SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3243 matches on Event Comments, 2695 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Inconstant

Performance Comment: As17301207, but Duretete-Morgan; Dugard-Havard; Bravos-W. Giffard, Bullock, Pearce; New Prologue-Mrs Thomasin a Gentleman's Habit, in Honour of the Ancient Britons; new Epilogue-Mrs Haughton.

Afterpiece Title: Flora

Dance:

Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Performances

Mainpiece Title: Britannia

Event Comment: Mahnpiece: A New Opera. Set to Musick by Mr Lampe. [Author of text unknown.] Afterpiece: a new Pantomime Entertainment. [Author unknown.] All the Dresses are intirely new. Boxes 5s. Pit 3s. Gallery 2s. 6:30 p.m

Performances

Mainpiece Title: Dione

Afterpiece Title: The Usurer or Harlequins Last Shift

Event Comment: By His Majesty's Command. A New Oratorio in English. Composed by Mr Handel. And to be perform'd by a great Number of the best Voices and Instruments. The House to be fitted up and illuminated in a new and particular manner. Tickets One Guinea. Gallery Half a Guinea. [Text by Samuel Humphreys. Their Majesties, Prince, and three eldest Princesses present.] Daily Advertiser, 20 March: An Entertainment, perhaps, the most magnificent that has ever been exhibited on an English Theatre....The Composition of the Musick is by no means inferior to the most finish'd of that Gentleman's Works; but the Disposition of the Performers was in a Taste beyond what has been attempted. There was a very great Number of Instruments by the best Hands, and such as would properly accompany three Organs. The Pit and Orchestre were cover'd as at an Assembly, and the whole House Illuminated in a new and most beautiful manner. [See also Lady A. Irwin to Lord Carlisle, in Deutsch, Handel, pp. 309-10.

Performances

Mainpiece Title: Deborah

Performances

Mainpiece Title: Macbeth

Performance Comment: See17330409 A new Prologue addresses to the Merchants and Citizens of London,-the Author; A new Epilogue to be spoken-Morgan, Penkethman by way of Dialogue, riding on two Asses.

Song: I: Love and Wine by the Author of Bacchus One Day Gaily Striding-; III: The Despairing Shepherd-Excell

Dance: IV: Friendly Lasses-Miss Wherrit, Miss Sandham; V: Masquerade Dance-Vallois, Mrs Bullock

Event Comment: A New Opera. [Text by F. Colman. Music by Handel.] Colman Opera Register: Ariadne in Crete a new Opera & very good & perform'd very often Sigr Carestino sung surprisingly well: a new Eunuch many times perform'd

Performances

Mainpiece Title: Ariadne in Creta

Event Comment: The Scenes new. And the Theatre new painted, new decorated, &c. 6 P.M

Performances

Mainpiece Title: 7 Love For Love

Dance: By Nivelon, Essex, Pelling, Davenport, Mrs Pelling, Mrs Walter, Miss Mann, particularly The Black and White Joke and Revellers

Performances

Mainpiece Title: The Fatal Extravagance

Afterpiece Title: The Rival Milliners

Performance Comment: As17360119, but Molly Wheedle-Miss Burgess. With a New Prologue .

Dance: Irish Trot. Scot's Dance. Two Pierrots. Sailor's Dance

Event Comment: A New Opera. [Text by Xeno. Music by Broschi.] Lucy Wentworth, 8 Jan.: My mama has been so good to give me leave to goe to the Opera to night with Lady Anne. 'Tis to be a new one call'd Merophe, but the foolish Buffo's are to be left out which I am very glad of, but am sorry they are to have five hundred pound a piece for acting that silly stuf two nights if one may believe Mr Hamilton.The Opera is to be heard but once for he says 'tis the worst that ever was composed.-Wentworth Papers, p. 528. phay The Defeat of Apollo. Rehearsed. DDaily Advertiser, 11 Jan.: The Prologue to The Defeat of Apollo, which, in Compliment to some Gentlemen, was spoke last Saturday at the Rehearsal, encourages the Town to hope for what is new and entertaining. [For additional puffs, see Daily Advertiser, 11 and 12 Jan.

Performances

Mainpiece Title: Merope

Performances

Mainpiece Title: All Alive And Merry Or Men In Pursuit Of Money

Performance Comment: All@Alive@and@Merry-Lord Flame [Samuel Johnson of Chesire]; others-W. Giffard, Hewitt, Norris, Lyon, Rosco, Penkethman, Mrs Roberts, Mrs Charke, Mrs Chambers, Miss Tollett, Miss Burgess, Mrs M. Giffard; And a new Prologue-Giffard; [With a New Hierogliphical Dancing Epilogue-.

Afterpiece Title: The Beggars Pantomime

Performances

Mainpiece Title: Julius Caesar

Performance Comment: As17380208, but Caska-Winstone; Portia-Mrs Porter; Citizens-Johnson, Miller, Harper, Griffin, Macklin; With a new Prologue-Quin; a new Epilogue-Mrs Porter.
Cast
Role: With a new Prologue Actor: Quin
Role: a new Epilogue Actor: Mrs Porter.

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Acis-Beard; Galatea-Signora Francescina; Polyphemus-Reinhold; Damon-The Boy (Deutsch, Handel, p. 492; Dean, Handel's Dramatic Oratorios, p.177); With two new Concertos for several Instruments-never perform'd before; The last New Ode of Mr Dryden's-; And a Concerto on the Organ-.

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: See17391213, but two new Concertos for several Instruments-(never perform'd but once)-; Also The last New Ode of Mr Dryden's-; And a Concerto on the Organ-.

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: See17391213, but With two new Concertos for several Instruments-; Also The last New Ode of Mr Dryden's- .

Music: nd% a Concerto on the Organ-

Event Comment: A new Opera. With Dances and other Decorations entirely new. [Rest of description as before on first nights. Not listed as a new piece in the Larpent MS. Text by Zeno; Music by Porpora (Burney, History of Music, IV, 450).

Performances

Mainpiece Title: Temistocle

Event Comment: Benefit for Hobson. Tickets and places of Hobson at the stage door of the Theatre. Presentment of the Grand Juryv for the County of Middlesex: We the Grand Jury sworn to enquire for our Sovereign Lord The King, and the body of this county, have observed from most of the presentments delivered to us by the Constables of this County, that they have been, as we apprehend and fear, very remiss in their duty, by returning their several districts to be quiet and in good order. Whereas the contrary does most manifestly appear, in many instances as well from the accounts or advertisements we read in the daily Papers, printed and dispersed within the County (inviting and seducing, not only the inhabitants, but also all other persons, to several places kept apart for the encouragement of Luxury, Extravagance, and Idleness, and we fear other wicked, illegal purposes, which by such means go on with impunity, to the destruction of many families) as otherwise to the great Dishonour of the Kingdom...especially at a time when we are engaged in expensive Wars, and so much overburdened with Taxes of all sorts, both Parliamentary and Parochial, that it is much as a prudent man can do, without a taste to extravagant and illegal pleasure to support himself and family according to his degree and station in life under the most regular economy. [If unchecked this bad example will lead to National destruction]. We do accordingly hereby present as places riotous, of great extravagance, luxury, idleness, and ill fame, the several house &c following: [lists two gambling houses, then the Proprietors of the avenues leading to the several playhouses for not preventing wicked loose and disorderly persons from loitering at the front of their several houses on nights of the play to the prejudice of playgoers.] 4. Saddlers Wells, near Islington; 5. New Wells, Goodman's Fields; 6. New Wells, Clerkenwell; 7. The Proprietors of a Place call'd Hallam's New Theatre at Mayfair. Prays that the court will close all listed. N.B. Many people believed that after this presentment, the places mentioned would be shut up or reformed, but they advertise and continue the same diversions as before.-Gentlemen's Magazine (May, 1744), pp. 278-79

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Lying Valet

Song: I, IV: Morland

Dance: III: Mlle Auguste

Event Comment: A Musical Drama, in Two Parts...with Dances and other Decorations Entirely new. Pit and Boxes to be put together, and no Persons to be admitted without Tickets, which will be delivered this Day, at the Opera Office in the Haymarket, at Half a Guinea each. Gallery 5s. By His Majesty's Command, No Persons whatsoever to be admitted behind the Scenes. The Gallery to be open'd at Four o'Clock. Pit and Boxes at Five. To begin at Six o'clock. A New Opera [composed by Gluck; text by F. Vanneschi]. The Subscribers to the Opera are desired to make the last Payment of their Subscription Money to the Treasurer, at the Opera Office in the Haymarket, where Attendance will be given this and every Day, from Ten till Two, to receive the same, and deliver out the Silver Tickets. [Repeated until 28 Jan.] The new Musical Italian Drama; entitled La Caduta de Giganti, or the Fall of the Giants, writ on Occasion of the expulsion of the Rebels, was perform'd last Night at King's Theatre in the Haymarket. The performance was received and carried on with great Attention, Tranquility, and Applause: and not a little enliven'd by the Presence of his Royal Highness the Duke of Cumberland.--Daily Advertiser, 8 Jan

Performances

Mainpiece Title: La Caduta De Giganti Or The Fall Of The Giants

Event Comment: With new Dances and other Decorations. A new Opera [not new; composer-Terradellas; see 24 Jan. 1736]

Performances

Mainpiece Title: Mitridate

Dance:

Event Comment: Yesterday [11 Jan.] there was Practice...of a new Italian Dramatic Pastoral...As Lucius Verus consisted of celebrated Airs from Handel's Operas, the Music of the above Pastoral is chiefly extracted from the Works of the most famous Italian Composers. A new Pastoral Opera...With a new Concerto on the Violincello. Pit and Boxes Half a guinea; Gallery 5s. To begin at 6 p.m. No Person to be admitted without Tickets

Performances

Mainpiece Title: La Ingratitudine Punita

Performances

Mainpiece Title: Aesop

Afterpiece Title: Tea

Performance Comment: As17471111, but to begin with a New Prologue-; to conclude with a new Grand Country Dance call'd Foote's Vagaries-.

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Parts-Gentlemen, Ladies; A new Prologue-.
Cast
Role: A new Prologue Actor: .

Afterpiece Title: Miss in Her Teens

Performance Comment: With a new additional Scene-; in which will be introduce'd two new characters; the Part of Fribble to be perform'd by the Author of the scene; after which an Epilogue- in the Character of Fribble.
Cast
Role: With a new additional Scene Actor:

Dance: To conclude with: Country Dance called The Whim-

Performances

Mainpiece Title: A Pasticcio

Performance Comment: Vocal Parts-Signora Frasi, Signora Galli, Lowe, Mrs Arne, Master Arne; To be divided into three Interludes. After the first a new Concerto on the Organ by Arne-Master Arne; The second Interlude to conclude with a new Pastoral Scene-; the Words selected from Shakespear and composed by Mr Arne. After the third Interlude a Serenata- written by Congreve and set to music by Arne.

Afterpiece Title: The Judgement of Paris

Event Comment: Benefit for Signor Bombasto and Signor Piantofugo. [Eighteenth night.] Henley's advertisements say he came to London in 1720, is not in debt and One Time with another, my Oratory is as full as ever, when I please, and my Service to Mr Smart, Mrs Warner, Mr Newberry, etc. J. Henley" (Daily Advertiser, 21 March).

Performances

Mainpiece Title: The Old Womans Oratory

Performance Comment: See17520211, but a new Cantata composed by Phillipo Ruge (organist of St. Peter's in Rome)-; likewise a Solo in a new Taste-Sig Piantofugo; introduce Jew's Harp-; Salt@Box-; between the Acts a humorous Solo on the French Horn-Mrs Midnight's Daughter (just arrived from Padua); Epilogue-Hallet (in the character of Cupid).
Event Comment: Both pieces by Command of The Prince of Wales. A new Scene was introduc'd of Beasts in Mr Rich's Entertainment as an Ostrich a Lyon, Dog, Monkey, 2 small Ostrichs & A Figure like Maddox upon ye Wire & writ up ye new Company of Comedians Hiss'd a good Deal (Cross). [See cg 2 Nov.] Receipts: #190 (Cross)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Harlequin Ranger

Cast
Role: New Music Actor:

Dance: II: Le Matelot Basque, as17521005; IV: L'Entree de Flore-Mad Auretti

Performances

Mainpiece Title: The Old Womans Oratory

Performance Comment: As17530315 but add a new Transparent Scene, and a new Epilogue-Miss Midnightriding on a jack-ass, at the Request of several Persons of Taste.