's street, Pall-mall

Performances

Mainpiece Title: Lali Damore

Dance: As17770313throughout.

Song: In III: 'Sventurata in van mi lagno-Sga Davies; with the flute accompaniment-, from Antigono

5052
31 March 1777 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. Receipts: #276 13s. 6d. (207.13.6; tickets: 69.0.0) (charge: #70 5s.)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: True Blue

Afterpiece Title: Midas

Dance: As17761223

5053
10 April 1777 @ King's Theatre

Event Comment: Benefit for Trebbi. Public Advertiser, 15 Mar.: Tickets to be had of Trebbi, at Stephenson's, Hay-market

Performances

Mainpiece Title: La Schiava

Dance: As17770313throughout.

5054
12 April 1777 @ Drury Lane Theatre

Event Comment: Benefit for the Author of The Milesian. Receipts: #124 15s. 6d. (94.19.0; 28.6.6; 1.10.0; tickets: none listed) (charge: #84)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Milesian

Dance: As17761214

5055
14 April 1777 @ Covent Garden

Event Comment: Benefit for Mattocks. Mainpiece: Written by Thomson. Not acted these 7 years. Receipts: #224 0s. 6d. (163.16.6; tickets: 60.4.0) (charge: #66 6s.)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: True Blue

Afterpiece Title: The Country Mad Cap

Dance: As17761223

5056
17 April 1777 @ Drury Lane Theatre

Event Comment: Benefit for Farren, Baker & Miss Abrams. Receipts: #140 19s. 6d. (48.2.0; 15.5.6; 0.0.0; tickets: 77.12.0) (charge: #74 14s.)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Harlequins Invasion

Song: End: The Soldier tir'd With war's Alarms-Miss Abrams

5057
17 April 1777 @ King's Theatre

Event Comment: Benefit for Sga Sestini. A new Comic Opera [usually entitled L'Isola di Alcina]; the Music by Gazzaniga. Public Advertiser, 27 Mar.: Tickets to be had of Sga Sestini, No. 8, Great Suffolk-street, Hay-market

Performances

Mainpiece Title: Alcina

Dance: As17770313

Song: With the Alterations of two new songs-Sga Sestini; a favourite one-Sga Sestini

5058
18 April 1777 @ Drury Lane Theatre

Event Comment: Benefit for Lamash, Griffiths & Norris. Receipts : #214 11s. (51.0; 18.13; 0.0; tickets: 144.18) (charge: #65 11s. 6d.)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Bon Ton

Dance: As17761128

5059
28 April 1777 @ Drury Lane Theatre

Event Comment: Benefit for a Fund, for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Prelude [1st time; M. PREL 1, by David Garrick, and others. In a synopsis of the plot the London Chronicle assigns Bannister; it lists the names of the other performers and, separately, their parts. The assignments given above are my own conjecture. Not in Larpent MS; the composer of the vaudeville written by Garrick is unknown]. The Words of the Songs will be given at the Theatre. Ladies and Gentlemen are requested to come early, to prevent Confusion. And to send their Servants by Five o'clock to keep the Places. Receipts: #217 8s. 6d. (100.9.0; 25.14.6; 0.0.0; tickets: 91.5.0) (charge: free)

Performances

Mainpiece Title: A Bundle Of Prologues

Afterpiece Title: Twelfth Night

Afterpiece Title: The Jubilee

5060
29 April 1777 @ Covent Garden

Event Comment: Benefit for Miss Brown. The Words of the Pastoral Dialogue to be had Gratis at the Theatre. Mainpiece: Not acted these 6 years. Receipts: #244 6s. 6d. (167.1.6; tickets: 77.5.0) (charge: #64 10s.)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Citizen

Dance: End Dialogue: As17761123; End I: Minuet-Aldridge, Miss Brown

Song: End: New Pastoral Dialogue [Tell me Silvia why so sad?] set to music by Dr Arnold-Miss Wewitzer, Miss Brown

5061
30 April 1777 @ Drury Lane Theatre

Event Comment: Benefit for R. Palmer, Walker, Kirk, house-keeper, & Mrs Cross. The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #247 9s. 6d. (45.5.0; 11.12.6; 0.0.0; tickets: 190.12.0) (charge: #67 5s.)

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: The Deserter

Dance: Grand Naval Review, As17761109; End I afterpiece: a Hornpipe-Walker

Song: As17761109

Entertainment: Monologue. End: Bucks have at ye All-R. Palmer

5062
01 May 1777 @ King's Theatre

Event Comment: Benefit for Mons and Mme Simonet. Public Advertiser, 28 Mar.: Tickets to be had of Simonet, at Leary's, near the White Bear, Piccadilly

Performances

Mainpiece Title: La Fraschetana

Dance: End I: Les Amans Heureux, as17770104; End II: Divertisement-Simonet, Mlle Baccelli, Sg and Sga Zuchelli, Vallouy@le@cadet; End Opera: New Ballet (composed by Simonet)-Simonet, Mlle Baccelli, Mlle DeCamp, Sg and Sga Zuchelli; in which, particularly a grand Chaconne in two Parts, habille en homme-Mme Simonet

5063
02 May 1777 @ Drury Lane Theatre

Event Comment: Benefit for Mr and Mrs Booth, Miss Armstrong & Everard [who are named in the Account-Book, but not on the playbill]. Receipts: #114 4s. (46.10; 10.8; 1.11; tickets: 55.15) (charge: none listed)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: All the Worlds a Stage

Dance: Dance of Spirits, as17770414; In IV: Grand Dance, as17770425; The Court Minuet, as17770403; Allemande, as17770403

5064
08 May 1777 @ King's Theatre

Event Comment: Benefit for Mons and Mme Vallouy. Public Advertiser, 3 May: Tickets to be had of Vallouy at his house, No. 2, Berkley-square

Performances

Mainpiece Title: Il Geloso In Cimento

Dance: End I: new Comic Dance, Le Culte d'Amour(composed by Vallouy)-Vallouy, Mlle DeCamp, Vallouy@le@cadet; End II: Serious Ballet-Simonet, Mlle Baccelli; , in which the Minuet de la Cour-Mons and Mme Vallouy; End Opera: Les Amans Heureux, as17770104

5065
15 May 1777 @ King's Theatre

Event Comment: Benefit for Mlle Baccelli. Public Advertiser, 1 May: Tickets to be had of Mlle Baccelli, at Micheli's, Hay-market

Performances

Mainpiece Title: La Fraschetana

Dance: End I: New Serious Ballet, as17770412; End II: Les Amans Heureux, as17770104; End Opera: Serious Ballet, as17770225Chaconne-_, Pas de deux-_

5066
21 May 1777 @ Covent Garden

Event Comment: Benefit for Condell, Evans & Curteen, box-keepers. Receipts: #295 4s. 6d. (68.8.6; tickets: 226.16.0) (charge: #105)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Don Quixote in England

5067
02 June 1777 @ Drury Lane Theatre

Event Comment: Benefit for Watson, Silvester, Kaygill & Wilson. Receipts: #200 9s. 6d. (12.11.0; 3.13.6; 0.0.0; tickets: 184.5.0) (charge: #84)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Waterman

Dance: As17761128

5068
06 June 1777 @ Drury Lane Theatre

Event Comment: Benefit for Berrisford, Carleton Jun., Shade & Edleston. Receipts: #227 5s. 6d. (25.17.0; 3.10.6; 0.0.0; tickets: 197.18.0) (charge: #84)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Mayor of Garratt

Dance: As17761214

Song: In I: song-Miss Abrams

5069
18 June 1777 @ China Hall, Lower Road, Rotherhithe

Event Comment: A Concert of Music, Vocal and Instrumental, by the most celebrated performers, with Dancing by Miss Cranfield. Between the several parts of the Concert will be rehearsed (gratis) by Pupils, for their mutual improvement in Oratory The Fair Penitent [etc., as above]. By Subscription. The Doors to be opened at 5:30. To begin precisely at 6:30. Boxes 3s. Pit 2s. Gallery 1s. No money will be taken at the door, nor any person admitted without a ticket, which may be had at the Office near the Concert Room, where attendance will be given from Ten to One every day; and from half past Five till Eleven each evening of performing. Morning Chronicle, 19 June: A correspondent who was present declares the business of the evening was conducted with great regularity and decorum... The dresses were as good as those of the Theatres Royal, the band excellent, and the decorations neat and ornamental

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Miss in her Teens

Entertainment: Monologue. An OccasionalPoetical Address-Russell

5070
05 July 1777 @ King's Theatre

Event Comment: Benefit for Rauzzini. The last Opera this Season. Part of the Figurants being gone to Paris, the Dances will be given in the best manner possible, and hope for the Indulgence of the Audience. Tickets to be had of Rauzzini, No. 5, Suffolk-street

Performances

Mainpiece Title: Lali Damore

Dance: End I: La Clochette, as17770617, but omitted: Sga Zuchelli; End II: Minuet de la Cour, as17770508; End Opera: Serious Ballet-Mons and Mme Simonet, Vallouy@le@cadet, Mlle Baccelli

Song: Preceding last ballet: Address of Thanks (composed for the occasion by Rauzzini)-Rauzzini, Miss Storace

5071
19 August 1777 @ Haymarket Theatre

Event Comment: Benefit for Palmer. Mainpiece: Never performed here [so stated on playbill of 18 Aug.]. Public Advertiser, 13 Aug.: Tickets to be had of Palmer at his house in Bow-street, Bloomsbury. [Henderson's 1st appearance as Don John was at Bath, 23 Oct. 1773.

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Lyar

Dance: End Monologue: a Dance-

Entertainment: MonologueEnd: The Picture of a Playhouse or Bucks have at Ye All-Palmer

5072
25 August 1777 @ Haymarket Theatre

Event Comment: Benefit for Henderson. Public Advertiser, 19 Aug.: Tickets to be had of Henderson, No. 21, Maiden-lane, Covent Garden. [Henderson's 1st appearance as Bayes was at Bath, 28 Nov. 1772.

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Fairy Tale

Cast
Role: Snout Actor: Kenny

5073
28 August 1777 @ Haymarket Theatre

Event Comment: Benefit for Bannister. Public Advertiser, 21 Aug.: Tickets to be had of Bannister, at Palmer's, Bridges-street. [Public Advertiser assigns in mainpiece: Kinswoman-$Miss Platt; in afterpiece: Mrs Bundle-$Mrs Love.

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Waterman

5074
17 September 1777 @ Haymarket Theatre

Event Comment: [Extra night] By Permission [of the Lord Chamberlain]. Benefit for Mrs Jewell. The Out-standing Tickets of Mr Jewell [from his benefit on 3 Sept.], and those issued for King Richard III will be admitted

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Mayor of Garratt

Dance: III: a Hornpipe-

Entertainment: ImitationsEnd: New Imitations Vocal and Rhetorical-Hutton

5075
13 October 1777 @ Haymarket Theatre

Event Comment: By Authority of the Lord Chamberlain. Benefit for Stewart and Walker. Mainpiece [1st time; PAST 5]: Done into English, from the Original of Allan Ramsay, by Cornelius Vanderstop, Esq. As it has long been the Desire of the Nobility and Gentry to have this celebrated Piece performed in English, the Gentleman who has undertaken this ardent Task hopes it will give Satisfaction to the Public in general. [Text 1st published For the Author, 1777.] Afterpiece [1st time; F 2, by James Stewart. Authors of Prologues unknown.]. The Doors to be opened at 5:00. To begin at 6:00. No Persons whatever to be admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Ladies are desired to send their Servants by Five to keep Places. Tickets to be had at the Edinburgh Coffee-house and Jamaica Coffee-house, Cornhill; the St. Andrew, Wapping; and of Walker, No. 4, New Round Court, Strand

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Students or The Humours of St