SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6336 matches on Event Comments, 256 matches on Performance Comments, 3 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Bannister. Tickets 3s

Performances

Mainpiece Title: La Serva Padrona

Entertainment: Singing-Miss Thomas, Miss Harper, Miss Esser, who will accompany her songs on a Violin; For that night only Singing by Mrs Baddeley; Musical Imitations, a favourite Song O What a Charming Thing's a Battle-Bannister; By Particular desire With Horns and With Hounds-Mrs Thompson

Event Comment: Benefit for Richards and Reeves. Price 3s. Miss Esser's tickets will be taken

Performances

Mainpiece Title: La Serva Padrona

Entertainment: Vocal parts-Miss Harper, Miss Catley, Miss Esser; who will accompany her songs and play a Solo on the violin-Miss Esser; Musical Imitations-Bannister; Solo on Violin (Giardini)-a Pupil of Mr Reeves, only ten years old, his first appearance in public

Event Comment: Timanthes and the Citizen oblig'd to be deferr'd on account of Indisposition of Mrs Yates and Mrs Mattocks. Benefit for the increase of a Fund, for the support of such actors and their families who through age or infirmity are oblig'd to retire from the stage (playbill). Charges #70 12s. 6d. Profit to the Fund #68 1s. 6d. plus [apparently] #10 from sale of 40 Box Tickets (Account Book). Receipts: #138 14s. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Catherine and Petruchio

Monologue: Entertainment True Blue. As 14 Dec

Event Comment: Benefit for General-Lying-In Hospital, Oxford Road (playbill). Charges #87 17s. Profit to Hospital #11 15s. plus #152 4s. from tickets (Box 511; Pit 115; Gallery 72). Receipts: #99 12s. (Account Book)

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: The Padlock

Dance: End: The Corsican Sailor's Punch House, as17711011

Event Comment: [Mainpiece seems, according to the Public Advertiser, to have had in it entertainments of dancing.] Benefit for Westminster New Lying-In-Hospital near Westminster Bridge (playbill). Charges #86 18s. 6d. Profit to Hospital #19 10s. 6d., plus #79 7s. from tickets (Box 172; Pit 161; Gallery 122) (Account Book). Receipts: #106 9s. (Account Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Author

Dance: End: The Reel-Miss Valois, Sga Manesiere, Aldridge. As17711030

Event Comment: Author's night. Afterpiece: Not acted in 2 years. [See 16 May 1769.] Theatrical Review, 29 Feb.: A tolerable representation of the ceremony of drawing the tickets, at Guildhall, is introduc'd, and the whole together is rendered a very diverting performance. Rec'd Stopages, #11 6d.; Paid salary list #500 18s. 6d.; Mrs Abington's cloaths acct, #2; Mr S. French 6 days #1 10s. (Treasurer's Book). This day publish'd (From the Subscription Quarto, a neat pocket edition) Dramatic Genius, in Five Books...Printed for T. Becket. Receipts: #252 11s.; Charges: #73 10s.; Profit to Murphy: #179 1s. (Treasuer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Lottery

Event Comment: Words from Holy Writ...Music so admirable designed by Handel as to Beggar all description (Theatrical Review). Mr Ponta is Musician to his Serene Highness the Elector of Mentz. Tickets and places for boxes to be taken of Mr Sarjeant at the Stage Door. Box 5s. Pit 4s. First Gallery 3s. Upper Gallery 2s. Books of the performance sold at the Theatre. Doors to be opened at Five o'clock. To begin at half past Six (Account Book). [Messrs Toms and Arnold were putting on the Oratorios at Covent Garden this season.] Charges: #35 (Account Book)

Performances

Mainpiece Title: The Messiah

Music: Part I: Concerto on French Horn-Mr Ponta; End Part II: Concerto on Violin-Sga Lombardini Sirmen (Theatrical Review, 214)

Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexanders Feast With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Event Comment: Paid Mr Dibdin's draft on Managers, #50; Mrs Weston 4 nights in the Garter in full, 10s. (Treasurer's Book). Mr Daigueville, First Dancer and Ballet Master at Drury Lane House, gives notice to the Nobility and Gentry, that he has an elegant dancing room, No. 38 Cow Lane, Snowhill; where he continues to teach every day the Dauphin's Minuet and others...Teaches abroad also when required; and at the request of his scholars, he will give a Ball on the 10th instant. The Gentlemen are desired to call at his house for the tickets 10s. 6d. each, to admit one Gentleman and a Lady. If any Gentleman wants the Ballroom for private assembly or concert they may have it for one or two nights in the week. Receipts: #159 6s. (Treasurer Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Witches

Event Comment: Benefit for Mrs Barry. King Arthur oblig'd to be deferr'd on account of Mr Barry's illness. Tickets deliver'd for The Distressed Mother will be taken. Pit and Boxes are laid together. Send servants by Four o'clock. Afterpiece: Not acted these seven years. [See 21 April 1760.] The Farce hiss'd. Mrs Barry Sir Harry (Hopkins Diary). Paid Salary list #333 19s.; Mrs Abington's Cloaths Acct, #1; Mr S. French 6 days, #1 10s. (Treasurer's Book). Receipts: #296 14s. Charges: #65. Profit to Mrs Barry: #231 14s. (Treasurer's Book)

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Upholsterer

Music: II: The Amusements of Strasburgh-Daigville, Sga Vidini, Daigvilles scholars, as17711118

Event Comment: Benefit for Mrs Yates. Mainpiece: Altered from Corneille [by Colley Cibber?]. Never Performed There. Pit and Boxes laid together (playbill). Charges #66 7s. 6d. Profit to Mrs Yates #39 7s. 6d., plus #179 from tickets (Box and Pit 716). Paid Younger a Bill for writing parts #5 19s. 9d. Paid John Smith for a Blue cloth suit lac'd with gold #9 9s. (Account Book). Receipts: #105 15s. (Account Book)

Performances

Mainpiece Title: Ximena Or The Heroic Daughter

Afterpiece Title: Man and Wife

Dance: End: The Whim, as17720312 End II Farce: A Comic Dance, as17711031

Event Comment: Benefit for Woodward. With alterations and two additional scenes from Harlequin Skeleton and Mother Shipton. Mainpiece: Reviv'd. [See 1 May 1767.] Charges #66 8s. 6d. Profit to Woodward #137 12s. 6d., plus #56 5s. from tickets (Boxes 225). Paid 1!2 year's water rent due Xmas last #2 (Account Book). Receipts: #204 1s. (Account Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Harlequin Dr Faustus

Dance: II: The Reel-Aldridge, Sga Manesiere,Miss Valois, as17711030

Event Comment: Benefit for Smith. Mainpiece: Not acted these 10 years. [See 15 May 1765.] Afterpiece: Not acted these 2 years. [See 6 April 1771.] Part of Pit will be laid into the Boxes. Ladies send servants by 4 o'clock. Charges #67 6s. 6d. Profit to Smith #51 9s. 6d. plus #153 2s. from tickets (Box 427; Pit 205; Gallery 106) (Account Book). Receipts: #118 16s. (Account Book)

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Citizen

Dance: End: The Whim, as17720312

Event Comment: Benefit for Shuter (playbill). Charges #67 10s. Profit to ShUter #100 15s. 6d., plus #84 10s. from tickets (Boxes 203; Pit 225). Paid Pattinson (tallow chandler) #21 7s. (Account Book). Receipts: #168 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Midas

Entertainment: After: The Cries of London-Shuter; The Whim-Sga Manesiere, Aldridge as17720312

Event Comment: Benefit for Yates. Part of Pit laid into Boxes (playbill). Charges #64 5s. Profit to Yates #82 3s. 6d., plus #102 11s. from tickets: (Box 367; Pit 72). Paid half year's Poor's rate for the theatre due Ladyday last #20 8s. 4d.; and for House in Bow Passage 14s. 7d. (Account Book). Receipts: #146 8s. 6d. (Account Book)

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Related Works
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Choice or Merit before Mnney

Dance: End: The Lilt, as17720326

Event Comment: Benefit for Mrs Mattocks. Mainpiece: Never Acted There. Afterpiece (music by Dr Arne): Not acted this season (playbill). Charges #64 5s. Profit to Mrs Mattocks #89 2s. 6d., plus #57 11s. from tickets (Box 211; Pit 32). Rec'd from Condell for Fruit Rent this season #20 (Account Book). Receipts: #153 7s. 6d. (Account Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Country Madcap

Dance: End: The Old ground Young=, as17711030

Event Comment: Benefit for Dyer. Charges #64 10s. Profit to Dyer #24 8s. 6d., plus #110 4s. from tickets (Box 250; Pit 190; Gallery 172). Paid Cooper (printer) #40 11s. (Account Book). Receipts: #88 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Padlock

Dance: End: The Old ground Young, as17711030

Event Comment: Benefit for Clarke. Mainpiece: By Particular Desire. Charges #69 3s. 6d. Profit to Clarke #51 4s. 6d. plus #133 12s. from tickets (Box 308; Pit 274; Gallery 155) (Account Book). Receipts: #120 8s. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Man and Wife

Dance: End of Play: The Old ground Young-Aldridge, Sga Manesiere

Event Comment: Benefit for Mattocks. The Young Gentleman who was to have performed the part of Lysimachus in the tragedy of Alexander...for the benefit of Mr Mattocks, being much indisposed, cannot appear in that character as was intended, it will therefore be performed as usual by Mr Hull (Winston, MS 10, newsclipping inserted). Charges #74 7s. Profit to Mattocks #108 10s., plus #38 10s. from tickets (Boxes 121; Pit 55) (Account Book). Receipts: #182 17s. (Account Book)

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Afterpiece Title: The Apprentice

Monologue: True Blue. As 18 Jan., but Principal Parts-Mrs Baker, Mrs _Mattocks

Event Comment: Benefit for Aickin. Mainpiece: By Desire. Tickets for Venice Preserved will be taken. Paid Mr Byfield (organ builder) #23; Printer's Bill #8 12s.; Rec'd Mr Heath's rent, 1 year to Xmas last #10 (Treasurer's Book). Receipts: #165 2s. Charges: #65 2s. Profits to Aickin: #100 (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Author

Dance: I: The Amusements of Strasburgh, as17711118

Event Comment: Benefit for Mrs Bulkley. Charges #69 1s. 6d. Profit to Mrs Bulkley #78 13s., plus #100 3s. from tickets (BoX 241; Pit 200; Gallery 99) (Account Book). Receipts: #147 14s. 6d. (Account Book)

Performances

Mainpiece Title: Timanthes

Afterpiece Title: The Citizen

Dance: End: A New Dance-Aldridge, Mrs Bulkley

Music: A Concerto on the Trumpet-Master Green

Event Comment: Benefit for Bensley. Afterpiece: Not acted these 2 years. [See 26 May 1770.] Last time of performing till the Holidays. Charges #67 17s. 6d. Profit to Bensley #82 7s., plus #62 13s. from tickets (Box 244; Pit 11). Paid Palmer (wax chandler) #105 18s.; Whitefield for Cloaths made #57 10s.; Pattinson (tallow chandler) #32 10s. (Account Book). Receipts: #150 4s. 6d. (Account Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Spanish Lady

Dance: III: The Lilt, as17720326

Event Comment: Benefit for Mrs Lessingham. Afterpiece: Not acted these 30 years, Being the most Tragical Tragedy that ever was Tragedized by any company of Tragedians. Charges #76 4s. 6d. Profit to Mrs Lessingham #74 15s.; plus #91 13s. from tickets (Box 205; Pit 164; Gallery 158). Paid Wills (mercer) #13 19s.; Paid Kingwood for flowers and feathers as per bill #13 8s. (Account Book). Receipts: #141 19s. 6d. (Account Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Chrononhotonthologos

Monologue: True Blue. As 7 April, but Principal Parts-Mrs Mattocks, Mrs _Baker

Event Comment: Benefit for Miss Macklin. Mainpiece: Not acted these 3 years. [See 27 Jan. 1770.] Afterpiece: For this night only this season (playbill). Charges #64 5s. Profit to Miss Macklin #19 4s., plus #43 from 172 Box tickets. Paid Whitefield one fourth year's salary due Lady Day last #25. Paid Mr Barber for a suit of regimentals embroider'd with gold, #12 12s. Paid Lowe and Lucas (linnen drapers) #13 19s.; Paid Evans for Spermecita candles as per bill #12. Paid Barrett (wax chandler) #3 4s. (Account Book). [Miss Macklin considered this a poor benefit, and on 6 May 1772 wrote to her father about the troubles she met in getting it underway. Woodward would not play in the farce since it did not belong to the theatre and since he had not be asked before she put his name in the bills. Kniveton labored hard and did quite well as Sir Archy. Ann Pitt so ill she could not do Lady Wrangle, but Mrs Hull sat up two nights, learned the part and acted it creditably (Harvard, Memoirs of Charles Macklin, Vol. II, pt. 2, after p. 55).] Receipts: #83 9s. (Account Book)

Performances

Mainpiece Title: The Refusal Or The Ladys Philosophy

Afterpiece Title: Love a la Mode

Dance: End: A Dance in which will be an Allemande,-Hamoir, Miss Hamoir

Event Comment: Benefit for Reinhold. Mainpiece: By Particular Desire. Charges #77 18s. Profit to Reinhold #38 3s., plus #137 1s. from tickets (Box 357; Pit 234; Gallery 127) (Account Book). Receipts: #116 1s. (Account Book)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Apprentice

Dance: II: The Old ground Young, as17711030