SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Children of the late Mr Farquhar"/1) | (@(roleclean,performerclean) "Children of the late Mr Farquhar")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5218 matches on Event Comments, 1411 matches on Performance Comments, 1076 matches on Author, 998 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Selima And Azor

Performances

Mainpiece Title: The Times

Performance Comment: [Principal Characters by King, Bensley, Brereton, Aickin, Baddeley, Lamash, Wrighten, Burton, Palmer, Miss Pope, Mrs Brereton, Miss Collett, Mrs Colles, Miss Kirby, Mrs Abington. Cast from text (Fielding and Walker et al]), 1780, and Morning Chronicle, 3 Dec.: Sir William Woodley-King; Counsellor Belford-Bensley; Mr Woodley-Brereton; Mr Bromley-Aickin; Forward-Baddeley; Sir Harry Granger-Lamash; Waters-Wrighten; James-Burton; Colonel Mountfort-Palmer; Mrs Bromley-Miss Pope; Louisa-Mrs Brereton; Spitfire-Miss Collett; Mrs Williams-Mrs Colles; Mrs Henpeck-Miss Kirby; Lady Mary Woodley-Mrs Abington; Prologue-King; [This was spoken, as here assigned, at all subsequent performances.] Epilogue-Miss Farren. [This was spoken again on 4 Dec., but omitted thereafter.]This was spoken again on 4 Dec., but omitted thereafter.]
Related Works
Related Work: Feudal Times; or, The Banquet Gallery Author(s): George Colman, the younger

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Apprentice

Dance: End III: The Minuet de la Cour-Duprez, Miss Armstrong

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft; in 1796 altered by the author and acted as The Mask'd Friend. Prologue by William Nicholson (see text). Epilogue attributed to Frederick Pilon (Public Advertiser, 15 Oct.)]: With New Dresses, Scenery, &c. Public Advertiser, 12 Nov. 1781: This Day will lie published Duplicity (price not listed). Paid Music #8 4s. 8d.; Chorus Singers #3 15s. Receipts: #204 16s. (202/7/6; 2/8/6)

Performances

Mainpiece Title: Duplicity

Performance Comment: Principal Characters by Henderson, Lewis, Wilson, Lee Lewes, Edwin, Wewitzer, Stevens; Mrs Wilson, Mrs Inchbald, Mrs Pitt, Miss Youngc. [Cast from text(G. Robinson, 1781): Mr Osborne-Henderson; Sir Harry Portland-Lewis; Sir Hornet Armstrong-Wilson; Squire Turnbull-Lee Lewes; Timid-Edwin; Mr Vandervelt-Wewitzer; Scrip-Stevens; Servants-J. Wilson, Newton, Joules; Miss Turnbull-Mrs Wilson; Melissa-Mrs Inchbald; Mrs Trip-Mrs Pitt; Clara-Miss Younge.] Prologue spoken by Lee Lewes. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at the first 3 performances only (see17811030).] hathi. Prologue spoken by Lee Lewes. Epilogue spoken by Miss Younge. [These were spoken, as here assigned, at the first 3 performances only (see17811030).] hathi.

Afterpiece Title: The Flitch of Bacon

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Robinson Crusoe

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Gentle Shepherd

Performances

Mainpiece Title: Variety

Performance Comment: Principal Characters by King, Palmer, Parsons, Brereton, Baddcley, Bannister Jun., R. Palmer, Burton, Smith; Miss Farren, Miss Pope, Mrs Brereton, Mrs Hopkins, Mrs Abington. [Cast from text (T. Becket, 1782), and European Magazine, Feb. 1782, p. 143: Commodore Broadside-King; Captain Seafort-Palmer; Sir Timothy Valerian-Parsons; Lord Frankly-Brereton; Major Seafort-Baddeley; Mr Steady-Bannister Jun.; Sir Frederick Fallal-R. Palmer; Davy-Burton; Mr Morley-Smith; Miss Harriet Temple-Miss Farren; Lady Fallal-Miss Pope; Lady Frankly-Mrs Brereton; Mrs Bustle-Mrs Hopkins; Lady Courtney-Mrs Abington.] Prologue spoken by King. Epilogue spoken by Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.] hathi. Prologue spoken by King. Epilogue spoken by Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.] hathi.

Afterpiece Title: The Quaker

Event Comment: By Authority of the Lord Chamberlain. Benefit for Stewart. Mainpiece: In its original state, as it was written by Allen Ramsay, in 1724 [recte 1725]. Afterpiece [1st time; F 2 (?)]: Taken [probably by the author] from The Students [by James Stewart. MS not in Larpent; not published]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. 'Tis hoped that none of Stewart's friends will expect to be admitted behind the scenes, as the audience will, and not without great reason, be much displeased at any such proceedings, nor will it upon any pretence whatever be complied with. No money returned after the curtain is drawn up. Ladies are requested to send their servants by Five to keep places. Tickets to be had at Walker's, the Globe, Pall-mall; the Edinburgh and Jamaica Coffee-houses, Cornhill; the St. Andrew, Wapping; of Denham, bookseller, No. 366, Hermitage Bridge, Wapping; at the Bouncing B Printing Office, Ratcliff Highway; at Stewart's china shop, No. 201, Ratcliff Highway, and at the Theatre, where places for the boxes may be taken

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Exciseman Trick'd

Dance: End of Act III of mainpiece a new composed Reel, and Hornpipe by Master Holland, pupil to Holloway

Song: Hooly and Fairly, in character, by M'Donald; End of Act II The Huntsman's Sweet Halloo by Miss Hemet

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Alchymist

Event Comment: Benefit for Sga Sestini. Public Advertiser, 13 Feb.: Tickets to be had of Sga Sestini, No. 52, Margaret-street, Cavendish Square. Afterpiece [1st time; burl 2, by John O'Keeffe. MS: Larpent 616; not published]: Taken from the Italian of La Serva Padrona [by Gennaro Antonio Federico]. The Music chiefly the Original of Parosasi [i.e. Pergolesi, and so spelled on playbill of 17 Feb.]. The new Music composed by Dr Arnold. Books of the Songs to be had at the Theatre. Receipts: #256 5s. 6d. (198/12/0; 7/3/6; tickets: 50/10/0) (charge: none listed)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Cast
Role: Host of the Garter Actor: Booth

Afterpiece Title: The Maid's the Mistress

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Mat o' the Mint Actor: Mahon

Afterpiece Title: Tristram Shandy

Dance: In Act III of mainpiece, as17830422; End of mainpiece, as17821231

Event Comment: Benefit for Wilson. 1st piece: Taken from Beaumont and Fletcher. 2nd piece [1st time; F 2, by John Dent. Prologue by Turner (see text)]. 4th piece: A Tragical, Comical, Operatical, Pastorical, Pantomimical, Farcical, Burlettical, Preludical, Interludical, Whimsical, Rhetorical, Diabolical, Oratorical Representation, being the most Comical Tragedy that ever was Tragedized by any Comical Company of Tragedians. With the Triumphal Entry of Chrononhotonthologos into Queerumania, attended with Drums, Trumpets, Fiddles, Flutes, Fifes, Flagelcts, Lutes, Bag-Pipes, Tabours and Pipes, Marrowbones and Cleavers, Post-Horns, French-Horns, Salt Box, Broomstickados, &c

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Receipt Tax

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Performance Comment: Chrononhotonthologos (King of Queerumania)-Wilson; Aldiborontiphoscophornio-Wewitzer; Bombardinian-Blissett; Herald-Riley; Captain of the Guards-Massey; Doctor-Painter; Cook-Barrett; King of the Fiddlers-Gaudrey; King of the Antipodes-Rayman; Rigdum-Funnidos (the Tragical Comical Courtier)-Parsons; Tatlanthe (the Queen's Favourite)-Mrs Brett; Venus-Miss Rowson; Cupid-Miss Painter; Maids of Honour-Miss Morris, &c.; Fadladinida (Queen of Queerumania)-Mrs Lefevre .

Monologue: 1783 08 13 End of 2nd piece Joe Haynes's Epilogue by Wilson, riding on an Ass

Event Comment: Mainpiece: Not acted these 2 years. Paid Thorley, Wax Chandler, #81 12s. Receipts: #91 13s. 6d. (65/15/0; 22/18/0; 0/15/6; tickets not come in: 2/5/0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Smith; Duke-Aickin; Cacafogo-Moody; Juan-Packer; Sanchio-Phillimore; Alonzo-R. Palmer; The Copper Captain-[Lee] Lewes; Margaretta (1st time)-Mrs Ward; Clara-Miss Barnes; Altea-Mrs Love; Old Woman-Mr Baddeley; Maid-Mr Waldron; Estifania-Miss Farren (1st appearance in that character) .
Cast
Role: The Copper Captain Actor:

Afterpiece Title: Comus

Cast
Role: 2nd Brother Actor: Phillimore
Role: Brothers Actor: Farren, R. Palmer
Role: The Lady Actor: Mrs Brereton
Related Works
Related Work: Comus Author(s): George Colman, the elder
Event Comment: By Authority of the Lord Chamberlain. At the request of several of the Scotch Nobility. Benefit for Raeburn. Mainpiece: In its original state, as it was written by Allan Ramsay in 1724 [recte 1725]. The Characters to be entirely new dressed. The Doors to be opened at 5:00. To begin at 6:00. No persons to be admitted behind the scenes, nor any money returned after the curtain is drawn up. Ladies are requested to send their servants by Five to keep places. Tickets to be had of Raeburn, No. 4, Gloucester-court, St. James's; of Walker, the Globe, Pall-mall; of Mackintosh, the George, East Harding-street, Shoe-lane; of Watson, the Fleece, Little Windmill-street (being the original Scotch house); of Mrs Shaw, the St. Andrew, near the Armitage-bridge, Wapping

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: Wit's Last Stake

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

Event Comment: Benefit for Brett. Public Advertiser, 27 Apr.: Tickets to be had of Brett, No. 7, Catherine-street, Strand. [In mainpiece the playbill retains Booth as Peachum, but "Moody in the absence of Wilson [sic] played Peachum" (Public Advertiser, 3 May).] Receipts: #248 13s. (148/12; tickets: 100/1) (charge: #105)

Performances

Mainpiece Title: The Beggar's Opera

Cast
Role: Mat o' the Mint Actor: Mahon

Afterpiece Title: Rosina

Dance: In Act III of mainpiece, as17831014; End of mainpiece The Poney Races, as17840428

Song: End of Act I of mainpiece a favourite song by Leoni; End of Act II When Phoebus the tops of the bills does adorn by Leoni and Brett

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Arthur and Emmeline

Event Comment: By Permission of the Lord Chamberlain. Benefit for Raeburn, Stewart and Rae. Mainpiece: In its original state. Afterpiece: Written by the Author of the Prologue. The Doors to be opened at 5:00. To begin at 6:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Rice at the Theatre; and tickets to be had at Rae's, No. 4, Wardour-street, Soho

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Performance Comment: Patie-M'Donald; Roger-Cockburn; Symon-Middlemist; Glaud (with The Cries of Edinburgh')-Thompson; Sir William Worthy-Aberdein; Bauldy-Murray; Jenny-Mrs Tassie (1st appearance); Mause-Mr Blair; Madge-Mr M'Nab; Peggy-Mrs Raeburn. A new Occasional Prologue, written and spoken by ThomasStewart .

Afterpiece Title: The Double Amour

Performance Comment: The characters of which will be expressed in the Bills of the Day. [Larpent MS 926 lists the parts: Capt. Somerville, Mr Harly, Mr Sellfield, Sir Oliver Oafby, Servant; Miss Somerville, Miss Noel, Dorothy, Maid.] hathi.

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

Performance Comment: imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean] .
Event Comment: Benefit for Waldron. 1st piece: Originally written by the celebrated Monsieur de Beaumarchais, and perform'd innumerably, often at Paris; translated and adapted to the English Stage by the very ingenious Mr Holcroft, Author of several admired Dramatic and other Works; and perform'd with unbounded Applause during Half the Season last Winter at the Theatre Royal in Covent Garden. 2nd piece: Never acted here; written by Mr O'Keeffe, set to music by Mr Shield, and performed with unceasing Applause at the Theatre Royal, Covent Garden. 3rd piece: To conclude with the Representation of the Siege of Gibraltar, Elliot's Red Hot Balls, &c. Tickets to be had of Waldron, at the Cock and Magpie

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Performance Comment: Figaro-Benson; Count Almaviva-Thome (2nd appearance on this stage); Don Bartolo-Wright; Don Guzman (the stuttering Counsellor)-Wellman; Basil-Payne; Bounce-Banister; Doublefee-Kerridge; Courier-Meadow; Oyer-Stuart; Servant-Mast. Payne; Anthonio (the drunken Gardener)-Waldron; Page (with the elegant and favorite song, Ah well-a-day, my poor heart)-Miss Cranford; Countess-Miss Bird; Marcelina-Mrs Monk; Agnes-Mrs Benson; Susan-Mrs Wellman .

Afterpiece Title: The Poor Soldier

Performance Comment: Patrick (the Soldier)-A Young Lady (1st appearance [unidentified]); Dermot-Thome; Captain Fitzroy-Kerridge; Monsieur Bagatelle-Benson; Father Luke (the Irish Priest)-Wellman; Darby-Waldron; Kathleen-Mrs Benson; Norah-Miss Cranford .
Cast
Role: Father Luke Actor: Wellman

Afterpiece Title: Harlequin Skeleton

Performance Comment: Harlequin-Wright; Pantaloon-Wellman; Scaramouch-Kerridge; Punch-Banister; Clown-Benson; Colombine-Mrs Wellman. IMITATIONS. End of Act II of 1st piece a Variety of Theatrical Imitations by the Gentleman [unidentified] who delivered them on Miss Cranford's Night. vaudeville. 1st piece: To conclude with the admired Finale to The Duenna, and Dancing by Wright .unidentified] who delivered them on Miss Cranford's Night. vaudeville. 1st piece: To conclude with the admired Finale to The Duenna, and Dancing by Wright .
Event Comment: Mainpiece [1st time; C 5, by Elizabeth Inchbald. Prologue and Epilogue by Geoge Colman, the elder (see text, which also gives names of the speakers)]. Morning Chronicle, 25 July 1786: This Day is published I'll Tell You What (1s. 6d.)

Performances

Mainpiece Title: I'll Tell You What

Performance Comment: Principal Characters by Palmer, Bensley, Aickin, Bannister Jun. Williamson, R. Palmer, Lyons, Ledger, Gaudry, Parsons; Mrs Bulkley, Mrs Bates, Mrs Riley, Miss Farrcn. [Cast from text (G. G. J. and J. Robinson, 1786): Major Cyprus-Palmer; Mr Anthony Euston-Bensley; Colonel Downright-Aickin; Charles Euston-Bannister Jun.; Sir George Euston-Williamson; Sir Harry Harmless-R. Palmer; Servants-Lyons, Ledger, Gaudry; Mr Euston-Parsons; Lady Euston-Mrs Bulkley; Lady Harriet Cyprus-Mrs Bates; Bloom-Mrs Riley; A Young Lady [in review of the play in Public Advertiser, 5 Aug., called Mrs Charles Euston]-Miss Farren.] Prologue [spoken by Palmer]. Epilogue [spoken by Miss Farren. These were spoken as, here assigned, at all subsequent performances] . Prologue [spoken by Palmer]. Epilogue [spoken by Miss Farren. These were spoken as, here assigned, at all subsequent performances] .

Afterpiece Title: The Author

Event Comment: Mainpiece [1st time; C 5, by John Burgoyne, based in part on Le Pere de Famille, by Denis Diderot. Prologue by the Hon. Richard Fitzpatrick; Epilogue by the author (see text)]: With a Variety of new Scenes [by Greenwood (Daily Universal Register, 16 Jan.)], Dresses, and Decorations. Public Advertiser, 4 Feb. 1786: This Day is published The Heiress (1s. 6d.). "It rarely happens that all the characters of a piece are so well sustained" (Morning Chronicle, 16 Jan.). "We never saw a play more admirably performed in all its parts" (Gazetteer, 16 Jan.). "In point of performance the comedy had every advantage" (Morning Herald, 16 Jan.). Receipts: #226 2s. (205/10; 20/7; 0/5)

Performances

Mainpiece Title: The Heiress

Performance Comment: Principal Characters by King, Palmer, Parsons, Baddeley, Wilson, Chaplin, Bannister Jun., Aickin, R. Palmer, Smith; Miss Pope, Mrs Crouch, Mrs Wilson, Mrs Love, Miss Tidswell, Mrs Booth, Miss Barnes, Miss Farren. [Cast from text (J. Debrett, 1786), and European Magazine, January 1786, p. 8: Sir Clement Flint-King; Lord Gayville-Palmer; Alscrip-Parsons; Chignon-Baddeley; Mr Blandish-Bannister Jun.; Mr Rightly-Aickin; Prompt-R. Palmer; Clifford-Smith; Miss Alscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Blandish-Mrs Wilson; Tiffany-Miss Tidswell; Mrs Sagely-Mrs Booth; Waiting Maid-Miss Barnes; Lady Emily-Miss Farren.] Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi. Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi.

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Event Comment: Benefit for Mr and Mrs Brereton. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Chronicle, 21 Apr.: Tickets to be had of Mr and Mrs Brereton, No. io, Charles-street, Covent Garden. Receipts: #317 6s. 6d. (121/17/0; 7/11/6; 1/6/0; tickets: 186/12/0) (charge: #106 2s.)

Performances

Mainpiece Title: Isabella

Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: Who's the Dupe

Song: As17860223

Event Comment: "A to the dresses [in afterpiece], they almost as nearly resemble the habits of the peasantry of Russia as of Scotland" (Morning Chronicle, 29 Sept.). Receipts: #201 12s. 6d. (160.10.0; 40.11.6; 0.11.0)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Gentle Shepherd

Dance: End I afterpiece: Highland Reel-Mills, the Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.

Song: II: song (in character)-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Richard Coeur de Lion

Cast
Role: Old Mathew Actor: Fawcett
Role: The Seneschal Actor: Phillimore

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Comus

Cast
Role: Brothers Actor: Whitfield, Benson
Role: The Lady Actor: Mrs Brereton
Related Works
Related Work: Comus Author(s): George Colman, the elder

Song: II: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

Event Comment: Afterpiece: In 2 acts; Not acted these 8 years [not acted since 11 May 1773]. Receipts: #211 8s. 6d. (168.12.0; 42.4.0; 0.12.6)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Minor

Dance: End III: As17870920; End IV:a Scotch Dance, The Lucky Return-Mills, the Miss Stageldoirs