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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6823 results for: Keyword - College of New York
We found 3243 matches on Event Comments, 2694 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

6301
11 January 1785 @ King's Theatre

Event Comment: 2nd dance: With several new Airs composed by Barthelemon

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Divertissement, as17841218; End of Opera The Deserter. Skirmish-Slingsby; the other characters by Lepicq, Mme Rossi [playbill of 13 May 1784 lists: The Deserter-Lepicq; Louisa-Mme Rossi], Henry, Zuchelli, Mme Degville, Nivelon, Mlle Dorival

6302
19 January 1785 @ Covent Garden

Event Comment: Windham Diary (30 Jan. 1784), 41: On the Wednesday 1 went to see Mrs Crawford in 'Belvidera', and found her much as I expected, though her disparity was very great. I can perhaps better conceive the delusion that, aided by a little prejudice [in favor of Mrs Siddons] and the recollection of Mrs C. in better times, could hesitate about the preference. The chief faults that I should find would be, that her articulation was cramped and timid, her tones sometimes colloquial and vulgar, her action confined, and her countenance inexpressive. A new man of the name of Pope performed; I pronounced him in my own judgment as inferior, upon the whole, to Brereton. [Henderson's 1st appearance as Pierre was at Bath, 14 Oct. 1773.]

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Magic Cavern

6303
20 January 1785 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; P 2 (?), author unknown. MS not in Larpent; not published]: The Scenery, &c., partly new and partly selected from old and approved Pantomimes. Receipts: #205 7s. (156/6/0; 46/16/6; 2/4/6)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Caldron; or, Pantomimical Olio

Dance: In afterpiece, by Mr and Miss Hamoir, Mills, Miss Stageldoir. [The dances were included, as here assigned, in all subsequent performances.]

6304
25 January 1785 @ King's Theatre

Event Comment: A new Comic Opera [1st performed at Rome, 1781]; the Music by Cimarosa

Performances

Mainpiece Title: Il Pittore Parigino

Dance: As17850122 throughout

6305
04 February 1785 @ Drury Lane Theatre

Event Comment: Mainpiece: With new Dresses and Decorations. Receipts: #275 1s. 6d. (246/0/0; 28/10/0; 0/11/6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: All the World's a Stage

Song: As17850202, but omitted: Barrymore

6306
08 February 1785 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; CO 2, by Charles Dibdin. Text (G. Kearsley, 1785) lists cast as above, but omits La Fleur (see 10 Feb.)]: The Music entirely new, composed by Dibdin. Books of the Songs to be had at the Theatre. Receipts: #154 5s. 6d. (105/19/0; 47/14/6; 0/4/6; tickets not come in: 0/7/6)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Liberty Hall; or, The Test of Good Fellowship

6307
10 February 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Performance Comment: Principal Characters by Jackson, Cartwright, Holland, Osborne, Frederic, Mitchell, Edwards, Porter, Henley, Connell (with a new Irish sons in character); A Young Lady (1st appearance [unidentified]), Mrs Bolton, Mrs Cartwright, Mrs Ponsonby, Mrs Henley, A Lady (2nd appearance [unidentified]). [Larpent MS lists the parts: Sir Gregory Granby, Sir ThomasLoveby, George Granby, Frank Bentley, Solomons, Levi, Waddle, Scandal, Dennis, Robert, Waiter; Eliza Wentworth, Mrs Dornbush, Miss Harcourt, Charlotte Harcourt, Lady Loveby, Susan, Miss Nancy, Miss Kitty, Maid.] hathi.

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

6308
12 February 1785 @ Covent Garden

Event Comment: Beaumarchais' New Comedy [The Follies of a Day announced on playbill of 10 Feb.] is unavoidably postponed, on Account of Mrs Bates's Indisposition. [Afterpiece in place of The Poor Soldier, similarly announced.]

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Sultan

Dance: Afterpiece to be concluded as17841027

6309
24 February 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Miss Woollery. [Author and speaker of Prologue unknown.] The characters to be new dressed, in the habits of the times. Tickets to be had of Miss Woollery, No. 5, Delahay-street, Westminster. The Doors be opened at 6:00. To begin at 7:00

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The Apprentice

6310
26 February 1785 @ King's Theatre

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1780]); the Music by Anfossi

Performances

Mainpiece Title: Nitteti

Dance: End of Act I Le Jugement de Paris, as17850212, but omitted: Mme Rossi; End of Opera The Deserter, as17850111, but omitted: Nivelon, Mlle Dorival

6311
15 March 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: All the World's a Stage

Performance Comment: Sir Gilbert Pumpkin-Connell; Harry Stukely-Cross; Charles Stanley-Benson; Waiter-Johnstone; Hostler-Stevens; William-Jones; Cymon-Owen; Diggory-Dutton; Jenny (the new character)-Mrs Waldron; Miss Sprightly-Mrs Benson; Miss Bridget Pumpkin-Mrs Henley .

Dance: In Act III of mainpiece Hornpipe by Miss Besford (of CG)

Monologue: 1785 03 15 End of mainpiece Shuter's Post-haste Observations in a journey to Paris by Dutton

6312
19 March 1785 @ Covent Garden

Performances

Mainpiece Title: The Follies Of A Day

Cast
Role: Servant Actor: Newton

Afterpiece Title: Midas

Performance Comment: The Principal Characters, for that Night, will be reversed. Apollo-Mrs Kennedy; Midas-Mrs Webb; Mysis (with a new song)-Mr Johnstone; Juno-Mr Wewitzer; Nysa-Mr Quick; Daphne-Mr Edwin (the 1st, and positively the Only Time of their appearing in those characters). The Rest of the Piece as usual [see17841213.] imitations. End of Act II of mainpiece, as17850312athi .see17841213.] imitations. End of Act II of mainpiece, as17850312athi .

6313
02 April 1785 @ King's Theatre

Event Comment: An entirely new Comic Opera in 2 acts [by Filippo Livigni]; the Music being the first Essay of Cherubini in this Country

Performances

Mainpiece Title: Finta Principessa

Dance: As17850329hroughout

6314
11 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beau's Duel; Or, A Soldier For The Ladies

Afterpiece Title: The St

Performance Comment: Giles's Scrutiny; or, The Cries of London in a New Stile. Returning Officer-Bannister; Voters-Moody, Baddeley, Bannister Jun., R. Palmer, Suett, Dignum, Williames, Barrymore, Wright, Chapman, Alfred, Wilson, Phillimore, Chaplin, &c .

Afterpiece Title: Rosina

Monologue: 1785 04 11 End of Act I of mainpiece The History of John Gilpin, the Linen Draper by Baddeley

6315
12 April 1785 @ Covent Garden

Event Comment: Afterpiece [1st time; CO 2, by William Pearce. MS: Larpent 696; not published; synopsis of plot in Universal Magazine, Apr. 1785, p. 209]: With new Scenes and Dresses. The Overture and Airs composed by Shield. Books of the Songs to be had at the Theatre. "The Nunnery [is] ... a most powerful narcotic. The Performers--in friendly sympathy--had totally forgotten their parts--and passed the evening in a conversation with the prompter" (Public Advertiser, 15 Apr.)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Nunnery

6316
26 April 1785 @ Haymarket Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

Performance Comment: imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa .

6317
05 May 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: The Convivial Coterie [i

Performance Comment: . The Sons of Anacreon]. As17850418, but added: A new song (composed by Danby) by Chapman, and to Vocal Parts-Staunton, Fawcett, Wilson; omitted: songs by the Bannisters, and Master Clarke . omitted: songs by the Bannisters, and Master Clarke .

Afterpiece Title: Rule a Wife and Have a Wife

Cast
Role: Venus Actor: Miss Phillips. The rest of the Vocal Parts by Williames, Fawcett, Wilson, Chaplin, Alfred, Newbold

Afterpiece Title: The Caldron

Dance: End of Act II of 2nd piece The Slave in Chains by Hamoir

6318
12 May 1785 @ King's Theatre

Event Comment: Opera: The Music by Sir Christopher Gluck; with the additons of John Christ. Bach, and with the choice of several pieces of Handel. The Whole under the direction of Anfossi. Director of and 1st singer in the Chorus-Webb. The Scenes invented and painted by Novosielski. The Dresses entirely new, executed by Sestini. [Libretto (J. Jarvis, 1785): SER 3.]

Performances

Mainpiece Title: Orfeo

Dance: Dances incidental to the Opera composed by Lepicq, and performed by him, Mme Rossi, Sg and Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

6319
28 May 1785 @ King's Theatre

Event Comment: A Comic Opera, with Alterations and entirely new Airs composed by Anfossi

Performances

Mainpiece Title: I Viaggiatori Felici

Dance: End of Act i Divertissement, as17850224; End of Opera Don Juan, as17850407

6320
30 May 1785 @ Haymarket Theatre

Event Comment: 1st piece: Written by the Author of The Agreeable Surprise, Son-in-Law.&c. [John O'Keeffe]. The Overture and New Airs composed by Dr Arnold. 2nd piece: Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: The Agreeable Surprise

Dance: End of 1st piece, by the two Miss Simonets

6321
09 July 1785 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; CO 3, by George Colman, the younger. MS: Larpent 704; not published; synopsis of plot in Universal Magazine, July 1785, p. 38. Prologue by the author; Epilogue by Edward Topham (European Magazine, July 1785, pp. 70-71)]: The Overture and New Airs compos'd by Dr Arnold. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: Turk, And No Turk

Afterpiece Title: Nature Will Prevail

6322
30 July 1785 @ Haymarket Theatre

Event Comment: The new Comedy of I'll Tell You What! [announced on playbill of 29 July] is obliged to be deferr'd on Account of the Indisposition of Parsons [see 4 Aug.]

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Agreeable Surprise

Dance: End of Act I of mainpiece The Merry Lasses, as17850705 End of Act III, as17850728

6323
02 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: Nature Will Prevail

Afterpiece Title: Rosina

Afterpiece Title: Gretna Green

Song: End of 1st piece The Soldier tir'd of War's Alarms; End of Act I of 2nd piece Colin cur'd of roving, both by Miss George. duologue. End of 2nd piece A New Lecture on Heads by the two Miss Vernells (their 1st appearance on any stage)

Performance Comment: duologue. End of 2nd piece A New Lecture on Heads by the two Miss Vernells (their 1st appearance on any stage) .

6324
05 October 1785 @ Covent Garden

Event Comment: By Command of Their Majesties. [In mainpiece the playbill assigns Stockwell to Aickin, but "Fearon, in consequence of Aickin's illness, took the part of Stockwell at a short notice and upon the whole acquitted himself respectably" (Morning Chronicle, 6 Oct.).] "There is an infinite combination in Mrs Abington, a power of making everything new yet conformable to the character (Public Advertiser, 14 Oct.). Receipts: #328 11s. 6d. (326/11/0; 2/0/6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Rehearsal

6325
13 October 1785 @ Covent Garden

Event Comment: Afterpiece: With new Scenery, Machinery, Music, Dresses, and Decorations. The Scenes chiefly designed by Richards, and executed by him, Carver, Hodgins, and assistants. The Overture, Songs, Chorusses, and the Music of the Pantomime composed by Shield. Receipts: #206 4s. 6d. (204/2/0; 2/2/6)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Magic Cavern; or, Virtue's Triumph