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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Comical Songs Scots English and Italian"/1) | (@(roleclean,performerclean) "Comical Songs Scots English and Italian")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5822 results for: Keyword - Comical Songs, Scots, English, and Italian
We found 2756 matches on Performance Title, 2315 matches on Performance Comments, 1352 matches on Event Comments, 122 matches on Author, and 0 matches on Roles/Actors.

701
02 May 1735 @ Covent Garden

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Toy Shop

Music: Select Pieces, particularly Mr Handel's Overture to Ariadne

Dance: By Mlle Salle. Richmond Maggot by Le Sac and Miss Rogers. The Flanderkins (new) by Duke and Mrs Ogden. Scot's Dance by Glover, Miss Rogers, &c

Performance Comment: Richmond Maggot by Le Sac and Miss Rogers. The Flanderkins (new) by Duke and Mrs Ogden. Scot's Dance by Glover, Miss Rogers, &c.

Song: By Leveridge and Mrs Wright, particularly Leveridge's Song in Praise of English Roast Beef

702
26 March 1737 @ Covent Garden

Performances

Mainpiece Title: All For Love

Afterpiece Title: Damon and Phillida

Song: I: The Lady's Lamentation for the Loss of Senesino-Roberts; III: A new English Song-Roberts; IV: Caelia has a Thousand Charms (music by Purcell)-Beard

Dance: II: Comic Dance-Nivelon, Lalauze, Mrs Laguerre, Mrs LeBrun; V: Grecian Sailors-Glover

703
05 May 1737 @ Covent Garden

Event Comment: Benefit Wood. Written by Shakespear. N.B. This being a Play of much Scenery and Business, 'tis humbly hop'd no Person whatsoever will be displeased at being denied Admittance upon the Stage

Performances

Mainpiece Title: Cymbeline

Dance: I: Comic Dance-Nivelon, Mrs LeBrun; II: Serious Dance, concluding with a Minuet-the Misses Scott; III: French Peasant-Lalauze; V: Grecian Sailors-Glover

Music: Select Pieces-

Song: II: A new English Song-Roberts; IV: A new Cantata-Beard; V: Since Times are so Bad (Purcell)-Leveridge, Salway

704
16 April 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: The Lady's Last Stake

Afterpiece Title: The Devil to Pay

Dance: I: La Tambourine-Mlle Chateauneuf; III: Muilment; V: La Matelote-Desnoyer, Mlle Chateauneuf

Song: II: The Noon@Tide Air (Comus)-Mrs Arne; IV: By particular Desire, a Song by the English Captain(as17400325-Beard

705
25 April 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: King Henry The Fourth, Part I

Cast
Role: Northumberland Actor: Taswell
Role: Westmorland Actor: Turbutt

Afterpiece Title: The Vintner in the Suds

Dance: I: Minuet, Louvre-Desnoyer, Mlle Chateauneuf; II: A new dance-Muilment; III: Russian Sailor-Desnoyer; V: Tambourine-Mlle Chateauneuf

Song: IV: Black@ey'd Susan, disposed into a Cantata, with Recitatives and Airs adapted to the different Expressions in that celebrated Ballad, the Musick New by Mr Arne-Beard, Mrs Arne; V: English Captain (as17400325-Beard; End Afterpiece: The Eccho Song (Comus)-Mrs Arne

706
03 April 1762 @ Covent Garden

Event Comment: Benefit for Sparks. Tickets to be had of Mrs Sparks, at her house in Crown Court. Tickets deliver'd out for the Distress'd Mother will be taken. N.B. Mr Sparks having been very long indisposed and rendered incapable of attending the theatre, with the greatest deference persuades himself that Circumstance will readily plead his Apology, and induce his friends to dispense with his personal appearance, and favor him with their commands; and that they will excuse the changing of his play, to which he is oblig'd by the illness of a principal performer; of which and his former obligations, he shall always retain the most gratful sense. [Sparks had been ill since 14 Jan. when Hull took over his part of Buckingham in King Richard III.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Merry Counterfeit

Song: Between Acts: some Favorite Songs from the English Opera Artaxerxes-; viz: I: In Infancy our hopes and fears-Tenducci; II: If e'er the Cruel Tyrant Love-Miss Brent; III: Water parted from the sea-Tenducci; IV: Let no rage thy bosom fire-Miss Brent

Dance: TThe Pleasures of Spring, as17620212

707
13 March 1771 @ Covent Garden

Performances

Mainpiece Title: The Messiah

Music: As17710215; but by Particular Desire an English Song by Arnold-Sg Guadagni

708
06 March 1783 @ King's Theatre

Performances

Mainpiece Title: L'olimpiade

Dance: End of Act II New Divertistment, as17821130, but added: Mme Simonet; End of Act III Le Tuteur Trompe, as17830128

Song: Opera: With a new set of Airs, and an additional Scene, with a song from the celebrated Sarti, by Pacchierotti

Monologue: 1783 03 06 End of Opera an Address in English to the Audience, with a song from Handel, by Pacchierotti

709
13 March 1784 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Rosina

Dance: End of mainpiece, as17830917

Song: In Act I of afterpiece a favourite song by Sga Sestini; In Act II she will introduce the celebrated tune of Marlborough, with English words adapted to it

710
20 April 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: A School For Fathers

Performance Comment: Lionel-Kelly (1st appearance on the English stage); Colonel Oldboy-Parsons; Sir John Flowerdale-Aickin; Jenkins-Bannister; Harman-Williames; Jessamy-Dodd; Diana-Miss Collett; Lady Mary Oldboy-Mrs Hopkins; Jenny-Mrs Forster; Clarissa-Mrs Crouch.

Afterpiece Title: The First Floor

Cast
Role: Landlord Actor: Chaplin

Song: [Kelly introduced a song by Giuseppe Sarti with English words by Richard Tickell, and a duet composed by himself and Stephen Storace with words by French Laurence (Kelly, I, 296). Neither one of these is listed on the playbill]

711
16 June 1795 @ King's Theatre

Performances

Mainpiece Title: Le Nozze Di Dorina

Afterpiece Title: Semiramide (Act II only)

Dance: End 1st piece: L'Amant Retrouve, as17950124; End 2nd piece: L'Odio vinto dall' Eroismo, as17950613

Music: End I 2nd piece: Preserving the favourite trio-; and with an additional new song here for the occasion by Bianchi-Mme Banti; accompanied by the English horn-Ferlendis; violoncello-Lindley; French Horns-the Leanders; bassoon obligato-Holmes

712
25 August 1701 @ Bartholomew Fair

Event Comment: At the Famous Dutchwoman's Booth against the Hospital Gate. At Barnes and Finley's Rope-Dancing Booth between the Crown Tavern and the Hospital Gate, over against the Cross-Daggers in Smithfield

Performances

Mainpiece Title: Entertainments

Dance: [By] 6 Companies of Rope Dancers; who] [are joyned in one, they being the greatest Performers of Men, Women, and Children, that could be found beyond the Seas, where will be performed such wonderful variety of Dancing, Vaulting, Walking on the Slack Rope, the Sloaping Rope-; [you will see a wonderful Girl of 10 years of Age, who walk backward up the sloaping Rope-Girl of 10 years[, driving a Wheel-barrow behind her; [also you will see the Great Italian Master, who not only passes all that has yet been seen upon the low Rope, [but he Dances[ without a Pole upon the Head of a Mast [as high as the Booth will permit, and afterwards stands upon his Head on the same-Great Italian Master; [You will also be entertained with the many Conceits of an Italian Scaramouch, who Dances on the Rope [with 2 Children and a Dog in a Wheel-barrow, and a Duck on his Head-Italian Scaramouch

Dance: Such variety of Dancing, Vaulting, Walking on the Slack/Rope, Tumbling, as has never been seen in this Fair before-

713
07 April 1739 @ Covent Garden

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Standard Actor: Bridgwater

Afterpiece Title: The Cheats of Scapin

Dance: Master Cooke, Miss Scot; Comic Dance-Villeneuve, Miss Oates; Scots Dance-Glover, Mlle Roland

714
10 May 1754 @ Drury Lane Theatre

Event Comment: Benefit for Mr, Mrs and Master Simson. Tickets of Simson in Wild-Passage, Wild St., near Lincoln's Inn Fields, and at stage door. Mainpiece: Acted but once this season. Afterpiece: By Particular Desire. Receipts: #206 (Cross)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Oracle

Song: I: Mary Scot (by particular desire)-Beard; III: A Scots Cantata-Beard; IV: Hooly and Fairly-Beard

Dance: CCountry Amusements, as17540416

715
March 1664 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. The date of the first performance is not known. As Evelyn saw it on 27 April, it seems likely that it was first performed before Easter (April 10). It was not licensed for printing until 8 July 1664. Preface to edition of 1664: I Cou'd not have wish'd my self more fortunate than I have been in the success of this Poem:...The Acting of it has lost me no Reputation. Downes, Roscius Anglicanus, p. 25: @Sir Nich'las, Sir Fred'rick, Widow and Dufoy, Were not by any so well done, Mafoy.@ The clean and well performance of this Comedy, got the Company more Reputation and profit than any preceding Comedy; the Company taking in a months time at it #1000

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

716
04 January 1665 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: Mr Moore and I to Love in a Tubb, which is very merry, but only so by gesture, not wit, at all, which methinks is beneath the House

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

717
29 October 1666 @ Whitehall or St. James's

Event Comment: The Duke's Company. Pepys, Diary: I away before to White Hall and into the new play-house there, the first time I ever was there, and the first play I have seen since before the great plague. By and by Mr Pierce comes, bringing my wife and his, and Knipp. By and by the King and Queene, Duke and Duchesse, and all the great ladies of the Court; which, indeed, was a fine sight. But the play being Love in a Tub, a silly play, and though done by the Duke's people, yet having neither Betterton nor his wife, and the whole thing done ill, and being ill also, I had no manner of pleasure in the play. Besides, the House, though very fine, yet bad for the voice, for hearing. The sight of the ladies, indeed, was exceeding noble; and above all, my Lady Castlemayne. The play done by ten o'clock. I carried them all home, and then home myself, and well satisfied with the sight, but not the play

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

718
09 April 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

719
28 December 1667 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

720
29 April 1668 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: Lord Brouncker and I to the Duke of York's playhouse, and there saw Love in a Tubb; and, after the play done, I stepped up to Harris's dressing-room, where I never was, and there I observe much company come to him, and the Witts, to talk, after the play is done

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

721
02 February 1669 @ Inner Temple

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

722
14 November 1671 @ Dorset Garden Theatre

Event Comment: Although Downes (Roscius Anglicanus, p. 32) states that this play was acted two days "together," the certain performance on Wednesday 15 Nov. suggests either that Downes misstated the number of performances or that the play was given on Monday and Wednesday but not on Tuesday, a somewhat unlikely event

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

723
17 August 1672 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Comical Revenge; Or, Love In A Tub

724
04 March 1686 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Devil Of A Wife; Or, A Comical Transformation

Performance Comment: Edition of 1686: Sir Richard Lovemore-Gryffin; Rowland-Bowman; Longmore-Peryn; Butler-Saunders; Cook-Percyval; Footman-Low; The Ladies Father-Norris; Noddy-Powel; Jobson-Jevon; Doctor-Freeman; Lady Lovemore-Mrs Cook; Jane-Mrs Price; Lettice-Mrs Twyford; Nell-Mrs Percyval; Prologue-Mr Jevon; Epilogue-Mr Jevon, Mrs Percyval.
Cast
Role: Rowland Actor: Bowman

725
May 1702 @ Drury Lane Theatre

Performances

Mainpiece Title: The Comical Gallant; Or, The Amours Of Sir John Falstaffe