SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Church of Rome"/1) | (@(roleclean,performerclean) "Church of Rome")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 92 matches on Event Comments, 56 matches on Performance Comments, 12 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon-(Brother to Judas); Messenger-; Eupolemus (Jewish Ambassador to Rome)-. [Larpent MS.]Larpent MS.]
Event Comment: Alter'd from the Italian with several new Additions. [By Dr Morell. Set by Handel. The words entirely adapted to the Music of Il Trionfo del Tempo, composed at Rome about 1707 (Biographia Dramatica).

Performances

Mainpiece Title: The Triumph Of Time And Truth

Performances

Mainpiece Title: Judas Maccabeus

Performance Comment: The parts were: Judas-; Israelite Man-; Israelite woman-; Chorus-; Simon-(Brother to Judas); Messenger-; Eupolemus- (Jewish Ambassador to Rome) (Larpent MS 65).
Event Comment: Benefit for Signora Mattei. The Poetry of the Cantata sets forth the glories of the British nation both in war and peace, shewing that Great Britain, in the present, as well as in former ages, doth vie with ancient Rome in its highest grandeur

Performances

Mainpiece Title: La Clemenza Di Tito

Afterpiece Title: La Gran Brettagna Emula Della Antica Roma

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: The parts were Judas-; Israelitish Man-; Israelitish Woman-; Chorus-; Simon (Brother to Judas )-; Messenger-; Eupolemus-(Jewish Ambassador to Rome ) , in Larpent MS 65.

Music: As17600229

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Judas-; Israelitish Man-; Chorus-; Simon-(brother to Judas); Messenger-; Eupolemus-(Jewish Ambassador to Rome) (Larpent MS 65).

Music: Concerto on Organ-Stanley; Solo on Violin-Sg Giardini

Performances

Mainpiece Title: La Serva Padrona

Performance Comment: After which Sg Charlo Genuini, artificer from Rome, will give a mechanical work which will represent the globe; the artist will be in it during the exhibition; after which the globe will divide in four parts, and the inventor will appear in the middle.

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon-(Brother to Judas); Messenger-; Eupolemus-(Jewish Ambassador to Rome) (Larpent MS 65).

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Simon (Brother to Judas)-; Messenger-; Eupolemus (Jewish ambassador to Rome)- (Larpent MS 65).

Music: As17630218

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were: Israelite Man-; Israelite Woman-; Judas-; Chorus-; Simon (Brother to Judas)-; Messenger-; Eupolemus (Jewish Ambassador to Rome)-.

Music: As17640309

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Simon-(Brother to Judas); Chorus-; Messenger-; Eupolemus=-(Jewish Ambassador to Rome).

Music: CConcerto on the Organ-Stanley

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Simon (brother to Judas)-; Messenger-; Eupolemus (Jewish Ambassador to Rome)-.

Music: As17660214

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon (Brother to Judas)-; Messenger-; Eupolemus (Jewish Ambassador to Rome)-.

Music: As17670306

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon-(Brother to Judas); Messenger-; Eupolemus-(Jewish Ambassador to Rome).

Music: As17680219

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Judas-; Israelite Man-; Israelite Woman-; Simon-(Brother to Judas); Chorus-; Messenger-; Eupolemus-(Jewish Ambassador to Rome).

Music: Concerto on Hautboy-Fischer

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; 1st Israelite Man-; Israelite Woman-; Simon (brother to Judas)-; Chorus-; Messenger-; Eupolemus- (Jewish Ambassador to Rome).

Music: FFirst Violin-Barthelemon; Concerto on the Organ-Stanley

Performances

Mainpiece Title: Judas Macchabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon- (Brother to Judas); Messenger-; Eupolemus- (Jewish Ambassador to Rome).

Music: FFirst Violin, Solo-Giardini; Concerto on Hautboy-Fischer

Performances

Mainpiece Title: Judas Macchabeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon (brother to Judas)-; Messenger-; Eupolemus (Jewish Ambassador to Rome)-.

Music: End Part I: A Solo-; End Part II: A Concerto on Violin-Sga Lombardini Sirmen

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Simon (Brother to Judas)-; Chorus-; Messenger-; Eupolemus (Jewish Ambassador to Rome)-.

Music: As17710215

Event Comment: Miss Younge having been a Season in Ireland is now return'd play'd Well & was receiv'd with Great Applause (Hopkins Diary). Potter, Theatrical Review: We must beg leave to point out a small error in her playing the part of Imogen; and which was too obvious to escape notice: --When Iachimo arrives from Italy...he is introduc'd to her by Pissanio who says..."Madam, a noble gentleman of Rome comes from my Lord with letters." And Iachimo on his first appearance informs her, that "the worthy Leonatus is in safety." These circumstances ought to awaken the highest joy and transport in Imogen, instead of which, we wer sorry to observe, she dropped a solemn curtsey, and without one joyous feature said, with the utmost langor, "Thanks good sir, &c." And even after she had read the letter...she addresses herself to him again with the same indifference. Rec'd Mrs Groath, 1 yrs. Rent to Xmas last #3, and from Mr Atkins on Acct #5 5s.; Advanc'd Mr Barry, Box Office keeper #15; Ditto to Mr Watson, Box Office Keeper #10 (Treasurer's Book). Receipts: #164 5s. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Mayor of Garratt

Dance: III: A Comic Dance, as17710921

Performances

Mainpiece Title: Judas Macchabeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon (Brother to Judas)-; Messenger-; Eupolemus-(Jewish Ambassador to Rome).

Music: End Part I: Solo on Violincello-Mr Duport; End Part II: Concerto on Violin, as17720306-Sga Sirmen

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-; Israelite Man-; Israelite Woman-; Chorus-; Simon (Brother to Judas)-; Messenger-; Eupolemus-(Jewish Ambassador to Rome).

Music: Violin Solo-Ximene (the first time of his performing in public); Concerto on Violincello-Janson

Performances

Mainpiece Title: Judas Maccabaeus

Performance Comment: Parts were: Judas-r; Israelite Man-r; Israelite Woman-r; Chorus-r; Simon (Brother to Judas)-; Messenger-r; Eupolemus(Jewish Ambassador to Rome)- The vocal parts-Miss Linley, Mrs Weichsel, Miss Mary Linley, Mr Norris, Mr Parry (Public Advertiser).

Music: I: Concerto on Violin-Mr ThomasLinley

Performances

Mainpiece Title: Judas Maccabaeus; Judith

Performance Comment: As17730226 Parts were: Judas, Israelite Man, Israelite Woman, Chorus, Simon (brother to Judas); Messenger, EupolemusR (Jewish Ambassador to Rome).

Music: As17730305