Event Comment: Receipts: #140 (Cross); #113 11s. (Powel)

Event Comment: Receipts: #160 (Cross); #133 1s. 6d. (Powel)

Event Comment: Receipts: #170 (Cross); #149 7s. 6d. (Powel)

Event Comment: Receipts: #160 (Cross); #127 4s. (Powel)

Event Comment: Receipts: #170 (Cross); #158 9s. 6d. (Powel)

Event Comment: Receipts: #150 (Cross); #125 (Powel)

Event Comment: Receipts: #140 (Cross); #124 9s. 6d. (Powel)

Event Comment: Published at 1s. 6d. Romeo and Juliet, revised by Theo. Cibber, first rev[ived] in Sept. 1744 at the Theatre in the Haymarket. Now acted at the Theatre Royal in Drury Lane. Great objects only strike the Gen'rous Heart@Praise the Sublime, o'er look the Mortal Part@Be there your judgment, Here your Candor shown@Small is our Portion-and we wish 'Twere none.-Prologue to Comus alter'd, &c. To which is added a Serio-Comic Apology for part of the life of Theophilus Cibber, Comedian, written by himself. Interspers'd with Memoirs and Anecdotes relating to the Stage managements, Theatrical Resolutions, &c., also Cursory Observations on some Pribcipal players. Particularly, Mr Quin, Ryan, Delane, Mrs Woffington, Mrs Ward, Miss Bellamy, Mr Garrick, Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard and others. Likewise Original Letters that passed between the late Sir Thomas deVeil and Mr Theophilus Cibber relating to the Stage Act. "Each Puny Critic can Objections raise@The Greatest still is Knowing when to praise,"-Buckingham. Concluding with a Copy of Verses called The Contrite Comedian's Confession. Printed for C. Corbett &c. (General Advertiser). [This pamphlet details Cibber's troubles with Fleetwood during the years 1743-46.] Receipts: #160 (Cross); #151 11s. (Powel)

Event Comment: Receipts: #150 (Cross); #139 (Powel)

Event Comment: Receipts: #140 (Cross); #119 7s. (Powel)

Event Comment: Receipts: #130 (Cross); #142 17s. (Powel)

Event Comment: Receipts: #130 (Cross); #113 3s. (Powel)

Event Comment: Tomorrow, By desire Hamlet. Romeo and Juliet is oblig'd to be deferr'd. Receipts: #90 (Cross); #110 14s. 6d. (Powel)

Event Comment: Receipts: #170 (Cross); #174 8s. (Powel)

Event Comment: Receipts: #170 (Cross); #179 15s. (Powel)

Event Comment: There has been sometime in rehearsal the Emperour of the Moon, alter'd into two acts, which will be perform'd on Monday next, with the Music, New Dances, Scenes, Machines and other Decorations. Receipts: #140 (Cross); #130 9s. 6d. (Powel)

Event Comment: By His Majesty's Command. Play not acted these 7 years. [See 23 Apr. 1744] Receipts: #150 (Cross); #156 17s. (Powel)

Event Comment: Receipts: #130 (Cross); #126 1s. 6d. (Powel)

Event Comment: [G$Garrick] promised me the Part of Tressel; when the Play was given out, and I prepar'd for it, I saw in the Bills next Morn, another Person's Name [Blakes].-Charles Adams to John Gilbert-Cooper, quodet in Theatre Notebook, XI (1957) p. 136. Receipts: #180 (Cross); #182 9s. 6d. (Powel)

Event Comment: Mainpiece: Not acted these 10 Years. Afterpiece: Not acted these 20 years. Music, Dances and Other Decorations for afterpiece entirely new. [In a letter to John Gilbert-Cooper, the actor Charles Adams states that "the Prompter gave me a little Part in the Emperor of the Moon...I appear'd in it thrice." He was "paid Twenty Shilling Pr Week." See Theatre Notebook, XI (1957), p. 136. The only male parts left were Baliardo's servant Peter and the figures in the tableau of the final scene.] Receipts: #160 (Cross); #158 11s. (Powel)

Event Comment: A Dramatick Satire call'd Lethe is now in Rehearsal at Drury Lane and will be acted in a few days (by Desire). Receipts: #130 (Cross); #127 14s. 6d. (Powel)

Event Comment: Mainpiece: Not acted these 10 Years. Afterpiece: Acted for the last time these Holidays. Receipts: #140 (Cross); #137 6d. 6d. (Powel)

Event Comment: Receipts: #120 (Cross); #128 15s. (Powel)

Event Comment: Receipts: #140 (Cross); #134 13s. 6d. (Powel)

Event Comment: Receipts: #150 (Cross); #151 6s. (Powel)