SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Children of the late Mr Farquhar"/1) | (@(roleclean,performerclean) "Children of the late Mr Farquhar")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5218 matches on Event Comments, 1411 matches on Performance Comments, 1076 matches on Author, 998 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: By the late Sir Richard Steele

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17431024, but Beville Jun.-Quin; Lucinda-Mrs Rowley (being the second time of her appearing on any stage) [see17431031]; Daniel-James; Mrs Sealand-Mrs James; Phillis-Mrs Clive.

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Event Comment: DDaily Advertiser, 15 Feb.: We hear that Miss Budgell, duaghter of the late Eustace Budgell, Esq. who perform'd the part of Polly on Monday Night in the Beggar's Opera, met with such unusual Applause, that several persons of Quality have desired the same performance tomorrow

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Blakes; Polly-Miss Budgell; Lucy-Miss Dunstall; Mrs Peachum-Mrs Yates; Peachum-Yates; Lockit-Dunstall; 1st time in all parts for these actors on this stage. 1st time in all parts for these actors on this stage.

Afterpiece Title: The Amorous Goddess

Performances

Mainpiece Title: The Country Lasses; Or, Custom Of The Manor

Performance Comment: Modely-Smith; Heartwell-Bowman (son of Late Bowman of Drury Lane); Flora-Mrs Smith; Aura-Mrs Daniel; Sir John-Daniel.

Afterpiece Title: The Fond Husband: or, The Intriguing Wife

Song: Blogg, Mrs Freeman

Event Comment: Benefit Thompson and Mrs Rowley. Mainpiece written by the late Mrs Centlivre. Tickets deliver'd out by Taylor and Wright will be taken

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Necromancer

Performances

Mainpiece Title: Orpheus Seeking After Eurydice

Performance Comment: Vocal Parts-Palma, Rochetti, Fratestanti; who sing some song composed in Italy in Comic Style; for the first time in publick, the famous Cantata by the late Sig. Pergolesi-.
Event Comment: Mainpiece written by the late Sir Richard Steele

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John,Lowe; in which will be introduced The Early Horn-Lowe; Nell-Miss Budgell; Lady Loverule-Mrs Bennet.
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: Muilment

Event Comment: Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Event Comment: MMrs Cibber being perfectly recovered of her late indisposition will certainly perform on Saturday next in Hercules

Performances

Event Comment: Benefit Quin. By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, and the Lady Augusta. N.B.: Servants will be permitted to keep places on the stage which will be form'd into an amphitheatre, enclos'd, covered, and kept ward, as at the late Oratorios. Tickets to be had at Quin's House in Bedford St., Covent Garden; and of Page at the stage door

Performances

Mainpiece Title: Mariamne

Dance: Cooke, Sga Campioni

Event Comment: At the Late Wells. Benefit Tucker. Tickets given out for The Provoked Wife by Tucker taken this Night. [Prices as 12 March.

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: The Mock Doctor

Event Comment: At the Late Wells. Benefit the Authoress. [Concert formula now used.] Prices 2s. 6d., 2s., 1s

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: The Stratagem Author(s): George Farquhar

Afterpiece Title: More Ways than One

Event Comment: At the Late Wells. Benefit Kennedy. [Concert formula; prices as 1 May.

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Cobler of Preston

Event Comment: A Pantomime Entertainment, never perform'd there before...with several Alterations and Additions. 7 p.m. No latter account will be taken

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Necromancer; or, Harlequin Dr Faustus

Event Comment: Benefit Jones, Mrs Bland, Mrs Gondou, Miss Ferguson, Miss Morrison (General Advertiser). Benefit Charles Jones, son of the late Jere Jones who formerly kept the Selectation Tavern at Billingsgate (Daily Advertiser)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: Cooke, Sga Campioni; also Scotch Dance, as17441012

Event Comment: 6 p. p.m. Last Time of Acting. No latter account will be taken. Prices Boxes 2s. 6d. Pit 2s. Gallery 1s. [The troupe will re-open the theatre on 20 May and present pantomimes all summer.

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Necromancer

Event Comment: Benefit Mrs Cross, Mrs Bridges, Miss Young. The General Advertiser included the following Puff: Sir, As I am continually searching for latent Curiosities, out of a sincere regard for the Public Satisfaction, I think it my Duty (lest among the Multitude of Diversions now flourishing, some other might engross the attention of the Curious) to inform the world, that the Farce which will be perform'd this Evening at Drury Lane theatre, call'd May Day, or the Merry Milkmaids of Islington, was written by the particular desire of King Charles II who had it first performed at Newmarket; how agreeably that jovial Monarch was entertained, every person, who thinks it worth his while to see it, according to his abilities, will be a competent judge, Yours, &c A. Virtuoso. [Part of the Multitude of Diversions referred to included announcement in the same paper for a Rehearsal of the whole Band of Music at Ruckholt House, the following Monday; a paragraph Puff on the diversions at Sadler's Wells in consequence of the late happy Victory of the Duke of Cumberland over the Rebels, with special notice of a New Interlude of Music call'd Strephon's Return, or the British Hero, perform'd this night with many advantages of Dress and Decoration, and a new Ballet by Matthews; and further notice of the Representation of the Battle near Culloden House which had met with universal applause, and which would continue to be repeated at the New Wells in Goodman's Fields. The Farce at Drury Lane this evening was advertised as not having been played for 20 years. It was taken from Thomas Nabbes' Totenham Court Road, by the Compiler of the Muse of Newmarket, 1680. The MS Occasional Prologue praising Cumberland is in the Larpent Collection.

Performances

Mainpiece Title: The Committee

Performance Comment: As17460117, but Mrs Day-Mrs Cross; A New Occasional Prologue on the Duke of Cumberland's Defeat of the Rebels-Cibber.

Afterpiece Title: May Day; or, The Merry Milkmaids of Islington

Performance Comment: To conclude with a Rural Dance in Honour of Flora-after the manner of the Ancients.

Song: Miss Young

Dance: Mechel, Mlle Mechel

Event Comment: [Whereas, from various accidents and disappointments the Undertaking an opera for the next year was resolv'd upon too late in the season to permit of solliciting the Subscriptions in the Usual Manner; and as the Proposals for the ensuing year are of a different nature, and, as it is presumed, much more to the Advantage of the Subscribers than any hitherto offered, it has been thought proper to take this method of informing the Publick, that attendance will be given at the Opera-Office in the Haymarket, every Tuesday, Thursday, and Saturday, from ten o'clock in the Morning till three in the afternoon, in order to shew the Proposals, take in subscriptions, and deliver our proper receipts.

Performances

Event Comment: 1 GGeneral Advertiser: Mademoiselle Violette humbly begs leave to acquaint the Publick, that she is very much concern'd to hear that she is charg'd with having been the occasion of the Noise at the Playhouse in Drury Lane on Wednesday night. That she was entirely ignorant that three Dances had been advertised, until it was too late to prepare herself; and as she cannot possibly be guilty of any Intention to disoblige, or give offence to an English Audience (from whom she has receiv'd so much Applause) she presumes to hope they will not impute to her a fault which she is not capable of committing, and especially where she has met with so much indulgence, for which she retains all possible gratitude

Performances

Mainpiece Title: 1 Henry Iv

Dance: 1 TThe German Camp, as17461217; The Vintage, as17461217

Event Comment: Benefit Richard Starkey, late of Goodman's Fields Wells, now a Prisoner in the Fleet, and having not the Opportunity to wait on his Friends

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Lying Valet

Dance: As17461124; Hornpipe-Williams

Event Comment: [This dance had been introduced in Act IV of The Refusal on 29 Sept.] Receipts: #100 (Cross); #102 6s. (Powel)

Performances

Mainpiece Title: The Confederacy

Performance Comment: Brass-Macklin; Dick-Havard; Moneytrap-Yates; Gripe-Taswell; Clarissa-Mrs Woffington; Flippanta-Mrs Clive; Corinna-Mrs Green (late Miss Hippisley); Araminta-Mrs Mills; Amlet-Mrs Macklin; Mrs Cloggit-Mrs Cross.

Afterpiece Title: The Intriguing Chambermaid

Dance: II: New Dance-Cooke

Event Comment: Benefit for Relief of Sufferers by the late Fire. [It happened in the Exchange on 25 March. See General Advertiser accounts.] Boxes and Pit laid together at 5s. each. First Gallery 2s. Upper Gallery 1s. [Statement about gift of the night's box receipts (31 March) repeated. See note, 11 April.

Performances

Mainpiece Title: Othello

Performance Comment: As17480111, but Othello-Quin.
Cast
Role: Othello Actor: Quin.

Song: Beard, Miss Faulkner, Mrs Storer

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger
Event Comment: Benefit for Bencraft and Mrs Hale. Mainpiece: Not acted these 9 years. [See 4 Dec. 1740.] N.B.: A parcel of tickets having been lost, none sold at the doors of the theatre will be admitted. Tickets to be had and places taken of Page at the Stage Door of the Theatre. [Inserted in the General Advertiser this day is Buskin's Apology]: @Enur'd to ills of various kinds,@By ancestors undone;@The Author has severely paid@For failings not his own.@From Disappointments Buskin writes,@Confesses 'tis for gain@Yet scorns all profits which arise@From giving others pain.@No private character he sneers,@No venom taints his mind;@His sole ambition is to please,@Not satyrise Mankind.@ On Wednesday last the Tragedy of Othello was acted at Covent Garden towards the relief of the unhappy sufferers by the late Fire; and on Saturday the sum of #218 12s. 4d. was paid into the hands of Messrs Ironside and Belchier; the company of comedians and the band of musick having generously given their performances (General Advertiser)

Performances

Mainpiece Title: Wit Without Money

Performance Comment: Valentine-Ryan; Francisco-Gibson; Lance-Dunstall; Lovegood-Rosco; Merchant-Ridout; Roger-Martin; Ralph-James; Humphry-Collins; Shorthose-Cibber; Hairbrain-Bencraft; Fountain-Anderson; Bellamoure-Storer; Lucy-Mrs Dunstall; Isabella-Mrs Hale; Widow-Mrs Horton; The comedy to conclude with the last New Dance call'd Foote's Vagaries-.

Afterpiece Title: Apollo and Daphne

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald
Related Work: Apollo and Daphne Author(s): Theophilus Cibber
Event Comment: SSignior Nicholini gives Chocolate Precisely at Twelve. Afterpiece: A tragi-comi-Fracical Whimsical Kind of a Dance in Grotesque Characters. The original Hint taken from a late unfortunate Irish Expedition

Performances

Mainpiece Title: The Scorpion

Afterpiece Title: Punch's Defeat; or, Harlequin Triumphant

Dance: A Minuet-Signor Nicholini, Mlle Vermeil

Event Comment: Gift for ye Sufferers by ye fire in Cornhill (Cross). [A column and a half "Letter to the Author" appeared in the General Advertiser this day, laying historical background for Ford's Lover's Melancholy]. The history of the stage before the Restoration is like a Foreign Land, in which no Englishman had ever travelled; we know there were such things as Playhouses, and one Shakespear a great writer, but the historical traces of them are so imperfect, that the manner in which they existed is less known to us, than that of Eschylus or the theatres of Greece. For this reason, 'tis hoped that the following Gleaning of Theatrical History will readily obtain a place in your paper. 'Tis taken from a Pamphlet written in the reign of Charles I, with this quaint title, "Old Ben's Light Heart made heavy by young John's Melancholly Lover"; and as it contains some historical anecdotes and altercations concerning Ben Johnson, Ford, Shakespear, and the Lover's Melancholy it is imagined that a few extracts from it at this juncture, will not be unentertaining to the Public. [The substance of the remainder retails Jonson's critical cantankerousness and his wounded pride at the failure of the New Inn, quoting some epigrams made at Jonson's expense on his allegation that Ford was a plagiary. This second "puff" for the play, presumably also written by Macklin, formed the basis for a Steevens-Malone controversy late in the century, centering on the existence or nonexistence of the pamphlet referred to by Macklin as "Old Ben's Light Heart made Heavy, &c." A summary account of the evidence appears in the Dramatic Works of John Ford, by Henry Weber (Edinburgh, 1811) I, Intro. XVI, XXXI.] Receipts: #210 (Cross); #208 1s. (Powel)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Double Disappointment

Dance: Cooke, Anne Auretti, Matthews, Mrs Addison

Related Works
Related Work: Tartuffe; or, The French Puritan Author(s): Matthew Medbourne
Related Work: London's Anniversary Festival, Performed on Monday October the 29th, 1688 Author(s): Matthew Taubman
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Related Work: The Spendthrift Author(s): Matthew Draper
Related Work: The Parthian Hero; or, Love in Distress Author(s): Matthew Gardiner
Related Work: The Sharpers; or, The Female Match-Maker Author(s): Matthew Gardiner
Related Work: Vertumnus and Pomona Author(s): Matthew Feilde
Related Work: The Castle-Spectre Author(s): Matthew Gregory Lewis
Related Work: The Twins; or, Is It He, or his Brother? Author(s): Matthew Gregory Lewis
Related Work: The East Indian Author(s): Matthew Gregory Lewis
Related Work: Primrose Green; or, Love in the Country Author(s): Matthew Peter King
Event Comment: Benefit for Pritchard (Treasurer). Tickets delivered for the London Merchant will be taken. On April 12 that play was advertised for this evening--the part of George Barnwell to be performed (by particular desire) by Mrs Pritchard, Millwood by Mrs Furnival, and Lucy by Mrs Clive. Tickets to be had of Pritchard at his House in Duke's late Earl's Court, Bow St., Covent Garden; and of Hobson at the stage door. Tomorrow Lover's Melancholy, and a New Farce call'd The Club of Fortune Hunters for the Benefit of Mrs Macklin. Receipts: #180 (Cross); house charges, #63 (Powel); cash #85 6s. 6d.; tickets, #81 9s. (Clay MS)

Performances

Mainpiece Title: Macbeth

Cast
Role: dances Actor: , and other decorations.

Afterpiece Title: Miss in Her Teens

Dance: V: Savoyards, as17471215