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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cipriani"/1) | (@(roleclean,performerclean) "Cipriani")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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111 results for: Keyword - Cipriani
We found 118 matches on Roles/Actors, 14 matches on Performance Comments, 9 matches on Event Comments, 0 matches on Performance Title, and 0 matches on Author.

101
09 June 1795 @ King's Theatre

Performances

Mainpiece Title: L'isola Del Piacere

Cast
Role: unassigned Actor: Cipriani.

Dance: As17950512

102
20 January 1772 @ Covent Garden

Event Comment: Mainpiece: By Particular Desire. Afterpiece: With an Additional Scene painted by Cipriani, Representing the taking of the Bohemian Standard at the Battle of Cressyv. In memory of which, the Princes of Wales have ever since borne three Ostrich Feathers (the Bohemian Standard) as their crest, with the original motto Ich Dien. This scene is pleasingly executed and has a very good effect, and is the work of that celebrated artist Cipriani (Theatrical Review, II, p. 36). Paid Whitefield a Bill for making cloaths #30 8s. 7d. (Account Book). Receipts: #184 8s. (Account Book)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Fairy Prince

Dance: IV: Comic Dance, as17711031

103
01 December 1772 @ Covent Garden

Event Comment: Paid Cipriani (painter) as per bill #42. Paid McMillen (Shoemaker) #18 2s., and Love & Lewis (woolen drapers) #11 7s. (Account Book). [Cipriani possibly painted new scenes for Elfrida.] Receipts: #152 4s

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Royal Chace

104
04 January 1772 @ Covent Garden

Event Comment: Mainpiece: Not acted these 2 years. [See 18 May 1770.] Paid Cipriani (painter) #63 (Account Book). [Apparently his price for painting the taking of the Bohemian Standard at the battle of Cressyv. See 20 Jan.] Receipts: #163 16s. 6d. (Account Book)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Mother Shipton

105
30 November 1779 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2, by Charles Dibdin. After being altered and enlarged this was billed as Harlequin Every-where (see 27 Dec.)]: With entire new Music; new Scenes, Dresses and Decorations. The Music composed by Dibdin; the Scenes designed and executed by Richards, Carver, Hodgins, Cipriani. Nothing under Full Price will be taken. The Orphan [announced on playbill of 29 Nov.] is deferred on account of Mrs Hartley's Indisposition. Account-Book, 13 Nov.: Paid Hodgins, painter, 14 weeks salary #36 15s. Public Advertiser, 1 Dec. 1779: This Afternoon is bublishpublished The Mirror (1s.). Receipts: #180 18s. (168.1; 12.17)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mirror; or, Harlequin Every-where

106
01 May 1781 @ Covent Garden

Performances

Mainpiece Title: The Mistake

Afterpiece Title: True Blue

Afterpiece Title: The Flitch of Bacon

Dance: End I 1st piece: a new Hibernian Dance, The Rakes of Mallow-Jackson, Miss Francis (1st appearance), others; End II: a new Dance, The Sports of the Green or The Rivals Reconcil'd-Aldridge, Langrish, Jackson, Miss Francis, Miss Besford; 2nd Piece: the original Sailor's Dance, as17810402

Song: 2nd piece to conclude: with a Grand Antigallican Procession[in Honour of St. George's Day [23 Apr.], in which-; Rule Britannia-Reinhold; [the Procession to close with Britannia brought in a Triumphal Car, attended by Europe, Asia, Africa, and America, drawn by six boys representing the Young Gentlemen of the Maritime School, and attended by Mars and Neptune; after which will be display'd the famous Transparency of St. George and the Dragonv, executed by Cipriani; to conclude with: Britons Strike Home-Mrs Kennedy, [with the original chorus

Performance Comment: George's Day [23 Apr.], in which-; Rule Britannia-Reinhold; [the Procession to close with Britannia brought in a Triumphal Car, attended by Europe, Asia, Africa, and America, drawn by six boys representing the Young Gentlemen of the Maritime School, and attended by Mars and Neptune; after which will be display'd the famous Transparency of St. George and the Dragonv, executed by Cipriani; to conclude with: Britons Strike Home-Mrs Kennedy, [with the original chorus.with the original chorus.

Ballet: End IV: a Grand Pantomimical Pastoral Welch Dance St. David's Day; or, The Village Revels. Squire of the Village-Aldridge; Farmer-Whittow (1st appearance); Farmer's Wife-Mr Jackson; Farmer's Daughter-Miss Rowson (1st appearance); Landlord of the Horns--Savoy; Landlady of the Harp-Mr Besford; In which a Double Hornpipe-Aldridge, Miss Besford; , to the air of Mellionen; or the late Sir W. W. Wynn?'s Delight, accompanied by the ancient British instrument the Welch Harp-; To conclud : with a Country Dance-the Characters

107
07 May 1781 @ Covent Garden

Performances

Mainpiece Title: The Farmer's Return From London

Afterpiece Title: All for Love

Afterpiece Title: Phusimimesis; or, Resemblances of Nature

Performance Comment: SCENE I. Morning, a Landscape. The Rising of the Sun. Hunters preparing for the Chace. When Phoebus the tops of the hills, as17810425; SCENE II. A View of the Rock of Gibraltar, with the Fleet sailing to its Relief; The Storm-Reinhold; [SCENE III. Thunderstorm, Tempest and Shipwreck. Stand to your guns my hearts of oak-Bannister [of dl]; [SCENE IV. A Town Besieged (Painted by Carver; taken from Harlequin Every-where). The Enemies' Attack; the Destruction of the Fort; and an Engagement of the Troops, represented by Moving Figures. O what a charming thing's a battle-Cubitt; [After which a Grand Transparency, representing the famous Battle of Cressy, with the taking of the Bohemian standard by Edward the Black Prince, painted by Cipriani. To conclude with a trio-Davies, Mrs Morton, Mrs Martyr.

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End II 2nd piece: The Huntsman's Sweet Halloo, as17810226; 4th piece: The Early Horn-Cubitt; Scene I: When Phoebus the tops of the hills, as17810425

108
26 December 1781 @ Covent Garden

Event Comment: [Miss Cleland, who was from the Edinburgh theatre, is identified in Lysons, Collectanea. Cleland was a stage name; her real name was Buttery.] Afterpiece [1st time; P 2, by James Messink]: To conclude with an exact Representation of the Procession at an Eastern Marriage [based on sketches made in India by Tilly Kettle, the portrait painter (Theatre Notebook, VIII, 6)]. The Scenery by Richards, Carver, Hodgins, Cipriani, Catton and others. The Music composed by [Michael] Arne. The Pantomime by Messink. Books of the Songs to be had at the Theatre. Nothing under Full Price will be taken. Public Advertiser, 12 Jan. 1782: The Openings between every Scene and all internal parts of the Theatre are now so crouded by people absolutely necessary in one character or another that were they not judiciously arranged and marshalled, they would stand in each other's way, and create inextricable confusion. All that appears before an Audience as moving with the ease, regularity and promptitude of clock-work is the result of much Contrivance and many exertions of bodily Labour. Ibid, 16 Feb. 1782: This Day is published The Choice of Harlequin (1s.). Receipts: #270 19s. (265/15; 5/4)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Choice of Harlequin; or, The Indian Chief

Song: As17811109

109
10 October 1782 @ Covent Garden

Event Comment: Afterpiece: To conclude with an Exact Representation of the Procession at an Eastern Marriage. The Scenery by Richards, Carver, Hodgins, Cipriani, Catton and others. The Music composed by [Michael] Arne. Receipts: #218 11s. (214/1/6; 4/9/6)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Choice of Harlequin; or, The Indian Chief

110
22 September 1783 @ Covent Garden

Event Comment: Afterpiece: To conclude with an Exact Representation of the Procession at an Eastern Marriage. The Scenery by Richards, Carver, Hodgins, Cipriani, Catton, and others. The Music composed by [Michael] Arne. Paid Properties 19th Inst. 10s. 10d. Receipts: #261 9s. 6d. (260/4/6; r/5/0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Choice of Harlequin; or, The Indian Chief

Dance: In Act I of mainpiece a Masquerade incident to the Play, and a Minuet by Harris and Miss Matthews

Song: End of Act iv of mainpiece Juliet's Funeral Procession, with a solemn Dirge. Vocal Parts by Bannister, Mattocks, Reinhold, Brett, Mahon, Darley, Doyle; Mrs Bannister, Mrs Johnstone, Mrs Martyr, Mrs Morton, Miss Stuart, Mrs Kennedy

111
06 April 1795 @ Covent Garden

Event Comment: Afterpiece [1st time; MD 2, by William Pearce. The Masque was produced in honor of the marriage of the Prince of Wales and Princess Caroline of Brunswick, 8 April 1795]: The Overture composed expressly for the Occasion by Haydn, as is the rest of the Music by Salomon [and see 9 Apr.]. The Scenery, Machinery, Decorations and Dresses are entirely New, and Designed by Noverre, except St. George's Hall, painted by the late Signor Cipriani. The Scenery executed by Hodgins, Walmsley, Phillips, Lupino, Hollogan, and many Assistants. The Machinery and Decorations by Sloper. Goosetree and Martinelli. The Dresses by Lupino, Dick and Mrs Egan. Books of the Songs to be had at the Theatre. "On the 10th [of April] I was at the Covent Garden Theatre-to see the big Spectacul [sic]-Windsor Castle, the music by Salomon quite passable. The decorations-costumes-scenery, and the enormous amount of people on the stage are exaggerated. All the Gods of Heaven and Hell, and everything that lives on the earth are in the piece" (Haydn, 299). Morning Chronicle, 7 May 1795: This Day is published Windsor Castle (1s. 6d.). Receipts: #266 8s. 6d. (250.12.6; 15.16.0)

Performances

Mainpiece Title: The Rage

Afterpiece Title: Windsor Castle 1

Afterpiece Title: Windsor Castle 2

Song: Part I: concludes with ancient British Airs-; Chorus of Bards-, accompanied on the Harp by Jones