SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charlotte Lane"/1) | (@(roleclean,performerclean) "Charlotte Lane")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 752 matches on Event Comments, 711 matches on Performance Comments, 17 matches on Author, 13 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Sedgwick. Public Advertiser, 19 May: Tickets to be had of Sedgwick, No. 66, St. Martin's Lane. Receipts: #218 5s. (47.12.0; 19.19.6; 1.12.6; tickets: 149.1.0) (charge: #110 9s. 2d.)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Court of Apollo i

Afterpiece Title: Comus

Event Comment: Benefit for Duffey and Cox. Diary, 3 June: Tickets to be had of Duffey, No. 115, St. Martin's Lane [Cox not listed]. Receipts: #315 10s. 6d. (94.12.0; 6.3.6; tickets: 214.15.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Follies of a Day

Song: End I afterpiece: Tho' Bacchus may boast (composed by Shield)-Duffey; End II: Mad Tom (composed by Purcell)-Duffey

Performances

Mainpiece Title: The Widow Of Malabar

Performance Comment: Principal Characters by Holman, Farren, Thompson, Powel, Evatt, Harley, Mrs Rock, Miss Brunton Vocal Parts-Bannister, Incledon, Mrs Warrell, Miss Williams, Miss Stuart, Mrs Mountain; [Cast from text (William Lane, 1791): Young Bramin-Holman; Raymond-Farren; Narrain-Thompson; 2nd Bramin-Powel; Albert-Evatt; Chief Bramin-Harley; Fatima-Mrs Rock; Indamora-Miss Brunton; Prologue-Holman; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: A Divertisement

Afterpiece Title: Hob in the Well

Dance: In 2nd piece: Byrn, Miss Blanchet (of dl)

Event Comment: Among the Instrumental Performers are Messrs Ashley and Sons, Patria, Sarjant, Billington, Mahon, Boyce, Mountain, J. Mahon, the Leanders, Ware, Kaye, Rawlings, Sharp, Lyon, &c. &c. &c. Double Drums by J. Ashley. The Whole under the Direction of Harrison and Ashley. No Money to be returned. Places for the Boxes to be had of Brandon at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performances, with the Names of the Performers to their respective Songs, to be had at the Theatre, Price Six-pence. And to prevent imposition in the Streets, the Manager's Books are printed with the following Words at the bottom of each Title Page: "Printed by H. Macleish, Duke's-Court, Drury-Lane.

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Event Comment: [As afterpiece the playbill announces High Life below Stairs, but "A Disturbance of some length took place on Monday night at Drury-lane Theatre, occasioned by the substitution of The Deaf Lover for High Life below Stairs; and the confusion was augmented by the unadvised introduction of some soldiers into the galleries. The audience properly insisted on their removal, which being complied with, the tumult subsided" (Morning Post, 27 Apr.).] On this and every Evening for the remainder of the Season, the Doors will not be opened till 5:30, and the performance will commence exactly at 6:30. Receipts: #188 6s. (159.6; 27.8; 1.12)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Deaf Lover

Event Comment: Benefit for Sedgwick. Morning Chronicle, 14 May: Tickets to be had of Sedgwick, No. 66, St. Martin's-lane. Receipts: #100 16s. 6d. (65.11.0; 31.9.0; 3.16.6; tickets: none listed) (charge: #117 13s. 8d.)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Court of Apollo i

Afterpiece Title: The Pannel

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Event Comment: Benefit for Mrs Kemble. Afterpiece [1st time: F 2, by Stephen George Kemble, altered from The Fair Maid of the West, by Thomas Heywood. Larpent MS 914; not published. Author of Prologue unknown]. Morning Chronicle, 15 Aug.: Tickets to be had of Mrs Kemble, next door to the Old Slaughter's Coffee-house, St. Martin's Lane. "Miss Kemble, though only four years of age, drew forth much applause" (Diary, 17 Aug.)

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Northern Inn or The Days of Good Queen Bess

Event Comment: No Money to be returned. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. The Avenues to the Boxes, Pit and Gallery are all at the Front of the Theatre in the Hay-Market, and the Door in Market-Lane is for Chairs only. "The short time since it had been determined to occupy this theatre had not been sufficient to enable the workmen to perfect what was intended so soon as was expected; nor could they be got out in time for opening the doors in the afternoon: this delay, and the difficulty of finding the way to different parts of the house [see 24 and 27 Sept.], caused some disgust" (Universal Magazine, Sept. 1791, p. 220). 1st piece [1st time; M. PREL 1, James Cobb; music by Storace (Kemble Mem.). Larpent MS 918; not published]. Receipts: #472 8s. 6d. (451.7.6; 20.6.0; 0.15.0)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The Haunted Tower

Afterpiece Title: The Pannel

Performances

Mainpiece Title: The Widow Of Malabar

Performance Comment: Principal Characters by Holman, Farren, Thompson, Powel, Evatt, Harley, Mrs Rock, Mrs Merry. Cast from text (William Lane, 1791): Young Bramin-Holman; Raymond-Farren; Narrain-Thompson; 2nd Bramin-Powel; Albert-Evatt; Chief Bramin-Harley; Fatima-Mrs Rock; Indamora-Mrs Merry.

Afterpiece Title: The Little Hunchback

Afterpiece Title: Comus

Song: In 3rd piece: Sweet Echo-Miss Broadhurst; accompanied on the hautboy-W. Parke

Event Comment: [This is the only occasion in the 18th century when a play was acted in London on this date. "The performance at the Haymarket on the 30th of January has been noticed by his Majesty in a manner which is still a topic of conversation in the higher circles...There will be no more theatrical performances on the 30th of January" (London Chronicle, 28 Feb.). On 3 Feb. the Lord Chamberlain wrote to Sheridan as follows: "Sir--Information has been received at this Office that Theatrical Entertainments were exhibited at the Theatre, under your direction, in St. James's Haymarket on the 30th of Last Month, contrary to all precedent, and repugnant to Decency, being the Anniversary of the Martyrdom of King Charles the First. I do not know by what Authority such a Step was taken but, as Chamberlain of His Majesty's Household, think it my Duty to desire that you will be pleased to Cause the Practice to be discontinued in future. I am, Sir, Your Obedient, Humble Servant, Salisbury" (MS Letters to Sheridan from Various Correspondents,II, 64, in Harvard Theatre Collection). The Morning Chronicle on 31 Jan. offered another opinion: "It gave us infinite pleasure that last night we happily broke through one of the most absurd fasts in the calendar. The Managers of Drury Lane, with proper regard to the public, rescued them from the common dullness of a 30th of January." But the absurd fast remained in force until 1843.] Receipts: #339 18s. (291.4; 40.0; 8.11; ticket not come in: 0.3)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Englishman in Paris

Event Comment: Oratorio: Written by Milton. Set to Music by Handel. Among the instrumental performers are Messrs Ashley andSons, Patria, Sarjant, Billington, Mahon, Boyce, Mountain, Howard, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Lyon, &c. Double Drums by J. Ashley. The whole under the direction of Harrison and Ashley. At Play-house Prices. No money to be returned. Places for the Boxes to be had of Brandon at the Theatre. The Doors to be opened at 5:30. To begin precisely at 6:30 [same throughout oratorio season]. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Books of the Performance, with the names of the performers to their respective songs, price 6d., may be had at the Theatre, and to prevent imposition in the streets, the Manager's books are printed with the following words at the bottom of each title-page, "Printed by H. Macleish, Duke's court, Drury-Lane.

Performances

Mainpiece Title: Lallegro Ed Il Pensieroso 0

Afterpiece Title: LAlegro ed il Pensieroso 1

Afterpiece Title: LAllegro ed il Pensieroso

Afterpiece Title: Grand Miscellaneous Act

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Soldiers Festival or The Night before the Battle

Afterpiece Title: The Intrigues of a Morning or An Hour in Paris

Performance Comment: Principal Characters by Quick, Wilson, Fawcett, Macready, Thompson, Evatt, Rock, Rees, Munden; Miss Chapman, Mrs Mattocks. Cast from text (William Lane, 1792): Squire Lubberly-Quick; Physicians-Wilson, Thompson; Carlos-Fawcett; Erastus-Macready; 1st Tradesman-Evatt; Apothecary-Rees; Closefist-Munden; Julia-Miss Chapman; Nerina-Mrs Mattocks; Rock. Rock.

Afterpiece Title: The Wives Revenged

Event Comment: Benefit for Sedgwick. Sedgwick's Illness depriving him of the Power of appearing this Evening, he trusts his Friends and the Public will, with their usual Liberality, admit of his Indisposition as an Apology. Morning Herald, 17 Apr.: Tickets to be had of Sedgwick, No. 66, St. Martin's-lane, Long-acre. Receipts: #394 18s. 6d. (83.5.0; 43.7.0; 8.16.0; tickets: 259.10.6) (charge: #157 7s.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Bon Ton

Dance: End: a Dance-

Event Comment: Benefit for Fawcett [who had 1st acted Jemmy Jumps at York, 28 Apr. 1788]. Tickets delivered for The Female Pursuit will be admitted. Morning Herald, 5 May: Tickets to be had of Fawcett, No. 153, Drury-lane, facing Long-Acre. Receipts: #282 4s. 6d. (155.1.6; 6.17.0; tickets: 120.6.0) (charge: #105)

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: The Farmer

Afterpiece Title: The Irishman in London

Song: In 3rd piece: As17920421

Entertainment: MonologueEnd II: [a Jeu D'Esprit[; or, Jerry Sneak's intended Law Suit with the Major-Fawcett; [My] Little Pig lays without any Straw-Fawcett

Event Comment: Benefit for Marshall and Mrs Harlowe. Mainpiece: In Act V a Grand Battle between the Britons and Romans. Morning Herald, 17 May: Tickets to be had of Marshall, No. 17, Crown-court, Bow-street, Covent-Garden; of Mrs Harlowe, No. 54, Drury-lane. Receipts: #256 7s. (104.2; 1.10; tickets: 150.15) (charge: #105)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: A Divertisement

Dance: End III: A Divertisement, as17920410; In afterpiece: the Dances-Byrne, Mlle St.Amand

Song: II: Masquerade, in which Hark! the Lark at Heaven's Gate sings-Incledon, Marshall, Gray, Linton, Darley, Mrs Mountain, Mrs Martyr; End II: (for that night only) The Lucky Escape; or, The Ploughboy's return from the Sea (composed by Dibdin)-Mrs Harlowe in Character

Entertainment: MonologueEnd: Jeu D'Esprit, as17920516; Little Pig lays without any Straw, as17920516

Event Comment: Benefit for Wild. Morning Herald, 19 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #385 13s. (230.10; 4.8; tickets: 150.15). (charge: #105)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Irishman in London

Afterpiece Title: A Masquerade Anticipated

Dance: In: As17911102

Song: In 2nd piece: As17920421; End I: Black Eyed Susan-Incledon; II: Sweet Bird-; III: Can a Lover Pleasure find (composed by Sacchini)-Mrs Billington

Event Comment: A Comic Opera; the music chiefly composed by Paisiello. Under the direction of Storace. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. The subscriptions are received at Messrs Ransoms, Morland and Hammersley's only, upon whose receipt the tickets will be immediately made out, and delivered at the office of Jewell, treasurer. And the subscribers at the head of Boxes are intreated to observe that if the subscription money is not paid into the hands of the Bankers, before the opening of the Theatre, his Box will be considered as relinquished. N.B. The seats of the Pit and the Boxes will be entirely new furnished on the Opera Nights; and Gentlemen are most respectively [sic] informed that they cannot be admitted, either into the Boxes or the Pit on those Nights, unless they are in Afternoon dress. The Nobility are intreated to give directions to their servants to set down and take up the at Theatre with the horses' heads towards Pall Mall. The door in Market-lane for Chairs only

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: End I: a new Divertisement (composed by Noverre)-Mlle Millerd (from the Grand Opera in Paris; 1st appearance in this country), Mlle Hilligsberg, Favre Gardel, Nivelon; End Opera: Les Caractres de la Danse-; a new divertisement (composed by Noverre), Les Epoux du Tempe-Mlle Hilligsberg, Mlle Millerd, Nivelon, Favre Gardel

Event Comment: Among the Instrumental Performers are C. Ashley, Patria, Sarjant, Mahon, Boyce, Mountain, Lavenu, Simpson, Gwilliam, Purney, Munro, Leander, Kaye, Sharp, Wood, &c. &c. Double Drums, Bass Trumpets, &c. The whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. Places to be had of Brandon at the Box-Office in Hart-Street. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Books of the Performance, 6d. each, may be had at the Theatre. The Director's Books have these words at the bottom of each Title Page: "Printed by H. Macleish, Recorder Office, Duke's-court, Drury-lane.

Performances

Mainpiece Title: A Grand Selection 0

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Event Comment: Benefit for Wild. 2nd piece [1st time; F 1, by Robert Woodbridge]. Morning Herald, 4 June 1793: This day is published The Pad (price not listed). 3rd piece [1st time; BALL. P 2 (?), by James Byrn, altered from his The Provocation!]: The Incidents partly new, and partly selected from the much admired Pantomime called Provocation. In the course of the Pantomime a representation of an Engagement between an English and French Man of War; A Ship-wreck; The original Allegoric Scene from Provocation: A View of an English Camp; A Naval and Military Procession. Morning Herald, 9 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #335 1s. 6d

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck or French Ingratitude

Song: End: Captivity (Supposed to be sung by an Unfortunate Queen [Marie Antoinette] during her confinement)-; End 2nd piece: Black Eyed Susan-; In 3rd piece: Farewell to old England dear Mary adieu-Incledon

Event Comment: Benefit for Marshall and Mrs Harlowe. Tickets delivered for the 5th of June will be admitted. Morning Herald, 1 June: Tickets to be had of Marshall [for 5 June], No. 17, Crown-court, Bow-street, Covent-Garden; of Mrs Harlowe, No. 54, Drury-Lane. Receipts: #378 13s. 6d

Performances

Mainpiece Title: Columbus

Afterpiece Title: The Pad

Afterpiece Title: The Shipwreck

Song: End of 1st piece: Dibdin's song; The Lucky Escape; or, The Ploughboy's Return from Sea in character-Mrs Harlowe; End of 2nd piece: Sally in our Alley-Marshall; In 3rd piece: Farewell to old England dear Mary adieu-Incledon; Rule Britannia-Marshall, full Chorus; In the course of the Evening: Black eyed Susan-Incledon

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The London Hermit

Afterpiece Title: Caernarvon Castle or The Birth of the Prince of Wales

Performance Comment: Characters by Barrymore, Davies, Benson, Cooke, Bannister, Bannister Jun., Suett, Mrs Kemble, Mrs Bland, Miss DeCamp. Vocal Parts-Kenrick, Linton, Walker, Dorion, Dorion Jun., Little, Brown, Saunders, Dibble, Abbott, Lyons, Miss Dall, Mrs Powell, Mrs Hatton, Mrs Masters, Miss Menage, Mrs Bramwell, Mrs Edwin, Mrs Gaudry, Mrs Hale; Cast from text (William Lane, 1793): Edward I-Barrymore; Edward de Mortimer-Davies; Walter-Benson; Merlin-Bannister; Adam de Francton-Bannister Jun.; Phillip le Brun-Suett; Isabel-Mrs Kemble; Resa-Mrs Bland; Jane-Miss DeCamp; unassigned-Cooke.
Event Comment: Benefit for Bannister Jun. 2nd piece: By Permission of the Proprietors of the Theatre Royal, Drury Lane. Morning Herald, 23 Aug.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho

Performances

Mainpiece Title: Peeping Tom

Afterpiece Title: The Prize or 2 5 3 8

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The Quaker

Afterpiece Title: HEIGHO FOR A HUSBAND

Afterpiece Title: THE PURSE or Benevolent Tar

Performance Comment: Characters by Bannister Jun., Aidcin, Barrymore, Dignum, Miss Menage//Mrs Bland. [Cast from text (William Lane, 1794): Will Steady-Bannister Jun.; The Baron-Aickin; Theodore-Barrymore; Edmund-Dignum; Page-Miss Menage//Sally-Mrs Bland.] hathi. hathi.
Event Comment: Principal Violoncello by C. Ashley. Double Drums by R. Ashley. Trumpets by Sariant, Cantelo, Purney. Among the other Principal Instrumental Performers are Foster, Mahon, Boyce, Flack, Lavenu, John Sharp, Simpson, Gwilliam, Monro, Mich. Sharp, Wood, Warren, Wm. Sharp, Cobham, Cornish, Jenkinson, F. Sharp, Shutze, Lord, Woodham, J. Sharp, Franks, &c. With a Complete Set of Chorus Singers. The Whole under the Direction of Ashley. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]. Places to be had of Brandon at the Box Office in Hart-street. Books of the Performance, 6d. each, may be had at the Theatre. The Directors' Books have these words at the bottom of each title-page: "Printed by H. Madeish, Recorder-Office, Duke's-Court, Drury-lane."

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel