SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Congreve"/1) | (@(roleclean,performerclean) "Congreve")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1485 matches on Author, 298 matches on Event Comments, 12 matches on Performance Comments, 8 matches on Roles/Actors, and 1 matches on Performance Title.
Event Comment: Paid 3 day's salary at #100 12s. 6d. per diem #301 17s. 6d. Salaries short-paid last week #168 8s. 6d.; Tabor and Pipe #3 13s. 6d. Louchre [Lauchery] #8 8s. Mr Abington #2; Mr King #3; (Treasurer's Book). [The payment to King was the first of 37 similar ones for extra salary amounting to #111. That to Mrs Abington was the first of weekly payments for her clothes account, amounting to #60 for the season. No further mention will be made of these items.] Receipts: #265 9s. 6d. (Treasurer's Book). [From the Middlesex Journal (7-9 Oct.) quoted by Hampden, Eighteenth Century Journal: "The Way of the World, though confessedly replete with wit and character, is not the most entertaining play in representation. It is so full of plot and intrigue, that it demands an Unusual degree of attention in the performers and audience to excite admiration. On Saturday they seemed averse to assist the author. Mr King in Witwou'd was as entertaining and full of spirits as usual. Mr Jefferson in the gay admired Mirabel (independent of the antique mode of his wig, and formal cut of his clothes, which surely were both uncharacteristic) seemed in attempting to be quite natural, to keep the entire plot of the play in his own bosom, looked more like the father than the Mirabel of Congreve. Mr Reddish was a contrast to his friend Mirabel; he seemed attentive nervous, and played the latter part of his character well....Mrs Abington's person, manner and dress were fashionable and elegant; but though the character was certainly a fine one, there was a want of that spirit best calculated to call her powers into action: her delivery was tediously formal; and had the audience been deprived of their sight they would conclude that Capt. Bobadill had got into petticoats. Her dress was no more decent than Madam Hidou's was on her first appearance last year; stays so low cut before puts modesty to the blush; and will not be countenanced by an English audience, though made after the French fashion....Mrs Greville, to convince the town that she could keep a secret, whispered it to only a few friends in the Pit....her indifference is intolerable, and should be noticed by her employer."

Performances

Mainpiece Title: The Way Of The World

Related Works
Related Work: The Way of the World Author(s): William Congreve

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Deserter

Event Comment: Benefit for Thomas? Sheridan. Mainpiece: Written by Congreve and now carefully revised, and corrected, by expunging the exceptionable passages, not acted these twenty years. [See 25 May 1758.

Performances

Mainpiece Title: The Double Dealer

Related Works
Related Work: The Double Dealer Author(s): William Congreve

Afterpiece Title: The Syrens

Dance: End: The Italian Gamesters-the Zuchellis. [Query: Gardeners or the dance called simply The Gamesters? See17751011.

Event Comment: Mainpiece: Not acted these 5 years. Written by Congreve. [For Prologue see 19 Nov.] Love for Love was revived with alterations by R. B. Sheridan Esq. (Note by J. P. Kemble on Hopkins Diary). Receipts: #150 0s. 6d

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve

Afterpiece Title: The Elopement

Event Comment: Benefit for Henderson. Mainpiece: Written by Congreve; and now carefully revised and corrected, by expunging the exceptionable passages. [The playbill assigns Lord Touchwood to Clarke, but on the Kemble playbill his name is deleted; the substitute name has been cut by the binder.] Afterpiece: Contracted into 3 acts. With a Grand Dance, and a Reinforcement of Bayes's Troops [for which, and for a list of the other parts, see DL, 13 Dec. 1777. In the Dancing Banti is announced as making his 5th appearance (see 25 Feb., 5 Mar.)]. Public Advertiser, 2 Mar.: Tickets to be had of Henderson, Buckingham-street, York Buildings. Receipts: #238 9s. 6d. (144/9/6; tickets: 94/0/0) (charge: #105)

Performances

Mainpiece Title: The Double Dealer

Related Works
Related Work: The Double Dealer Author(s): William Congreve

Afterpiece Title: The Rehearsal

Dance: End of mainpiece, as17811219

Event Comment: By Permission of the Lord Chamberlain. Benefit for Silvester. Mainpiece: Written by Congreve. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Silvester, No. 50, Brewer-street, Golden-square, and at No. 25, North Audley-street, Grosvenor-square; of Massey, No. 18, Snow-hill; of Frith, No. 39, King-street, West Smithfield; and of Blandford, Pea-Hen, Bishopsgate-street

Performances

Mainpiece Title: The Mourning Bride

Related Works
Related Work: The Mourning Bride Author(s): William Congreve

Afterpiece Title: The Apprentice

Dance: After 2nd song: A Pas Seul-Mons Symone

Song: End IV: Tippy Bob-C. Stanley; End: Poor Jack in character-Mrs Kennedy

Entertainment: Monologue After Dancing: The Monody on the Death of the late D. Garrick Esq. (Written by R. B. Sheridan, Esq.)-the Lady who performs Zara

Performances

Mainpiece Title: The Spanish Fryar

Dance: II: Harlequin-Young Rainton; V: Muzette-Young Rainton, Miss Johnson

Song: III: Hunting Song-Ray; IV: Song in The Fair Penitent , Words by Mr Congreve, Musick by Mr J. Eccles to be sung-Ray

Performances

Mainpiece Title: The Double Dealer

Related Works
Related Work: The Double Dealer Author(s): William Congreve

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve

Performances

Mainpiece Title: Love For Love

Related Works
Related Work: Love for Love Author(s): William Congreve

Performances

Mainpiece Title: The Mourning Bride

Related Works
Related Work: The Mourning Bride Author(s): William Congreve

Performances

Mainpiece Title: The Mourning Bride

Related Works
Related Work: The Mourning Bride Author(s): William Congreve

Performances

Mainpiece Title: The Mourning Bride

Related Works
Related Work: The Mourning Bride Author(s): William Congreve

Performances

Mainpiece Title: The Mourning Bride

Related Works
Related Work: The Mourning Bride Author(s): William Congreve

Performances

Mainpiece Title: The Mourning Bride

Related Works
Related Work: The Mourning Bride Author(s): William Congreve

Performances

Mainpiece Title: The Mourning Bride

Related Works
Related Work: The Mourning Bride Author(s): William Congreve